It's a Punderful World and The Joker Agrees

 

Joker

MOVIE TITLE: Joker

DIRECTOR: Todd Phillips

YEAR: 2019

GENRE: Psychological Thriller

RATING: R for violence, swearing, and disturbing themes

GRADE: Extra Credit

Humanizing a violent criminal is a tall task in and of itself. Getting sympathy for any kind of character is harder than it looks (trust me, I’ve tried). When you watch this movie, not only will you have sympathy for Arthur Fleck a.k.a. The Joker, but you’ll cheer for him as well. There’s more to building a sympathetic villain than throwing in a tragic back story and calling it a day. This movie went above and beyond in developing the Joker character. He’s mentally ill, he’s rejected by society because of his awkward behavior, he’s impoverished, and he’s the target of violence just as much as he’s the instigator. While people wouldn’t under any circumstances condone his violent behavior, they will at least understand it. They might even learn to treat fellow members of society with respect. Nobody starts out as an evil person. They’re slowly built into one by the forces around them. Again, it doesn’t excuse Joker’s murders nor does it give the incel community an idol to look up to. But the more we see each other as human beings, the more we act like human beings.

Of course, none of this sympathy would have been possible if not for the brilliant acting work of Joaquin Phoenix, who played The Joker. In fact, Mr. Phoenix might be telling Heath Ledger to hold his beer (no disrespect to Mr. Ledger). The pathological laughter, the nervousness around strangers, the poor cadence of his jokes, the sadness when he’s alone, they all looked believable coming from Joaquin Phoenix. Mental illness is a lonely obstacle for someone to overcome. Nobody wanted to be around The Joker when he was at his worst and the actor brought that loneliness to life through his character work. It took a lot of studying and reading in order to get this villain down perfectly. Mr. Phoenix’s passion for what he does is obvious in his roles. If he doesn’t get an Oscar for this performance, I’m going to be very surprised and upset. Granted, I won’t give the Army nervous fits with my level of disappointment and nor should anybody else. You hear that, terrorists? Be nice!

Somewhere in this nature vs. nurture debate, there’s a modern day dystopia happening all around The Joker. Garbage is piling up, rats are infesting the city, the disenfranchised are being bullied, social programs are being cut, and poverty is at an all time high. When politicians and oligarchs use their influence to enrich themselves at the expense of others, distrust starts to build between the social classes. It doesn’t always end in riots and violence, but sitting down and doing nothing doesn’t cross their minds either. In many ways, the dystopian politics of this movie reminds me a lot of what’s going on in the real world under the Trump administration. So we have a realistic Joker and a realistic political system. Superhero movies get a bad rap for being cartoonish and comical, right? You know what Joaquin Phoenix and the rest of the crew says to that? “Hold our beers.”

Everything that could go right with this movie did go right. It’s gritty, it’s real, it’s dark, and nothing was out of place. Keeping a smile on your face all of your life is close to impossible. It’s okay to feel bad sometimes. Toxic positivity did nobody any good. But if you must rage against the machine with a nihilistic point of view, don’t cross the point of no return like The Joker did. An extra credit grade will go to this modern day masterpiece. Now THAT’S something worth smiling about!

Batman vs. Superman: Dawn of Justice

MOVIE TITLE: Batman vs. Superman: Dawn of Justice

DIRECTOR: Zack Snyder

YEAR: 2016

GENRE: Superhero

RATING: PG-13 for violence and language

GRADE: Mixed

In the public eye, Superman is either seen as a godlike savior for the neighboring cities of Metropolis and Gotham or a reckless oaf who leaves destruction as part of his heroism. The Wayne Enterprises building and the people inside happened to be victims of Superman’s carelessness and now Batman wants revenge for the fallen. Stirring the pot between these superheroes is Lex Luthor, a corporate prodigy who comes into possession of Kryptonite (Superman’s weakness). Can Batman and Superman get along and team up against the real threat to humanity or will their shades of gray characteristics blind them into fighting each other to the death?

The fact that Zack Snyder uses shades of gray logic to define Batman and Superman is part of what makes this movie unique. Superman can be careless when it comes to containing his powers, but Batman can be just as sadistic and merciless when he brands the bat symbol onto criminals before sending them to jail. These two characters cancel each other out when it comes to the moral high ground, so much so that political pundits such as Charlie Rose and Neil Degrasse Tyson had to be brought in to discuss their risk vs. reward values. I’m not saying we’ll have a recklessly devastating superhero scenario in real life, but if we did, are we as a society prepared to make compromises and see the middle ground? We ccouldn’t find that middle ground even without Superman and Batman killing everything, so we’re pretty much doomed. Just look at all the buildings that get destroyed in the name of superhero politics. People give anime a hard time for having buildings burn to the ground so easily, but they need to see this movie for more of the same.

This fictional political climate might have been more jarring to watch if the shooting of the movie was better executed. Something about this movie makes me want to give it a mixed grade despite all it has going for it. It could be the lack of character investment. It could be the slow pacing. It could be the cliché violence and destruction. It could be that the pieces of this plot were lazily thrown together. Maybe it’s the way the movie dragged on for over two hours of nothingness. I can’t pinpoint one feature of this movie that’s responsible for the negative reviews it got, but when my brother asked me what I thought of it, all I could say was, “Meh”. The movie had loads of potential to be something great, but something about it just made me want to tune out.

Whatever the main negative point could have been, it certainly wasn’t Jesse Eisenberg’s acting when it came to his portrayal of Lex Luthor. I know he got a Golden Raspberry award for worst supporting actor, but I disagree with that opinion. Lex’s character drew a lot of parallels to Heath Ledger’s version of The Joker with how delightfully insane and quirky he was. I have a soft spot for crazy-minded characters due to how relatable they are (not in every way, but in some ways). Sometimes the villains are more relatable than the superheroes. In fact, they can be just as “shades of gray” as Batman and Superman are in this movie. I keep wondering what it was that made Lex Luthor snap the way he did. We don’t get a clear answer by the end, so that makes me even more curious. Either way, I love his kooky portrayal! The body language, the tics, the cadence in his voice, even Lex’s hairstyle reminds me of The Joker. Golden Raspberry, my foot!

While Batman vs. Superman isn’t a perfect movie, I’m not going to completely dump all over it despite its glaring flaws. A mixed grade is nothing to sneeze at, especially considering everybody else seems to be headhunting these days when reviewing suspicious movies. I wanted to enjoy this movie. I love the DC Universe. I stuck with the film until the end. Again, it’s not perfect, but the haters can calm down just for a little while before they click that one or two-star option.

"Preacher, Vol. 4" by Garth Ennis

BOOK TITLE: Preacher, Vol. 4: Ancient History

AUTHOR: Garth Ennis

YEAR: 1998

GENRE: Graphic Novel

SUBGENRE: Horror

GRADE: Pass

Three tales of bloodshed, three glimpses into the pasts of the famous Preacher characters we know today. The Saint of Killers started off as a wild west bounty hunter with a heart so cold he brought snowy weather to Texas (that’s not a clever joke, that’s a fact). Arse-Face’s was a disenfranchised teenager constantly bullied at school and abused by his corrupt cop father. The Good Old Boys Jody and TC were swamp fighters who stumbled upon a gang of mercenaries trying to recover a blackmail tape from a cop and a smoking hot lawyer. Nobody is safe in these homicidal stories. What doesn’t kill them will leave a scar.

The level of violence in these stories is maximum tier, maybe even beyond that if it’s humanly possible. It’s more than just splattering blood across the scenery. It’s more than just broken bones and squishy organs. It’s psychological torture. It’s reliving those horrific scenes for the rest of your life (however long that may be). Maybe if you’re lucky, your brain will explode in this hurricane of violence and you can be spared from this maddening torture. But then there’s always the possibility of living with a sadistic devil or a corrupt god. In which case, the bloodshed and brutality will come full circle long before you’re ready to be reincarnated and have it happen to you all over again.

Unfortunately, this kind of horrific display is also applicable to innocent animals that’ve done nothing wrong. The animal cruelty in this graphic novel is easily the hardest to stomach while the violence to humans is at least sick and twisted fun. Whether it’s Gumbo McCready’s gang shooting horses, Pube shooting a yappy dog, or Jody beating the hell out of a confused gorilla with a baseball bat, your heart will sink so far down it’ll think it’s in the ninth circle of hell. While the animal deaths are a true representation of how screwed up life can be, it doesn’t make them easier to read about, much less physically see on the pages of a graphic novel. Thank goodness for the ASPCA, which I donate to every month.

Just as alarming is the way in which Arse-Face is treated throughout his story. He’s constantly beaten by his father, beaten by the students at school, and rejected pretty much everywhere else he goes, and this is all before his face became permanently disfigured. His only escape in life is through his punk rocker best friend Pube, who happened to be the one to shoot the yappy dog with a shotgun. Not much of an escape, huh? If I had to live that screwed up of a life in Texas, I too would want to find solace in even the most horrible people while smoking marijuana until the end of time. Disturbing as hell, yet the most poignant of the three stories, especially considering how Kurt Cobain’s suicide played a role in Pube and Arse-Face’s decision-making.

Preacher, Vol. 4 is equal parts heartbreak and violent fun. The delightfully vulgar dialogue sets it all up with perfection and can be another entertaining part of the graphic novel, even with Saddam Hopper and his inability to swear properly. Garth Ennis knocks it out of the park yet again with these Preacher graphic novels. He probably needs many years of therapy, but it’ll be worth it if he continues pumping out awesomely violent fiction like this. How does a passing grade sound to all of you?

Wonder Woman

MOVIE TITLE: Wonder Woman

DIRECTOR: Patty Jenkins

YEAR: 2017

GENRE: Superhero

RATING: PG-13 for violence and language

GRADE: Extra Credit

In the middle of World War I, Amazon warrior Princess Diana grows up on an island of like-minded female fighters who train hard to one day be able to fend off an attack from Ares, God of War and slayer of Zeus. When an American spy crash lands on the island and is rescued from drowning by Diana, he unintentionally brings German soldiers with him and a battle ensues between the Amazons and the invaders. During the struggle Diana’s aunt is murdered in cold blood. Now Wonder Woman wants to venture outside the island to kill Ares herself in an attempt to bring an end to war. Her mother is against it at first, but knows she can do nothing to stop Diana and her independent ways.

We all know from past incarnations of Wonder Woman that she’s a badass superheroine who can withstand ungodly amounts of punishment and beat the hell out of anybody she deems fit for a royal ass-kicking. But she’s more than a mere fighting machine. Diana’s journey leads her to the shades of gray world of war, where nobody is purely evil or purely good. We all have to find the balance within ourselves and decide on our own what is right and wrong. This inner crisis makes Diana a stronger woman for what she goes through. She sees the horrors of war and decides she’s on the side of love and hope. The American spy she saves, Captain Steve Trevor, plays an intricate role in helping her see these shades of gray, but it is ultimately up to Diana which road to take. Her heroic aspirations are admirable, but she needs a little something extra. That is the point of this film and that’s a beautiful statement to make.

Part of Diana’s character development is learning the ways of the outside world since she spent all of her life on the island of Amazons. Watching her struggle to adapt is amusing at times and actually brings out the cuteness in her character. Whether she’s trying on outfits, figuring out relationships, or criticizing a general to his face, she comes off as socially awkward and that’s the source of comedy for this movie. My favorite part of this trope is when Steve Trevor’s secretary is describing what she does for a living and Diana says that it’s basically slavery. Can’t argue with that! But then there are some socially awkward moments that make her appear romantic, like when she learns out to dance (or sway from side to side) with Steve. This kind of culture shock is realistic for anybody who’s lived in isolation, but it doesn’t turn into a chaotic disaster and that’s what makes the quirk effective.

Of course, what would a superhero movie be without that delicious action-packed violence? Wonder Woman will give you plenty of that, but sometimes you’ll have to be a good little boy and wait patiently. The training on the Amazonian island, the crossing of No Man’s Land, and most definitely the final battle with Ares, these are all filled with martial arts action, gun play, and explosions. Lots and lots of explosions. It’s also quite refreshing to see a strong female role model like Diana dishing out these ass-kickings. And while we’re on the subject of role-modeling, please stop complaining about the “sexy” nature of her outfit. She can wear whatever she damn well wants to and beat the crap out of her opponents at the same time. Sexual predators would get beaten into powder if they tried anything they shouldn’t. If I was fighting a war of any kind, I’d want Wonder Woman on my side at all times. She’s tough, she’s brutal, and she’s brave as hell.

Now that we’re on the topic of feminist superheroines, there’s a massive elephant in the room that needs to be addressed. I’m sure most of my audience has read in the news about a theater in Austin, Texas having an all-female screening of the movie as a show of solidarity and girl power. Even though I’m a man, I’m not at all offended by that. The reason we have feminism in the first place is because for far too long women have been treated like second class citizens. They still get treated that way today. Good for that movie theater for stepping up! And good for Gal Gadot for putting on an awesome show for that female audience! Because of the profound influence this movie has had on the female community, I’m giving it an ultra-rare Extra Credit grade! How does that sound?!

Fap

VERSE 1

Princess Leia in a metal bikini

Daphne Blake sucking on a weenie

Wonder Woman with tape on her mouth

Chun Li getting some of the in and out

Masturbating is as natural as breathing

Yet it leaves all the churchgoers seething

They have kids to raise, to protect from sin

As I throw this Kleenex in the garbage bin

CHORUS

Fap X10

VERSE 2

Sheryl Crow with her feet on the dash

Cammy White with a thong up her ass

Tifa Lockhart with a big fucking chest

None of this requires an STD test

‘Cause jerking off is as natural as eating

No judgment for the meat you are beating

It’s the safest fun you can have for free

How about Chi-Chi from Dragon Ball Z?

CHORUS

Fap X10

BRIDGE

You like to judge and point your fingers

Put your blame on those “devil singers”

Don’t knock it until you’ve tried it

Who knows? You might just like it!

VERSE 3

Harley Quinn with her lust and sin

Mercy Graves will never behave

You have the room all to yourself

Have nothing to fear, not even hell

CHORUS

Fap X20