Showing posts with label Frank Miller. Show all posts
Showing posts with label Frank Miller. Show all posts

Thursday, August 17, 2023

25 Things That Got Me Through 2023

Well…2023 isn’t over yet, but this is a list of 25 things that either got me through it or will get me through it (hence the list items marked “future”). This was inspired by Innuendo Studios’ 2020 list back in…well…2020. Ever since it’s become a yearly tradition for me. Are you ready? Here we go. And whatever you do…don’t yuck my yum!


1. Babymetal X Dethklok concert with Jason Richardson opening for them (future)

2. Callum Markie (not to be confused with calamari)

3. Chicken Soup for the Pet Lover’s Soul

4. Conure

5. Dark Side of the Ring Season 4

6. Drew McIntyre’s memoir (future)

7. Final Fantasy Mystic Quest soundtrack

8. Frank Miller: “Sin City 2: A Dame to Kill For”

9. Ghostbusters: Spectral Shenanigans, Vol. 1

10. Honest Ads

11. Keffals

12. Lo-Fi Chill Music on You Tube

13. Mason Denver

14. Minecraft Lego sets

15. Niko’s 8-Bit Stereo

16. Nothing More concert with Crown the Empire and Thousand Below opening for them

17. Optimus Prime Lego set

18. Rachel Oates: “Reflections on Healing”

19. Stanzi Potenza

20. Sting concert with his son Joe opening for him (future)

21. Tales From the Hood soundtrack

22. Tears For Fears concert with Cold War Kids opening for them

23. Tool concert (future)

24. Xanderhal

25. Zena & Poppy: Wholesome Degenerates

Wednesday, July 19, 2023

Sin City 2: A Dame to Kill For

BOOK TITLE: Sin City 2: A Dame to Kill For

AUTHOR: Frank Miller

YEAR: 1993

GENRE: Graphic Novel

SUBGENRE: Neo-Noir

GRADE: A

 

We’ve seen the femme fatale trope play out across multiple stories, most notably in neo-Noir. When Frank Miller takes hold of the reigns for Sin City 2, it doesn’t feel stale. Ava, the femme fatale in question, comes off like a powerful character who could manipulate her way into any authoritative position. Every man she comes in contact with is wrapped around her finger, not just because of her physical appearance, but also her psychological prowess. Even if you think the femme fatale trope is problematic or overdone, there’s still something to be said for how manipulative humans can be, if not sexually, then in another way that plays into their targets’ sympathies. Femme fatales may be a male gaze character archetype, but narcissists and gaslighters are very real in our world and that’s how Ava comes off in this book. The protagonist of this story, a down-on-his-luck P.I. named Dwight McCarthy, has a history with her and knows her ins and outs. He’s still susceptible to her whims every now and then. That’s what he wrestles with throughout the story and that alone is a struggle worth reading about.

 

If you’re familiar with the gritty underworld of neo-Noir storytelling, then you’ll find everything you’re looking for in this graphic novel. I’ve already mentioned the femme fatale elements, but there’s also smooth-flowing dialogue, morally gray criminals, and fight scenes that raise the stakes through the ceiling. At first, I thought Dwight was just shrugging off his pain after getting beaten so many times in the first half of the story. Even after crashing through a window and falling onto the pavement, he walks away like it’s nothing. He had me for a minute there. But how long could he keep up his macho posturing? How long could he just suck it up and carry on before all this violence nearly does him in? You’ll get your answer in due time after reading enough of this book. I was worried that this was going to be like a WWE storyline where Triple H gets trapped in a car and dropped fifteen feet, only to come out on TV the next night with only “contusions”. Nope! It’s much worse for Dwight. There are a few times where you as a reader will doubt if he’ll be alive by the end of the story. I’m not spoiling a thing for you. If this sounds intriguing, then buy the book and read it yourself.

 

Because this is a graphic novel, all I needed was an hour and twenty minutes to read it from cover to cover. But even with this breakneck speed, it didn’t feel like I was missing out on important details or emotional moments. It was fast, but not excessively fast. It was just right for the kind of story that needed to be told. Dwight tangles with his own emotions and that plays brilliantly into the action sequences that follow his thought processes. When he takes a beating, you feel his beating. When his pain comes from within, you want to sympathize with him even though he has his rotten moments too. I questioned whether I should continue rooting for him after he shoved Ava to the ground during one of their rendezvouses. I urge you to keep reading and not give up on him so easily. With a quick reading speed, you’ll get your answers in the time you want them. Your guilt as a reader can only last so long before you see the truth about Ava.

 

Frank Miller has an edge to him and that shows in pretty much everything he writes. This brand of edginess won’t drive away his audience. In fact, it’ll be a selling point. It’s the neo-Noir grittiness that will keep you coming back for more. It can’t be a hardboiled story without a little edge every now and then. Regardless of how you feel about Frank Miller as a person, there’s no denying that he penned one heck of a story in Sin City 2. Do I want to read the first installment just out of morbid curiosity? Sure, why not? This book gets five stars out of five. No glaring flaws that I can find aside from Dwight refusing to acknowledge his extreme pain.

Monday, June 13, 2022

Problematic Authors

(sigh)…I need some advice from internet land. What I don’t need is to be called a “woke snowflake” and anybody who says something to that effect will be permanently booted from my immediate vicinity. I have two whole bookcases full of unread books and some of those books were written by authors of…questionable character. Do I read those books anyways? Do I mercilessly roast the authors who wrote them when I do my online reviews? Do I sell the books online or donate them to either a library or a thrift store? In case you’re wondering which books I’m talking about, here’s a brief list of what I’ve got:


1. “Al Franken: Giant of the Senate” by Al Franken

2. “Bobby Kennedy” by Chris Matthews

3. “Book of Guys, The” by Garrison Keillor

4. “Cuckoo’s Calling” by Robert Galbraith

5. “Fantastic Beasts and Where to Find Them” by JK Rowling

6. “God Delusion, The” by Richard Dawkins

7. “Harry Potter and the Cursed Child” by JK Rowling

8. “House of Dragons” by Jessica Cluess

9. “Rush Limbaugh Is a Big Fat Idiot” by Al Franken


Now…you’ll notice right away that conspicuous by their absences are Frank Miller and CJ Box. You could call that hypocrisy on my part. You could say that I don’t have a consistent gage for what I consider to be toxic behavior. Or you could say that you know you done fucked up as an author when you’re considered more toxic than Frank Miller and CJ Box. As far as I know, CJ Box hasn’t tried to grope women in public. Frank Miller seems remorseful over some of his bad comics, as opposed to covering his own ass like Jessica Cluess. What do you guys make of all this? And remember: be respectful in the comments section. I know this isn’t everyone’s favorite topic, so if you don’t have anything cool to say, then skip over this post.

Friday, August 31, 2012

"Batman: The Dark Knight Returns" by Frank Miller




“Age is just a number.” We hear this phrase being thrown around a lot and only half the time does it actually stick. In the case of Batman coming out of retirement, once again, the reader finds himself riding the fence. At 55 years old, Bruce Wayne has slowed down dramatically. Considering that Gotham City has become a dystopian hellhole, the city needed Batman whether he was 55, 75, or even 100. Somewhere along the path of old age, Batman had become more violent and disturbing in his approach to fighting crime. He probably had to be in order to keep up with both father time and the dystopian world in which he lives, where crime breaks out on every street corner and every building in this city. And guess what? The Joker had not missed a step since passing into the elder end of his life. If anything, he too had become more sadistic and disgusting in his approach to violent behavior. When mixing the concepts of old age, rampant crime, and questionable justice, Frank Miller delivers with “The Dark Knight Returns”. And yes, it is a fast read, the short page count not withstanding. But anytime the name Frank Miller’s name comes up in conversation, so does the gigantic elephant in the room. An elephant so huge that he can’t even hide behind corporate buildings. Of course, I’m talking about Miller’s comments toward the Occupy Wall Street movement, referring to the protesters and “pond scum” and “rapists”. If you go to my post about “All Cats Have Asperger Syndrome”, you’ll see a little kitty joke I made at the end with an Occupy punch line. In case that alone doesn’t lend itself to what I think of Miller’s comments, then here it is. He’s done a hell of a job with “The Dark Knight Returns” and “Batman: Year One”, but his comments about the Occupy movement are disgusting as hell and I’m glad Alan Moore, the creator of Watchmen, had the sense to call him on that. If Frank Miller can continue to make awesomely violent comic books with a dark edge, then I promise to separate his work from his personal politics. I’m an atheist who listens to Skillet, so I think I’ll do just fine in ignoring political views I don’t agree with.

 

***COMEDIC QUOTE OF THE DAY***

“New rule: wing nuts have to stop saying they’re going to boycott Oreos because they made a gay cookie. In fact, this giant blob of vegetable oil and corn syrup is the perfect symbol for gay pride, because when I look at it, I’d rather have a dick in my mouth.”

-Bill Maher-