Every bully and abuser I've ever had is a brainwashed cult member. The Anti-Garrison is their god.
VERSE 1
A little bit annoying, a little bit weird
A little bit chunky, a little bit feared
A little introspective, a little out in space
A little bit friendly, yet you spit in my face
VERSE 2
A little bit tired, a little bit lazy
A little bit foggy, a little bit hazy
A little bit angry, a little bit sad
A little bit depressed, lock me up with the mad
BRIDGE
You took an innocent little boy who did no wrong
Called him every name in the book so he could be strong
But that shit doesn’t work, you disgusting jerk
The gentle young man now goes berserk
VERSE 3
A little unpacking, a little therapy
A little dark magic, a little heresy
A little bit of fun, a little bit of joy
Welcome demon man, goodbye little boy
A little black humor, a little bit of spice
A little bit of fire, a little bit of ice
A little bit hard rock, a little heavy metal
A little bit numbed out, no choice but to settle
FINAL LINES
Goodbye baby boy
Goodbye rattle toy
Hello burned out man
Break the cycle if you can
Put it off ‘til tomorrow
One more day of sorrow
Put it off another week
Keep the future bleak
The lifelessness in Earle Saint’s eyes told the story of a man whose inner tiki torch had burned out a long time ago. The heat was there in the form of ashes, but the flame was long gone. Working for a software company operated by elitist screamers tended to do that to a man’s soul. “Work harder!” they said. “Lose weight!” they said. “You’re too fat and lazy!” summed up the bosses’ earworm rhetoric. The effects of their words were broadcast to the world via dark circles, a receding hairline, aging lines, and a saggy frown on Earle’s face.
Where does a man with blasting head voices go to take his bosses’ unsolicited weight loss advice? To McDonald’s, of course, but not for a cheeseburger or McNuggets. The only menu item Earle could stomach at this point was a cup of black coffee. No cream. No sugar. Nothing that would make it taste better than the shit sandwich he had to eat every day at that tech company. Just a standard cup of black coffee from a place famous for ball pits and constantly smiling clown mascots.
When Earle placed his order at the counter and paid for it with some pocket change, the clerk gave him his receipt with the order number on it. And he thought to himself, What’s stopping them from getting my fucking coffee right now? He shrugged his slumped shoulders and dragged his sorry keister to the nearest table, a small exercise, but one that left him even more tired than his office job.
He plopped down on the seat, took his glasses off, and held his battered face in his hands. The white dress shirt several sizes too big for him still managed to keep him claustrophobic in this public space, as did his green slacks. He just wanted to shower and change into a bathrobe. But the act of getting on with his day couldn’t be achieved without a steaming hot cup of black coffee, caffeine thundering through his veins. But the longer he waited, the more he tapped his foot long before the caffeine kicked in.
Earle wanted so badly to go postal at this moment. The demon had been building up inside him for years. His overworked mind still raced with thoughts of his father telling him he wasn’t good enough before spanking him with a belt. His dying brain cells conjured images of his mother telling him he wasn’t a real man for being unable to lose weight and lift heavy objects. His ashen head jelly flashed memories of him being beaten and kicked by jocks twice his size, but half his girth. All the pain and heartache culminated in a lifetime of work at a job he couldn’t wait to retire from, if he would at all.
And then a child’s scream jolted him awake like a black coffee shot to the heart. Earle had completely forgotten that he was in McDonald’s and school was out for the day, hence running children in the restaurant while their parents read the newspaper or fingered through their smart phones. Earle would have envied the happiness of these children if they weren’t so fucking annoying to him. They ran around like they were playing tag, weaving between tables without caring if they stepped on Earle’s foot. But the screams. Those screams that were like an acid trip without actually doing drugs. Schizophrenia in the real world.
“HEY!” Earle screamed in retaliation, getting everyone’s undivided attention. “Keep your voices down, you little bastards! I can’t take that noise!”
One of the previously screaming children burst into tears and ran into his formerly inattentive mother’s arms. She hugged him and gently said, “It’s okay, Devon. He didn’t mean that. He’s just being a Mr. Poopy Pants.” That got a laugh out of the rest of the children, but a tighter jaw clamp from Earle Saint himself. The children started chanting “Poopy-Pants!” at Earle, probably thinking his gut would bust with any more stress.
“Stop calling me Poopy-Pants, you little assholes!” The parents joined in on the action as well. “I mean it! Knock it the fuck off! You know what?! Some days, I wish I could buy a shotgun and blow your heads off!” This earned a collective gasp from the McDonald’s crowd and immediately shut them up. Earle’s face almost sagged with guilt for a moment. Almost. But not really. A victory was a victory.
But then the “Mr. Poopy Pants” chants started again and Earle’s eyeballs bulged out of his skull. The train tunnel veins in his body became visible through his corporate slave uniform. Foam was slopping out of his tightly clamped teeth. His fists were clenched so tightly that his fingernails nearly broke against the weight of his ham-hawks. And then the literary descriptions resembled real life as Earle Saint transformed into a seven-foot tall powerhouse monster with fur everywhere, razorblade fangs, and a roar that would make the gods themselves cower in fear.
Forty-five years of child abuse, fatphobia, anti-male sexism, and attempted murder came pouring out of this monstrous form like hot lava. Children and their parents alike scrambled underneath the tables as they trembled and screamed in horror. Earle would cause them to scatter like cockroaches whenever he’d uproot a table or chair and toss it haphazardly around, almost getting the McDonald’s workers killed. They too took cover wherever they could find it, which in their case was the kitchen, where the boiling of the fry machine oil couldn’t compare to the solar Armageddon that was burning within Earle’s demonic form.
“I! WANT! COFFEE!” he shouted while chucking uprooted furniture around and smashing the walls upon themselves. Probably thinking it would calm him down, one of the female workers brought him a whole machine filled with boiling hot coffee. Once Earle snatched it from her hands, she darted back into the kitchen and screamed her head off.
He ripped the top off the machine like it was an ordinary bottle cap and chugged the entire contents like he was a caffeinated Supreme Court justice who loved beer too much. The scalding hotness soothed his bloody throat and bathed his bladder in liquid heaven. And for the first time since the Reagan administration, Earle Saint gave a tiny smile, which soon formed into a bigger one. And a bigger one, showing off all of his meat grinder teeth.
The kids and parents slowly crawled out of their horrified crouching positions and shakily made their way for the door thinking this McMassacre was finally over. But then the frown returned. The hideous saggy frown that weighed him down more than his human form belly. Forty-five years of hatred didn’t go away just because he drank an entire machine full of black coffee. A warm heart and a warm feel-good story were very different from a warm caffeinated drink. Earle tossed the machine aside like it was a stuffed toy from his murdered childhood, which he still missed to this day.
Another scream came, but it was quickly snuffed out upon the machine’s impact. Terror turned to sorrow. Rage became homicide. Death was inevitable with this much destruction happening all at once. Unfortunately, it happened to the kid named Devon, whose head was bashed beyond recognition from the impact of the machine, his mother crying over his slaughtered corpse.
Earle Saint knew his rage would get him into trouble one day. He just didn’t think it would involve taking another’s life by accident. He regretted not going to therapy. He hated that he couldn’t get a better job. He despised his owns selfishness. It all showed when his monstrous body shrank into a smaller version of his human self, with the anger of an entire audience looking down upon him like the microscopic criminal he was.
One of the kids, who looked like she could be Devon’s sister, slowly dragged herself towards the shrunken Earle, wiped the tears from her own eyes, and said, “You’re not Mr. Poopy Pants. You’re a dumpster fire!”
The audience gasped while the mother pulled the sister away in shock. Earle’s only sensible response at this point was…”Same thing.” He had no idea what was going to happen to him in the aftermath of this heinous day. Jail time? Another attempted murder on him? Suicide? But what he lacked in answers, he made up for in caffeinated heaven, which would be the only kind of heaven suitable for someone of his sins. “Can I please go to hell now?”
He asked and he received. The mother angrily strode up to him and squashed him underneath her high heels, spreading his bloody shame all over the floor. He never had the chance to heal himself. He never had the chance to atone for his worst moments. His entire life had been a chronicle of negative shit. But it was too late to save him. He got his coffee and that was all he could take to the afterlife with him. At least they made it how he liked it.
VERSE 1
It gets lonely in the middle of nowhere
My future plans include, “I don’t care”
Wouldn’t know where to start looking
For adult fun time that’s worth booking
I have dreams about being taken away
Though I wouldn’t know where to stay
Where, oh, where is the Promised Land?
Succubus lady, take me by the hand
CHORUS
Simping for a succubus
She’s the only one I trust
To be tender, to be sweet
Then discard me on the street
VERSE 2
I know it’s wrong, but what else is there?
It’s Valentine’s Day, love is in the air
Smells a lot like a perfume miasma
To mask the stench of a decaying Santa
Candies and chocolates to make me fat
Fall flat on my face, be a perfect doormat
You can call it depression or desperation
It’s better than a lifetime of masturbation
CHORUS
Simping for a succubus
She’s the only one I trust
To be tender, to be sweet
Then discard me on the street
VERSE 3
Doctor man, what is wrong with me?
Psychoanalyze every little fucking thing
Attachment issues because of autism?
Too much width in my social schism?
Too much trauma? Too much Taco Bell?
You can’t even tell? Got more pills to sell?
Being well-adjusted to a fucked up world
Can’t compare the love of a succubus girl
EXTENDED CHORUS
Simping for a succubus
She’s the only one I trust
To be tender, to be sweet
Then discard me on the street
Simping for a succubus
Though she’ll turn me into dust
Just like ashes, just like cocaine
Up the nose into another’s brain
Consumers of storytelling should never have to compromise when it comes to good character work. Apparently, the readers of the Wrestling Observer Newsletter agree with me given how often they slaughter Bray Wyatt in the yearly awards. No, this isn’t just a minor disagreement. They annihilate him! They murder him! They brutalize him! They do all the things he could never do to his opponents when it counts the most. Oh sure, they’ll give him the Stockholm Syndrome treatment with the Best Gimmick awards in 2013 and 2019. And trust me, there’s a lot to be said about playing a demented cult leader and an indestructible monster on TV. But unfortunately for Mr. Wyatt, that’s where the praise ends and the raging against terrible booking begins.
Most Overrated Wrestler in 2020 (that’s a little harsh, all things considered, but okay). Worst Feud of the Year in 2017 against Randy Orton. Worst Feud of the Year in 2019 against Seth Rollins. Worst Feud of the Year in 2020 against Braun Strowman. Worst Gimmick in 2017 for being the bodily host for the spirit of Sister Abigail. Worst Gimmick in 2020 for doing the same indestructible monster character in 2019, but with more losses and more ridiculousness. Worst Match of the Year in 2014 against John Cena in a Steel Cage match (deep voiced child, anybody?). Worst Match of the Year in 2017 against Randy Orton (the worms…all those fucking worms!). Worst Match of the Year in 2019 against Seth Rollins in a Hell in a Cell match (a.k.a. the match without rules and limitations that ended in a disqualification anyways). Last and surely least, Worst Match of the Year in 2020 against Braun Strowman in a Wyatt Swamp Fight (there was no clear winner in this cheesy horror movie with more plot holes than I can count).
So…how did this happen? How did the WWE fuck up this badly when they had handfuls of gold with Bray Wyatt’s various characters? How do you fuck up a charismatic cult leader who could and would kill you with a screwdriver if he wanted to? How do you fuck up a creepy children’s show host who looks crazy enough to be on the sex offender registry and therefore shouldn’t be around children? How do you fuck up an indestructible monster with a hideous, ugly, nightmarish face that would put Pink Floyd and Slipknot to shame? How do you fuck up a character with so many layers, so much creativity, and so much potential to be a top star for the rest of eternity? I’ve got your answer right here: he loses too much.
Yep, that’s right. He’s a three hundred pound killing machine who can hit like a cannonball and move like a cruiserweight. His dialogue is so cryptic, so seductive, yet so terrifying that it’ll echo in your mind like a schizophrenic voice for days on end. If he tells you he’s going to murder you in a cold blood and leave your corpse for the buzzards to feast on, you don’t question him for a second…until he loses all of his biggest matches. He talks a big game and never backs it up when it matters. The audience is so used to seeing him fail that when he finally does add a championship or two to his resume, nobody cares. All the Hawaiian shirts, bowler hats, demonic masks, and pedophilic tendencies don’t mean shit if no one believes in the villain who embodies those traits.
Even if you don’t watch wrestling and have no idea what the fuck I’m talking about, you as authors should still take Bray Wyatt’s story and career as a cautionary tale when creating your own villains. If you want to create a convincing villain, you can splatter them with all the creative tropes in the world as long as they’re powerful enough to make their eventual defeat believable and meaningful. I’m not saying the villain has to win EVERY time, but his losses should be in small ways that don’t derail whatever momentum he has.
You think Darth Vader would be an iconic villain from the Star Wars franchise if he kept getting his ass kicked by the rebels? Fuck no, he wouldn’t have! So what does he do to solidify his power? He cuts off Luke Skywalker’s hand, he imprisons Han Solo and hands him over to Boba Fett to be frozen in carbonite, he destroys entire planets with his Death Star battle station, and he murders the fuck out of Obi-Wan Kenobi. If you’re coming for Darth Vader’s head, you’d better paralyze his ass, because he’ll kill you the first chance he gets.
Your main villain doesn’t have to have political power over an entire galaxy. Maybe he can have power over another person. Maybe he can kidnap somebody and bend them to his will through mind-fucking torture and endless agony. Can his captive defeat him over and over again for the story to be believable? Hell no! But can his captive run away for a little while and get recaptured and brutalized over and over again? Sure! Even if the kidnapper gets an infected bite on his arm, that’s still a small enough defeat that he’s not completely gone just yet. Maybe he has no medical supplies for that wound. Maybe over the course of the story, he has to travel a long way to the nearest hospital for care. The longer he travels, the sicker he becomes. Even if he does make it to the hospital, he still risks getting captured himself, but by the police. So many layers to this story, yet the kidnapper in question is still a villain you love to hate and would love to see systematically destroyed.
Now…take those two scenarios I laid out and replace the head villains in charge with “The Fiend” Bray Wyatt. He’s the last motherfucker who deserves to wield a light saber. He shouldn’t be allowed near anybody whom he can easily stuff into his windowless van on its way to a room with no view. Long dreadlocks that look like Cthulu’s tentacles. A face with an enormous grin, rotten teeth, and ripped skin. A lantern with Bray Wyatt’s original head covering the light. Dialogue peppered with death threats and seductive promises of the darkest kind. Immunity to pain that his torture victims could only dream of having during their times of torment. If he’s written like a killer, he will succeed in these roles and become even more iconic than his predecessors. If he’s written like a chump like he’s been for most of his career, Siskel and Ebert will come back from the dead just so they can shit all over whatever story he’s a part of. And then they’ll be put back in their graves by The Fiend’s necromantic powers.
Even the most brain-dead authors understand the idea of the villains having a shit-load of power. Power can come from anywhere, but if a villain has a lot of it, then his defeat will be even more incredible, especially if the hero comes from modest means. But that of course is giving the WWE too much credit. They used to know how to build stars. Hulk Hogan, The Ultimate Warrior, Stone Cold Steve Austin, The Rock, and John Cena are all shining examples of their success in that department. But as Vince McMahon got older and slower, so did his storytelling.
As the CEO of WWE, Vince gets the final say in whatever creative decisions make it to television. When his brain is rotting that badly and he has that much influence over the shows, people start to notice and people turn off their televisions. I turned off mine in 2018 and haven’t turned it back on for WWE since then. Thanks, guys, for completely murdering my love for pro-wrestling. And an extra special thanks goes to the geniuses who set Bray Wyatt up to fail. He had all the creative potential in the world. He could have been a badass villain everyone can be scared of. But not anymore. That makes me sad. I’m sure it makes him sad as well.
Authors, if you’re going to make your readers sad, do it the old-fashioned way by killing off their favorite characters or at least badly torturing them. Don’t do it by creating awful villains. And don’t do it by creating awful heroes and neutral characters either. If you’re going to create a character cast, do it right! Make them three-dimensional. Make them overflow with personality. Saddle them with crazy gimmicks. But most importantly, make their victories and losses believable, for fuck’s sake!
(sigh)
…In case it wasn’t abundantly clear already, my heart hurts for Bray Wyatt and all of his incarnations (except for Husky Harris, but he was just learning how to do decent character work at the time, so I shouldn’t be too hard on him). Wrestling fans were angry as hell in 2020 when the Wrestling Observer Newsletter put out their yearly awards and Bray Wyatt was absolutely wrecked. If those same fans still believe in the magic of Bray Wyatt, then they’re certainly welcome to. I’m not going to shit all over their happiness in that regard. So maybe the negative attention has less to do with the wrestler himself and more to do with the way he’s portrayed on TV. Even Dave Meltzer, the head journalist in charge of the WON, called him a genius when it came to his character work. I bet it hurts him and the rest of his voters to do Bray dirty like that. But silencing criticism is the same thing as acknowledging the problem doesn’t exist. WWE fucked up Bray Wyatt like a bunch of idiots and now they’re surprised when he doesn’t connect with everyone who watches him. How sad. How relentlessly sad.