I Don't Belong Here

 Rodger Hyde had no damn clue what a Snow Moon Village was…even though he was smack bang in the middle of one. He looked around with glazed and puffy eyes at the wonders around him: gnomes running and playing in the street, bearded wizards in pointed hats selling potions, barbarians in furs laughing it up and chugging beer together, and green elves sharpening their blades with whetstones. The architecture of each building had that old-timey English medieval look, whether it was the cobblestone streets or the wooden structures of the Restful Wishes Inn, Dragon Blade Weapons Shop, Hellforge Armory, or Ogre Tears Tavern. The sounds of flutes and harps glided through the air as half-elf bards played their whimsical tunes, dancing in the streets as they were doing so.

This entire setup jumped straight from the pages of a Dungeons & Dragons handbook. And yet, all Rodger could whisper to himself was…”I don’t belong here.” To his credit, he stood out like a nun at a porn convention with his Crossfade T-shirt, messy brown hair, green khakis, and green marijuana radiating from his clothing. His self-hating mantra was confirmed even further as passersby gave him strange looks, ranging from sorrowful concern to smelling something suspicious.

“I don’t belong here,” he whispered to himself again. Even with all of his experience playing Dungeons & Dragons as a teenager, all the monster-slaying adventures he put his paladin through, all of the seas he crossed with his wizard in toe, all of the pockets he picked with his half-orc thief, the only words that rang true to him at that moment were…”I don’t belong here.” Somebody in his head was saying that to him, but the weed he smoked that morning ensured he wouldn’t have any clear answers.

He was snapped out of his zombie-like trance when a muscular barbarian slapped him on the shoulder and squeezed it. “Hello there, little laddie! Where’re you coming from?”

“I…I don’t know…”

“Well, where’re you going?”

“D…Denny’s…”

“Denny’s! A worthy quest if I’ve ever heard one! Perhaps we can venture together, laddie!”

“I…I don’t…I don’t think so…I, uh…” Rodger wandered off as another barbarian made a weird comment about how awkward he was. That barbarian was right, but the words he really meant to say were…”I don’t belong here.”

Just a few more agonized, cringey steps and he would be out of the Snow Moon Village, on his way to a Moons Over My Hammy with French fries and diet soda. That was his favorite meal as a kid, which he was surprised he remembered so vividly considering the rest of his mind was just as scrambled as the eggs in his would-be sandwich. A few more strange looks, minor giggles, and offers for potions later, Rodger finally made it to the edge of this LARPing convention. Over the hill was the Bastion of Breakfast itself: Denny’s. Maybe the Moons Over My Hammy would have to be scrapped in favor of a rib eye steak. Or a stack of pancakes a mile high oozing with maple syrup and drowning in butter. Or French toast with even more syrup and butter. And then…the realization hit him: “I don’t belong there either.”

What would the other patrons think of him, his wardrobe choices, and his disheveled appearance? Surely, Denny’s had that kind of clientele on a regular basis…but not him. There was something too awkward and flimsy about him. How did he know? The mysterious voice in his head told him so: “I don’t belong here.” And with that, he sat on the sidewalk with face in his hand. How defeated he was to not belong to a place that only cared whether or not he paid for his meal.

Somewhere in his lost thoughts, Rodger overheard a barbarian saying, “Murphy! Miss Witherspoon! I believe that young man over there needs some help.”

“Oh, no…”said Rodger silently to himself, anticipating more awkward interactions ahead from this Murphy Witherspoon person. As sure as the sun shone brightly enough to fuck up his eyes, a light blue elven lady with long red hair, a white puffy shirt, and black baggy pants sat next to him on the sidewalk. No doubt this was her.

“Guess what?” she said in an Irish accent. “Our bards don’t know how to play Crossfade songs.” She chuckled at her own joke while Rodger could only give a weak smile, which in her mind was probably better than none. “Share a story with me?”

“About what?”

Murphy giggled and hung her head. “Your story, of course. Everybody has a story to tell.”

“Well…I, uh…I got out of bed…smoked a roll of weed, and…just wandered here, I guess. I don’t know.”

“That…sounds exciting. Very adventurous.”

“Look, I know I don’t belong here, okay? You don’t have to tell me, because I already know.”

Murphy placed a hand on Rodger’s shoulder. “Nonsense, of course you do. The Snow Moon Village welcomes people of all kinds.”

He made a flat tire noise. “Tell that to the people who were giving me funny looks today.”

“Oh, don’t mind them. They’re worried about you, that’s all. You came here looking like you got mugged by some ogres and spit out by some dragons. It’s only natural that they’d want to know more about you.”

Rodger raised his voice. “I don’t even know about me, okay?!” Murphy edged backwards a little bit. “Sorry, I didn’t mean to…”

“No worries, my friend. I’ve faced horrors much worse than an angry pothead. I’ve ventured into fiery caves and blood-covered mountains. If you ever decide to come on an adventure with us, bring lots of potions, like this one.” She held a bottle of red liquid underneath his nose.

Rodger pulled the cork and smelled it. “It’s fruit punch.”

“All that weed must have stunted your imagination, laddie.”

“More like my mom’s boyfriend.”

And just like that, Rodger’s eyes grew wide with the realization of where he heard that familiar phrase before. He let it slip. It all came back to him in an instant. His shouting matches. The shoving. The tears from his own mother pouring down her red cheeks. He suddenly remembered the pettings she gave him on his fluffy hair in order to calm him down from a yelling session. The hugs that were as warm as a thick blanket and much more comfortable to be wrapped around in. He could fall asleep during one of her comfort sessions if not for the nightmare that awaited him when he woke up, hence the reason he smoked so much pot to begin with.

“Are you okay?” Murphy asked, probably noticing a small tear pouring down Rodger’s face.

“…I told him I didn’t want to get a STEM degree…I just wanted to write stories and play D&D…but he kept telling me to man up. He said that real adults don’t play with that kid shit. He said that money was more important than my dreams. We argued like this for hours and…I’m sorry, I don’t mean to dump all of this on you…What was I thinking?” He wiped the tear from his eye.

“So he’s the one telling you that you don’t belong here?”

“…Yes…wait a minute…how did you know I was saying that?”

“Have you seen the concerned faces of everyone around you? Of course they heard you.”

Rodger shook his head. “Who says those things? Why would anybody…it makes no sense…It’s just stupid shit…”

Murphy scratched her fingernails along Rodger’s back. “That says more about your mom’s boyfriend than it does about you. Imagination and creativity should never be suppressed in favor of capitalism. That piece of horse garbage has no idea what he’s talking about.”

“I can deny him all he wants, but it doesn’t make the pain go away.” He wiped another tear from his eye. “Look, I appreciate you trying to help me, but I really just want to eat myself to death at Denny’s, okay?”

“We don’t eat Moons Over My Hammies here in the Snow Moon Village. We eat dragon stew with extra chunks of meat and potatoes.”

“I told you, I don’t belong…”

“Yes, yes, I know what you said! Your mom’s boyfriend said you don’t belong here! I get it! But…I’m saying you do. You belong everywhere you go. Do you understand? If you’re worried about the Crossfade T-shirt and not fitting in, then…” She smiled. “I’m sure we can find some nice wizard robes to dress you in.” Rodger’s eyes started to light up behind his puffy sadness. “Or if you’re more of a fighting man, we can get some splint mail. Or demon-skin boots. Anything you’d like.”

Rodger breathed heavily. “Thank you…thank you so much.”

“The name’s Murphy. Murphy Witherspoon.”

“Rodger Hyde. Nice to meet you.” They shook hands.

Before his grin could fully form, the same barbarian from before slapped his shoulder again, jarring him out of his skin. With a hideous fanged smile, he asked, “What’s your mom’s boyfriend’s name?” He held up a battleaxe. “I’d like to have a word with him!”

NOW was the right time for Rodger to smile. Of course, murder was still illegal, but the sentiment was all that mattered. Belonging in the Snow Moon Village was all that mattered. Belonging anywhere at all was all that mattered.

Get a Hobby

VERSE 1

Get a hobby! Any kind will do

Go for a jog underneath the snow moon

Slow it down to a walk if you’re too heavy

Or go for a ride in your old school Chevy

There’s a world out there beyond it all

It can’t be separated by border walls

When you stop obsessing over nunya business

You just might feel some lovey-dovey kisses

VERSE 2

Get a hobby! Any kind you like

Put it down, pick it up like riding a bike

Read epic fantasies across several novels

Or write them yourself ‘til you become a fossil

Play videogames, swing axes at dragons

Go on more adventures than Bilbo Baggins

When you curl the finger you point so much

You’ll find there’s nobody left to judge

BRIDGE

Get a hobby! You don’t have to get a life

Make friends! You don’t have to get a wife

Make memories! You don’t have to get a knife

Unless you’re cooking dinner, chop those onions right

VERSE 3

Get a hobby! Don’t hurt nobody else

Ain’t nobody in sight that needs a living hell

Keyboards are for chatting with buddies

Not for slinging shit so goopy and muddy

Get a hobby! I don’t care what it is

Don’t declare yourself the King of the Cis

Crowns are for cosplay at the Comic Con

Not for telling people that their culture is wrong

FINAL VERSE

Get a hobby, little Bobby

Have fun, you son of a gun

Create anything but hate

Get a hobby! Get a hobby!

"Starlight" by Hannah Lee Kidder

BOOK TITLE: Starlight

AUTHOR: Hannah Lee Kidder

YEAR: 2020

GENRE: Fiction

SUBGENRE: Horror Short Stories

GRADE: B

Hannah Lee Kidder’s credentials as a writing coach are very well-earned as evidenced by this collection of shorts. From the beginning, you as the reader will be treated to descriptive writing that captures every aspect of the scene without bogging down the pace. In fact, the pace moves along quite nicely, like a smooth sleigh ride through the snow. The main characters are easy to root for due to their three-dimensional personalities and the development they go through in spite of the short word count of their respective stories. The subject matter is as dark as the horror genre suggests, but Kidder handles it in a sensitive enough way that it doesn’t come off as a nonstop trigger fest. If anybody is qualified for the job of bringing the audience a delightful read, it’s Hannah Lee Kidder.

Obviously, the longer stories of this collection are the ones that shine the most (which sounds like a Captain Obvious statement if I’ve ever heard one). My personal favorites are The Swamp Witch, Margrove, and Passing Ghosts. Longer stories mean that we get more time to see how awesome and fun these protagonists really are (another Captain Obvious statement). The witch in The Swamp Witch is easily the most colorful character in the book due to her crotchety personality meshing well with her good intentions. Margrove has a creative plot that involves trickery masquerading as magic and sorcery for unsuspecting marks. Passing Ghosts is just plain sweet since the ghost haunting the house is literally the only source of comfort that a little boy needs in an emotionally abusive home.

But just because I have favorites, doesn’t mean the book is without flaws. Flawed characters are always a joy to read about. Flawed stories? Not so much. There are shorter ones in this book that feel incomplete because of how abruptly they end and how confusing the context really is. Sliced is a shining example of this. Okay, so a dude has a bloody mouth and is stalking a girl on the street. Then what? Same thing with Contained: the protagonist watches a vent for a ragged man or a demon or whatever. Then what? There are a few stories in this book where you’ll be asking, “Then what?” a lot. I get that flash fiction isn’t everyone’s cup of tea. It certainly misses with me sometimes. But even then, I want to feel satisfied by the story’s conclusion and I don’t even know what the conclusion means.

The book’s flaws are incredibly minor, which is why I’m giving it a B and not anything lower. I firmly believe in my heart of hearts that the longer stories which have room to breathe overshadow the incomplete ones. This collection is very much worth your time, especially around Halloween season when all the ghoulish stories hit differently. The page count is less than a hundred, so you’ve literally got nothing to lose and everything to gain. You’ve got a master class in descriptive writing. You’ve got character development in such a short time span. You’ve got all these lessons you can learn from someone who is a certified writing coach. By all means, pick up a copy today and prepare to be entertained and educated at the same time! You won’t regret a thing!

Go With Them...I Guess

“I’m going off on an adventure!”

“I’m going to seek glory!”

“Garrison, what are you going to do?”

“…Go with them…I guess…”

Ah, yes. When every D&D session is a holiday season in the sense that players should give their all, my specialty in large groups was hitching my wagon to the other players. Don’t contribute any meaningful character information, just…you know…”Go with them…I guess…” But then again, what else was I supposed to do? Walk away from the group and do my own thing? That would require an extra DM just to deal with my bullshit. The easier answer would be to just assume that I’m following my fellow party members around everywhere they go. In which case, I wouldn’t be an elf fighter or a half-orc wizard anymore. I’d be a dog. A loyal golden retriever who couldn’t get enough pets and love, as long as my fellow party members had beef snacks ready. Dogs don’t have to worry about serious character development since their histories amount to chasing squirrels and rolling in mud. Not much complexity there!

Even from my very first session as an elf warrior, it should have been assumed that I’d follow my party members everywhere they went. But that wasn’t how D&D worked in those days. I always assumed that it would be like Final Fantasy games where the party goes everywhere together and would only become active characters during a battle. Not the case at all, it seems. Super Nintendos can’t ask for the player’s opinion beyond a yes or no question. Dungeon Masters can and will. So imagine my shock when the DM, my brother James, asked everyone in the party what they were going to do once they got to a town. The two players before me knew exactly what they were going to do: explore. But when James asked me what I was going to do, I froze like Sub-Zero’s opponents in Mortal Kombat. I thought we were just following each other around. Nope! I actually had to make a decision independent of my party members. And I couldn’t do it. So my elf hunter jumped down a manhole and was never seen again.

All these years later, what is the right answer to the, “What are you going to do?” question when you’re in a group of two or more adventurers? Should Dungeon Masters just assume that party members are just going to follow each other around like dogs and do nothing until they’re specifically called upon? While that is a convenient answer, it would certainly get weird after a while, wouldn’t you agree? Wouldn’t the other party members wonder why these strangers are following them around without saying a word? The easy answer would be to say, “We’re on the same team. Live with it.” But are you? What makes you all a team? Are you just there for the hell of it? Do teams really get together because it’s the right thing to do and nothing should be questioned?

And this is where the all-important character development comes into play. As it turns out, it’s not enough to have a half-orc barbarian with bulging muscles and a battleaxe that can cut through the Golden Gate Bridge. Why is this half-orc barbarian running around with a Halfling thief and a half-elf wizard? How did this half-orc barbarian come into existence other than having a full-orc and a human fuck each other’s brains out? Why does he have all of these muscles other than he’s a barbarian and it should be a universally-accepted truth? What are the stories behind his scars? What are the stories behind his actions? What are the stories behind his blind loyalty to his party? When a character’s motivations and goals are explored beyond being a shallow drone, that’s when the fun really begins. After all, mindless drones aren’t nearly as much fun to read about as fleshed-out three-dimensional characters. Isn’t that right, Stephenie Meyer? How about you, E.L. James, do you want to weigh in on this subject? Didn’t think so.

Let’s go back to the example of the elf hunter who got so confused that he jumped down a sewer hole without giving a second thought. Could he have just hitched his wagon to the other PC’s and went along with them wherever they went? But why would he do that? Well, that’s where a “session zero” comes into play. It’s a D&D session designed to get the characters introduced to each other before the campaign officially begins. So what are the elf hunter’s motivations? Does he want revenge on someone who killed his parents? Does he want to earn enough money to pay for his sister’s heart transplant? Does he want to earn enough money so that he can go on a vacation to a sandy beach paradise? Does he want to earn enough money to go to school and learn more about the world around him? These are all reasonable motivations to have as a character. They may have been done to death by other authors and PC’s, but not you. You as the player have all the power in the world to fashion these motivations into something tangible and unique. So maybe the answer isn’t to hitch your wagon to a bunch of mindless drones.

But what if there’s a reason for being a mindless drone? What if all of the party members are part of a cult that just goes around doing whatever their higher power tells them to do? What if the higher power tells them to murder everyone they come across as a worthy sacrifice? What if the higher power tells them to steal enough money to make the cult richer than Scientology ever could be? In that case, while the players are still mindless drones, they have motivations beyond two-dimensional character work. But even if this were the case, the players who own those characters still have to put in the work when it comes to developing back stories and mythologies. If you’re going to, “Go with them…I guess…”, then at least have a reason for doing so. I hate to use the phrase, “Everything happens for a reason”, but in the case of D&D characters following each other around, it definitely does.

Even the elf hunter has a reason for falling down a sewer hole (not just because the player didn’t know what the fuck he’s doing). Okay, so he’s exited the party under weird circumstances. Now what? Are there creatures lurking in the sewers? Does the shit-scented water have a dark secret buried beneath? Does the sewer serve as a passageway to another world? How about a secret entrance into a castle full of riches and sorcery? Now the question becomes, does the elf hunter keep all of his findings to himself or does he share them with his party members if and when he returns to the surface? Hopefully, he’s had a nice bath beforehand and not in a river of shit and piss. Otherwise, they’re going to think he’s a lunatic and have him locked in a madhouse.

But what does the elf hunter do while he’s confined to a padded cell filled with other crazy people? Does he share his secrets with the crazy people and get into even more trouble than he’s already in? Does he meet someone there who could bust everyone out and flood the streets with whack-a-dos? Does he meet a corrupt nurse who’s beating the shit out of the patients for no reason other than to satisfy their sadistic urges? If you look hard enough, everything has an angle behind it, everything has a story that can be exploited for creative fodder.

Here’s the thing with me as a middle schooler: I didn’t give a shit about developing back stories and looking at life through multiple angles. I just liked the shallow aspects of the characters I created and the places I went to. Does my character have skulls decorating his entire body? Does he carry an axe with a long enough shaft to double as a wizard’s staff? Does he have a drill bit on top of his head? Is his metal armor so thick that it can protect him from nuclear missiles in a medieval fantasy setting? For me back in those days, looking cool was more important than being cool. My characters could have the flattest personalities and the agendas of mindless drones as long as they looked cool doing it. I could get away with it back then, but not today as an author telling my own stories.

One thing I’ve learned as an author is that nobody cares if your dark knight carries a chainsaw into battle with him. Nobody cares if your dragon-born barbarian breathes ice instead of fire. Nobody cares if your goblin electromancer shoots bolts of lightning out of his ass. Surface-level character development isn’t development at all. Having thick armor isn’t a personality trait. Having trident heads for fists isn’t a relatable flaw. The audience doesn’t want chainsaw-wielding dark paladins if those same warriors don’t have an inch of depth or personality behind them. Ever wonder why we like one-line zingers? It’s because a mindless drone could never come up with them. Ever wonder why we like edgy dialogue? Because it takes a special kind of character development to come up with those sound bites. Characters are more than their swords, axes, and lightning breath. They have flaws. They have dreams and goals. They have styles of speech. They have reasons behind their actions that extend beyond Captain Evil territories.

So…do you want to know what the right answer to the, “What are you going to do?” question is? Well, if your only solution is to hitch your wagon to your party members whilst contributing nothing in the way of character development, your D&D session is going to be boring as hell and so will the stories you write as a professional author. It is somewhat surprising to hear me of all people say that, the same guy who struggles with character development because my characters are either too nice or too mean, too extreme or too bland, too smart or too dumb, or too good or too evil. I couldn’t find the middle ground with a map and a compass. 

But that’s why we have character profiles and character sheets: not to keep track of how many muscles our ogre barbarians have, but to keep track of all of their personality traits and why they act the way they do. Coming up with three-dimensional characters is a lot of work, but it’s work very much worth doing. Even out the extreme tendencies and make shit happen for a reason. Think beyond the shallow. Get in your character’s head like a schizophrenic voice. Ask yourself: what makes this character tick? But when you’re figuring this stuff out, take all the time you need. You don’t have to get three-dimensional character work right the first time, but you should get it right eventually. It’s a skill, one that takes patience. Do you have it in you? Of course you do! Otherwise, you wouldn’t have a D&D character sheet or a novel idea in the first place.

Stop

Holiday season

A good reason to sleep in

Fever dream demons

STOP!

Tell me I’m no good

In case it’s misunderstood

Quit because I should

STOP!

Play the same damn song

Like it’s ninety minutes long

Hangover’s so strong

STOP!

“What’s the matter, dude?

Don’t be such a little prude

Have some more fast food”

STOP!

“We ain’t stopping soon

We can do this until June

Happy Birthday, loon”

STOP!

I have no more words

For the ones who give me burns

None of your concern

…Stop…

It’s called thought-stopping

My blood pressure is dropping

Brain isn’t popping

…

I can breathe again

No longer have to defend

Round came to an end

…

Until the next time

When you mock my little rhymes

Tell me I should die

…Stop…

Never-ending war

Everything becomes a chore

No choice but to snore

…Stop…

Breathe Again

VERSE 1

It’s like deer hunting, with a camera, not a gun

Learning again that life should be fun

For every shadow that darkens your sunny day

There’s a candle that lights the rest of the way

Gratitude is underrated, but no less important

Even the smallest details cure you of boredom

Rock song, kitty cat, RPG, more of that

Eat candy, grow fat, home run with a bat

CHORUS

Just breathe

Breathe again

Just breathe

Make the world your very best friend

VERSE 2

Finding magic in the most ordinary

Finding strength for the burden you carry

Finding a way through life’s obstacles

Finding solutions for the impossible

Finding a world beyond death itself

Finding a reason to live in good health

Finding a path that leads out of your bed

And never forgetting the sweet words said

EXTENDED CHORUS 1

Just breathe

Breathe again

Just breathe

Make the world your very best friend

Just breathe

Breathe once more

Just breathe

Spread your angel wings and soar

VERSE 3

It’s not rock bottom if it has a foundation

It’s not death if you still rise to the occasion

It’s not failure if you gained an education

It’s not over even after life’s expiration

It’s not hell if there’s no damnation

It’s not prison if there’s clear exoneration

It’s not hatred if it’s beyond infatuation

Let’s do it all again like it’s reincarnation

EXTENDED CHORUS 2

Just breathe

Breathe again

Just breathe

A new beginning is not the end

Just breathe

Breathe once more

Just breathe

Ask what else life has in store

Just breathe

Breathe again

Bone Popping Good Time

The Eastern European Chihuahua known as Ren shivered and trembled as he stepped into the waiting room, his feline friend Stimpy guiding him by the arm. Stimpy patted his bestie on the head, which did very little to stop the fearful convulsing. “There there, Ren. You’ll be okay. It’s just a little adjustment to help you out. You’ll feel nothing at all.”

Salt water welled up in Ren’s puffy red eyes. “I…I don’t want to go the chiropractor!”

“It’ll be okay, Ren. He even works with little children.” Stimpy waved his hand across the room to reveal small children who were shaking as hard as he was while their Karen moms read magazines and ignored the red flags.

Ren and Stimpy took seats in the lobby with the rest of the patients, Stimpy picking up a copy of Playboy magazine and picking his nose while “reading it for the articles”. The red flags were already a darker shade than Stimpy’s fur and nobody but the children and Ren seemed to care.

And then…the waiting room shook harder than any fearful patient ever could. Thunderous footsteps crunched and crashed behind the main office door. The children tried to get up and run, but most of them were on leashes held in place by the willfully ignorant mothers. Ren clung onto Stimpy’s arm for support and only let go when he realized his friend was still reading the copy of Playboy (in a family practice).

The door swung open and a hulking monster of a man stared out into the waiting room arms akimbo. His medicine ball muscles were barely able to be contained by his tight polo shirt and yuppie khakis. His military crew cut and square jaw caused the color to fade from Ren and the children’s faces, giving away a Navy SEAL drill sergeant vibe that had no place in the world of chiropractics.

He thudded and tromped across the floor, making kids cry along the way, still to the concern of nobody, least of all the parents. The chiropractor towered over a curled up Ren, held out his hand, and introduced himself. “Howdy, little guy! I’m Dr. Dennis Hanover! Nice to meet you!” Ren reluctantly accepted the handshake, which produced the sound of glass shattering as Dr. Hanover squeezed like he was making orange juice. When he let go, Ren’s now much bigger pink hand throbbed and pulsated. “Right this way, buddy!”

The ogre-like Dennis and the twerpy gnome Ren headed back to the office together, Stimpy smiling and waving like it was a final goodbye of sorts. Ren gulped as the door was slammed and bolted shut behind him. The chiropractic table looked comfortable enough with vinyl padding, but the skeletal models surrounding the room looked like something from a horror franchise. Ren’s knees knocked together as a rumbling in his tummy sounded like it could shoot off ammunition out of the wrong end at any moment.

Dennis patted the table and waved Ren over. “Come on, it’ll be fine. I promise you’ll feel like a million bucks afterwards.” The tan Chihuahua crawled to the table as though he was dead long before any adjustments took place. His once clear complexion was now icy blue. And then Dr. Hanover gave him gentle karate chops across his spine, playing him like a glockenspiel of sorts. Ren started to relax and the color was coming back to his face. Dennis kneaded his back like pizza dough and his patient nearly fell asleep on the table.

“Breathe in…and out…” After Ren did as he was told, Dr. Hanover pressed down on his spine and made his office sound like a war zone complete with bombs and machineguns going off.

The hard adjustment caused Ren to jump up and scream his head off, the background morphing into spotted colors with each successive yell. One long scream, two short ones, and one long one again until he was almost out of breath. Ren rushed to the door trying to escape while Dennis held onto his ears. The Chihuahua even pounded on the door with his fists and begged, “Let me out of here! Open the door! Please let me out! Somebody! HELP!”

Dennis finally detached Ren from the doorknob and the door wiggled like a piece of rubber. Dr. Hanover then held his patient down with skin-reddening force and duct taped his mouth shut. Ren used both hands to try to regain his first amendment rights, but the tape was too strong and all he could do afterwards was surrender and shake some more.

“Hold still, little guy. We’ve still got more work to do. It’ll only take a second.” Dennis clutched Ren’s head and snapped his neck in both directions. The Chihuahua’s muffled screams still managed to echo off the walls and knock over some artwork. His neck pulsated and thumped on both sides like a dying heartbeat. And then Dr. Hanover pulled Ren’s fingers, making his joints sound like a pistol duel. His toes sounded like those pistols were upgraded to AR-15’s. His wrists sounded like his chiropractor walked on a snowfield of broken glass.

“One more adjustment! You’re doing great!” As Ren continued to try to free himself from the gag, Dennis pulled out a black leather Y-strap and secured it around Ren’s head. The Chihuahua could do nothing but shake his head as his final plea for help. “Relax your shoulders, and…” Dennis yanked on the Y-strap and every single bone in Ren’s body popped and crackled with deafening volume. The duct tape could no longer muffle Ren’s screams, for he did it so loudly this time that the gag floated through the air into the garbage can. After his last rallying cry, Ren did a literal cry as his entire body melted into a slimy tan puddle.

“There we go! All set! You did great, little buddy!” Dennis patted Ren’s head a little too roughly, nearly giving him a concussion and almost liquefying that part of his body too.

Ren slithered and slimed back into the waiting room while his chiropractor got the table ready for his next patient. The children watched him make his defeated reentry with wide tearful eyes themselves. Stimpy finally stopped picking his nose long enough to notice. “What’s wrong?” he asked.

“Nothing….”

“How come you’re sad?”

“I’m fine….”

“You don’t sound fine….You look like you’re about to cry…”

And cry he did. The pain was so horrible and so fiery that Ren thought he had died and gone to hell. In reality, hell was already on earth and Dr. Hanover was the devil. The square-jawed military nut marched out into the waiting room and sat next to Ren on the floor. “There there, little pup. I know just the thing that’ll help you. When my dad caught my crying like a girl, he gave me some words of wisdom I still carry to this day. ‘You know, son…Japan had an earthquake…Haiti had an earthquake…Australia had a wildfire…California had a wildfire…and you’re sitting there whining about life?’”.

“Hey, that’s mean,” said Stimpy with saucer eyes.

“Mean? Nah, that wasn’t mean. I gave your boyfriend a bone popping good time back there. He’ll man up in no time at all.”

“B…boyfriend?”

“Yeah, boyfriend! I knew you two were Don’t Ask, Don’t Tell violators the minute you walked through the door. You looked like you were taking him to the prom with your arm around him.”

As Stimpy and the subsequent children cried at the remarks, Ren’s slimy puddle form started to bubble like a pot of spaghetti, though his regenerating limbs were anything but spaghetti. For the longest time, he didn’t feel like his old self, which was why he came to the chiropractor to begin with. He was too scared to be the villain Stimpy knew and loved (in whatever way he wanted to). But that anxiety turned to skin-purpling anger. Steam blew out of his ears. His body returned to its strong roots. He smiled for the first time in his many depressive weeks, but not out of happiness. This was pure psychosis fueling him like diesel.

“Uh-oh…” said Dennis the minute he realized he knew he fucked up.

Ren jumped on his chiropractor’s back and twisted his neck in a direction it was never meant to go, an obvious mockery of that genre of medicine. Dennis screamed while Ren taunted him. “JAPAN WAS HIT WITH AN EARTHQUAKE!” Ren bent Dennis’s legs into reverse L shapes. “HAITI WAS HIT WITH AN EARTHQUAKE!” He bent Dr. Hanover’s fingers off to the sides. “AUSTRALIA HAD WILDFIRES!” In his final “therapeutic adjustment”, Ren popped Dennis’s penis and testicles, which weren’t supposed to have joints in the first place. “CALIFORNIA HAD WILDFIRES! And you’re bitching about life?”

Gone were the days of macho muscles and towering ogre presences. In their place was a broken heap of screaming sticks with a garnish of waterfall tears, still known as Dr. Dennis Hanover, a name which was probably going to be carved into his tombstone sooner or later. The children’s sprinting momentum dragged the chairs their Karen mothers were sitting in by the leashes. Some mothers held on for dear life while others fell on their butts. Those that did the latter chased after their children with whiny demands and shaking fists.

Now it was Stimpy’s turn to convulse in pants-wetting fear. But since he was a cat who didn’t wear pants, the biological sludge stained the floor and mixed with Dennis Hanover’s broken remains. Ren patted his friend on the back and said, “I feel great, Stimpy! You were right! We should come here more often!” Stimpy swallowing a lump in his throat and out of his ass was the surefire sign that Ren was back in all of his glory. Chiropractic medicine was truly the stuff of gods, provided that god was one who worshiped destruction and war. “Let’s go home!”

Tiger Uppercut

VERSE 1

Striking a nerve like a glockenspiel

Is not how the world is supposed to heal

Of course it matters how your audience feels

They’re the ones who pay for your meals

They didn’t pay to see you spin your wheels

Shouting slurs with a Klansman’s zeal

Bigotry and anger weren’t part of the deal

Your jokes are older than slipping on a peel

CHORUS 1

Tiger uppercut to the billionaire giants

Sho-ryu-ken to the fascist tyrants

Machinegun punches to the royal crown

Punch all the way up, not all the way down

VERSE 2

You’re not dead yet, got millions of dollars

And an army of defenders who hoot and holler

They’re the Twitter trolls and radio callers

Your ego gets bigger, but your dick gets smaller

CHORUS 2

Tiger uppercut to the cardinals and popes

Sho-ryu-ken to abusers of bad jokes

Machinegun punches for the evil frowns

Punch all the way up, not all the way down

VERSE 3

You’ve never experienced living on the streets

You’ve never had to worry about when you’ll eat

You’ve never had a cop pound your face like meat

You’ve never been your uncle’s favorite tasty treat

Not all of your victims have a dinner table seat

Think about that when you’re feeling the heat

They’re not chewed gum stuck underneath your feet

They have their own dreams, march to their own beat

CHORUS 3

Tiger uppercut for the ones with bullwhips

Sho-ryu-ken for the sellers of bullshit

Machinegun punches for conspiracy clowns

Punch all the way up, not all the way down

Flash kick for the gods who rule from the sky

Spinning bird kick when they refuse to die

Rising dragon kick with a Bruce Lee sound

Kick all the way up, not all the way down

"The Hunger Games: Mockingjay" by Suzanne Collins

BOOK TITLE: The Hunger Games: Mockingjay

AUTHOR: Suzanne Collins

YEAR: 2010

GENRE: Fiction

SUBGENRE: Dystopian

GRADE: A

I said this with the second book in the Hunger Games trilogy and I’ll continue to say it with this final installment: reading dystopian fiction feels weird in 2021, when COVID-19 has the world in a stranglehold and right-wing politics are at an all time high. And wouldn’t you know it, the Hunger Games world looks every bit as nightmarish as the real one. Oh sure, President Snow and the Capitol have a rebel army to contend with, Katniss Everdeen being the ultimate symbol of resistance known as The Mockingjay. But what good is a rebellion if the people in charge of said rebellion are just as disgusting and violent as their oppressors? Both sides have strict rules. Both sides are not above sacrificing their own to achieve their goals. It’s just a perpetual cycle of abuse that’s passed on from generation to generation, regardless of who’s aligned with who. That paints a very realistic picture of what war is like: there are no winners, only dead bodies. Somehow Katniss must find a way to stay true to her own beliefs and individuality through all of this. Not an easy task, but one worthy of an entire book series. Katniss truly is a symbol of resistance, but on her own terms.

Circling back to the idea of nothing changing, it reminds me of something George Carlin once said while performing standup comedy: “If you have selfish, ignorant citizens, you’re going to have selfish, ignorant leaders. Term limits will do you no good, because you’re just going to get another crop of selfish, ignorant leaders every time.” This seems to be true no matter who we elect as our leaders: they’re either too soft on right-wing extremism or they are themselves right-wing extremists. Maybe it’s a little bit of both. The Hunger Games holds a mirror up to our worst parts of society and it makes its readers uncomfortable. But sometimes a little discomfort goes a long way. The truth can sometimes be an ugly thing, but that doesn’t mean we don’t eventually have to come to terms with it. Katniss and people like her can only do so much. Yes, she’s the hero of her own story, but she can’t do everything. She, like the rest of us, has to rely on her allies to do the right thing and they don’t always do that. Can Katniss achieve true rebellion? Only time will tell.

But no matter what shape the ending of this book takes, you can always count on the fact that Katniss Everdeen is a strong female character. I don’t mean strong in the sense of having muscles and a surfboard-sized sword in each hand. She’s well-written. She has flaws, ambitions, interests, and most importantly, a sense of individuality that makes her stand out from the rest of the character cast. She makes mistakes and doubts herself like any normal human would, but none of her errors result in being comically stupid. And when she messes something up, she fixes it like the responsible adult she grew up too quickly into being. Individuality is what leads to true resistance, not guns and bombs. Any artist will tell you that, because creativity cannot exist without individuality. Same goes for standing up for what you believe in.

I very much enjoyed what I read in this book, whether it was Katniss’s realness, the action sequences, the ugly truths behind politics, or even the fact that every chapter ends in a cliffhanger of some sorts. I know that last part seems like such an obvious thing to do, but it’s really noticeable in this book and it keeps me coming back for more, which is important for any book to accomplish. Suzanne Collins is an excellent writer who has created a bleak world, one where the media really does control people’s opinions and violence is disturbing no matter who it happens to. Mockingjay gets five stars out of five, no question about it.

A History of Violence

MOVIE TITLE: A History of Violence

DIRECTOR: David Cronenberg

YEAR: 2005

GENRE: Thriller

RATING: R for violence, language, and sex

GRADE: A

A story about a diner-owner saving his establishment from a robbery would have been thrilling enough on his own. But where exactly did Tom Stall get his fighting skills from? It wasn’t just blind luck. He didn’t take martial arts courses. Maybe he was ex-military, but why would an ex-military guy suddenly have mafia goons calling him Joey when his name is clearly Tom? He’s hiding something, not only from the town that praises his actions, but also his own family. The growing tension between Tom and his family is a focal point of the story’s drama. The more that comes out about him, the more isolated he becomes from the one he loves. I was going to dock this movie a point for a sometimes slow pace, but that slow pace actually helps intensify the drama. Tension needs time to build. In the case of the audience, they’re going to feel all the hate and anger that Tom and his family feels towards the ones who wronged them…right before they implode on each other. If you have a history of violence, the cycle will eventually repeat itself. Building tension and sending anxiety through the audience are this movie’s strong suits.

But of course, you can’t call the movie A History of Violence and not have a good deal of violence in it. Tom Stall’s punches, kicks, and limb breaks are so brutal that they’re satisfying to watch as they happen to everyone who messes with his family. But the cherry on top of the blood-covered sundae came from Jack Stall, Tom’s son, who had been bullied all year at school by a redneck named Bobby and his friends. Jack just absolutely wrecked Bobby and it was so delicious to watch. As a former bullying victim myself, I love watching these kinds of scenes. Of course, Tom isn’t happy with how Jack handled it, because that’s not how his family solves problems…but Tom totally does as he slaps his son for smart-mouthing him. Pot, meet kettle. But that just widens the divide between Tom and his family, so blatant hypocrisy adds to the building tension that the movie does so well.

I won’t spoil the ending for everyone, so I’ll speak as vaguely as possible. By the time all is said and done, we don’t know if the main problem is solved. We don’t know if Jack will face repercussions other than suspension for the pounding he gave Bobby. We don’t know if Edie (Tom’s wife) can carry on with her marriage. We don’t know if Sarah (Tom’s daughter) will stop seeing monsters at night. But most importantly, we don’t know if this cycle of violence will continue or if everything falls apart. Normally, this kind of open-ended storytelling is ideal for producing a sequel, which I wouldn’t be against. But even without a sequel, this is effective storytelling because it leaves the audience with anxiety-inducing questions long after it’s over. They’re free to exercise their imaginations. It’s not even confusion they feel. It’s a genuine interest in seeing the story beyond its ninety-six minutes. By renting space in the audience’s head long after it’s over, A History of Violence truly did its job of telling an effective story.

Everybody played their roles to perfection. The violence was satisfying whenever it happened to the bad guys (Bobby included). The drama was never in a cool state even after those bad guys get their comeuppance. It started off slow, yes, but that’s something I’m willing to forgive since the rest of the movie kicked it into high gear with the action and drama. If you feel like your patience is being tested, keep watching it all the way through, because you’ll get everything you want and more…even if the ending leaves you with more questions than answers. A History of Violence gets five out of five stars.

It Was All an Adventure to You

 “He’s right this way, Princess. Watch your step. He’s been lying here all day, it seems.”

Princess Marle knew who that male pronoun was meant for, but she didn’t want to say it out loud. She didn’t want his name associated with the grape-scented wine wafting through the forest. She intentionally slowed down, not because she didn’t want to step on her royal white dress, but to prolong the answer. She could have moved at a snail’s pace despite the urgency of her squad of knights, but this part of her future was inevitable. As a former time traveler, she knew something about grim futures.

The knight captain raised a branch so that Marle could pass through. Some of the leaves got in her otherwise perfect blond hair, but hers wasn’t anywhere near as bad as the young boy lying against the trees in front of her. Defeated, drunk, disheveled, and demonized. Four D’s, one shell of a former human being. It was indeed Marle’s ex-husband Crono, his eyes glazed over, his clothes a stained mess, his spiky red hair even messier than usual. All life had left his once bright eyes, numbed by the genie lamp-like bottle dangling in his right hand.

With her knights firmly behind her, Marle tiptoed toward her ex and took a whiff of the offensive air that poisoned not just the forest, but an entire human body. “Did you bathe in Genie’s Delight, Crono?” No answer, just drool, tears, and snot. Marle yanked the bottle out of his hand and sarcastically took a sip. “Mmm! You have fine tastes…despite the fact that you’re not even old enough to drink alcohol. Still…you have very nice tastes.”

Marle threw the lamp-like bottle against a nearby stump, the shattering noise jostling Crono around a little bit, the only sign of life he was capable of showing. Not even his ex-wife’s scowling contempt was enough to wake him up from this depressive stupor. “Arrest him.”

“It was all an adventure to you…”

The knights couldn’t proceed any further as Marle held out her arms like a barricade, wanting to give her ex-husband a chance to speak his mind…or whatever was left of it. “Come again?”

Crono spit a wad of blood onto a nearby patch of grass, as if that would be more effective at deforesting this area than his alcoholic miasma. “Time travel is supposed to be fun, right? We were all having a good time going through all those worlds…all those dinosaurs…all those dragons…all those bony old men looking for something to eat in a fucking factory…” He spat again. “I’m glad you had a good time, Marle. I’m happy all those lighting bolts and fire bombs didn’t scar you in the least. I was worried being in constant battle would take its toll on all of us…” He hiccupped.

“Crono…let me make something perfectly clear. Those battles were not my idea of fun. Nobody was having fun. We fought all of those monsters because it was necessary. We saved the world. Isn’t that something to be proud of? Isn’t that something you want to be remembered for?”

Crono burped.

“Answer me!” Marle’s arms folded like she was ready to make her final judgment upon this poor bastard in front of her.

Crono burped again. “I’m sure it’d be nice to be remembered as a savior. But that’s not how I remember it. All I remember was being burned alive and slashed to pieces.” Tears welled up in his eyes, much to the dismay of his ex-wife. “I died, Marle! I literally died! And before that I almost had my head chopped off by your kingdom! They were going to give me the guillotine for a fake kidnapping charge! The guillotine! To a little boy! That’s all that capital punishment is, really: state-sanctioned murder.”

Marle calmed down somewhat. “I agree.”

“I don’t,” said the knight captain, who earned himself a slap on the arm from her highness.

“You were cleared of all charges, Crono.”

“Tell that to the townsfolk. You think I don’t hear them talking? They still think I kidnapped you. They don’t buy that time portal explanation. Nobody does.” He pointed at an empty field. “Even that guy won’t stop talking about it. He wants me dead, just like everyone else.”

“Crono, who are you pointing at? There’s nobody there.” The weight of what Marle just said caused her to suck in a deep breath. Almost holding her hand to her mouth, she whimpered, “Are you delusional? Are you…hearing voices?” Her only answer came in the form of a weak shrug. “Is that why you drink so much?” He nodded. “You ruined our marriage over a few bottles of wine for this? Crono, why didn’t you tell me?”

He laughed like the madman he was becoming. “How am I supposed to bring that up in conversation? Oh, honey, these mashed potatoes are delicious! By the way, I’m hearing things that aren’t there! Your knights would have given me the guillotine just for that. I guess there’s no better way to relieve head trauma, am I right?” He chuckled at his own form of gallows humor.

Marle’s breathing became more erratic and jittery as she fought back tears that she never wanted her loyal knights to see. “Crono, if you would have told me, I wouldn’t have judged you for it. I would have helped you through it. We all would have.”

“I wouldn’t have,” said the knight captain.

“SHUT UP!” yelled Marle, an order that was quickly obeyed. “Crono…we married each other…we shared moments…and you threw it all away with that disgusting wine! You could have told me what was going on!”

“Not even your healing magic would have done me any favors, Marle!” Crono snapped back. “You want to help me? Reach inside my head, pull the demons out one-by-one, and throw them away for good! Can you do that? Can anybody do that?!”

“…No…I can’t…” Marle’s tears were slowly eroding away her royal toughness.

“Look…if you’re going to arrest me, then do it already. I’m beyond help at this point. Those combat memories won’t go away on their own. Those chatty bastards won’t stop spreading rumors about me. And I’ll never get the taste of Genie’s Delight out of my mouth. Ah, who am I kidding? Everything tastes like blood nowadays. I’ve been stabbed so many times that I can taste it every day. I’ve been burned so many times that it tastes like crispy black scabs. Just arrest me or kill me, okay? I don’t care what you choose, just do something.”

Marle wiped her eyes on her arm glove before using her arm like a barricade once more to stop the knight captain from arresting Crono. “I’ll handle this. Take the rest of the day off, Captain. You’ve done enough.”

“But Princess, I…”

She lifted a finger to her lips. “Not. Another. Word. Let me handle this. Go.”

The knights hesitated for a while before marching back to the castle, leaving Marle to wrap Crono’s arm around her back and hoist him to his feet. His dizzy equilibrium made him harder to carry, but she was still willing to do it. He was so slippery that she just decided to carry him baby style in her arms. He seemed comfortable in that position from how easily he closed his puffy eyes. Marle didn’t even have to struggle that much to hold him, suggesting to her that he hadn’t had much food to go with his copious amounts of alcohol.

Marle carried the remains of her ex-husband through the dark forest, the one where they used to “level up”. The one where they escaped from the castle guards by traveling to the future, the future of broken down factories, skinny survivors, constant hunger, and dark skies. Maybe there was some validity to Crono’s trauma.

She carried him like the mother she originally wanted to be. She climbed many castle stairs, receiving dirty looks from the guards along the way. She didn’t care. She climbed more stairs. And more. And more. And then she introduced Crono to a room he thought he hadn’t seen before. “This doesn’t look like a drunk tank…”

“That’s because it isn’t. It’s our old bedroom. The bed is a lot softer here than in a drunk tank.”

A little bit of life returned to Crono’s eyes as he looked around the old bedroom he shared with his now ex-wife. Marle took it in as well. The stained glass windows, the bookcase full of knowledge and wisdom, the beautiful artwork that was a mirror image of the battles they fought together, and more importantly, the bed that felt like laying on a cloud of vanilla ice cream.

“I think you’d be more comfortable with your shirt off.” Sure enough, Marle stood him up and removed his wine-scented tunic, revealing visible ribs underneath. She elected to leave everything else on his body in order to keep it PG. She hobbled him over to the bed and laid him down on his stomach, face first into the silky eiderdown pillow. He was asleep almost instantly, snoring like a coffee grinder and snorting like a pig.

Marle gazed down upon her once beloved with watery eyes. She threatened him with arrest back in the forest, but she knew in her heart she could never carry out such an order. He was so irresponsible, but he was also hurting. She couldn’t leave someone like that alone in the forest at the mercy of conservative knights. He looked almost as pained as the starving twigs from the future. He looked like a corpse ready for his permanent dirt nap. He was drunk out of his mind, yet he clung to life all the same. She knew he wasn’t ready to surrender.

Knowing full well he was knocked out from the drunkenness, Marle climbed on Crono’s back and gave him a massage anyways. She didn’t want to squeeze too hard out of consideration for his visible bones, but she squeezed just enough to hopefully put some better memories in his traumatic nightmares. If the gentle touches weren’t enough, she leaned into his ear and whispered something she wanted to say, but couldn’t get through to him during their crumbling marriage: “Crono…I never stopped loving you!”

He Hates His Penis

He hates his penis and all that it stands for

He hates his tastes, wants to be a sad bore

If anybody knew what kind of shit he liked

He’d be locked in darkness without his rights

A broken lamp, but there’s no genie inside

No way to get rid of the parts he must hide

Take a razor blade and cut his dingus off

And the sack for which he turns and coughs

The thoughts don’t stop, he wants to drop

Before he gets his ass beat by the keystone cops

Throw the TV out of his window pane

Before a Huggies commercial drives him insane

No where to turn to, no one to talk to

Want to stab him to death? He won’t stop you

He never asked for his brain to be fucked up

Nobody would choose it, it’s just tough luck

Where does he go from his lowest point?

Does he just light up yet another joint?

Numbing his pain with drugs and food

He lived another day, stabilized his mood

He’s a monster without the claws and fangs

A warmonger without the guns and tanks

A devil without living in the hells below

That shit’s on earth, in case you didn’t know

Show Don't Tell

PRE-VERSE 1

Don’t tell me about the ghostly music

Show me sound waves liquefying his brain

Don’t tell me he’s about to lose it

Show me twitchy faces as he’s going insane

VERSE 1

Reading about scandals in the newspaper

Won’t give you the most intimate flavor

An old man’s gyroscopic wiener in motion

Leaves her trapped above the Atlantic Ocean

Few seconds of assault becomes a life of trauma

But they’ll brush it off as SJW drama

She’s a hero for telling a story that pains her

And showing the old fart he’s a walking failure

PRE-VERSE 2

Tell me you’re hurting without telling me so

The hangover turns your head into a bomb to blow

Tell me why you’re drunk without telling me why

Because it’s better than letting monsters see you cry

VERSE 2

A fictional world becomes real in a hurry

When the lines of fantasy become so blurry

Is the author a racist or just bad at his craft?

When the audience screamed, the Nazis laughed

Five hundred pages of knights and mages

And lovers so fine with questionable ages

He’s a villain for telling a story so awful

And showing why he’s still on the side of lawful

PRE-VERSE 3

These stories don’t connect in any meaningful way

They’re just random thoughts barfed onto the page

Get a nice editor to tell you that you’re full of it

Test your resolve, we’ll see if you’re full of quit

VERSE 3

In the end, we all have our stories to tell

But it’s all a matter of if they’re told well

We don’t mind a little bit of being disturbed

As long as there’s substance to go with big words

Everyone has potential to live beyond themselves

And see their very best efforts on library shelves

You’re a human for telling a story the world needs

And showing them all you despise corporate greed

No One Else Is Living This Way

Ghostly music swirled in Commander Bright’s brain, though the instrument of choice was whirring noises from his waking dizziness. He would have checked for a massive lump on his head if not for his hands being restrained behind his back. Any oxygen he managed to muster up came through his snotty nose as his mouth was obstructed. He wanted to wiggle around to break free from his new bondage, but the duct tape was too powerful, squeezing him down like a Gundam’s hand.

Bright’s darkened vision let just a little bit of light in at a time and eventually his salty eyes gave him the blurry, distorted shape of someone he used to know. Long gone was the innocent young man that he tried to push into becoming a true soldier. In his place was wide-eyed psychosis, a teenaged boy wearing not his uniform, but a wife-beater tank top, dirty brown pants, and a glazed over expression. Amuro Ray had gone off the deep end, but Bright had already known that the minute he could no longer move his body or express anger through his words.

Amuro’s superior wiggled around in his chair some more, but to no avail.  He was too weak from the dizziness and lack of oxygen. But he couldn’t find it within himself to accept defeat so easily. There had to be a method to Amuro’s madness. Something had to make him tick aside from the constant battle fatigue when he took his Gundam into any given war zone. Bright’s exhausted mind wouldn’t allow him to search so easily for answers.

“Guess what?” Amuro leaned his face closer to Bright’s. “I forgot to make my bed today.” The young man chuckled through his nose, a privilege not afforded to the bound and gagged Bright for fear of passing into darkness yet again. The joke wasn’t even that funny to begin with. Amuro wasn’t done there. 

“But of course…that’s hardly my only infraction.” He produced a file folder and thumbed through the pages like he was shuffling cards. “That’s a lot of pages for just one person. It’s almost like…you’re obsessed with me or something. I’m sure you have a lot to say about me.”

He pulled one of the pages out. “Amuro Ray. Sixteen years old. Gundam pilot. Received several infractions for behavioral issues, which include, but are not limited to insubordination, questioning authority (which is the same as insubordination, I don’t know why you’d put those two together), hijacking military property, desertion, aggravated assault, and aggravated mayhem. Has several psychological issues such as high-functioning autism, depression, post-traumatic stress…

“Do you really want me to keep reading this? We’d be here for hours if we went over everything. Wait a minute…” He looked around in mock disbelief. “There’s no file cabinet. How am I supposed to file this page with no cabinet? I’m sure it has to go somewhere.” He stared menacingly at Bright’s left thigh, causing his bound and gagged victim’s heart to thump loudly like a useless beacon to nobody coming to rescue him.

Amuro produced a staple gun from his back pocket and stapled the lone sheet of paper to Bright’s thigh. The Commander screamed so powerfully through his gag that his throat began to take more damage than his wound. His eyes watered and burned down his cheeks. 

“What? You don’t think that’s a good place for it?” More gagged screaming from Bright. “I agree. Let’s put it somewhere else.” Amuro ripped out the staple and this time the gagged screaming nearly caused Bright’s head to split open. The Commander cared little about the oxygen leaving his body in a gust of tears and snot. Amuro didn’t care either as he continued to taunt his former superior.

“Well, look at this! You got blood all over the page. How is anybody supposed to read about my horrible deeds when there’s blood everywhere? How is anybody supposed to judge me if they can’t see what’s there? This page needs to drip-dry. And I have just the place to hang it.” He stapled the non-bloody side of the page to Bright’s crotch and this time the screaming was high-pitched, like a female dragon wanting desperately to unleash her fireball. Speaking of fiery balls, Bright’s genitals bled more profusely than his thigh.

Amuro continued to taunt him. “Nah, that’s not going to dry it off. Let’s hang it somewhere else.” He ripped out the staple and Bright’s voice nearly blew like a bomb as he shrieked in pain. Seconds of torture turned to minutes. Minutes turned to hours. Hours turned to days, weeks, months, and years. In reality, it had only been a few seconds of agony, but it might as well have been eternal damnation.

The teasing wasn’t over, as Amuro pulled a bottle of liquor from the shadows of whatever room they were in. “Am I even old enough to drink this?” He popped off the top and did it anyway, teenaged years be damned. His innocence was gone long before he took his first sip. He held it out to the still screaming Bright. “Want some?” Amuro proceeded to splash the alcohol on Bright’s groin and leg wounds. The stinging pain was like a thousand scorpions digging into his body with their claymore tails. The bacteria was dead and Bright wished he was.

Amuro splashed the alcohol in Bright’s face, which would have spelt the end for his oxygen supply if the tape gag didn’t get saggy and fall off. “Stop! Stop! Stop!” Bright screamed. The growls of agony were replaced by raspy, rapid-fire breathing. The blood in his gums pooled up and gave him a nice taste of nickels and dimes.

“I’m sorry, what was that? You want me stop? You had enough?” Amuro slapped Bright and reddened his already strawberry cheeks. “Come on, Bright!” Amuro slapped him again and again. “You can’t grow up unless you get slapped! If you’re depressed, snap out of it! Isn’t that what you said to me?” Amuro suddenly calmed down, but not in a charitable way. “My own father wouldn’t even hit me.”

Bright shot a snot rocket on the floor and breathed heavily as he spoke. “You can slap me and staple me all you want, but your head voices aren’t going away!” Amuro grew sullen in his once arrogant facial expression. “You think you’re the only one who has war flashbacks?! You think the rest of us aren’t hurting just as much as you are?! This is war, Amuro! Everybody’s feeling it! You’re the only one who’d even think about torturing me over this! You’re the only one with the staple gun right now! No one else is living this way…”

Amuro backed up, stunned in silence.

Bright spit a wad of blood on the floor. “See? You’re backing up because you know it’s true! Torturing me isn’t a substitute for therapy! Never has been, never will be! You can kill me for all I care, but no matter where you go, you take the pain with you!” Bright smiled through red and pink teeth. “You know what the best part about all of this is? Your trauma will only get worse once you go to prison. All that time alone in your prison cell with nothing but your thoughts. Your loud…destructive…violent thoughts…They’re all yours. They’ll only get louder. And louder.”

Amuro clutched his brown head of hair and doubled over in pain. “Stop it! Just shut your mouth! I’ll staple your lips shut if I have to!”

“What kind of nightmares do you have, anyways? Bombs going off? Getting shot at with lasers? Nearly dying every single time you’re out on the battlefield? Oh, I bet you hate those explosions, Amuro. I bet you absolutely HATE combat!” Bright started making bomb noises with whatever was left of his throat and mouth.

“I said stop! No more! SHUT UP!” Amuro broke the liquor bottle against the wall, fashioning it into a knife. He slowly crept towards his hostage with wildness in his eyes and spittle foaming on his lips. “You were the one who made me this way! You wanted me to be a soldier! You wouldn’t let me rest when I needed to! You’re the one who fucked with my mind!”

“Yeah…I am…And you know what? I’d do it all again in a heartbeat. Except this time, when I slap the hell out of you…I’m going for a knockout!”

“STOP IT! SHUT UP!”

“Or what?! What are you going to do, Amuro?! You’re going to keep wrestling with your mind until it gives you want you want?! Good luck with that! Face it, Amuro…you can kill me…you can kill my whole crew if you want to…but your mind…will always be a shitty place to be!”

Amuro couldn’t deny his head voices any longer. He turned the broken bottle on himself and sliced his own throat open. Bright’s voice may have been raw from death growling into a tape gag, but at least he couldn’t compare his throat pain to Amuro’s. The once brilliant Gundam pilot now laid on the ground in a pool of his own biological sludge, finally free from the prison of his own mind.

Bright’s breathing slowed down and his neck stopped radiating with pain like a nuclear rod. Every breath he took was one of relief. The pain in his crotch and thigh was completely forgotten about during his moments of bravery, but not when he tried to undo his tape. Squirming went from being a mere chore to a marathon in hell as pain shot throughout his entire body. But free himself from the tape he did. And then he collapsed on the floor with nothing to entertain his senses but the boots of his rescuers, who almost came too late.

He lost track of how much time had passed since he’d been asleep in the hospital. He thought for sure he had slipped past heaven’s gates. But the only part of heaven he could experience at that moment was the softness of his bed cushioning his aching body. Everything else felt like being engulfed in flames, whether it was the wrappings on his wounds, the tubes coming out of his skin, or his pounding headache.

The nurses turned around to check his progress…and every last one of them had Amuro’s face. They even had Amuro’s voice. Everywhere Bright looked, he saw his torturer, who once took on the role of the one being tortured. It had to be an illusion, right? It had to be his mind playing tricks on him. That was the only explanation for this. 

In which case…everything Bright said about Amuro’s traumatic hallucinations came to fruition…for him as well. He gave away his own prophecy. The physical torture was over. The psychological hell was just beginning. Maybe taking Gundams onto the battlefield wasn’t a great idea after all. Bright wanted to shout his newfound insanity from the rooftops, but shouting required a little more vocal power than he was afforded. He was a prisoner of his own mind…and it would be like that for the rest of his life. The broken bottle sounded better with every passing day in the hospital.

inspirational Porn Star

VERSE 1

I was born with one finger, no other body parts

My cancer cell count was off the fucking charts

I got run over by a Karen and her shopping cart

Left to bleed and break on the floor of Wal-Mart

But I kept pushing on, as cliché as that sounds

I can now bench press a thousand fucking pounds

A got a hot wife, hot life, and a new sports car

You call me lucky; I’m an inspirational porn star

VERSE 2

I was born with a negative bank account balance

A million dollar debt to a loan shark in Dallas

The streets were the place where I slept and shit

Not in that order, but the timeline still fits

I kept soldiering on, got a college education

Got a bunch of D-pluses at my graduation

It’s clearly your fault if you don’t go far

Not mine; I’m an inspirational porn star

VERSE 3

I never once took a check from the welfare office

Never once begged the forces of evil to stop it

I’m so tough I floss my teeth with barbed wire

Wipe my ass with sandpaper ‘til it burns like fire

Shave my face with a chainsaw until I’m raw

Clip my nails with a shark’s disembodied jaw

If I can do it, you have no reason not to start

Your lifelong journey, be an inspirational porn star

VERSE 4

Of course you all know that I’m full of shit

Only a bunch of sheep believe my rhetoric

Everything has nuance, even life itself

Not as easy as a bible on a library shelf

Not as easy as watching a You Tube video

Not as easy as imagining a new scenario

I want more for me, so I move the goal post

Inspirational porn stars are just hollow boasts

Limerence

“…”

Do you hear that? That is the sound of absolutely nobody being shocked by the news that I experience limerence on a daily basis. It is a condition defined as obsessively imagining romance with someone I have a crush on. Cigarettes taste like shit. Alcohol tastes like an entire outhouse. Heroin and cocaine are even worse for the brain than those two things put together. Limerence is my drug of choice because it costs nothing and it helps me cope with the stresses of life, whether it’s the pandemic blues or schizophrenia eating me alive long before that. Instead of traumatic memories, limerence gives me lovey-dovey scenarios to think about. One of these things is not like the other. A night of laying my head in a woman’s lap while she strokes my hair is very much preferable over reliving every insult that’s ever been said to me.

Who am I currently experiencing limerence for? A lot of women, not just one or two. I feel much more comfortable saying the names of super-famous celebrities than I do of You Tubers and people I know online. Celebrities don’t have time to read my social media posts whereas a You Tuber will know exactly who I am and will hit that block button with cat-like reflexes. To be fair to the You Tubers, how would you feel if you learned that a three hundred pound man who lives with his parents and is currently unemployed thought of you in an obsessively romantic way? While beauty is always in the eye of the beholder, I have a feeling it would be creepy no matter who I was. I could have flowing blond locks and abs that would make a great bulletproof vest. I could be a billionaire who cheats on my taxes, but never on my limerent object. It would still be creepy as fuck.

But what about the celebrities who have no time for me? What about the fictional characters who will never be offended by my romantic thoughts because they’re not even real? Well, that depends on what time period you’re talking about. In the late 90’s, it was Cammy White from Super Street Fighter II. In the mid 2000’s, it was Motoko Kusanagi from Ghost in the Shell: Stand Alone Complex. For the rest of the 2000’s, it was Tarja Turunen, the ex-lead singer from Nightwish. In 2018, it was Sarah-Jane Redmond, the actress who played Lucy Butler from Millennium. In the present day, it’s a bunch of lovely You Tubers whose names will go unchecked due to the fact that they might be reading this.

I’m sure none of you want to Google the names I did mentioned. After all, I’m supposed to be showing instead of telling when I write these nonfiction pieces. But there are many common threads among the women I’ve named and haven’t named. They’re beautiful, of course, but not just physically. They have something about them that keeps my limerent mind coming back for more. It could be the intelligence of political discourse, giving safe spaces and love in equal measures. It could be the wisdom of passionate fairytale storytelling, the paladin conquering the ogre and the dragons protecting the elven kingdoms. It could be the talent of singing like an angel from heaven itself, turning the phone book into sensual lyrics. It could be the strength of a warrior who will protect and mother any man she falls in love with. It could be the uncanny knack of seducing men just by being themselves, declaring love and giving kisses to calm the most nervous of men.

Anybody can be physically attractive. Anybody can have ruby red lips that taste like cherry pie, skin that’s soft and arousing to the touch, and hair that when stroked would leave both of your scalps tingling with pleasure. But if someone is physically attractive whilst being a shallow jerk, then that’s a huge turn-off. Nicole Arbour is physically attractive, but because of her fat-shaming rhetoric (“sweating Crisco” and “being unhealthy”), abusive behavior towards past boyfriends (punching faces and isolation from friends and family), and right-wing ignorance (white victimhood and minority bashing), she angers instead of seduces.

Another common thread among my limerent women is that none of my romantic fantasies about them have ever turned sexual. I would never want to taint them in that way. So instead, I imagine them squeezing my shoulders in a relaxing massage, sending tingles throughout my body. I imagine laying my head in their lap while they play with my hair, sending even more tingles throughout my body. I would do the same for them occasionally and earn a few swooning moans. I imagine giving them foot massages that make them close their eyes and drift off into dreamland, probably dreaming about being fed strawberries and cream like a goddess. I imagine laying in bed next to them, not for sex, but for the warmth of cuddling and the peacefulness of sleep. We could even have “A Pillow of Winds” by Pink Floyd playing in the background to accentuate this moment of love. 

These fantasies are especially important to me during moments of sadness and schizophrenic torment. Who wouldn’t want Chun Li from Street Fighter II squeezing their shoulders and lifting them up from a pit of despair? Mild, inoffensive touching at its finest. We could even hold hands together while walking through the desolate streets of either Port Orchard or Seattle. The warmth of her hand and the softness of her fingers would definitely feel good to me when I’m nervous at night. Of course, I would still be nervous about this beautiful lady wanting anything to do with me, but it’s not the same as feeling the danger of Seattle’s cyberpunk atmosphere.

I held off on talking about this topic as long as I could. I’ve already mentioned not wanting to gross anybody out with my lovey-dovey thoughts. But more importantly than that, I didn’t want to be written off as a whiny incel. For all intents and purposes, someone like me would fit in nicely with that clique. I’m overweight, a shy virgin, unemployed, and a lifelong tenant with my parents. I check all the boxes except for one: I’m not a misogynist who believes I’m entitled to free sex. Women owe me absolutely nothing. If they like me, fine. If not, then there’s nothing I can do about it. I certainly would never go on a shooting spree at a lingerie store or yoga studio. I wouldn’t run over random pedestrians with a van over my inability to be attractive. That’s just a LITTLE extreme, in my opinion.

Sometimes limerence is only a fantasy that will never come true. Sometimes we have to accept that we’re not right for everyone. Not everybody deserves a lifetime of cuddling and hot sex with Wonder Woman. Not everybody deserves a shoulder massage and passionate kisses from Tifa Lockhart. And you know what? That’s okay. If we got whatever we wanted all day every day, life would be boring as hell. There’d be no excitement or realism. If everybody is sexy, nobody is sexy. If everything is romantic, nothing is romantic. All the good things in life will come in moderation, which seems cliché to say until you do take it to the extreme and completely fuck up your life because of it. You hear that, Jake Davison? Of course you don’t, because you’re dead.

So why do I have limerent fantasies about people I don’t stand a chance with? Wouldn’t it be easier just for me to go out and meet somebody, pandemic aside? Well, that’s where the shyness and lack of confidence comes in. I don’t enjoy being creepy and I can see if me flirting with a woman would be perceived that way, no matter how mild or harmless it may seem. Being rejected by someone who thinks I’m creepy sounds like the worst kind of pain there is. It’s actually been scientifically proven that romantic rejection activates the same receptors of the brain as physical pain. It’s not as easy as moving onto the next one. It hurts. It can hurt for weeks, months, even years, especially if you’re like me and you’re neurodivergent. Autistic people generally feel pain at a higher capacity than neurotypicals. Criticism and rejection are both necessary parts of life, but goddamn, do they hurt worse than getting kicked in the testicles.

So what do I do about this? Stay in the shadows and partake in the drug known as limerence, of course. What else would I do? Why bother with someone who’s guaranteed to hate me when I’ve got Anette Olzon scratching her nails down my back and setting off my ASMR triggers? Why put myself through unnecessary pain when I’ve got Amy Lee slow-dancing with me at the prom, whispering sweetness in my ear and kissing my cheeks while doing so? Not a tough decision, as you can see. While loneliness may suck and limerence will always be fake, it beats the emotional trauma of rejection any day of the week. This makes me sound like an incel, I’m sure, but mark my words: I despise that ideology and want nothing to do with people who conform to that label. Maybe I’m not that creepy after all? Nah! Of course I am! Lzzy Hale, here I come! What flavor of ice cream sandwich do you want: vanilla, chocolate, strawberry, or all three at once?

Oath Breaker

VERSE 1

I know this comes off as some shocking news

But a paladin’s powers can be abused

When he sends the orcs to the undertaker

He embraces the role of a fallen oath breaker

No more healing powers to wield

No more cutting undead with zeal

Just another tin can with a sword and shield

The consequences are always real

VERSE 2

A lesser man would sit behind bars

With his date of release so distant and far

But an oath breaker has a redemption arc

Another chance to leave a positive mark

Does he deserve it? Only time will tell

Everybody seems to think he belongs in hell

He’s more nuclear than a plutonium rod

Giving cancer to even the mightiest gods

VERSE 3

To burn an evil empire into smoldering dust

Is the only way to regain the common man’s trust

To derail the elven sex trafficking train

Is the only way to break the slavery chains

To slay the giants who destroy the town

Is the only way to regain the holy crown

Save the world just like you did before

Even if it means you have to win your own war

VERSE 4

The final judgment shall be cast upon you

But the verdict is something you already knew

Couldn’t erase the past from traumatized minds

A cell in the underworld is all you’ll find

Let he who’s without sin cast the first stone

Guaranteed broken bones even though you atoned

You can dig up dirty laundry from behind the grave

To the sins of the past, everybody is a slave

I Don't Feel Victorious

VERSE 1

I did it, I lived through another day

But I don’t feel victorious

Bought a pizza with my monthly pay

But it didn’t taste glorious

Found my emotional charging cord

But I don’t feel like a hero man

Powered down, left to feel bored

My battery’s down to zero, man

CHORUS 1

Forged in fire, what the hell does that even mean?

Can’t be the brightest star that you have ever seen

Greatness is born from a life so torturous

And yet, through it all, I don’t feel victorious

Victorious

Victorious

I don’t feel victorious

VERSE 2

I covered more pages in precious ink

But I don’t feel like a storyteller

I washed all the dishes in my sink

But I still feel deader than Old Yeller

I vacuumed all the dust right off the floor

But I don’t feel like Employee of the Year

Life goes back to being just another bore

But I don’t feel like I belong here

CHORUS 2

Hustle Culture, what the hell is that all about?

Getting fired for having the slightest of self-doubt

And now the big boss man is busy sorting us

Now’s not the time where I feel victorious

Victorious

Victorious

I don’t feel victorious

BRIDGE

Conditioned to feel bad every day of our lives

For daring to exist or trying to just survive

We don’t have a whole lot, not even a nine to five

We don’t want to be dead, but we don’t want to be alive

CHORUS 3

Embrace the suck, what the hell are the layman’s terms?

Die fifteen hundred times and then lay with the worms

The graveyard needs bodies, now the undertaker’s hoarding us

None of us have any right to feel victorious

Victorious

Victorious

I don’t feel victorious

Victorious

Victorious

None of us feel…

Charles Goodhorn Is On Your Team, Idiots

Are you looking for adventure? Are you looking for magic? Are you looking for a magical adventure with dragon-slaying and princess-rescuing? Well, put away the Kindle and its charging cord, because you won’t get that from Charles Goodhorn’s brief encounter with gun-wielding bugbears. Who is Charles Goodhorn, you ask? He’s a noble paladin. A righteous warrior. A slayer of everything evil. With every D&D campaign he was a part of, he made it to the eighth level of his profession. He was so close to getting his own warhorse and followers. He could have been the stuff of legends…but not this time. Not even close to this time.

Somewhere in the mid to late-90’s, my brother James hosted an Advanced Dungeons & Dragons with his friends Adam and his own brother whose name I can’t remember, both of whom played bugbears. What the fuck was a bugbear? Well, I didn’t start using the internet on a frequent basis until 2000, so it wasn’t like I could Google it right away. I always thought they were just humanoid bears. Damn, did I turn out to be wrong. James, Adam, and Adam’s nameless brother were in the middle of a session when from out of nowhere, James asked if I wanted to play to. Hell yes, I wanted to play! I got my eighth-level paladin ready for some action, complete with a magical bastard sword and the swagger of a true warrior.

Charles Goodhorn, the paladin in question, entered the game…and the first thing the two bugbears do is point their guns at me. Whatever swagger Charles had going into this campaign was completely gone when I, the player, couldn’t figure out how to deal with this situation. I froze up. I scrambled for answers and couldn’t find any. I couldn’t understand why two player characters would want to point guns at me for seemingly no reason. And so, Charles Goodhorn disappeared in a puff of smoke. Adam’s brother wanted to take Charles’s magical bastard sword, but that disappeared too. And then I retreated to my room not knowing why the hell everything happened the way it did.

Even though this session lasted about as long as virgin sex (which I would know nothing about), there is a lot to unpack now that I’m an adult storyteller with a somewhat developed frontal cortex. First of all, let’s ask why. Why would two player characters want to point weapons at another player character, especially when Charles did nothing to provoke them? Aren’t all player characters supposed to be on the same side? Even with differing alignments, surely they could find a way to work together. Maybe that’s what I should have had Charles say: “I’m on your team, idiots!”

Was he, though? Would a Detect Evil check inform him of the bugbears’ intentions? Should characters just willingly trust each other due to their circumstances? Do they have to get along all the time? If not, then why would they not get along? Did these bugbears come with their own emotional baggage? Were they screwed over so many times that pointing guns at strangers is reasonable? 

Or maybe…just maybe, a Google search many decades later would reveal to me that bugbears generally conform to the Chaotic Evil alignment, which meant there was no structure or recourse to what they were doing as long as it meant killing all the good guys. If I had used the Detect Evil skill that all paladins are entitled to, then I probably would have figured this out. But I froze up not knowing what to do, because I thought all player characters had to get along all the time.

But let’s say that Charles knew ahead of time that the bugbears were evil. Surely, he could just cut them down with his bastard sword the minute they got too close. But maybe it wasn’t such a hot idea to say, “I’m on your team, idiots!” Could declaring allegiance to Chaotic Evil bugbears turn Charles into an Oath Breaker, or a warrior who lost all of his paladin powers by virtue of deviating from Lawful Goodness?

But let’s say my Google search turned out to be a bunch of horseshit. Let’s say the bugbears weren’t Chaotic Evil, but they were just distrusting of strangers who suddenly waltzed in on their action. Well…Charles is hardly the only stranger to cross their paths, I’m sure. The streets of every city the bugbears were a part of were most likely packed with strangers. Do the bugbears point their guns at pedestrians crossing the street? How about the bartenders who serve them beer? Or the blacksmiths who forge their weapons? Maybe they should solve their own trust issues before they get thrown in prison for randomly pointing guns at people they don’t know.

If the bugbears weren’t actually Chaotic Evil, why would they want to distrust a paladin, who is notorious for conforming to Lawful Good behavior? If you can’t trust a zealot paladin, who can you trust? A True Neutral thief? A Chaotic Neutral barbarian? How about a Lawful Evil politician? You know, someone who hides behind red tape and charisma while committing the most devious acts imaginable, such as slashing funding for poor people and giving tax breaks to kajillionaires.

But let’s say the bugbears don’t have deep-seated trust issues nor are they Chaotic Evil. Why then would they point guns at a random paladin? Perhaps it had more to do with the setting than anything else. I never did ask James where this campaign took place. If the bugbears were in a monster-infested dungeon, maybe they thought the paladin was yet another monster. Sounds reasonable, right? Well, at that point, it sounds more like a prophecy for Dick Cheney shooting hunters in the face. Apparently, Dick Cheney wasn’t an outlier. There really were hunters in the news who shot distant people because they thought the person was a deer. Charles Goodhorn didn’t have antlers…or tentacles…or vampire fangs…or bat wings…he was just a human knight with good intentions. And yet, he could have been shot in the face because of hair-trigger paranoia.

Hair-trigger paranoia is actually a common theme in movies and books. In the beginning of The Hateful Eight, Marquis Warren asks for a ride from John Ruth’s horse carriage. Because John Ruth is a bounty hunter with a pricy criminal in tow, he points his guns at Marquis and demands to see his hands. John has no idea if Marquis is a criminal, but he won’t take any chances due to the gravity of his situation. Maybe the bugbears had similar gravity in their situations and would rather vet people than let them have access to whatever riches or artifacts they have. That would have been a fair justification for paranoia, but I didn’t know that at the time, because I always assumed player characters were part of a team.

There’s a lesson to be learned in the campaign that lasted about as long as Daniel Bryan vs. Sheamus at WWE Wrestlemania in 2012. Read the room. Make sure you see all the nuances of the situation before making wild assumptions. Charles had no idea why bugbears would want to point rifles at him, but it wouldn’t have hurt to find out. It wasn’t like he could just run up to them and cut them down, which may or may not have made him an Oath Breaker. They had guns, which meant they were in control. The one who has the bullets has all the power, in case you learned nothing from every bank robbery movie ever. Instead of calling them idiots for not seeing his side, Charles could interrogate them a little bit. Why are they pointing guns at him? Who are they? What are their intentions with him? What will it take to convince them to put their weapons down?

While illnesses like cancer and schizophrenia seem to happen randomly, human behavior happens for a reason. Is anybody really acting randomly? Do bugbears just shoot their guns off for no reason? Or do they have psychological issues which force them to do so? Do they have prejudices? Do they have untreated illnesses? Do they have past experiences with people who screwed them over? Do they value protection a little too much in dungeon-crawling scenarios? Would they shoot an innocent prisoner if they thought he was a monster? If so, what would prompt them to act hastily? Psychology can’t be boiled down to one or two actions or thoughts. There’s a whole universe going on in people’s heads. What kind of universe goes on in the bugbears’ heads?

I’ll tell you what kind of universe goes on in Charles Goodhorn’s head: the same as mine: confusion, anxiety, awkwardness, and shyness. I exhibit these traits in Charles because those were the only behaviors I knew as a pre-teen growing up in Chehalis, Washington. Getting inside other people’s heads and expanding character psychologies was an alien concept to me back then. I just wanted to slash some shit up. I wanted to kill the evil sorcerers and collect enough loot to support my Lawful Good churches. I wanted to slay dragons and rescue princesses. I wanted to leave behind a legacy of epic proportions. But if I did any of things as a Gary-Stu, then the legendary status loses all of its specialty.

If I prided myself so heavily on my creativity back then, why wouldn’t I want to expand my storytelling skills and see beyond the black and white? Because in order to do that, I’d have to actually take an interest in the literature middle school and high school gave me to analyze. School books are notorious for being boring, with the exceptions coming few and far between. Even in college, the reading material bored me to tears. I jokingly called Tom King’s book “Green Grass, Running Diarrhea”. I might as well have brought a blanket and pillow with me very time I stepped into Medieval Literature class. Going to school killed any love for reading I had, because the books sucked. It wasn’t until after I left school in 2009 that I started to find books that I liked and became a born-again bookworm.

These Dungeons & Dragons memoirs aren’t just fun to write; they’re learning experiences for my past self, whether it’s something to expand upon or never do again as a writer. Hopefully, young writers won’t make the same mistakes that I did, but if they do, it probably has something to do with the school system failing them. In my case, instead of turning to literary crap, I turned on the TV and watched edge lord shows like The Shield, WWE Raw, Mind of Mencia, and anything else that had offensive stereotypes that I never questioned. I took a lot of work to undo those edge lord tendencies. But if I hadn’t undone them, I wouldn’t be here to teach you these D&D-inspired lessons to begin with. Forget Cancel Culture, because my career wouldn’t have started anyways. Can’t take away a career that never was. Learn and continue to learn, my friends. That’s all I can teach you.

Calling You Out

CHORUS

I’m calling you out! I’m calling you out!

The gangster-gangster-gangsters are calling you out!

I do it ‘cause I care! I do it ‘cause I care!

But when you need me the most, I’m never ever there!

VERSE 1

When I’m walking down the street in the summer heat

I might get my ass beat for a yucky-yucky Tweet

Cancel culture isn’t real, but I still don’t like the feel

Of high pitched squeals beating me down like steel

Rapid fire insults are like punches to my gut

They wouldn’t know my pain if it bit them on the butt

I’ll do all my Tweeting from a padded prison cell

You’re the villains of the story, in case you can’t tell

CHORUS

I’m calling you out! I’m calling you out!

The gangster-gangster-gangsters are calling you out!

I do it ‘cause I care! I do it ‘cause I care!

But when you need me the most, I’m never ever there!

VERSE 2

You’re like the pizza-pizza guy from Little Caesar’s

Just say “gangster-gangster”, you My Pillow squeezer

That’s what you really are: a gangster in the dark

Creeping on me while I’m walking through the park

I could never run fast, I would always finish last

In a marathon sprint, put me in a leg cast

Can’t get away from the fortune and the fame

Every fall from grace sounds about the same

CHORUS

I’m calling you out! I’m calling you out!

The gangster-gangster-gangsters are calling you out!

I do it ‘cause I care! I do it ‘cause I care!

But when you need me the most, I’m never ever there!

VERSE 3

I’m eating with my friends, I’m eating with my family

You say my words are crazy while you suffer from insanity

You made your point about fifty years ago, my guy

You’d think by now that it dissolved into a lie

CHORUS

I’m calling you out! I’m calling you out!

The gangster-gangster-gangsters are calling you out!

I do it ‘cause I care! I do it ‘cause I care!

But when you need me the most, I’m never ever there!