Friday, July 3, 2026
Jeff Bezos: A Wealth Hoarder with MAGA Lipstick Marks on His Butt Cheeks
Tuesday, April 13, 2021
My Name Is Starship Cobain
VERSE 1
My name is Starship Cobain and I’m from Washington State
The capitalist kiss of death is something I fucking hate
Lost my job at the Amazon warehouse, tossed out like trash
Now I live check-to-check by slaving away for Door Dash
I can deal with my pain with a roll of medical Mary-Jane
I’d smoke that shit regardless of what the lawmakers say
It’s as legal as whoring yourself out in the city of Las Vegas
Until the feds catch you with your pants down playing Sega
VERSE 2
My name is Starship Cobain and I’m from Port Orchard
They should really think about changing the name to Poor Tortured
Everybody’s got a truck and they all voted for Trump
They got the bumper stickers to prove it and the sense of a tree stump
Everybody’s transmission sounds like a smoker’s cough
If you turned it up to eleven and exploded their heads off
Not much to do here but sit in line at the Burger King
And order a hundred whoppers with a tank of onion rings
VERSE 3
My name is Starship Cobain, let’s all go to Seattle
And pray we don’t get caught up in a gangster gun battle
All I want out of this city is a show with Pop Evil
Fuck around in the mosh pit with some drunk ass people
I miss the days of Nirvana and that whole damn scene
A generation depressed when Kurt blew his head off clean
There were many imitators, but none of them could compare
To the gravelly voice that made your hair stand in the air
VERSE 4
My name is Starship Cobain, what does that even mean?
Hell if I know, it probably came to me in a dream
Or maybe it was chosen by my schizophrenic voices
Because from here on out, they’ll always make my choices
Sunday, April 14, 2019
Jealousy
Thursday, February 1, 2018
Lunatic Justice and Silent Warrior Announcements
Tuesday, January 9, 2018
Backwoods Barbarian
Wednesday, September 6, 2017
Wal-Martians
Friday, June 16, 2017
Wonder Woman
Saturday, January 14, 2017
A Picture Is Worth a Thousand Swear Words
Monday, August 22, 2016
Author Interview: Jesikah Sundin
- What was the inspiration for you wanting to be an author?
- In your opinion, what are the qualities of a likeable book?
- Does music play a role in your creative process?
- What sources of creative fuel do you draw inspiration from?
- How did you break into the writing business?
- Do you prefer paperback or digital books and why?
- In your opinion, how important are libraries to our society?
- What are the qualities of having a sympathetic main character?
- What did you do for a living prior to becoming an author?
- Do you have any words of wisdom for aspiring authors who might be reading this interview?
ISBN-13: 978-0-9913453-7-32014 Chanticleer Book Reviews Great Beginnings Cygnus winner for Sci-Fi/Fantasy
2014 National Indie Excellence Award Finalist for Science Fiction.
2014 Cygnus Award for Sci-Fi / Cyberpunk
2014 Dante Rossetti Award for Sci-Fi / Cyberpunk
2014 Dante Rossetti Grand Prize Award for Young Adult Fiction
"Jesikah Sundin is pioneering a whole new genre: near-future medieval fantasy with a cyberpunk twist..." -- Selah J. Tay-Song, award-winning author of Dreams of QaiMaj series
"...This book was beautifully written. It was detailed, immersive, and had a subtlety that I cannot help but be impressed by." -- Kookie Krysp Reviews

ISBN-13: 978-0-9913453-6-6
ISBN-13: 978-0-9913453-4-2Tuesday, September 22, 2015
A Lesson In Literary Marketing
Whenever I’ve written a short story or a novel, I wrote it with the idea of doing it for me and me alone. Every character, every plot device, every climax, they were all built around my own personal interests and core values. During these times of self-service, I forget that I’ve often described myself as an island with my interests. Let’s take a look at all of these keywords: liberal politics, professional wrestling, heavy metal music, mental illness, new age music, animal welfare, Dungeons & Dragons-style fantasy, adult Lego fandom, and so many more than I’m often forgetting and often clustering together. Some of these things go great together while others may ruin the witch’s cauldron that is my core values.
As a writer, appealing to yourself will always result in having a fun time. While such individual thinking is encouraged for all forms of art, if you want to get yourself out there, you also have to appeal to people who will actually take an interest in what you do. In other words, you have to know who your audience is.
The example I want to use for this parable is my self-published urban fantasy pro-wrestling novella Occupy Wrestling. Every person who has ever read it from cover to cover has had the same complaint: unfamiliarity with wrestling logic and terminology. The strange lingo, I can understand where they’re coming from. Not everybody knows what the hell a spine-buster is or why being called a jabroni is a particularly humiliating insult.
But even if I were to scrub the novella clean of all wrestling slang, the story would still operate on wrestling logic. Only in wrestling can you justify two guys nearly killing each other over a “stupid” gold encrusted belt. Only in wrestling do you fight one day and come up fresh as a daisy the next day almost injury free. Only in wrestling does doing everything once a week make any sense at all. I can scrub the vocabulary clean, but if I scrubbed the logic clean, it would cease to be a wrestling story. Hell, it wouldn’t be a story at all, for that matter.
Occupy Wrestling is currently sitting pretty at 2.75 stars on Good Reads and Amazon. Even the two people who gave it favorable reviews (Edward Davies and Andy Peloquin) were scratching their heads at the wrestling logic and lingo. My beta reader Marie Krepps was even scratching her head despite watching wrestling during the Attitude Era in the 1990’s.
There’s a lesson to be learned here: if you have a product of any kind, market it to the right people. Do you have a science-fiction story about cute cuddly kitties? Market it to people who make frequent visits to the Humane Society. Do you have an instructional manual about crocheting? That sounds like an activity for an older generation, so market it to them. What’s that? You have a basketball drama? Market it to people who like basketball.
Following this logic, what should I do with Occupy Wrestling? Should I continue to send free copies to English professors, chick-lit lovers, and nonviolent people? Or should I market this book to…(drum roll)…wrestling fans?! Let’s think about this for a minute. Do you know why “YES!” by Daniel Bryan is currently holding a 4.05-star rating on Good Reads? It’s because it’s been marketed to wrestling fans, like me.
I love it myself, but let’s face it, Mr. Bryan writes like a celebrity. His memoir style is nowhere near as polished as Alison Bechdel, James Frey, or Elizabeth Wurtzel. Then again, people love “YES!” because they love wrestling and they love Daniel Bryan. Could I possibly do the insane thing and slip copies of Occupy Wrestling to the Dave Meltzers, Vince McMahons, Stephanie McMahons, and Eric Bischoffs of the world? Imagine that: giving people what they like instead of what you think they should like. Who would’ve thunk it?
Remember, boys and girls: you may get knocked down and it may hurt for a long period of time. Everybody experiences failure at least one point in their lives. It’s our ability to get back up, dust ourselves off, and go back to the drawing board to alter our strategies that makes us immortal in the end. Nobody thought The Beatles would be as big as they’ve been over the past half-century. Michael Jordan locked himself in his room and cried his eyes out when his high school basketball tryouts went up in smoke. There are people who still think Daniel Bryan is a B+ player despite everything he’s been through. None of these famous people gave up and neither should you. They changed their approach to life and I’m changing mine as well. Now I just have to figure out how to reach the wrestling fans in a way that they can relate to my novella. We’ve got ears, say cheers!
***CURRENT AND FUTURE PUBLICATIONS***
As of today, I have three defunct publications and three active ones. The active ones are Confessions of a Schizophrenic Savage (poetry and song anthology), American Darkness (contemporary drama anthology), and Occupy Wrestling (urban fantasy novella). Though self-publishing these three active books hasn’t earned me a great deal of fame or fortune, I’m still grateful that they’re out there and in the public eye. I don’t write because I want to be greater than JK Rowling or Stephen King. I write because I love to create beautiful things. You can call it artistic passion, the creative urge, or just plain autistic tendencies. Either way, there will be other self-published books to come and no matter how tough things get, there will be no giving up. Here’s a look at those future publications:
American Darkness 2: Black State (contemporary drama anthology)
Blood Brawl (Dungeons & Dragons-style fantasy novel)
Filter Feeder (environmental fantasy novel)
Necrograph (dark poetry and heavy metal song anthology, almost a sequel to Confessions of a Schizophrenic Savage)
Poison Tongue Tales (science-fiction, fantasy, and horror anthology)
Watch You Burn (psychological fantasy novel)
***FACE BOOK POST OF THE DAY***
“Coincidence is killing an oversized house spider with a paperback copy of ‘Silence of the Lambs‘. Irony is using a Carl Hiaasen novel instead.”
-Me-
Friday, August 21, 2015
"Blade of the Destroyer" by Andy Peloquin
AUTHOR: Andy Peloquin
YEAR: 2015
GENRE: Fiction
SUBGENRE: Medieval Fantasy
GRADE: Pass
The Hunter is a ruthless contract killer who always finishes his assignments and demands his payment right away. His methods are as mysterious as his actual birth name. He does everything on his own terms. Those who double-cross him will find themselves brutalized in the worst possible way. Rumors of his deadliness have spread far and wide, creating the illusion that he is invincible. But when he finishes an assassination of a high-ranking lord, he finds out that the aristocrat is involved with a criminal empire known as the Bloody Hand. Only through dealing with these merciless thugs will The Hunter’s invincibility be truly tested.
The reason this book gets a passing grade (four stars if you’re on Good Reads) is because of how well-constructed it is. Everything is so intricately researched to where the author himself feels like an authority on contract killings and stealth trickery. Whenever The Hunter needs a disguise, he not only puts on the right clothing, but he also puts plaster on his face to match the physical description of that character. When he needs an entry point into a castle or a fortress, he sneaks to the tippy-top of that building and eases his way inside with no problems. When he fights his opponents, they not only go down, they stay that way either through brutal incapacitation or death itself. The Hunter does everything he possibly can to keep his identity a secret while successfully going in for the kill.
As cold and calculating as he is, The Hunter is not without personal feelings. Every once and a while, he’ll meet with a small child or a lonely beggar that he feels so much sympathy for that he’ll pay them a little extra money and attention when walking by. He even allows beggars outside of his home, mostly to maintain subterfuge, but also because they have nowhere else to go. And whenever The Hunter sees a pretty woman, he’s not without his primal urges to get in bed with her and do the nasty. This goes to show that no matter how much you push your feelings down for the sake of your profession, they will always come back stronger than ever. It’s what makes us human, and though people think of The Hunter as godlike, he is human.
But if there’s one part about this novel that really had my attention, it’s The Hunter’s weapon of choice, the Bloodhunger. It’s a jagged dagger that not only rips flesh and shatters bones, but also drains the spiritual essence out of those it penetrates. When Bloodhunger wants blood, he’ll get it one way or another. Did I say he? That’s because the dagger actually communicates with The Hunter in a schizophrenic fashion whenever it’s time to kill someone. The hungrier the dagger is, the louder the head voices become. Sometimes The Hunter will have witty banter or a philosophical discussion in his own head about oligarchies, romance, and such, and Bloodhunger will completely interrupt his train of thought with violent words. Not only is this a creepy and frightening part of the story, but it’s also quite original. Any form of against the grain creativity will always strike a chord with not just me, but also other readers.
Andy Peloquin may be an independent author, but he’s no rookie. If he is, he doesn’t write like one. His descriptions paint a vivid image in the reader’s mind just like any piece of writing should. Blade of the Destroyer is no exception to that rule. You should also follow his blogs on Good Reads since his words of wisdom will ring true with any aspiring author. I follow him on Good Reads and we’ve actually become good friends over time. This passing grade I’m giving his book isn’t because we’re good friends. It’s because he’s a damn good writer with infinite potential and a creative mind. He can get the job done come hell or high water.
Tagline/Elevator Pitch:
A faceless, nameless assassin. A forgotten past. The Hunter of Voramis--a killer devoid of morals, or something else altogether? (Blade of the Destroyer--dark fantasy with a look at the underside of human nature)
Book Blurb:
The Last Bucelarii (Book 1): Blade of the Destroyer
The Hunter of Voramis is the perfect assassin: ruthless, unrelenting, immortal. Yet he is haunted by lost memories, bonded to a cursed dagger that feeds him power yet denies him peace of mind. Within him rages an unquenchable need for blood and death.
When he accepts a contract to avenge the stolen innocence of a girl, the Hunter becomes the prey. The death of a seemingly random target sends him hurtling toward destruction, yet could his path also lead to the truth of his buried past?
Book Info:
Title: The Last Bucelarii (Book 1): Blade of the Destroyer
Author: Andy Peloquin
Official Launch Date: August 21st, 2015
Publication Date: July 11th, 2015
Paperback Price: $15.99
Digital Price: $3.99
Pages: 298
ISBN: 1515038955
Buy Links:
Amazon Kindle: http://www.amazon.com/Blade-Destroyer-Last-Bucelarii-Book-ebook/dp/B012EI9M4A/
Amazon Paperback: http://www.amazon.com/Blade-Destroyer-Last-Bucelarii-Book/dp/1515038955/
Goodreads: https://www.goodreads.com/book/show/25269614-blade-of-the-destroyer
Book Launch Event:
https://www.facebook.com/events/1625045874438351/
Bio:
Andy Peloquin: Lover of All Things Dark and Mysterious
Andy Peloquin--a third culture kid to the core--has loved to read since before he could remember. Sherlock Holmes, the Phantom of the Opera, and Father Brown are just a few of the books that ensnared his imagination as a child.
When he discovered science fiction and fantasy through the pages of writers like Edgar Rice Burroughs, J.R.R Tolkien, and Orson Scott Card, he was immediately hooked and hasn't looked back since.
Andy's first attempt at writing produced In the Days: A Tale of the Forgotten Continent. He has learned from the mistakes he made and used the experience to produce Blade of the Destroyer, a book of which he is very proud.
Reading—and now writing—is his favorite escape, and it provides him an outlet for his innate creativity. He is an artist; words are his palette.
His website (http://www.andypeloquin.com) is a second home for him, a place where he can post his thoughts and feelings--along with reviews of books he finds laying around the internet.
He can also be found on his social media pages, such as:
Twitter: https://twitter.com/AndyPeloquin
Facebook: https://www.facebook.com/andyqpeloquin
www.linkedin.com/in/andypeloquin/
https://plus.google.com/100885994638914122147/about
https://www.amazon.com/author/andypeloquin
https://www.facebook.com/andrew.peloquin.1
10 Things You Need to Know About Me:
I never forget a face, but rarely remember a name.
I'm a head taller than the average person (I'm 6' 6")
Marvel > DC
I was born in Japan, and lived there until the age of 14.
Selena Gomez and Five Finger Death Punch are both in my playlist.
Aliens are real, but it's self-centered of us to believe that they would come to visit Earth.
Watching sports: suck. Playing sports: EPIC!
I earned a purple belt in Karate/Hapkido/Taekwondo.
I dislike most Christmas music, aside from Trans-Siberian Orchestra.
Reviews:
"Creative, gritty, and beautifully dark...fantasy addicts will love it!" -- Peter Story, author of Things Grak Hates -- http://peterjstory.com/
"The fantasy world has a compelling new antihero…the Hunter will terrify and captivate you." - Eve A Floriste, author of Fresh Cut
"From the first words on the page this fantasy holds the reader spellbound even after the book is finished…his character is very well-defined even if his past is a mystery. Root for an assassin? Oh, yes, one must!" -- Carol Conley, for InDTale Magazine
Saturday, January 31, 2015
Makoto Lionheart
AGE: 18
OCCUPATION: Samurai Clown
CANON: The Macaroni & Ownage Project
Those stats alone should tell you how much of a colorful character Makoto had the potential to be. How many samurai clowns are there in this world? And how many people can genuinely say they were part of something called The Macaroni & Ownage Project, whatever the hell that is? It’s a delightfully weird hodgepodge we’ve got going on here. And yet, when I dropped the ball with Makoto, it was the size of a bowling ball and it broke my fucking foot. What could have possibly went wrong with such a chaotic character? Well, seeing as how none of the chaos was controlled, I can think of a number of ways.
In 2007, I wrote a fantasy movie script called The Macaroni & Ownage Project, where a bunch of medieval juggalos rebel against an oppressive and religiously zealous leader named Rajim Kane. The group of clowns responsible for the rebellion would ambush and humiliate Mr. Kane’s forces, just like lunatic clowns do. They’d do things like dry hump a few knights, throw shit-flavored pies in preachers’ faces, and smack around a noble king with a popping jack-in-the-box. Think of the most bizarre and disrespectful shit you can and these clowns did it all. I’m sure a dead ringer for The Artist Formerly Known as Goldust was somewhere within their ranks.
Makoto Lionheart was a member of this organization and even wore the face paint and clown nose to prove it. She just wasn’t as degenerate as her cohorts. In fact, her male counterpart Lee Murdoch seemed to think she was too soft, so he would subject her to sexual ridicule to try to bring out her inner demons. Smart strategy, right? Not!
Although, to Makoto’s credit, she eventually turned to the dark side when it mattered the most. She was kidnapped by a group of Amazon prostitutes (I’m rolling my eyes just saying that) and broke free by disgusting them to death. How did she do it? By ripping out a client’s skull and spinal cord and then coating the body parts in sugar before licking it like a lollipop. Yeah, there’s no way such a movie would get under an NC-17 rating.
Unfortunately, that Faces of Death-style grotesqueness was Makoto’s shining moment in that movie. Well, that and choking Lee Murdoch into unconsciousness with a head scissors leg lock during a fighting tournament. If such sickening sights are the high point of a movie, what are the low points? And you know what the worst part about all of this was? These horrifying antics were normal to me. They still are a little bit normal to me. Yes, I’ve mellowed out considerably over the years, but something deep inside me keeps yelling in a Cavalera-esque voice, “Blood! Fire! War! Hate!” Either that, or I’m listening to Soulfly’s “Conquer” album, one of the two.
So now that another story is about to get Makoto’s sloppy seconds, what exactly am I supposed to do with someone who could be a repeat offender for the Worst Gimmick award if she was in the WWE? What do I do with the illegitimate sister of Gold and Stardust? Should I take the same route where she’s soft at first but then becomes nastier as the story moves on? It’s a reasonable technique, but maybe I could tone down some of the nonsensical violence. Don’t get me wrong, she can still have weird quirks, but they’ll be PG-13 quirks. Makoto will be strange enough to make everyone around her uncomfortable, but peaceful enough to avoid being labeled a sociopath.
Now that I think about it, Makoto Lionheart is a female version of me! Oh, this could be something to cash in on for sure! Maybe she can blow her nose in public as loudly as an elephant. Maybe she can drink fake liquid cheese with bacon bits stirred in; a whole gallon, to be exact! Maybe she can get in an elevator with a lot of people and make it go to an entirely different floor than what everyone intended. And when she does the latter, she won’t say a word to the other passengers no matter how many times they try to engage her in conversation. If she did say something, it’d be like, “Well, I don’t have a chance at a five-way, so I might as well act as crazy as I want.” Now we’re talking! Hey, they wanted conversation, right?
Yes, Makoto Lionheart took a hard fall when it came to character unemployment. In fact, her presence alone might have been part of the reason why my friend at the time Sarah was too afraid to read The Macaroni & Ownage Project. Sarah even admitted to me that she was afraid of clowns. Never mind the disgusting antics of the rebel group, just the fact that they wear juggalo makeup is enough to creep this poor girl out. If such a movie script can creep out someone of sensitive psychology, imagine if it went up against an audience who was tough minded, which is hard to find these days, to be honest. Would they still be disgusted? Part of me says yes, which is why I’m going to be careful with Makoto’s character development in the future. Good call? I’d say so.
***LYRICS OF THE DAY***
“Because I was born this way. I got lightning running through my veins. Ain’t nobody gonna stop this train. So hop onboard or get out the way.”
-Thousand Foot Krutch singing “Born This Way”-
***POST-SCRIPT***
Is it wrong that I’m quoting a Christian metal band in a blog entry about sexually deviant clowns?


