The Hateful Eight

MOVIE TITLE: The Hateful Eight

DIRECTOR: Quentin Tarantino

YEAR: 2015

GENRE: Western Thriller

RATING: R for violence, swearing, nudity, and rape

GRADE: Pass

A blizzard hits Wyoming in the middle of bounty hunter John Ruth transporting his $10,000 captive Daisy Domergue to Red Rock to be executed. After his stagecoach picks up two extra passengers along the way, Major Marquis Warren and Sheriff Chris Mannix, the travelers are forced to hunker down in a lodge together with other suspicious characters until the blizzard passes over. As the strangers get to know each other, not everyone can keep their stories straight and it leads to paranoid distrust. Bodies begin piling up until their paranoia tapers, which means Daisy’s chances of escaping execution increase even more.

Just like with any other Quentin Tarantino movie, every character is developed through realistic, gritty, and vulgar dialogue. It’s not just cursing and slurs for the sake of edginess. Everything said in this movie has a purpose and nothing goes to waste. This is especially true when Marquis is telling old man Sandy Smithers how the latter’s son died at the former’s hands. It’s also true when John Ruth tells stories about how he prefers to hang his bounties rather than give them an easy route to death. And it’s true again when Chris Mannix brags about his father’s renegade army of confederate remnants fighting for a dying cause. None of the characters’ back stories or present actions make them appear sympathetic, I’ll admit, but if we were meant to sympathize with them, the movie wouldn’t be called the Hateful Eight. This is classic Tarantino storytelling at its apex.

I also must commend the musicianship of Ennio Morricone, who provided most of the soundtrack for this movie. Whenever a feeling of impending doom or hard justice needs to be experienced by the audience, Morricone’s music will make them believe in the brutality they’re seeing onscreen. He has a legendary track record of providing fantastic scores for western movies, so recruiting him was a natural fit on Tarantino’s part. I’m not sure if the Hateful Eight’s soundtrack has been released as a CD or digital album, but if it hasn’t, then it’s a crime. Classical music never goes out of style and even if it did, it can always be revived by conductors like Morricone.

Tarantino movies could be criticized for dragging themselves out too long or being overindulgent in their exposition through dialogue, but in the case of the Hateful Eight, I don’t agree with that sentiment at all. Everything had its place. Every conversation had its own feeling of drama and excitement. If you watch Tarantino movies just for the brutality, you might have to wait a while, but it’ll be worth it in the end. Think of the conversations as the slow build and the violence as the major crescendo in a symphony of masterful filmmaking. I wouldn’t lump John Ruth punching and elbowing Daisy in with that symphony since it was disturbing to watch and out of context it would make John Ruth look like a jerk. Yes, your butt will go numb as you go through this two and a half hour long masterpiece, but when you’re kicking it in the Caribbean, you’ll be saying to yourself, “Marcellus Wallace was right.” Wait a minute, wrong movie! But you get the idea.

While this movie isn’t anything earth shattering, it is a piece of art to be admired and rewatched just to soak in the talents of everybody involved. Samuel L. Jackson was undoubtedly the show stealer when it came to the acting. Ennio Morricone’s music is always heaven on the ears. The story itself can be easily pieced together once the movie draws to its conclusion. All in all, there’s not much to complain about even with the lengthy screen time and the scenes where Daisy gets punched (despite the fact that she too is an unsympathetic villain). A passing grade will go to this modern day Tarantino classic!

"Happy!" by Grant Morrison

BOOK TITLE: Happy!

AUTHOR: Grant Morrison

YEAR: 2017

GENRE: Graphic Novel

SUBGENRE: Crime Fiction

GRADE: Pass

Disgraced detective turned contract killer Nick Sax completes an assassination of mob boss Mr. Blue’s sons. During the final moments of the confrontation, one of the sons tells Nick the password to a bank account full of laundered mafia money. Just as Mr. Blue’s henchmen are about to extract the password from him via torture, an imaginary blue unicorn haunts Nick’s psyche and agrees to help him out dangerous situations on the condition that he rescues small children from a porn studio. Will Nick Sax become the hero he was meant to be or will he selfishly reject Happy the horse every step of the way?

This graphic novel is incontrovertible proof that not all protagonists have to be saints in order for the audience to cheer for them. Nick Sax is a vulgar, selfish, negative alcoholic who would rather waste his life away than use it for good causes. Seeing as how this is a redemption story, Happy the Horse has a long way to go in order to convince Nick to see the light. The two of them get into schizophrenic arguments that make outsiders feel uncomfortable and downright frightened to death. When the big payoff finally happens, it feels right. Some would criticize Nick’s newfound reasons as being selfish yet again, but that just goes to show how stonehearted a broken man like him can be. To me, that’s gritty and realistic, which is what all detective novels should be like, imaginary horse aside.

Speaking of Happy, I enjoyed his characterization as well. He’s a goofy, lovable, lighthearted ray of sunshine in a world covered in darkness and beer. Sometimes the reader needs a break from all of the R-rated horror and Happy will provide that relief through his personality alone. In truth, Happy is the last line of defense for childhood innocence since he was one of the kidnapped children’s imaginary friend at one point. Once he’s gone, the whole world turns to poison. Imagination is the most powerful tool we have and it took a lot of it to incorporate Happy’s character in a believable way. Good job in that department, Mr. Morrison!

I don’t have many complaints, but I do have one about Nick Sax’s back story as to why he acts as coldly as he does. While it is a tragic story about his family that would make any reader tear up, it seems forced and cliché, like it somehow excuses Nick’s behavior by virtue of its mere existence in the storyline. I’ve seen this trope used many times before and it only numbs me to the real tragedy of the much larger story. But as I said, this is a minor complaint since it didn’t actually derail the story in any way. It’s just a flaw that needed to be pointed out, that’s all.

All in all, this was a fun little graphic novel and I can easily see why Syfy would want to make a TV show out of it. Sometimes it’s fun to root for the antihero, especially when a magical flying horse evens him out. That’s the trick with the antihero: he can’t be worse than the villains he’s fighting. Otherwise, there’s nothing to believe in. Nick Sax’s redemption story is believable to me and that’s why I’m giving this graphic novel a passing grade despite his clichéd character history.