Saturday, March 28, 2026
Caleb Rosales, Carpenter and Concerned Neighbor from "Virtuous"
Saturday, March 7, 2026
Crossfade vs. The Amazing Yen from Ocean's Eleven
Saturday, January 24, 2026
Ray Stuckey from Mississippi Burning vs. Kash Patel, Kristi Noem, and Eric Adams
I used to think I was just having fun with acronyms here, but this has taken on a bigger meaning. White conservatives don't respect minorities within their own party. Sheriff Stuckey is a closeted member of the KKK, so he's not going to give two shits and a flying fuck about an Indian FBI agent, a female DHS agent, or a black NYPD cop. Bootlicking gets you nowhere in life.
Sunday, January 18, 2026
Detective Jeri Lodge, Bull Rope Police Department
Her job is to arrest incel gangsters, but when she interrogates them and breaks them down, she takes no prisoners and even less bullshit excuses.
Thursday, May 15, 2025
Pull a Knife
VERSE 1
Respect for authority, agree with the majority
Keep the peace, you should only be seen
And never heard, not a single word
Will come from your lips or they’ll rap the tips
Of your fingers with a ruler, you little grammar-schooler
Some rap the knuckles, either way your knees buckle
Stand up to injustice? Do that, you’ll get busted
Assume the position, it’s your life’s ambition
DIALOGUE
That all sounds well and good, but I’d rather…
Pull a knife! Take their
wallet!
Accountability is
what I’ll call it!
Pull a gun! Steal their
purse!
I don’t care if it
makes things worse!
VERSE 2
Words have failed, now your life has derailed
Now it’s punches and kicks, stones and sticks
Violence is the language of pain and anguish
Because the rules don’t apply to the suits and ties
The rules mean nothing when the shotgun’s pumping
Shells in the heads of the poor and underfed
It’s kill or be killed, I’ll die on this hill
It’s either you or them, who’d be better off dead?
DIALOGUE
I’d love to sing kumbaya with my killers, but I’d rather…
Pull a knife! Take their
wallets!
Accountability is
what I’ll call it!
Pull a gun! Steal their
purse!
I don’t care if it
makes things worse!
BRIDGE
Are they scared of the city? They made things shitty
Flooding the streets with guns and heat
Flooding the veins with heroin, cocaine
Cutting the funding, now the cops go hunting
Expect obedience? That shit’s so devious
Has the opposite effect of what it all meant
What’s the use? You got nothing left to lose
Nothing’s more dangerous than a bullet up their anus!
CHORUS
Pull a knife! Take their wallet!
Accountability is what I’ll call it!
Pull a gun! Steal their purse!
I don’t care if it makes things worse!
Do it like Robin Hood! Do it like Luigi!
Scrape their remains off the sidewalk with a squeegee!
They created a monster! Created a killer!
They debate all they want, but it’s background filler!
Pull a knife!
Pull a gun!
Pull a bazooka!
It’s the end of the world, let’s have some fun!
Wednesday, July 19, 2023
Sin City 2: A Dame to Kill For
BOOK TITLE: Sin City 2: A Dame to Kill For
AUTHOR: Frank Miller
YEAR: 1993
GENRE: Graphic Novel
SUBGENRE: Neo-Noir
GRADE: A
We’ve seen the femme fatale trope play out across multiple
stories, most notably in neo-Noir. When Frank Miller takes hold of the reigns
for Sin City 2, it doesn’t feel stale. Ava, the femme fatale in question, comes
off like a powerful character who could manipulate her way into any authoritative
position. Every man she comes in contact with is wrapped around her finger, not
just because of her physical appearance, but also her psychological prowess.
Even if you think the femme fatale trope is problematic or overdone, there’s
still something to be said for how manipulative humans can be, if not sexually,
then in another way that plays into their targets’ sympathies. Femme fatales
may be a male gaze character archetype, but narcissists and gaslighters are
very real in our world and that’s how Ava comes off in this book. The protagonist
of this story, a down-on-his-luck P.I. named Dwight McCarthy, has a history
with her and knows her ins and outs. He’s still susceptible to her whims every
now and then. That’s what he wrestles with throughout the story and that alone
is a struggle worth reading about.
If you’re familiar with the gritty underworld of neo-Noir
storytelling, then you’ll find everything you’re looking for in this graphic
novel. I’ve already mentioned the femme fatale elements, but there’s also
smooth-flowing dialogue, morally gray criminals, and fight scenes that raise
the stakes through the ceiling. At first, I thought Dwight was just shrugging
off his pain after getting beaten so many times in the first half of the story.
Even after crashing through a window and falling onto the pavement, he walks
away like it’s nothing. He had me for a minute there. But how long could he
keep up his macho posturing? How long could he just suck it up and carry on
before all this violence nearly does him in? You’ll get your answer in due time
after reading enough of this book. I was worried that this was going to be like
a WWE storyline where Triple H gets trapped in a car and dropped fifteen feet,
only to come out on TV the next night with only “contusions”. Nope! It’s much
worse for Dwight. There are a few times where you as a reader will doubt if he’ll
be alive by the end of the story. I’m not spoiling a thing for you. If this
sounds intriguing, then buy the book and read it yourself.
Because this is a graphic novel, all I needed was an hour
and twenty minutes to read it from cover to cover. But even with this breakneck
speed, it didn’t feel like I was missing out on important details or emotional
moments. It was fast, but not excessively fast. It was just right for the kind
of story that needed to be told. Dwight tangles with his own emotions and that
plays brilliantly into the action sequences that follow his thought processes.
When he takes a beating, you feel his beating. When his pain comes from within,
you want to sympathize with him even though he has his rotten moments too. I
questioned whether I should continue rooting for him after he shoved Ava to the
ground during one of their rendezvouses. I urge you to keep reading and not give
up on him so easily. With a quick reading speed, you’ll get your answers in the
time you want them. Your guilt as a reader can only last so long before you see
the truth about Ava.
Frank Miller has an edge to him and that shows in pretty
much everything he writes. This brand of edginess won’t drive away his audience.
In fact, it’ll be a selling point. It’s the neo-Noir grittiness that will keep
you coming back for more. It can’t be a hardboiled story without a little edge
every now and then. Regardless of how you feel about Frank Miller as a person, there’s
no denying that he penned one heck of a story in Sin City 2. Do I want to read
the first installment just out of morbid curiosity? Sure, why not? This book
gets five stars out of five. No glaring flaws that I can find aside from Dwight
refusing to acknowledge his extreme pain.
Monday, October 3, 2022
Red Zone
VERSE 1
I’ve got a potion in a vial, but it’s not magic
It’s to keep my blindness from ending up tragic
Tear gas, mace, batons, and glass shields
“To serve and protect”, yeah, we get the spiel
What are you protecting: corporate feelings?
Did we ruin your country club shady-ass dealings?
What are you serving: a glass of chardonnay?
Is this why you shove the crowd out of the way?
PRE-CHORUS
Crimes committed, cops acquitted
Beaten protesters, happy investors
Of all the shit you arrest us for
Put one more crime in your report
CHORUS
I think I’m parked in the red zone
I think I’m parked in the red zone
Cuff my wrists right down the bone
I think I’m parked in the red zone
VERSE 2
It’s not about consistency, but owning the libs
Easy rhetoric flows like shit from your lips
You’re living the dream as you gang up like a team
On an unarmed dude as you beat him into cream
PRE-CHORUS
Crimes committed, cops acquitted
Beaten protesters, happy investors
Of all the shit you arrest us for
Put one more crime in your report
CHORUS
I think I’m parked in the red zone
I think I’m parked in the red zone
Cuff my wrists right down the bone
I think I’m parked in the red zone
BRIDGE
This is your idea of utopia
Your kids’ idea of Nickelodeon
Your voters’ idea of unbiased news
They’ve got one more issue to choose
EXTENDED CHORUS
I think I’m parked in the red zone
I think I’m parked in the red zone
Cuff my wrists right down the bone
I think I’m parked in the red zone
I’m blocking my own ambulance
As you erase your own evidence
Of slamming me on the pavement stones
For being parked in the red zone
Parked in the red zone!
Saturday, April 2, 2022
Addiopizzo
VERSE 1
You sold us a world where we could be ourselves
You occupied several rows on the library shelves
But then April Fools became your golden rule
The marginalized became part of your death pool
You didn’t sell books, but you collected pizzo
Protection? You’re the only one who eats though
Built a castle out of corpses, sat on a throne of bones
But what do we know? We’re always on our phones
CHORUS
We’ll never pay your prices
You can feed your own vices
Addiopizzo!
Addiopizzo!
VERSE 2
You sold us combat between two superstars
Roads to your arenas jam packed with cars
Then the comedy writers turned the show to shit
But your bank account is still a number one hit
Making more money now than any other point
Smoke cigars made of pizzo, stink up the joint
Built an empire out of muscles and steroids
But what do we know? We’re not one of the boys
CHORUS
We’ll never pay your prices
You can feed your own vices
Addiopizzo!
Addiopizzo!
BRIDGE
You’re wearing a suit made out of pizzo
Crisp dollar bills from the tip jar, keep those
You’re wearing shoes made from human flesh
The worst of it all? The wounds are still fresh
CHORUS
We’ll never pay your prices
You can feed your own vices
Addiopizzo!
Addiopizzo!
VERSE 3
You sold us a product from an MLM boss babe
Got an army of recruits with empty promises made
But then they knock on your door asking for a check
There are more instructions in their DM texts
Keep buying the stash and supplying the pizzo
Ugly leggings, ripped boots, hole-covered speedos
It’s a cycle that continues for the rest of time
Nobody cares that collecting pizzo is a crime
Addiopizzo!
Addiopizzo!
Sunday, November 22, 2020
Demolition Man
MOVIE TITLE: Demolition Man
DIRECTOR: Marco Brambilla
YEAR: 1993
GENRE: Dystopian Sci-Fi
RATING: R for violence and language
GRADE: B
Imagine a future where everybody is smiling and nothing could go wrong. No foul language, no unhealthy foods, no sex, no music other than TV jingles, no contact sports, no drug use…wow…That’s a lot of no’s for a utopian society. John Spartan, Simon Phoenix, and Edgar Friendly don’t fit into this new future’s plans. So what do they do about it? Edgar Friendly leads an underground rebellion, Simon Phoenix causes violence wherever he goes, and John Spartan does pretty much the same as those two, but under the guise of police work. So much for Dr. Cocteau’s perfect society. Taking the fun completely out of life isn’t utopian at all. It’s dystopian. Already this movie is sounding like the libertarian’s bible, right? But let’s not forget that most left-wingers don’t have a problem with so-called “degenerate” behavior either. We like sex. We like marijuana. We like good food. We like heavy metal music and hip-hop. Everybody has their own interpretation of what Demolition Man means to them. I’ll speak for myself and say that this is generally a fun movie that takes place in a boring society. That’s it. That’s all it needs to be. We don’t need to have bloodbaths across the aisle over this fine piece of cinema. Let’s just sit down and watch it with a bucket of popcorn on our laps. And by the way, that popcorn is going to swim in butter and salt until it’s unrecognizable. Be well indeed.
But of all the major food groups this movie represents, none are more heavily pushed upon the audience than cheese. Good old fashioned cheesy goodness. Enough cheese to open a few Pizza Huts in this world of Taco Bells. I’m of course being metaphorical when I talk about how much cheese this movie has. You can hear it in the dialogue, whether it’s ordinary citizens, police officers, Cocteau’s obese assistant, or the socialites hanging out at Taco Bell. First and last names are used so bloody often. The elite vocabulary sounds awkward and clumsy and it’s enough to make the audience cringe. The TV jingles that are on the radio could drive someone insane if they hear it long enough, let alone in the short screen time they’re given. I get that this cheesy dialogue is supposed to be representative of a new future with a new brainwashed culture. Foul language is banned, so that’s a huge part of it. But after a while, it can grate on the audience’s ears. It’s so noticeable that it keeps the movie from being pitch perfect. But hey, when you’re watching a movie with Sylvester Stallone in the starring role, you can expect a little cheese every few seconds.
Which feels weird to say, because Sylvester Stallone plays John Spartan perfectly. He’s gritty, profane, ultra-violent, and loves to have fun even at the expense of a perfect and pretty future. Instead of using the three seashells once he’s done in the bathroom, he wipes his butt with the tickets he accumulates for swearing so much. He eats a rat burger when it’s the only meat available (and he loves it). He constantly has to correct Lelina Huxley after she butchers a 20th century idiom. You know who else likes to have fun at the expense of the future? Simon Phoenix, who’s played by Wesley Snipes. He can make even the most mundane insult sound intense with his delivery. He comes off like a psychopath loony toon not just in his constant laughter, but also in his movements, be it martial arts or otherwise. Couple these things with a terrorist mindset and you’ve got the most dangerous criminal in the movie. And then there’s Edgar Friendly, played by politically incorrect rapid-fire comedian Denis Leary. When he says he wants to eat salty, fatty, and buttery foods while smoking a cigar in the non-smoking section, you’ll believe he’s like that in real life. Denis Leary could start a revolution right now if he wanted to; that’s how convincing he was as Edgar Friendly. The only other character with halfway decent dialogue was Bob Gunton’s character, Captain Earle, who can be strict and aggressive without breaking the 21st century’s new laws. If he wasn’t a brainwashed pacifist, he could take on Simon Phoenix himself.
Yes, this movie was made in 1993, but it has aged like fine wine. Demolition Man sounds like it predicted the future in a lot of ways, but make no mistake, it was a satire turned up to eleven of things going on at the time. Whether you see it as a “libertarian manifesto” or not, the very least you can do is have fun while watching this movie. It’s action-packed, it’s witty, it’s dramatic, and an all-around good movie if you’re not too bothered by the cheesiness of the futuristic characters. You don’t even have to be drunk or stoned to watch this movie; it can be enjoyed at face value. But if you want to be drunk or stoned in the privacy of your own living room, I’m not going to try and stop you. I don’t want to turn your home into a Dr. Cocteau dystopia. Give this movie any grade you want and have no regrets. Me? I’ll give it a solid B.
Saturday, June 27, 2020
"Basil of Baker Street" by Eve Titus
AUTHOR: Eve Titus
YEAR: 1958
GENRE: Fiction
SUBGENRE: Children’s Mystery
GRADE: Fail
Listen…I know this is a children’s book and that certain liberties can be taken when it comes to judging the audience’s wisdom. Eve Titus didn’t have to be the second coming of David Baldacci, C.J. Box, or Brett Battles. But this kind of leniency is no excuse for insulting the intelligence of the readers. Yes, I know: Basil is a detective mouse and he’s modeled after Sherlock Holmes. To his credit, he’s got some serious deduction skills. Dawson, his assistant, could definitely learn a lot from him. While Basil does pick up on subtle clues that blend too easily in the background, there are some pieces of this mystery that aren’t so subtle, hence the insult to the readers’ intelligence and wisdom.
For example, let’s first look at the name of the kidnappers in question: The Terrible Three. Right off the bat, you know they’re the main villains of the story. And that’s really all the depth they’re given as characters. I understand that this is a short book and character development can’t always be achieved with so few pages. But please…at least TRY to make an effort at subterfuge. When we finally meet The Terrible Three, their villainy is never in doubt because of how angry and vulgar they act around other mice. If it wasn’t for the fact that their twin girl victims were missing, they could be arrested right away and there wouldn’t be a need for a story. There might not even be a kidnapping, the villains are so obvious.
And if the villains are going to send a messenger to do their dirty work, they might want to consider somebody who isn’t a nervous wreck all the time. Shuffling feet, shifting eyes, short answers, these are the telltale signs that they extorted Hawkins the sailor into delivering the ransom note. No subtlety there. In fact, I dare say that it doesn’t take a Sherlock Holmes to figure that out, much less a mouse that learns everything he knows from him.
Oh, I almost forgot about Basil. Never forget that he’s the world’s greatest mouse detective. If you need a reminder, the opening sentences of the book will tell you. Not show you. Tell you. That alone should be suspicious to a wise reader. You know what else would be? Basil being a complete Gary-Stu. He’s perfect in every way, not counting his horrendous violin playing. He only shows vulnerability once in this novella and that’s when he provokes The Terrible Three and a pack of minions into brawling with him and Dawson. Anybody want to guess how that fight turns out? Let’s see: two scrawny detectives versus a bunch of muscle-bound bruisers. Maybe Basil isn’t the brightest bulb in the drawer after all. But it was all part of a plan. Good for him. I’d hate to see what would happen if he botched that plan or if the Terrible Three and their minions were a little TOO aggressive in the brawl.
I guess I shouldn’t have had high hopes for this novella to begin with. Yes, it became a Disney movie. Yes, it has cute animals as characters instead of humans. But the writing is just plain insulting. I’m not even worried about the “wild Indian” and “good housewife” stereotypes, because those are nothing compared to a badly-written story. I can’t give this book anything more than two stars out of five. I wanted to like it, but I couldn’t. Sorry!
Friday, June 26, 2020
"Cold Wind" by C.J. Box
AUTHOR: C.J. Box
YEAR: 2011
GENRE: Fiction
SUBGENRE: Mystery/Thriller
GRADE: Pass
Will Joe Pickett find out who murdered wind farm scammer Earl Alden? Will Nate Romanowski exact revenge on the people responsible for his girlfriend’s death? These questions and many more will haunt you during your entire reading adventure through Cold Wind. Just when you think you can breathe a sigh of relief, there’s another twist or obstacle that comes around the corner to mess things up. Even as the book winds down to a close, there’s no room to breathe comfortably. Earl’s murder isn’t an open and shut case; there’s a conspiracy at work involving pyramid schemes and Joe’s own disliked mother-in-law Missy, who is the first accused. And Nate? He can’t depend on the law to help him since he’s an outlaw himself. When you want a revenge murder done right, you’ve got to do it yourself with the help of gigantic pistols and stealthy know-how. All in all, this is a well-crafted mystery that will keep you guessing until the end. You want to cheer for Joe and Nate to find justice. You also want their stories to intertwine since they were former friends. You may have to wait patiently and put together the pieces like everyone else, but your eagerness to crack the case won’t allow you to step away from this book. That’s the mark of a good mystery: always keeping the readers hungry for more.
Behind all of the good writing and carefully-constructed mysteries, the author has an obvious rightwing agenda. This book was published in 2011, when conservatives were paranoid about where their tax money was going. Speaking from my own liberal point of view, I appreciate the fact that C.J. Box’s politics don’t come off as ham-fisted. They’re tolerable so as long as they play a vital role in how the mystery unfolds, which they do. One thing that rubbed me the wrong way, though, was the whining and complaining about diversity in a mostly-white state like Wyoming, which is where the book takes place. People say it’s about preserving realism, I say it’s about celebrating bigotry. But that’s just my opinion. Obviously, the politics of this book didn’t bother me enough to put it down permanently. I read the whole thing from cover to cover and it’s still an effective murder mystery no matter what biases the reader has. I can still get behind characters like Joe Pickett, Nate Romanowski, Marybeth Picket, Alicia Whiteplume, and yes, even Marcus Hand despite this defense lawyer’s sometimes piggish behavior.
You know who I can’t get behind, though? Joe’s adopted daughter April, who comes off as whiny, spoiled, and bratty in all of her appearances in this book. So her parents took away her electronics. Big deal! With all of the venom pouring from this kid’s mouth, I’m surprised they didn’t give up on her right away. At least with Sheridan, you’ve got a college kid who’s worried about navigating life on her own. With Lucy, you’ve got a high school kid who wants her parents to acknowledge the fact that she earned a part in the school play. There’s no reason to feel sympathetic towards April. Yeah, she had a hard go of things in the first Joe Pickett novel, but unless you’re familiar with that side of her story, then all the reader is going to see is a bratty little goblin. At least there’s a reason for Missy Alden’s wicked behavior even as she’s trying to prove her own innocence. It plays into the story. April? Get her out of here already. She’s too much.
While this book isn’t going to change your life or convert anybody to C.J. Box’s beliefs, it will provide you with an exciting thriller with protagonists you can love and cartoonish villains you can hate. Joe Pickett’s family man shtick is evident in not only his personal life, but also in how he takes care of business as a game warden. When he does make stupid mistakes, they’re not so stupid that his family is left without a father figure and a husband. When Nate Romanowski hunts down his girlfriend’s murderers, he does it with precision and intelligence, which is more than I can say about some of the hillbilly villains. Cold Wind gets four out of five stars for being an enjoyable mystery/thriller and not having to be anything more than that.



