Tiger Bullet Kick

Bob Rua had been through every kind of battle and shed tons of blood in his day, but even he admitted that he hadn’t seen anything yet. There would always be stronger challengers and they would always come in greater numbers. The anthropomorphic tiger wore his battle scars as badges of honor. He purposefully walked around in baggy shorts with no shirt to remind himself of the many hits he had taken. His thick striped orange fur could barely contain the bloody slashes he had endured. Most of his fur was getting grayer with every passing generation. “I’m getting too old for this shit,” he would often say to himself.

Old he may be, his job of guarding the Moon Temple Mausoleum was no less important. He patrolled the inside of the stone sanctuary and marveled at the golden treasures buried in caskets with their dead owners. Taking these jewels to the afterlife would make the “clients’” journey into heaven that much richer. Any lowlife bandit who dared rob these caskets would be met with a swift kick to the gut, a punch to the jaw, knees and elbows to wherever Bob felt like throwing them, or he could employ the infamous martial arts technique, the Tiger Bullet Kick.

Bob reflected on all of the times he was forced to use such a brutal maneuver. It not only obliterated anybody who stood in its path, but it took a lot of energy out of the user. Sometimes Bob would be bedridden for three weeks straight after executing the Tiger Bullet Kick. Sometimes he would cough up blood and vomit bile. It was amazing he lived as long as he did. The thought of having to perform such a technique again made him quiver with anticipated sickness and anxiety.

Elderly age afforded him the wisdom to show restraint when it came to the technique. It also caused him to be lost in thought whenever his alertness was needed. It wasn’t until he heard feint whispering that he was snapped out of his old man gaze. With his lantern guiding his way in the dark, Bob shouted out, “Who’s there? Show yourself! Family visitations ended much earlier in the day!”

Bob was getting closer to the source of the whisper and was able to hear that the speaker was using mystical tongues. “Necromancy? Is that why you’re here? Not on my watch, you scoundrel!” The tiger monk’s sandaled feet slapped against the stone floor as hard as they could when he approached the voice further. The whispers grew louder and faster until Bob’s lantern shone on the source.

Standing over a nearby coffin was a woman in red samurai robes with her orange hair pinned in a bun and her arms extended as she was casting her spell. She slowly turned her head around to reveal her monstrous, creepy clown smile complete with sharp teeth, a bloody nose, and bloodshot eyes. Bob let out a small shiver, but at the same time maintained his fighting stance.

“So you’ve come to my temple looking for your own personal minion? You necromancers disgust me! Being dead is hard enough without freaks like you trying to make puppets out of their corpses! I could vomit all over this floor right now!” said Bob.

The clown lady laughed like a horse and arched backwards like Bob’s warning was the greatest comedy in the world. She unsheathed her katana and spoke to him in a raspy voice. “Trust me, tiger man, Viktor the Warlord is hardly the man I came here for! I’ve got much more work to do on these sacred grounds!”

The necromancer samurai licked her blade seductively before leaping into battle with the martial arts tiger. The two warriors threw kicks, punches, and slashes at each other with whooshing sound effects behind them as they dodged like athletes. They continued to fight even faster than before, causing their dodges to resemble acrobatic flips and slides. During one of the slides, Bob Rua slipped on his ass and was vulnerable for a rushing stab from the samurai clown. But as the bladed warrior bolted towards him, he shot right back up and delivered an oxygen-draining spin kick to her stomach, causing her to double over and gasp for air.

 Bob shook out his shoulders and said to his victim, “Is that all you’ve got? Are you going to finish this fight or are you just going to lie down and moan?” The clown’s answer came in the form of mocking laughter, to which the tiger monk marched over to her and lifted her head by her hair. “You think disrespecting the dead is funny? I should snap that skinny neck of yours right fucking now!”

The coffin the necromancer was working on exploded into green fire, knocking pebbles into Bob’s chest and stinging him slightly. Out of the fire came his worst nightmare, Viktor the Warlord, a seven-foot tall mummy wrapped up in filthy tape with maggots crawling all over his rotting purple skin. Viktor’s moans at first sounded like someone getting out of bed on a Monday. The moans then started to become animalistic, like a pack of wolves hungry for meat.

Bob tossed the samurai to the ground and rushed up to Viktor to deliver a furious beat down. His punches were like wrecking balls, his kicks were like sledgehammers, his elbows and knees were like battering rams, but all they did was stagger Viktor a few inches backwards.

The mummy wrapped both of his worm-infested meat hooks around Bob’s neck and hoisted him in the air while squeezing the life out of him. As the tiger man struggled to pry Viktor’s hands off, he threw even more jackhammer-like kicks to the midsection and groin area, but all he did was expend energy and darken his vision even more. Before he could completely fade away, Viktor released his grip and dropped Bob’s nearly limp body to the stone floor, causing him to nearly lose his lunch and his lungs as he coughed violently.

“Come on, tiger man,” taunted the necromancer. “Why don’t you use that Tiger Bullet Kick you’re so proud of. I know exactly who you are. You’re a dying breed of the Rua clan. You’ll probably be dead if you use that Tiger Bullet Kick one more time. Go ahead. Try it. You’re all alone in this temple. Nobody’s coming to help you. It’s do or die, my friend. Mostly just die, but you get what I’m saying.”

“Yeah, like I’m going to let you sneak out of here with the treasure once I’m dead and gone. Get lost, punk!” said Bob in a raspy voice as he staggered to his feet. This time Viktor grabbed him by the fur on his head and hoisted him high off the floor.

“It’s kill or be killed, Bob! What’s it going to be? You know you want to do it!” taunted the samurai as she did cheerleader-like hops and flips in evil happiness.

Viktor smiled at Bob with worms swirling around his teeth and tongue. His breath smelled like cow shit, almost bad enough to earn himself a KO victory. But then a bright yellow aura glowed around Bob Rua. The light radius grew beyond his prone body and the samurai clown was cheering him on. She knew what was coming and danced around like a madwoman. Viktor challenged him with an even nastier smile and said, “Do it!”

“It could kill me, but I don’t fucking care anymore! Tiger Bullet Kick!” shouted Bob. With fire and light surrounding his legs, he threw one powerful flying kick to Viktor’s chest, sending a heavenly show of golden aura throughout the temple, turning night into day and turning the moon into sunshine. The mummy warlord laughed like the monster he was before turning into a heap of dust and leaving Bob on the ground taking short and weak breaths.

The samurai spun around and tiptoed up to Bob’s lifeless body, to which she saw blood pouring from his mouth and nose. She clapped her hands happily and extended her arms to cast another necromancy spell. After her obligatory haunting whispers, she explained, “Truth is, Bob, I didn’t come here for Viktor the Warlord’s services. He was just a byproduct of a much bigger plot. I came here for you, tiger man. Forever more, you will be my undead minion. You will know your master as the great and powerful Makoto Lionheart, Gatekeeper of Souls. Now rise, you worthless scum! Rise from your slumber so that you may do that lovely Tiger Bullet Kick over and over again! Oh, I’m going to have so much fun with you!”

Bob started moaning like he had sleep apnea as he got on his hands and knees and slowly stood up to face his new master. In a zombie-like drone, he said, “I shall do whatever you wish, my lord.” Makoto spun around and cheered to herself while smiling like an innocent child. “There’s just one catch,” Bob said before reaching out and grabbing Makoto by both sides of her head. “I said that the Tiger Bullet Kick could kill me, not that it would.” Makoto trembled in his vice-like grip. “I’m ready for the world’s longest nap. Would you care to join me?”

With his tiger claws buried deep into the sides of Makoto’s head, he spun her skull around multiple times before her neck muscles loosened and her neck bone snapped in two, leaving her a lifeless heap on the floor as soon as Bob released her. The tiger warrior smiled at his handiwork, but not without coughing up chunks of blood and sprawling over the corpse of his victim. As his body relaxed on what might be his last night on earth, he softly said to himself, “Man, I’m getting too old for this shit.”

Sarah Tonin

NAME: Sarah Tonin
AGE: 23
OCCUPATION: Rebel Clown
CANON: The Macaroni & Ownage Project


The canon Macaroni & Ownage Project should sound familiar to anybody who read Makoto Lionheart’s profile. If you haven’t read it, go read it now on my Deviant Art account, Good Reads blog, or Garrison’s Library. You have to do some serious excavation to find it, but I’m not repeating everything I said about the canon in that profile. All you need to know that the MOP is a group of Juggalo-like clowns who rebel against a religious king named Rajim Kane and his demon giant Broken Soul.

One of the rebels for the cause is Sarah Tonin. Go ahead and laugh at the obvious pun, because that’s what was intended. I wanted a name that was a play on words for serotonin, the chemical in the brain that registers euphoria. Sarah, the actual character this word is based on, is anything but euphoric. In fact, she’s bat shit crazy and she’s carrying a wooden staff: not a good combination. People worry about the mentally ill obtaining guns and they should. But what you should really worry about is Sarah Tonin carrying a fucking staff. She can split your skull like a coconut, crack your ribs like crab legs, and blow out your knees to where you have to crawl from point A to point B.

Sarah doesn’t show much of her wild personality in the beginning of the movie script. In fact, she stays quiet while the other two surviving clowns, Lee Murdock and Makoto Lionheart, are constantly at each other’s throats. It’s when the three clowns join a martial arts tournament that things really begin to heat up. Sarah loses to a capoeira fighter named Sonny Fu in the quarterfinals and because she’s a sore loser, she beats the shit out of him in the locker room area. But here’s the million dollar question: though Sarah is the prime suspect in Sonny Fu’s hospitalization, is she really to be held responsible or should we take into account that she has multiple personalities as a result of a traumatic past?

Sarah eventually has to face the music when she takes a nap in the woods and finds herself in a different world brought on by psychosis, where she has to fight two warriors named Rowan Z and X King. The two warriors beat the shit out of her until she learns how to control her psychotic mind and returns the favor. She then wakes up from her traumatic nightmare when Lee and Makoto shake her body into consciousness. The whole thing was a fucking dream. Before you scream Deus Ex Machina, you have to know that Sarah Tonin might not have woken up from that dream. She could have died in her sleep and that would be the end of her. Yikes!

This whole time, Sarah, Lee, and Makoto have been traveling to an ancient temple where they were going to seek counseling from a clown sage, who supposedly has the answers on how to defeat Broken Soul. I say supposedly, because the sage’s advice sounds like a bunch of gibberish and jargon. When Broken Soul finally arrives, the three have no idea how to interpret the advice and Lee Murdock gets stepped on while trying to save Makoto’s life. The battle ends when a fourth clown, who was crucified by Rajim Kane, arrives to interpret the sage’s answer: just be your disgusting and creepy selves. Apparently, that advice was good enough for the nameless clown, Lee, and Makoto to finish the job and put an end to Rajim Kane’s reign of terror.

Does this sound like a credible story to you? Maybe after a few tweaks here and there, it could have been something great. But my money is on the fact that anything I’ve written before 2013 is beyond repair due to my lack of reading experience and unwillingness to listen to the critics who are trying to help me. So now Miss Tonin is in the unemployment line of my imagination. And yes, she will keep her name Sarah Tonin despite the fact that it’s an obvious punch line.

If you think Sarah Tonin’s name is a joke, listen to this. In my WIP psychological fantasy novel Watch You Burn, Mario Bryan’s ex-girlfriend is named Terri. For the longest time, she hasn’t been assigned a last name…until now. Her last name is…Bull. If you’re going to call her Terri Bullshit, you’ve got the wrong punch line I mind. Just Terri Bull will be good enough. Now say her full name really fast and you get…”terrible”! Hahahahaha! Oh, that’s so funny! But trust me, Terri Bull and Sarah Tonin have nothing in common with each other. One of them is a crazy bitch who will beat you to death with a wooden stick…and the other is a rebel clown.

　

***MOVIE QUOTE OF THE DAY***

“Look, I don’t mind people snickering at the stupid uniform I have to wear, but I’ll be damned if I’m going to let some self-righteous lucky turd come over here and treat me and Dante like we’re a couple of fucking porch monkeys!”

-Randal Graves from “Clerks II”-

Makoto Lionheart

NAME: Makoto Lionheart

AGE: 18

OCCUPATION: Samurai Clown

CANON: The Macaroni & Ownage Project

Those stats alone should tell you how much of a colorful character Makoto had the potential to be. How many samurai clowns are there in this world? And how many people can genuinely say they were part of something called The Macaroni & Ownage Project, whatever the hell that is? It’s a delightfully weird hodgepodge we’ve got going on here. And yet, when I dropped the ball with Makoto, it was the size of a bowling ball and it broke my fucking foot. What could have possibly went wrong with such a chaotic character? Well, seeing as how none of the chaos was controlled, I can think of a number of ways.

In 2007, I wrote a fantasy movie script called The Macaroni & Ownage Project, where a bunch of medieval juggalos rebel against an oppressive and religiously zealous leader named Rajim Kane. The group of clowns responsible for the rebellion would ambush and humiliate Mr. Kane’s forces, just like lunatic clowns do. They’d do things like dry hump a few knights, throw shit-flavored pies in preachers’ faces, and smack around a noble king with a popping jack-in-the-box. Think of the most bizarre and disrespectful shit you can and these clowns did it all. I’m sure a dead ringer for The Artist Formerly Known as Goldust was somewhere within their ranks.

Makoto Lionheart was a member of this organization and even wore the face paint and clown nose to prove it. She just wasn’t as degenerate as her cohorts. In fact, her male counterpart Lee Murdoch seemed to think she was too soft, so he would subject her to sexual ridicule to try to bring out her inner demons. Smart strategy, right? Not!

Although, to Makoto’s credit, she eventually turned to the dark side when it mattered the most. She was kidnapped by a group of Amazon prostitutes (I’m rolling my eyes just saying that) and broke free by disgusting them to death. How did she do it? By ripping out a client’s skull and spinal cord and then coating the body parts in sugar before licking it like a lollipop. Yeah, there’s no way such a movie would get under an NC-17 rating.

Unfortunately, that Faces of Death-style grotesqueness was Makoto’s shining moment in that movie. Well, that and choking Lee Murdoch into unconsciousness with a head scissors leg lock during a fighting tournament. If such sickening sights are the high point of a movie, what are the low points? And you know what the worst part about all of this was? These horrifying antics were normal to me. They still are a little bit normal to me. Yes, I’ve mellowed out considerably over the years, but something deep inside me keeps yelling in a Cavalera-esque voice, “Blood! Fire! War! Hate!” Either that, or I’m listening to Soulfly’s “Conquer” album, one of the two.

So now that another story is about to get Makoto’s sloppy seconds, what exactly am I supposed to do with someone who could be a repeat offender for the Worst Gimmick award if she was in the WWE? What do I do with the illegitimate sister of Gold and Stardust? Should I take the same route where she’s soft at first but then becomes nastier as the story moves on? It’s a reasonable technique, but maybe I could tone down some of the nonsensical violence. Don’t get me wrong, she can still have weird quirks, but they’ll be PG-13 quirks. Makoto will be strange enough to make everyone around her uncomfortable, but peaceful enough to avoid being labeled a sociopath.

Now that I think about it, Makoto Lionheart is a female version of me! Oh, this could be something to cash in on for sure! Maybe she can blow her nose in public as loudly as an elephant. Maybe she can drink fake liquid cheese with bacon bits stirred in; a whole gallon, to be exact! Maybe she can get in an elevator with a lot of people and make it go to an entirely different floor than what everyone intended. And when she does the latter, she won’t say a word to the other passengers no matter how many times they try to engage her in conversation. If she did say something, it’d be like, “Well, I don’t have a chance at a five-way, so I might as well act as crazy as I want.” Now we’re talking! Hey, they wanted conversation, right?

Yes, Makoto Lionheart took a hard fall when it came to character unemployment. In fact, her presence alone might have been part of the reason why my friend at the time Sarah was too afraid to read The Macaroni & Ownage Project. Sarah even admitted to me that she was afraid of clowns. Never mind the disgusting antics of the rebel group, just the fact that they wear juggalo makeup is enough to creep this poor girl out. If such a movie script can creep out someone of sensitive psychology, imagine if it went up against an audience who was tough minded, which is hard to find these days, to be honest. Would they still be disgusted? Part of me says yes, which is why I’m going to be careful with Makoto’s character development in the future. Good call? I’d say so.

　

***LYRICS OF THE DAY***

“Because I was born this way. I got lightning running through my veins. Ain’t nobody gonna stop this train. So hop onboard or get out the way.”

-Thousand Foot Krutch singing “Born This Way”-

　

***POST-SCRIPT***

Is it wrong that I’m quoting a Christian metal band in a blog entry about sexually deviant clowns?