Showing posts with label Western. Show all posts
Showing posts with label Western. Show all posts

Saturday, April 25, 2020

"Kind of Like Life" by Christina McMullen


BOOK TITLE: Kind of Like Life
AUTHOR: Christina McMullen
YEAR: 2014
GENRE: Fiction
SUBGENRE: Psychological Fantasy
GRADE: Extra Credit

When you put The Matrix and fantasy elements in a milkshake blender and mix them together, you get a delicious treat from Christina McMullen called “Kind of Like Life”. You start the book thinking it’s going to be a utopian love story. Everything that can go right for Renee Ward does go right. And then the world around her is revealed to be a lie. The reality of it all is horrifying as hell. Can she wake up from her nightmare long enough to make things right in the real world? That’s a question you’ll be asking yourself throughout your entire reading adventure. You don’t know what the solution to these problems will be, so nothing is predictable. Hell, you’re not even sure if a happy ending was meant to exist. I love surprises and I love plot twists. Christina McMullen delivers on both of those fronts, which is part of the reason her book is getting five out of five stars.

Another reason why she gets that grade is because the entire book is a celebration of creativity and imagination, a break from the ordinary. Genres can bend at the drop of a hat. One minute you’re in a lush faerie forest full of magic, phoenixes and wonder. Another minute you’re in a Wild West desert being chased by a sheriff and his posse. And then you’re flying through space unleashing pew-pew lasers upon other spaceships that want to gun you down and watch you burn. You know how people say that imagination has no limits? Neither does this book. Crossing genres is creative in and of itself, but telling a cohesive story with compelling characters to keep it from being shallow? That takes a lot of skill and Christina McMullen has that in spades.

Speaking of compelling characters, how can you not like the chemistry between Renee Ward and the man who rescues her from the cracking utopia, Blake Carter. They start off being suspicious of each other and sometimes annoyed at their presences. But the more they learn about each other, the closer they become. Blake’s past of being abused by his parents isn’t just an empty attempt to make him appear sympathetic. It’s a trust builder and it ties into the story in a way that sensitively deals with such a traumatic topic. The descriptions of the abuse he went through and how his parents got away with it Scot free are heartbreaking to read about. I came within a hair of shedding some tears for this scene. Renee Ward doesn’t necessarily have to heal Blake through her relationship with him, but she does understand his pain and she does handle his trauma in a delicate way. Does he want to talk about it? Does he want to avoid the subject? Renee is there for him either way. These two characters don’t complete each other; they complement each other. That’s the stuff healthy relationships are built on. We need more of this in fiction today.

This book has an uncanny ability to play with your brain like silly putty as you try to piece together the puzzle of the plot or wrestle with your emotions through all of the heartache. I like being surprised. I like having my darkest emotions triggered. I also like having my lighthearted emotions triggered as well. There’s something for everyone in this novel. You want a thriller? You’ve got one. You want fantasy? It’s all yours. You want a psychological rollercoaster? Have at it. As I’ve said before, “Kind of Like Life” deserves a five out of five star rating for being everything I wanted it to be and more. I know full well that anybody else who picks up this book will have the same glowing opinion. Christina McMullen is awesome like that. It makes me look forward to reading other novels in her catalog as well.

Wednesday, January 1, 2020

Drunk as a Skunk


This would have been a perfect time for Sheriff Walt Magnus to begin again…if it wasn’t for the smell of alcohol radiating off of his body like nuclear energy. The burps exploding from his fanged mouth also included splashes of green spittle, a color that already looked horrifying on his scaly orcish flesh. The crotch of his blue jeans resembled a swimming pool, provided his bits and pieces were swimming in sewage. His red flannel shirt was glazed over with sweat, so much so that he had to air out his leather vest just to beat the desert heat. His snakeskin boots danced around on the sandy ground as he shimmied drunkenly from side to side. No doubt the Silver Star on his cowboy hat looked less and less believable with every near trip.

Passersby gazed upon their once beloved Sheriff with crinkle-faced disgust. Elven traders backed away as quickly as they could, probably hoping Walt’s drunken sweat didn’t get on their produce. Human families shielded their children, covering their ears with every passing burp. Even the shirtless, flabby-bellied, shit-breathed ogres held their nose in disgust as they waddled away from Walt. Despite his mind echoing with drunken harmonies, he could make out the various curses that his citizens said under their breath. Walt’s heart would have sunken if his emotions weren’t already numb. Instead, a vomit spill on the wooden steps of the Red Dragon Saloon would have to suffice. Now the citizens got the hell out of there in a big fucking hurry.

“I got this…I fucking got this shit…I can do this…just one measly arrest is all it takes…eh, who am I kidding?” With nobody around to listen to his monologue, Walt collapsed through the swinging doors of the saloon and face-planted on the floor, almost shattering his wide nose and a few fangs in the process. Almost. Drunken stupor be damned, he could still hear the squeaks of a rag cleaning off glass mugs. “Thank god you’re here, Murphy. You ain’t going to believe this, but…I need another drink…”

Walt grabbed the edge of a nearby piano and yanked himself to his feet, but not without dancing around some more. It suddenly dawned on him why the saloon was so quiet. Human corpses decorated the establishment, some bent over chairs, some sprawled out across the tables and the bar, all of them with blood pouring from their wounds like the tap itself. Walt could also smell elven blood, which was a daisy garden compared to the ogres lying about. Once his vision cleared up, he saw no sign of Murphy the Bartender behind the counter.

The one wiping the glass mugs (and shattering a few of them with her thick fingers) was a rotund anthropomorphic rhino dressed in a green leather apron. She gazed into Walt’s watery eyes and pointed her blood-soaked horn at him. “I ain’t Murphy, asshole. He couldn’t make it to work today. He’s taking a permanent vacation in the bowels of hell with the rest of these fat-shaming losers. It’s like they ain’t never seen a big woman before. Even these god-forsaken ogres couldn’t keep their flabby gums shut.”

“Yeah, I know how that is…” Walt burped before staggering and dragging his feet towards the bar, almost falling off of his stool as he parked his ass down. He could have sworn the deer heads on the wall were glaring judgmentally at him as well. Even the corpses looked like they wanted to drag Walt to hell with them, provided the rhino woman was right about their ultimate fates. “Can I at least have a beer?”

The rhino woman laid her palms across the bar after tossing the glass mug aside. “You sure about that, honey? Do you really need another bottle right now? Shouldn’t you be out cuffing people or some shit?”

Walt dropped his forehead onto the bar. “Yeah, like anyone gives a shit anymore. It’s always do this, do that, all without an ounce of thanks. You have any idea how many punks I’ve put in the pokey?” He lifted his head and tried to use his bladed fingers to count, but immediately lost track and chuckled. “I’m all burned out and nobody gives a rat’s ass. They whine and complain to me all day and now they’re fucking surprised that I’m piss drunk.”

“I certainly hope you’re not trying to pull a fast one on me, Sheriff. I might have to gore your ass too if you pull that negotiator 101 shit right now. Yeah, you’re one ugly motherfucker alright, but you’ve got that little narrow ass that the voters like. Me? I couldn’t sell a glass of water to a guy dying of thirst. They see my big ass and my big nose and automatically want to deduct a hundred IQ points. Ain’t nobody voting for me anytime soon.”

Walt burped again, spilling bile down his already messed up shirt and vest.

“Ain’t nobody voting for you either if you keep that shit up. Seriously, go take a bath or something. There are horse stalls across the street that smell better than you.”

Walt almost leaned back too far for his comfort. “You know what? You’re right. Maybe I don’t need a beer today. But…there’s no way in hell I’m going out there in that heat…not like this. You won’t mind if a sleep here for a few hours, would ya, miss?” He took the rhino’s hand and kissed it in a vain attempt to sweeten the deal.

She smiled. “I don’t see why not. Everyone else around here is taking a nap, I guess you could too. Maybe I’ll play something on the piano, like a lullaby or some shit. Or I could just stick my horn right through your fucking chest, either one would be fine.”

Walt lurched forward and a vial of amber liquid fell out of his sleeve. His eyes widened as his façade was exposed to the now growling rhino. She picked it up and shattered it between her fingers, confirming that it was indeed alcoholic perfume.

The Sheriff chuckled hoarsely. “Dina Octavia Lord…you’ve got this entire town scared shitless of you...Nobody’s got balls big enough to confront your big ass…But I will. Come with me, babe. You’re under arrest for mass murder!”

Dina roared a windstorm in Walt’s face, assaulting his nostrils with bad dentistry and knocking him on his back. “Oh, shit!” he said as he put his blown off hat back on and scrambled to his feet, bolting out of the saloon.

The thunderous sound of massive rhino legs charging behind him caused Walt to hold onto his hat and pick up speed. Everybody else scattered like cockroaches, screaming and crying while their arms flailed in the air. As Dina’s feet clomped and shook the ground, Walt’s heart thudded even louder and his mind cluster-fucked itself worse than if he actually was drunk. The footsteps pounded his eardrums like they were actual percussion instruments. “Just a few more steps…a few more!”

Once he could feel the tip of Dina’s horn piercing his ass crack, Walt dove through one of the horse stalls and covered up in the hay. The wooden walls exploded like dynamite once Dina crashed through them. Walt was certain he was going to be flattened like a pancake and crushed like peanut brittle. But then…horse whines belted through the stables and were accompanied by hooves smashing and kicking out of intense fear. Dina bellowed out of both anger and pain, her face and ribs covered in horseshoe marks, broken bones, and blood.

Walt covered up and cowered some more as the horses stormed out of their stalls, leaving a trail of shit and piss behind them, not to mention Dina’s thick blood. Speaking of Dina, she lied on the ground clutching her broken body and coughing up blood. Her horn even broke off to where it was a jagged mess rather than a clean blade.

Sheriff Magnus slowly stood up and pulled out his six shooter, aiming it at the wounded and battered Dina, who just suffered through a kung fu assault from a house full of frightened horses. “You see that, Miss Lord? That’s what happens when you try to use fear to control your enemies. When the people get scared, they do scary shit. In the case of the horses…well, we knew how that story ended. I know you don’t like being called fat and ugly. To be honest, nobody does. But if the whole town followed your example and went on a mass murdering spree…I might have an actual reason to be drunk as a skunk instead of doing my duty.”

Kneeling down beside Dina, he said, “Now listen, lady: I ain’t got cuffs big enough for them wrists of yours. No, that ain’t a fat joke, that’s god’s honest truth. I guess I’ll just have to hold your ass at gunpoint as I take you to jail.” He stood back up and motioned for her to stand up with his gun barrel.

Spitting out chunky blood and broken teeth, Dina said, “There’s no way in hell I’m going to jail before these jokers and clowns do. I don’t see you arresting the dickheads who signed their own death warrant a long fucking time ago. They didn’t have to kiss my ass. They just had to keep their damn mouths shut. Is it too much to ask? I SAID IS IT TOO MUCH TO FUCKING ASK?!” Despite aggravating her rib injuries, Dina found a way to reach Walt’s ankle. She got what she probably hoped for this whole time: suicide by cop. Walt shot her in the chest multiple times, putting an end to her reign of terror for good.

Despite having an obvious victory under his belt, Walt frowned at his handiwork. His body shook in anger as onlookers clapped for him. He couldn’t help but think there was a little bit of truth to what Dina said during her final moments. Walt spun around and confronted his admirers. “What are you fuckers cheering at?! This is your damn fault!” The clapping died down and faces sagged in somber reflection. “Hell, none of you would give me the time of day when you thought I was drunk. You were ready to vote for the other guy once you had enough of my jolly green ass. Shallow bastards!”

Walt ripped the Silver Star out of his cowboy hat and tossed it aside before marching away, his middle finger waving proudly in the air like a patriotic banner. These people were freaks too, but maybe Dina was a little too freaky even for them. Then again, so was Walt Magnus, which was why he stamped away from these ingrates in the first place.

Thursday, September 12, 2019

The Hateful Eight


MOVIE TITLE: The Hateful Eight
DIRECTOR: Quentin Tarantino
YEAR: 2015
GENRE: Western Thriller
RATING: R for violence, swearing, nudity, and rape
GRADE: Pass

A blizzard hits Wyoming in the middle of bounty hunter John Ruth transporting his $10,000 captive Daisy Domergue to Red Rock to be executed. After his stagecoach picks up two extra passengers along the way, Major Marquis Warren and Sheriff Chris Mannix, the travelers are forced to hunker down in a lodge together with other suspicious characters until the blizzard passes over. As the strangers get to know each other, not everyone can keep their stories straight and it leads to paranoid distrust. Bodies begin piling up until their paranoia tapers, which means Daisy’s chances of escaping execution increase even more.

Just like with any other Quentin Tarantino movie, every character is developed through realistic, gritty, and vulgar dialogue. It’s not just cursing and slurs for the sake of edginess. Everything said in this movie has a purpose and nothing goes to waste. This is especially true when Marquis is telling old man Sandy Smithers how the latter’s son died at the former’s hands. It’s also true when John Ruth tells stories about how he prefers to hang his bounties rather than give them an easy route to death. And it’s true again when Chris Mannix brags about his father’s renegade army of confederate remnants fighting for a dying cause. None of the characters’ back stories or present actions make them appear sympathetic, I’ll admit, but if we were meant to sympathize with them, the movie wouldn’t be called the Hateful Eight. This is classic Tarantino storytelling at its apex.

I also must commend the musicianship of Ennio Morricone, who provided most of the soundtrack for this movie. Whenever a feeling of impending doom or hard justice needs to be experienced by the audience, Morricone’s music will make them believe in the brutality they’re seeing onscreen. He has a legendary track record of providing fantastic scores for western movies, so recruiting him was a natural fit on Tarantino’s part. I’m not sure if the Hateful Eight’s soundtrack has been released as a CD or digital album, but if it hasn’t, then it’s a crime. Classical music never goes out of style and even if it did, it can always be revived by conductors like Morricone.

Tarantino movies could be criticized for dragging themselves out too long or being overindulgent in their exposition through dialogue, but in the case of the Hateful Eight, I don’t agree with that sentiment at all. Everything had its place. Every conversation had its own feeling of drama and excitement. If you watch Tarantino movies just for the brutality, you might have to wait a while, but it’ll be worth it in the end. Think of the conversations as the slow build and the violence as the major crescendo in a symphony of masterful filmmaking. I wouldn’t lump John Ruth punching and elbowing Daisy in with that symphony since it was disturbing to watch and out of context it would make John Ruth look like a jerk. Yes, your butt will go numb as you go through this two and a half hour long masterpiece, but when you’re kicking it in the Caribbean, you’ll be saying to yourself, “Marcellus Wallace was right.” Wait a minute, wrong movie! But you get the idea.

While this movie isn’t anything earth shattering, it is a piece of art to be admired and rewatched just to soak in the talents of everybody involved. Samuel L. Jackson was undoubtedly the show stealer when it came to the acting. Ennio Morricone’s music is always heaven on the ears. The story itself can be easily pieced together once the movie draws to its conclusion. All in all, there’s not much to complain about even with the lengthy screen time and the scenes where Daisy gets punched (despite the fact that she too is an unsympathetic villain). A passing grade will go to this modern day Tarantino classic!

Sunday, July 7, 2019

Hokey Tonk


VERSE 1
If you want to be a real American hero
You need to sign up for the Big Ass War
The number of terrorists alive will be zero
They’ll all explode like July the Fourth

VERSE 2
If you don’t have a Social Security number
It means you were born in the back of a truck
Working through sickness will quench your hunger
This is America and here we don’t give a fuck

VERSE 3
If you want to own a big fucking machinegun
You have to be whiter than the Ku Klux Klan
Just pull the trigger and have an ass-load of fun
Teach your son to shoot so he can be a big man

VERSE 4
If you think this song is anything but a joke
You’re less educated than the state of Alabama
Blind patriotism is nothing more than a hoax
Especially when the racist judge bangs his hammer

FINAL LINE
Yee-haw, bitches! Roll Tide!
Whatever the fuck that means…

Thursday, December 28, 2017

"Preacher, Vol. 4" by Garth Ennis

BOOK TITLE: Preacher, Vol. 4: Ancient History
AUTHOR: Garth Ennis
YEAR: 1998
GENRE: Graphic Novel
SUBGENRE: Horror
GRADE: Pass

Three tales of bloodshed, three glimpses into the pasts of the famous Preacher characters we know today. The Saint of Killers started off as a wild west bounty hunter with a heart so cold he brought snowy weather to Texas (that’s not a clever joke, that’s a fact). Arse-Face’s was a disenfranchised teenager constantly bullied at school and abused by his corrupt cop father. The Good Old Boys Jody and TC were swamp fighters who stumbled upon a gang of mercenaries trying to recover a blackmail tape from a cop and a smoking hot lawyer. Nobody is safe in these homicidal stories. What doesn’t kill them will leave a scar.

The level of violence in these stories is maximum tier, maybe even beyond that if it’s humanly possible. It’s more than just splattering blood across the scenery. It’s more than just broken bones and squishy organs. It’s psychological torture. It’s reliving those horrific scenes for the rest of your life (however long that may be). Maybe if you’re lucky, your brain will explode in this hurricane of violence and you can be spared from this maddening torture. But then there’s always the possibility of living with a sadistic devil or a corrupt god. In which case, the bloodshed and brutality will come full circle long before you’re ready to be reincarnated and have it happen to you all over again.

Unfortunately, this kind of horrific display is also applicable to innocent animals that’ve done nothing wrong. The animal cruelty in this graphic novel is easily the hardest to stomach while the violence to humans is at least sick and twisted fun. Whether it’s Gumbo McCready’s gang shooting horses, Pube shooting a yappy dog, or Jody beating the hell out of a confused gorilla with a baseball bat, your heart will sink so far down it’ll think it’s in the ninth circle of hell. While the animal deaths are a true representation of how screwed up life can be, it doesn’t make them easier to read about, much less physically see on the pages of a graphic novel. Thank goodness for the ASPCA, which I donate to every month.

Just as alarming is the way in which Arse-Face is treated throughout his story. He’s constantly beaten by his father, beaten by the students at school, and rejected pretty much everywhere else he goes, and this is all before his face became permanently disfigured. His only escape in life is through his punk rocker best friend Pube, who happened to be the one to shoot the yappy dog with a shotgun. Not much of an escape, huh? If I had to live that screwed up of a life in Texas, I too would want to find solace in even the most horrible people while smoking marijuana until the end of time. Disturbing as hell, yet the most poignant of the three stories, especially considering how Kurt Cobain’s suicide played a role in Pube and Arse-Face’s decision-making.


Preacher, Vol. 4 is equal parts heartbreak and violent fun. The delightfully vulgar dialogue sets it all up with perfection and can be another entertaining part of the graphic novel, even with Saddam Hopper and his inability to swear properly. Garth Ennis knocks it out of the park yet again with these Preacher graphic novels. He probably needs many years of therapy, but it’ll be worth it if he continues pumping out awesomely violent fiction like this. How does a passing grade sound to all of you?

Monday, April 25, 2016

"Cowboys and Aliens" by Scott Mitchell Rosenberg

BOOK TITLE: Cowboys and Aliens
AUTHOR: Scott Mitchell Rosenberg
YEAR: 2006
GENRE: Graphic Novel
SUBGENRE: Western Science Fiction
GRADE: Pass

In the year 1874, Westward Expansion is in full effect in the state of Arizona. White settlers are purging the land of Indian tribes and claiming the territories as their own. In the middle of this conquest, a race of extra-terrestrial aliens crash lands in the desert and begins wiping out every human in their path, white or Indian. The only way for this new threat to be confronted is if the warring humans can put aside their differences and work together for the common good. They’ve already gotten a hold of some alien technology during the crash, so they might as well put it to good use and save the world from invasion.

My favorite part about this graphic novel has to be the blatant use of irony. White settlers were invading Indian territories only to have their world invaded by aliens. Maybe that’s what we need to solve the “immigration crisis” in this country: an alien invasion carried out by slimy green creatures with superior weaponry and technology. Maybe we just need to shown what kind of hypocrites we really are. This graphic novel is a good first step into exposing our beastly nature. Then again, some people like to shrug off hypocrisy claims with nationalistic or religious justifications. There’s just no reaching some people.

And here I thought the irony would be easier to swallow for those people considering how action-packed and violent this graphic novel is. If you’re going to be taught a lesson in getting along with your neighbors for a greater good, then it should at least be entertaining, which “Cowboys and Aliens” is. We’re Americans; we love violent entertainment. We like gunfights, martial arts, and science-fiction energy slinging. This graphic novel not only has all of that in their choreography, but the fight scenes are so frequent that it’s like riding a rollercoaster. The breaks are few and far between, so buckle up and get ready for the adrenaline rush your American blood so desperately craves.

As long as you’re going to read a graphic novel with violence and irony, you might as well read one with as many genres blended into it as possible. In addition to being bloodthirsty, we also have a nerdy side to us, though some people don’t like to admit it. Our nerdy sides get tickled whenever we read a book about genre mixing. In this case, it’s a combination of spaghetti westerns, hardcore action, and soft science fiction. UFC commentators say all the time that styles make fights. Gun-slinging cowboys and brawling Indians vs. hulking aliens with even better guns? That’s the kind of fight you’d want to see on pay-per-view. Maybe that’s why “Cowboys and Aliens” was adopted into a movie.


A quick read, deadly violence, and a bold political statement are all things you can expect from this graphic novel. Yes, it’s short. Yes, it ends too quickly (even though it is technically a complete story). So if you’re going to enjoy the ride, you’d better savor the adrenaline boost. In the words of heavy metal band In This Moment, “Welcome to the gun show!” A passing grade for a wonderful piece of graphic fiction. I don’t care what other readers say, because I loved the hell out of this book!

Sunday, October 5, 2014

Vooga



Let’s try a little English language exercise today before we get started. Take any kind of dangerous word and put it in front of “Mafia”. We get things like Fireball Mafia, Cutthroat Mafia, Rhino Skull Mafia, and the subject of today’s character analysis: The Copperhead Mafia. There, wasn’t that fun? It’s probably a lot more fun than getting your ass kicked by the Copperhead Mafia, especially when that beat down involves the leader of the group: Vooga.

Vooga is a stereotypical Cult of Personality villain in the sense he has his minions do all of his dirty work and he wants to control everything around him. He has so many minions they could technically all overthrow him and he wouldn’t matter. That would be ideal if it wasn’t for one small detail. The movie script Vooga was a part of was a dark fantasy western called Texas Technique and in this canon necromancy is popular among villains. Since Vooga is a necromancer himself with a snake motif, he could throw a poisonous bone spear through the ribs of anybody who opposed him. Or if his opponent was an undead creature, Vooga could manipulate that being into torturous positions until boredom hit like a punch to the face. Given his reputation for sadism, it could take entire lifetimes before he got bored of torturing his undead victims, or even his live ones.

Pissing off this ophidian necromancer can lead to apocalyptic results, especially when the sin in question is stealing a magical red sphere of blood that can transform into any weapon the user wants. Ronan Duran, an undead cowboy who stole the weapon in the first place, is at the top of Vooga’s shit list. Remember what I said about necromancers being able to torture and twist undead creatures whenever they want? Well, since Ronan happens to be one of them and also happens to be the main hero of Texas Technique, he’s definitely going to go through hell if he wants to earn his ending. Ronan could be set on fire, electrocuted, poisoned, or Vooga could crumple him up like a piece of paper and throw him like a fetch toy for one of his giant wolf minions.

Vooga can have endless hours of fun at the expense of whoever he wants. There’s just one thing standing in his way: he actually has to go out and find these people, because his minions keep getting their asses kicked. It’s almost as if Vooga is the M. Bison of the dark fantasy wild west. He’s all powerful and all knowing, but he’s too lazy to do his own heavy lifting. When you get lazy, you get complacent. The longer you stay complacent, the easier it is for your opponent to kill you. Because Vooga is the head villain of Texas Technique and the good guys always win, he is eventually overcome with holy magic and shrivels up into a pile of dust and snake skin.

Every dark fantasy story can put a Cult of Personality to good use, especially if that Cult of Personality wants to conquer everything around him. But I think that if I use Vooga again, he’ll do all his own heavy lifting from now on. After all, if you want something done right, do it yourself. Yes, it’s nice to have a maid to rub your aching scales and a butler to cook your undead flesh like a rare steak. However, with lazy villains, they can just as easily go back to having nothing in the blink of an eye. If UFC fighter and fan villain Michael Bisping got somebody else to get in the cage for him, he wouldn’t have the journeyman record and legendary status he has today. Vooga can learn something from the hard work and evil ways of Mr. Bisping.

 

***DOMESTIC QUOTE OF THE DAY***

“Nobody wants to see the Flintstones get brutally murdered.”

-Susan Wilson-

Saturday, July 26, 2014

Lisa Roberts

I’ve never been much of a John Wayne guy. I also never condoned the idea of cowboys shooting at Indians for no particular reason other than to be dicks. So why then would the western genre interest me enough to almost write a story about called Tombstone Technique? Because everything, and I do mean everything, can be made better…with magic! Cowboys shooting magic bullets at each other and Indians firing lightning arrows at their attackers. Bank robberies being done with shadowy skull staves and ten-pace shootouts being done with bone wands. My idea of a western story would be a sick hybrid of A Million Ways to Die in the West, Diablo II: Lord of Destruction, and Harry Potter.

That’s where Deputy Lisa Roberts comes in. You want to know where I got the name Lisa Roberts from? I stole it from NCIS: Los Angeles. It was a cover name used by Kensi Blye when she was going undercover as a warehouse thief. Actually, that’s an episode I’d rather forget, because it ends with Kensi getting punched in the jaw to the point where she can’t chew her food.

Unfortunately, I didn’t have the time or patience to expand Tombstone Technique beyond a genre hodgepodge and a roster of names. That means of course we have a lot of work to do when it comes to developing Lisa Roberts. And no, the word “development” has nothing to do with her breasts, you sick freak. It simply means we know nothing about her. She’s a clean slate and we need a piece of chalk to create art.

First and foremost, I want Lisa Roberts to be tough and sexy at the same time. I want her to rock a pair of jean shorts and to kick the balls of any man perverted enough to stare at her legs. I want her to have a revolver in one hand and a skull wand in the other. Whenever she has assholes on both sides of her, she can pump some lead into one side and shoot lightning bolts, bone spears, poison daggers, and fireballs on the other. But what if she got the crazy idea of imbuing her bullets with magical powers? Fireball bullets. Lightning bullets. Ice bullets. How about bullets that contain all three of those mystic elements? I have to fan myself off for a minute and it has nothing to do with the summer weather.

But of course, if I made Lisa Roberts into a male fantasy sex machine, she wouldn’t do well with the female members of my audience (unless they were lesbians, but chances are, they’re not). What kind of likeable qualities could we give this woman to make her stand out as a super heroine of the wild west? Toughness, as I’ve said earlier, will go a long way in giving her popularity. A silver tongue might also do wonders for her. A take-no-shit attitude will sure as hell give her some staying power. I’m liking Lisa already! She reminds me of Wonder Woman!

It’s funny, because just a few weeks ago at the WSS Contest and Company group on Good Reads, I confessed to everybody that I didn’t know how to make likeable characters, that I just threw everything together willy-nilly. I’m still doing that with Lisa Roberts. The difference is, if I want Lisa to become the fully-developed badass she’s destined to be, I can’t put her in a short story contest entry. She has to go through a whole journey that can only be told within a full-length novel. And unlike most characters in my novels, Lisa Roberts will live to see the next novel, should she be a popular hit with my audience. She’s a survivor, damn it! Put her in the move “The Purge” and she’ll still come out smelling like roses and gunpowder!

 

***WRESTLING QUOTE OF THE DAY***

“My wife Stacy is good at getting heel heat with the crowd at wrestling shows. Hell, she gets heat with me around the house.”

-Jim Cornette-

Monday, February 10, 2014

"The Sisters Brothers" by Patrick DeWitt



Whether you’re rooting against the title characters or for them, The Sisters Brothers (Charlie and Eli) will capture your imagination in one way or another. They can disturb you by killing everyone who crosses them. They can amaze you with little acts of humanity. Sometimes the two extremes will intermingle and create a thought-provoking story as written by Patrick DeWitt. Try as they might to get along and complete their mercenary work, Eli and Charlie could not be more different. Eli is the first character between the two of them who shows humanity in this novel. Charlie is just a nasty homicidal lunatic who will kill and fuck anything that walks. These two clashing personalities have to cancel each other out if they’re going to get any work done. Their assignment? Kill off a “thief” prospector by the name of Hermann Warm for the sake of exacting the Commodore’s revenge. The Sisters Brothers know nothing of Hermann Warm except small tales here and there. It’s all the same to them as they get ready to pull the trigger on this assignment. But the further along they get, the more Eli begins to question whether or not what they’re doing is right. Yes, the money is good and it’ll feed them well for years to come, but is there any real rhyme or reason to any of this? Why can’t Eli and Charlie just open up a trading post like any other normal human being in wild west Oregon and California? Wrestling with their consciences is something the brothers have to do all throughout the story, whether it’s shooting a man they know nothing about, taking care of a sickly horse, sending an orphaned boy in the right direction, or anything else that happens in this novel. Patrick DeWitt didn’t just write a mindless bloodbath. He wrote a thoughtful and intense narrative that anyone with even the slightest moral dilemma can relate to. Yes, I said “relate” in a story about the wild west. My references are slightly off, but that just goes to show you how powerful of a narrative Patrick DeWitt wrote. If nothing else, it should be a fun read filled with darkness and small moments of giggly behavior. I enjoyed all 328 pages of it and damn it, you will too. It may not be the fastest thing you’ll read, but it’s still a lovable work of art. Yes, I called it a work of art. If you don’t believe me, just look at the cover and see if you notice the double entendre. It could either be two brothers standing in front of the full moon or a skeletal warrior in a trench coat. Whoever designed the cover pretty much sealed the deal for Patrick DeWitt getting noticed. That, and it’s an intense read to begin with.

 

***WRESTLING QUOTE OF THE DAY***

“Wealth is not about how much you make, it’s about how much you save. I’ve known guys who make millions and yet they can’t even buy you a cup of coffee.”

-Jim Ross-