Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Thursday, November 28, 2024

Balls Deep in War

VERSE 1

I logged a hundred hours playing Call of Duty

Neon sign on my head that says, “Recruit me!”

Shave my head right down to my brain

Just kidding, I flushed that shit down the drain

Sticks and stones may break my bones

But a Drill Sergeant’s insults will turn us all to clones

If I break down and cry, I won’t be paid to die

I want to go to war and blow that shit sky high

 

CHORUS 1

Balls deep in boot camp!

Balls deep in the corps!

Balls deep in push-ups!

Balls deep in war!

 

VERSE 2

Automatic rocket launchers, automatic bazookas

Hiroshima bombs on the chicks named Asooka

I thought her name was Asuka, but who really cares?

Her pile of ashes is blowing through the air

Semi-auto flamethrowers, Tech Nine shotguns

Colt 45’s? I don’t just got one

I got two of them bitches, ‘cause I want to be the killer

Be the turban slayer and the burqa lady thriller

 

CHORUS 2

Balls deep in Iraq!

Balls deep in Japan!

Balls deep in Israel!

Balls deep in Iran!

 

VERSE 3

I’m coming back home to abuse my girlfriend

Beat her ass like a drum until the world ends

Talk shit about Muslims like it’s going out of style

This is Jesus’s world, he’s gonna be here for a while

Get a job with the police, do anything I want

I’ll get away with murder even if I get caught

I was built from the ground up to fight a lost cause

Now I’m like John Rambo breaking vagrancy laws

 

CHORUS 3

Balls deep in therapy!

Balls deep in my wife!

Balls deep in divorce!

Balls deep in civilian life!

Balls deep in loneliness!

Balls deep in being poor!

Balls deep in debt!

Balls deep in war!

 

DIALOGUE

“The few! The proud! The marines! Because toxic masculinity is what built America!”

That’s not a good thing, yo…

Sunday, July 18, 2021

Cutthroats Love Unemployment

With Hustle Culture constantly in everyone’s faces, it’s hard not to come to the false realization that capitalism loves you as much as you love it. Rise and grind! Work, work, work! Breaking every bone in your body means more money! Meanwhile, you have next to nothing in your bank account because the surgery needed to fix those bones…that’ll cost you a small fortune. But if you’re a mercenary for hire in my 2002 home brew RPG Cutthroat, broken bones and small fortunes are just another part of the job. In which case, capitalism loves you so much that it’ll give you a kiss on your owie when you get shot in the chest or stabbed in the leg.


The year 2002 was one where I gave less than a shit about politics. I knew I didn’t want to conform to society. I knew that people should be treated fairly. I also used to believe in the death penalty because I wanted it to apply to my high school bullies. As someone who didn’t give two fucks about politics, let alone someone who was old enough to vote, it showed in my world-building techniques when I put together the rules for Cutthroat. In the distant future, every continent on planet earth not named Antarctica waged war against each other. Why? Fuck if I know. Maybe war is just fun for these autocrats. Maybe there is some growing tension between North America and Africa because of…reasons? Maybe Europe and Asia want to start lobbing grenades at each other because…they’re bored?


If I had more storytelling skills back in 2002, coming up with a reason for intercontinental war would have been easy-breezy-lemon-squeezy. Maybe South America wants revenge on North America because of an assassination or terrorist attack. Maybe Africa wants revenge on Australia because the latter has resources that Africa wouldn’t otherwise have without taking them by force. Maybe Asia wants to bomb the shit out of Europe because superpower flexing is more important than perpetual peace. There are lots of reasons to go to war. Pick one, damn it!


Throwing together a bullshit reason for intercontinental war wouldn’t have been that hard. But even if the guns for hire weren’t believers in each continent’s political ambitions, money will always be a motivator for anybody who wants to eat and have a roof over their heads. Which is why when I ran this RPG in 2002, I was baffled by the reactions of my players when their characters were approached by job recruiters. One character (we’ll call him Clyde) ran away and tried to hide in a shadowy alleyway. Another character (we’ll call him Ninjo) slaughtered his recruiter in the bathroom. Cutthroats must really love unemployment! Either that or they’d rather work at Burger Monarch or Taco Hell and get emotionally scarred instead of physically. So how about we take a look at these two scenarios and try to determine why Clyde and Ninjo were so allergic to employment opportunities.


First, we have Clyde. He’s kicking it in England having a drink at the bar. He’s no doubt looking for his next paycheck so that he can have more alcoholic beverages to fuck up his liver. But when he’s approached by two trench-coat wearing men who call out his name, his first instinct…is to run away from them. Granted, the two men look incredibly suspicious in their trench coats. They could have been carrying weapons in their pockets. But if they were, they didn’t pull them out. Instead they were like, “Hey, come back! Wait up!”, begging and pleading for Clyde to slow down. But instead of slowing down and listening to reason, he runs into an alleyway looking for a nice hiding place in the shadows…on a hot sunny day when shadows won’t do shit to help you.


Surprise, surprise, the trench coat guys find him and explain that they were only approaching Clyde to give him a job. A nice, big fat contract that will guarantee him enough beer to keep him permanently pissing until the end of time. Clyde eventually saw the light, sunny day aside. I know now that trench coat guys who know your name will always look suspicious, but if you run away from your job recruiter and they have to blow out their lungs to hire you, you’d be lucky if you got the job in the first place. Imagine going into a job interview and then running out of the boss man’s office because you think he looks a little too weird for you.


Actually, now that I think about it, it makes perfect sense. Young people are starting to wake up to the fact that capitalism means more work for less money and maybe running away from the boss man is how they’ll gain any semblance of leverage. Not to sound passive-aggressive, but running away was definitely a genius move on Clyde’s part…mainly because accepting the job and sneaking onto a military base got him gunned down in a storm of bullets and lasers. He should have ran faster.


And then there’s case number two: Ninjo, an assassin for hire based in Japan. No doubt he needs work as well and he doesn’t want to serve cocktails in a pretty dress, so assassinating people is the avenue he wants to go down. There he was enjoying a nice meal in a restaurant when he suddenly had to move to the nearest urinal. Pissing in privacy would have been a heavenly request that he understandably should have been forked over. But then a Mexican in camouflage fatigues uses the urinal next to him and introduces himself as Jet Guile, Ninjo’s would-be employer.


To Ninjo’s credit, there are so many things wrong with this scenario that 16-year-old me didn’t pick up on before putting together this campaign. First of all, what is a Mexican mercenary randomly doing in a Japanese bathroom? Second of all, why is his name Jet Guile and not something…you know…a little closer to his nationality? Thirdly, and this is the most important question of all: why the fuck is he trying to give someone a job interview…in the bathroom?! What, is Jet observing Ninjo’s sniper skills by watching the piss hit the toilet? What if Ninjo had bad diarrhea from the sushi he was eating? What if Ninjo didn’t make it to the toilet on time? Would Jet refuse to hire him for failing to “deactivate a bomb” in his ass? 


In hindsight, this was weird on so many levels. It should come as no surprise that the minute Jet Guile said Ninjo’s name, Ninjo beat the holy fuck out of him and left him a bloody and useless corpse on the bathroom floor. Ninjo may love unemployment, but he loves peeing undisturbed even more. Well, he didn’t get either; three more Mexican mercenaries hired him anyways in spite of what happened to Jet! That’s right: Ninjo got a job despite killing one of his employers. Turned out to be one of his tests, not because I had it planned all along, but because I pulled it out of my ass and made an even bigger mess than Ninjo’s piss puddle and Jet’s bloodbath put together. Imagine if Homer did this to Mr. Burns on an episode of The Simpsons. Work would be less stressful, for sure, but that’s only because scooping prison food is easier than handling nuclear rods.


So…why is it that Clyde and Ninjo were so reluctant to allow their employers to hire them for soldier work? Chasing someone into an alleyway and interviewing someone while they’re draining the lizard are reasonable enough answers to me. Or maybe there is something to be said about not feeding the capitalist machine…in a society where war is the main product. Or…maybe Clyde and Ninjo were supposed to keep their identities a secret and the minute their employers shouted their names, they bailed. And then it hit me like a sack of bricks: war isn’t always fought with soldiers gathering together on a battlefield and shooting at each other. It isn’t always about bombing the fuck out of cities and capitols either. Sometimes a little stealth is paramount to getting a job done. Maybe your enemy will be more easily defeated if they don’t know you’re coming. Keep the name a secret. Keep the employment a secret. Keep everything a secret. The less they know, the less they’ll see coming.


Undercover work should have been my first guess all the way back in 2002. Of course they’re running, because their cover was potentially blown. Of course they’re beating up employers because they could be assassins themselves. Trust and friendship are two of the rarest things you’ll find in war, because the object is to kill or be killed. Sure, you can trust your fellow soldiers, but a complete stranger? That’ll take a little more vetting. I guess the lesson to be learned here is to not lay all of your cards on the table so soon. They call it a poker face for a reason. They also refrain from wearing mirror shades to a poker game. Right, Kim?


Refusing to lay your cards on the table is not only necessary for succeeding in war, but in other aspects of life too. Suppose you do get a job interview that’s not in a bathroom or a dingy alleyway. Sure, you want to be open and honest, but do you really want to let your boss man know everything about you, be it mental illnesses, bad experiences in school, bad experiences with other employers, or divorces you’ve had? Same thing goes for any other activity, whether it’s dating, friendship, or playing a good old fashioned RPG. You want to give them just enough to get a good idea of you, but if you spill too many secrets, then you’ll never get passed the front door.


But that also depends on what secrets you choose to keep and how doing so will negatively affect the relationship. If you’re trying to keep abuse a secret from your peers, it’ll get out one way or another, especially in an argumentative setting. In which case, don’t get into the relationship at all and seek help before you spiral into an early grave. If you have murder-hobo tendencies and you’re playing an RPG where your character kills everyone around them, that’ll derail the game in a big fucking hurry. If you’re an alt-right nutjob and your paladin uses “stand your ground” laws as an excuse to kill innocent orcs to become an oathbreaker, then get some goddamn help!


Your GM doesn’t have to know everything, but they should know enough to decide whether or not they want to play with you. If you put yourself in a situation where it’s you or the GM, then the GM will pull a Clyde and Ninjo and run the fuck away from you. Or they’ll kill you in the bathroom while you’re interrupting their pissing session, one of the two. This is not an instruction manual for narcissists, because fuck them. But if you’re genuinely looking for new opportunities in life and you’re going to make the most of them, then getting your foot in the door is as easy as getting both feet out of bar on the way to a garbage-covered alleyway.

Tuesday, February 18, 2020

"They Called Us Enemy" by George Takei


BOOK TITLE: They Called Us Enemy
AUTHOR: George Takei
YEAR: 2019
GENRE: Graphic Novel
SUBGENRE: Political Memoir
GRADE: Extra Credit

In 1942, over 120,000 Japanese-Americans were taken away from their homes and placed into dingy prison camps all over the US. They did nothing wrong, but had none of the legal means to prove it to the racist authorities. They were paying for the sins of their home country after the Pearl Harbor bombing. Classic ignorant thinking at its worst: because a small minority of the group committed the crime, the entire group is guilty. George Takei spent most of his tender childhood living under this kind of oppression as he and his family were among the Japanese-American families locked up in internment camps. Reading about this shameful experience through his eyes makes everything that much more heartbreaking. His young mind couldn’t comprehend the ignorance of those in charge. He tried to make sense of the barbed wire enclosures, deplorable conditions, and abusive army guards. Fast forward into adulthood and George Takei does everything in his power as an equal rights activist and Hollywood actor to make sure this terrifying history doesn’t happen again.

This graphic novel is nothing short of a brutally honest look into the politics of fear. Powerful politicians will use their influence and charisma to rile up their supporters into believing that the less fortunate are what’s wrong with this country. We saw it with the Japanese internment in George Takei’s book and we’re seeing it today with the Muslim ban, the family separation policy at the Mexican border, and black people getting harsher treatment from law enforcement than whites. The one thing we learn from history is that we learn nothing from history. But it doesn’t have to be this way. This book has the power to educate its readers. When you familiarize yourself with your fellow world citizens, you’re less likely to judge them. That’s what “They Called Us Enemy” means to me and that’s one of the reasons it’s getting a perfect five out of five stars. The more educated we are, the better off we’ll be. That means leaving behind comfortable bigotry and thinking about what it’s like to be the other guy, which is often a horrifying reality.

But of course, there will always be those contrarians out there who say, “It wasn’t all that bad!” These same people say it about black slavery, they call Mexican border detention centers “Summer Camp”, and they’ll no doubt say it about Japanese internment camps. Having guaranteed living conditions doesn’t mean those conditions are necessarily good. Did I mention the barbed wire fencing around the camps? Did I mention the abusive treatment from the soldiers? What about the fact that George Takei’s family had to live in a horse stall that smelled like rancid feces? What about the infighting among Japanese prisoners who joined the military to prove their patriotism and the prisoners who stayed in the camps to protest? Had enough harsh reality? But wait, there’s one more juicy detail: institutionalization. Some prisoners were so familiar with the routine life of the camps that they couldn’t imagine getting back on their feet in a normal society. Now imagine a child as young as George Takei feeling that way upon leaving the camp. You get to see all of this through the author’s eyes whether you want to or not. It won’t be pleasant, but it’ll be a necessary kick in the butt for the apathetic and fearful.

Despite the shortness and quick pacing of the book, you will feel as though you’ve taken an entire US history course in one sitting. Let this be a message to you all. Treat your neighbors with kindness and respect. Treat your inferiors with the same level of understanding and love. If you see an injustice happening, don’t stay quiet. Be the activist you were meant to become. Be a passionate enough voice in this battle for equality that those in power will have no choice but to listen. Let your words haunt them like schizophrenic ghosts. Will this change anything? Let me put it this way: we don’t have a choice but to activate our activism. The world can’t survive without making progressive leaps and bounds. That is the nature of time. Any questions?

Wednesday, May 16, 2018

Disaster Porn


OPENING DIALOGUE
ADULT: You know, Chud, Japan was hit with an earthquake, Haiti was hit with an earthquake, there are wars going on in Iraq and Afghanistan, there’s starvation happening all over Africa…and you’re complaining about your love life? Hyuk, hyuk, hyuk!

VERSE 1
Not once have I thought of a starving African teen
And had all my nightmares turn into sweet dreams
Not once have I pictured bullets flying in the desert
And had all my struggles turn into minimal effort
Not once have I envisioned a high Richter scale
And had all my bad thoughts crash and derail
It’s not perspective, it’s goddamn disaster porn
Making you feel guilty for the way you were born

CHORUS
It doesn’t matter if someone has it worse
The pain inside will always fucking burn
The bleeding heart will always fucking hurt
Perspective doesn’t help get us out of hell

VERSE 2
There’s no true answer to what we all need
Whether it’s exercising until our bodies bleed
Meditation until our minds have gone numb
A college schedule to prove we’re all dumb
Soap carving, basket weaving, clay sculptures
Something to remember when we get older
There’s no one solution for everybody here
Everybody’s different when it comes to fear

CHORUS
It doesn’t matter if someone has it worse
The pain inside will always fucking burn
The bleeding heart will always fucking hurt
Perspective doesn’t help get us out of hell

VERSE 3
If I had a child, I wouldn’t feed him world crises
I’d listen to his every word, that’s fucking likely
Have an open door policy even when he grows up
Soothe his anxiety when he wants to throw up
Soothe his traumas when there’s too much drama
Ease his mind when faith is hardest to find
Building up kids is easier than repairing adults
It could be too late to erase every last insult

CHORUS
It doesn’t matter if someone has it worse
The pain inside will always fucking burn
The bleeding heart will always fucking hurt
Perspective doesn’t help get us out of hell

CLOSING DIALOGUE
ADULT: You know, Chud, if you don’t want your dinner, I could always send it to China and…
CHILD: Shut the fuck up!

Thursday, April 19, 2018

I Didn't Know It Was Wrong


***I DIDN’T KNOW IT WAS WRONG***

In addition to being a cardboard sign in Seether’s music video for “Fine Again”, you can also say the title of this journal whenever you create a piece of art that was unintentionally offensive. I can’t stress the word unintentionally enough. Sometimes all you want is to create a loving romance between two people and their relationship becomes hypersexual. Sometimes you want to show off the fighting abilities of a barbarian tribe from another culture, but they end up looking like stereotypes. Surely, you weren’t trying to be offensive, but that’s how it came across anyways, through no fault of your own. All together now…

I didn’t know it was wrong!

Yes, this is a reasonable defense against charges of unintentional bigotry, but there will always be that one smart ass who smashes you over the head with a hardcover book and then says…

Sorry, I didn’t know it was wrong!

You’re damn right it’s wrong! That’s assault, you moron! It carries a prison term of at least seven years! How about we save the phrase for people who actually need it? Wes Anderson, the writer and director of Isle of Dogs, could easily use this phrase and get away with it. As a white guy from Texas, his depiction of Japanese culture was frowned upon even though it didn’t deserve to be. There was nothing inherently offensive about it, at least not compared to Dick Tracy cartoons from the 1960’s where Joe Jitsu comes across as ultra-stereotypical (in case his name wasn’t obvious enough). Hey, Wes! Say it with me!

I didn’t know it was wrong!

I wish I knew this phrase when I was writing offensive shit back in the day. It could have helped me when I wrote a pornographic parody of “Stole” by Kelly Rowland. It could have helped me when I was swashbuckling with teenagers after they read “Class of ‘13”. It might have even helped me when I was writing the super-violent Zeromancer for my second multi-genre writing class in college. None of these scenarios would have been a cheap escape if I used that phrase, because I legitimately didn’t know they were offensive reads. I don’t know if I chalk it all up to being young and immature, growing up in Chehalis, watching TV-MA rated shows and not processing them correctly, but say it with me…

I didn’t know it was wrong!

You know what else I didn’t know was wrong? Incorporating a trope called the Manic Pixie Dream Girl. It’s a literary pejorative for any supporting female character whose main role in the story is to boost the self-esteem of the brooding male protagonist. Adrienne Simpson from “Silent Warrior” reeks of this trope, and in some ways, Tarja Rikkinen from my current WIP “Beautiful Monster” qualifies too. It was never my intention to make them this way, but you have to understand…

I didn’t know it was wrong!

I think I’ve given you guys enough examples that you’re adequately educated. Luckily, there is help for anybody who needs it. When you’ve finished writing your manuscript, you can send it to somebody called a “sensitivity editor”. This person will comb through your work and make sure nothing sticks out when it comes to potential offensiveness. Because they’re sensitivity editors and get this kind of work all the time, you can bet your ass that they won’t judge you even if your manuscript is glowing like a nuclear rod with offensive material. I didn’t even know these people existed until I started watching Jenna Moreci’s You Tube videos. Perhaps I should hire the services of one when I’m ready to get cracking on editing Silent Warrior. Hell, there’s probably more wrong with it than I thought and that extends beyond Adrienne Simpson being a Manic Pixie Dream Girl.

If you think for some reason I’m just bending to the will of the Social Justice Warriors and ignoring my own individuality, you’re wrong. There used to be a time in my life when being offensive was my bread and butter. I was young, immature, and had the sense of humor of an alt-righter despite being a hard leftist. Well, some things have to change because a bigot is not who I am nor would I be proud of being one. I want to represent the positive side of humanity, not the worst. I want to be on the right side of history and be a good role model for readers who look up to me. If that makes me an SJW, then fine, I’m an SJW. Fuck it, I don’t care. In fact, you can go ahead and call me the Social Justice Barbarian if you want. Barbarians appeal to me more than regular warriors since the former has the ability to rage out of control at a moment’s notice. Plus, I get to eat raw meat, howl at the moon, and swing a bloody battleaxe. How much fun is that?!

Sorry, guys! I didn’t know it was wrong! I’m Garrison Kelly! Even when you feel like dying, keep climbing the mountain!


***BEAUTIFUL MONSTER***

In the interest of bouncing back and forth between the past and present of this novel, chapter four will feature a look into Windham Xavier’s captivity, where he’s strapped naked to a table and felt up by Shelly and Torger. Don’t worry, you won’t have to go all the way to Wattpad to read this, because no sex will take place (yet). Lord knows Deviant Art has enough nudity as it is, so a chapter of Beautiful Monster with a naked male elf won’t hurt the status quo too much. Look forward to it! And before you ask, no, I’m not gay and even if I was it wouldn’t be the reason why I write about naked male elves. Grow up!


***LYRICS OF THE DAY***

“The world is precious, a gift to you and me. I suggest we treat her right, with love and dignity. Everybody’s looking for some peace of mind. If you seek the truth, then you will surely find. Everybody wants to have global peace, whilst the press of a button can shake the world to its knees. Some say might is right. I beg to disagree. I say we all unite and redirect our destiny. Everybody’s looking for a quick solution. Our lungs are choking from breathing in air pollution. I say put down the guns and stop the revolution. I say it’s time to make a restitution. Can you hear what I’m saying? There’s so much starvation, so much untruth, so much prejudice, so much liquidation. Oh, how long? How long?”

-Toto singing “Can You Hear What I’m Saying?”-

Sunday, April 15, 2018

Isle of Dogs


MOVIE TITLE: Isle of Dogs
DIRECTOR: Wes Anderson
YEAR: 2018
GENRE: Animated Comedy
RATING: PG-13 for violence and politics
GRADE: Extra Credit

In dystopian Japan, corrupt politician Kobayashi orders a mass exodus of the dog population to Trash Island due to an outbreak of canine diseases. A small minority of Japanese citizens believe that this quarantine is nothing more than xenophobia in a disguise. One of those rebels is Kobayashi’s nephew Atari, who hijacks a plane and flies to Trash Island to rescue his bodyguard dog Spots. What starts off as a small act of defiance becomes a full-blown revolution against a five hundred year dynasty hell-bent on spreading messages of fear and hatred against dogs. No one person can do everything, but everybody can do something.

With the current political climate here in America, it’s no wonder that this synopsis sounds familiar to us. Kobayashi is little more than a Japanese Donald Trump with the way he dodges criticism and spouts bigoted rhetoric. In the case of Isle of Dogs, we know the disenfranchised dogs are easy to root for because they’re so darn cute. But being empathetic is more than about rooting for the favorable ones. It’s about rooting for complete strangers who are being crushed by oppression. True empathy doesn’t care if you’re rich or poor, white or otherwise, gay or straight. If you see injustice in the world, say something. If you’re feeling brave, do something. That’s what this movie means to me and that’s the reason why it deserves an Extra Credit grade.

As long as you’re cheering for the dogs to have a better day, why not rub their bellies, scratch their ears, and give them hot baths? Yes, they’re covered in dirt from living on a garbage-infested island for so long. Yes, they eat things normal people wouldn’t touch. Yes, they have infectious diseases. But they deserve your love anyways. Cook them a nice steak dinner. Throw a tennis ball for them and have them bring it back to you. Let them take long naps on your furniture during gray and rainy days. You can’t resist these fluffy creatures no matter how hard you try. Couple that with a powerful anti-xenophobia message and Isle of Dogs will easily become your new favorite movie.

Of course, with any piece of art, there will always be critics. It’s as certain as death and taxes no matter how good the movie appears to be. In the case of Isle of Dogs, the biggest piece of criticism it received from the public was the possible appropriation of Japanese culture. The movie has Taiko drummers, sumo wrestlers, sushi meals, school uniforms, anime references, and plenty of other tropes that might be deemed racist. Well, I’m here to tell those critics to relax. You’re looking for a controversy that’s not even there. I’m not worried about a white American like Wes Anderson using these tropes. I would be more worried if a director used them badly. Watch the old Dick Tracy cartoons from the 1960’s and contrast them to Isle of Dogs. Not even a close call when it comes to offensiveness. As my mother always says to people who are uppity, “Calm down, relax, take a deep breath.”

With a powerful political message, cute animal babies, deadpan comedy, and an all-around good story, it wouldn’t surprise me if there was a semi-truck full of Oscars waiting for Wes Anderson and his beautifully-done masterpiece. Everybody who participated in this movie deserves high accolades, from the voice actors to the animators to the translators to…everybody! It took a whole village to put together an awesome movie that all ages can enjoy. Five out of five stars, no ifs, ands, or buts about it.

Sunday, December 4, 2016

Madhouse

“I got you now, you little fruitcake!” said Joe Fields with an arrogant smirk and a cigar pressed between his teeth. He could smell the “vermin” from miles away, even with puffs of tobacco smoke sailing across his face. Both of his index fingers were itchy and twitchy as they rested on the triggers of his dual machineguns. His bulky metal armor was easier to move around in than he thought. The metal boots made loud clomping sounds as Joe walked through the bamboo forest, but even this mercenary was confident that his target had nowhere to hide. Hell, if Joe wanted to, he could blow this whole forest down like the Big Bad Wolf, except with his machineguns instead of cigar breath.

The target’s tiny footprints led the grinning mercenary to a Japanese-style temple with a wooden balcony, white paper walls, a bamboo roof, and flowery decorations all around. “You’re making this too easy for me, you little twit!” said Joe as he cocked both of his machineguns. The psychotic smile on his face suggested that he didn’t care if his target lived a torturous existence or died a brutal death. “You’re mine, you little bitch! Your ass is mine!” he said in his gruff voice.

With his metal feet creating tiny tremors, the soldier of fortune marched toward the seemingly abandoned temple before kicking down the wooden door with shattering ease. Joe poked his head inside and sniffed around for his target like a hungry wolf. With the exception of a few potted plants, paintings, and samurai swords, the place was empty. But instead of waiting for a pin to drop, Joe clomped and crashed his way inside, not giving two shits if the wooden floor was cracking and splintering.

“I can smell that stank on you, you little weasel! Drop the bowl of rice and come out here with your hands up!” A few more animalistic snorts and Joe let out such a forceful sneeze that he yelled like a grizzly bear and dropped his cigar. As snot flew from his nose and extinguished the cherry, Joe began to notice the light coating of dust all around the walls and the floor. “Really? Dust? Is that all you got? Holy shit, you’re in for a wild ride, motherfucker! You only have nine holes in your body right now. I’ll put about a hundred more in you, you slick son of a bitch!”

A monstrous growl caught Joe’s attention to where he reluctantly turned around with his guns drawn. Standing in the kicked in doorway was a seven-foot lizard demon with its blade-like tongue hanging down to its knees. Its claws were extended and its screech was deafening. The beast looked poised to strike, but quick as it may be, Joe’s trigger fingers were that much faster. A hailstorm of bullets descended upon the “big ugly fucker” and shredded skin and bones to a fine powder. The blood stayed floating in the air in the shape of a sphere.

“What the fuck is this shit? Is this some kind of voodoo bitch negro spell or what?” shouted Joe. Skull shaped blood spheres began emitting from the liquid mass and staring down the mercenary with misty black eyes. Their tongues flailed around like whips while their jaws were wide open and leaking with green fluids.

Joe once again showered his opponents with bullets, but all the shots did was splatter a modicum of blood stains all over the paper walls. The floating blood skulls still remained and even let out an eardrum-shattering yell. Joe squinted his eyes in confusion and terror as a brown bubbling substance was rising from the back of their mouths.

The formerly arrogant mercenary turned around and ran screaming like a child, mustering up every curse word on the top of his whacked out head. The more he ran, the steeper the incline in the wooden floor, which was like walking up a wall. Joe huffed and wheezed in exhaustion after draining his legs in such heavy armor. The armor felt hot and muggy to where he struggled to take it off. After a while of struggling, he dropped his guns and used the power in his metal gloves to just rip the armor off a few chunks at a time.

The incline in the floor lessened to a normal base and Joe was feeling the sweaty chill in his confederate flag T-shirt and baggy camouflage pants. He got so cold that he wrapped his arms around himself and huddled on the floor. And then he felt a tidal wave of vomit wash over him as well as dissolved blood and banshee cries. The bloody skulls left him so drenched afterwards that he struggled to breathe underneath the weight of such liquid. After coughing up retched fluids and vomiting himself, Joe looked around the temple with glassy red eyes and said, “Where the hell am I? What the fuck is this place?!”

“This is what you wanted all along, right?” said a mysterious voice. Joe looked around for the source, but the temple was still the same vomit and blood covered mess it was before, minus humans. “I’m the voice inside of you, Joe. I’m the one who’s going to tell you to get the hell out of this temple before it’s too late. You don’t need to catch anybody. This isn’t your job.”

Joe tightly gripped both sides of his head as the inner voice felt like he was being attacked with an ice pick. The mercenary even banged his head against the soaked floor and shouted, “Stop it! Leave me alone! You’re not real!” The inner voice chanted a Japanese-sounding magic spell and that only made Joe slam his head harder, which opened up a huge gash on his forehead.

Instead of blood pouring from the wound, a hooded cobra slithered out and danced around on the floor. Joe fearfully crab-walked backwards as the cobra hissed and spit venom in his mouth. The mercenary coughed, hacked, and puked until a mouthful of tarantulas poured out and joined the cobra in its dance.

Joe’s bloodshot eyes widened in horror as the cobra and the spiders swirled together in a purple tornado, taking the form of a ghostly samurai in blue robes. The spiritual warrior pulled out his katana and pointed it sternly at the blubbering gun-for-hire.

“Please, don’t kill me!” begged Joe with his hands together prayer-style. “I don’t know what the hell is going on here. I just came here for a job and I ended up in....whatever the hell this place is!”

“In other words, you’re not sorry that you were chasing an innocent human being. You’re sorry because you got caught doing it,” said the “inner voice”, which now belonged to the samurai. “You knew all along that your target did nothing wrong. He was defending himself from local police after they tried to unlawfully arrest him. And now here you are trying to find someone who is no longer here. All for what? An ill-gotten paycheck? You disgust me!”

“Disgust?” whimpered Joe. “You thought that was disgusting? What about what this place is doing to me? What about all the lizards and blood and skulls and shit? You mean there’s nothing disgusting about any of that? You’re a bigger scumbag than me and that’s saying something! You’d better let me the fuck out of here or I’m going to pick my guns back up and blow this whole place down!”

“You want to leave?” asked the samurai. “You really want to give up on your mission because you can’t handle your opponent? Is this what you want?”

“Yes! Yes, you idiot! I just want to get the fuck out of here! I’ve had it with this shit!” sobbed Joe.

The samurai stared him down with sternness and poison in his eyes, but ultimately decided to put his sword away. “There’s nothing to stop you, Mr. Fields. You can walk out of here anytime you want. The exit has been there all along.” The samurai pointed to the smashed in front door, which now had a brightly lit portal in its way. “Go. Leave here immediately and never come back again.”

Joe’s teary eyes felt relaxed and hypnotized as he slowly made his way to the portal. “Leave…here…immediately…never…come back…again…” he said in a zombie-like voice. He reached his arm out to touch the light and the magnetic force pulled him through. He swam and swirled through the heavenly aura, finally able to rest after all of the nightmare fuel he took in that day.

When he crossed through to the other side, Joe found his arms trapped in a straightjacket and that he was in a white padded cell with only a small hole in the door to look out of. He struggled and fought in his bonds, but the jacket was too tight and he was too exhausted from the sedatives he received.

A doctor and a nurse could be heard having a conversation outside the cell. “Read me the summary on this one,” said the doctor.

The nurse flipped through the papers on a clipboard and read off, “Joseph Robert Fields, age thirty-five. Was admitted to psychiatric care after inhaling a large amount of PCP dust. He has shown signs of aggression and had to be given fifteen milliliters of sedatives. Previous criminal history includes aggravated mayhem, property damage, assault and battery, and aggravated kidnapping.”


Did Joe hear them right? PCP dust? Was the whole temple scattered with it? Knowing that he had been had caused the newest patient to thrash around in his cell and scream infinite curse words, to which the doctor and nurse backed away from the door and allowed him to work out his pent up violence. It may have been a while before he did, but anything was better than dealing with this sick son of a bitch in any capacity.

Wednesday, June 15, 2016

"A Lion's Tale" by Chris Jericho

BOOK TITLE: A Lion’s Tale: Around the World in Spandex
AUTHOR: Chris Jericho (with Peter Thomas Fornatale)
YEAR: 2007
GENRE: Nonfiction
SUBGENRE: Pro-Wrestling Memoir
GRADE: Pass

From humble beginnings in Winnipeg, Manitoba, Canada to landing his dream job in the WWE, Chris Jericho details the many hardships and hilarious moments he went through on his quest to be a well-known professional wrestler. As a child, he would watch Hulk Hogan, The British Bulldogs, and the Hart Family on TV and in the arenas dominating their competition and putting on a show. This prompted Jericho to want to train at the infamous Hart Dungeon, where students were pushed to their breaking point with painful submission holds and wrestling tactics. Jericho would continue to gain experience around the world in places like Mexico, Japan, Germany, and eventually in the good old US of A. It was only a matter of time until the Titan Tron counted down the seconds before Y2J’s official entrance into the WWE. A legend was born that night.

If you’ve ever wanted to know what the wrestling business was like behind the curtain, Chris Jericho was more than happy to tell you in his memoir. Every aspiring wrestler had to have an extreme amount of physical and mental toughness in order to take as many athletic risks as they do. Jericho didn’t even have a breaking point when it came to the abuse he took. Knowing how to wrestle was only the first half. The second half of what the industry entails is having the business sense and creativity to negotiate yourself into winning predicaments and having a good gimmick to go with them. Chris Jericho comes off as an encyclopedia of this kind of knowledge, which is one of the reasons he’s a respected legend in the industry today.

Of course, the other thing that made this book memorable was his quick-paced, humorous writing style. He can get away with using pop culture references and one-liner jokes, because neither of those two things bogs down the storytelling. Even the laziest reader could get through all five-hundred plus pages of this book and feel like a champion afterwards. Chris Jericho knows what the people want and it’s a chuckle-worthy and delightfully-honest memoir. An example of his sense of humor comes when he gets in a brawl with a former convict and says, “I’m going to throw hands with you Winnipeg style!” What the hell does that even mean? Yes, the ex-convict was laughing too. If the reader was to flip to a random page in the book, he would find a lighthearted line somewhere in there, even during some of the dour moments of the book. Never a dull moment!

The only gripe I have about this book is so minor that it doesn’t take away from the four stars I plan on giving it. I would have liked to see him go into a little more detail about some of his wrestling matches. I’m sure a few descriptions of the choreography and storytelling wouldn’t have slowed the pace down at all. When I read Ronda Rousey’s memoir earlier this year, she went into full detail about how she beat the crap out of her opponents on the judo mats and in the MMA cage. While Chris Jericho could easily be just as descriptive, it’s not the biggest flaw this book has. In fact, any reader will enjoy it no matter what walk of life he comes from.


Do you like stories about overcoming adversity, toughing it out, and making dreams come true in the end? Look no further than “A Lion’s Tale” by Chris Jericho. It’s fast, intelligent, and hilarious throughout the whole thing. The sorrowful moments are few and far between, but they’re still important to this man’s story and the writing about them was executed perfectly. There are a few people who would be uncomfortable with Chris Jericho constantly praising Chris Benoit (a wrestler who murdered his wife and son before committing suicide in 2007). However, as the author’s not clearly states, this book was published before Chris Benoit’s double murder-suicide, so Jericho had no way of knowing what the hell was going to happen. If you’re really bothered that much Benoit’s presence in the book, toughen up like Chris Jericho has throughout his career. This is an awesome book and you shouldn’t expect anything less from the former six-time WWE Champion and nine-time Intercontinental Champion.

Thursday, April 28, 2016

Chainsaw Samurai

OPENING SCREAM
Chainsaw Samurai!

VERSE 1
Forget about your fucking dishonor
And focus on your eventual slaughter
Which one of your limbs must go first?
Your arms, legs, or German bratwurst?
Slice off your head, a mummified trophy
He opens your mouth and says, “Blow me!”
A bloodbath is coming from the Rising Sun
Violence and gore became a shit-load of fun!

CHORUS
Chainsaw Samurai!
It’s too late to beg and cry!
Enter the dragon, bitch!
Death is a business; he is rich!

VERSE 2
Hara-kiri has never been so easy
But the anxiety makes you queasy
He’ll choose for you; kick down your door
Squeeze every drop of blood from your pores
Chug your red juices like a bottle of sake
Chew your flesh with an appetite so sloppy
Dinner is served to the disgraced samurai
He’s hungry for more, get ready to die!

CHORUS
Chainsaw Samurai!
It’s too late to beg and cry!
Enter the dragon, bitch!
Death is a business; he is rich!

VERSE 3
The beast from the east has enjoyed his feast
And he doesn’t feel sorry in the fucking least
He’s going back to the Land of the Rising Sun
But his war with the world is far from done!

EXTENDED CHORUS
Chainsaw Samurai!
It’s too late to beg and cry!
Enter the dragon, bitch!
Death is a business; he is rich!
Kill Bill he fucking will!
He’ll cut quickly if you hold still!
Ninja Assassin, your life is passing!
“Who can stop him?” is what you’re asking!

CLOSING SCREAM

Chainsaw Samurai!

Tuesday, April 12, 2016

"Cimarronin" by Neal Stephenson

BOOK TITLE: Cimarronin
AUTHOR: Neal Stephenson
YEAR: 2015
GENRE: Graphic Novel
SUBGENRE: Historical Fiction
GRADE: Pass

In seventeenth century Philippines, a disgraced samurai named Kitazume is on the brink of slicing his own stomach open in a hara-kiri ritual. His longtime Spanish priest friend Luis convinces him to stay alive long enough to journey to Mexico with him alongside a Chinese princess named Irgen. The three of them are now embroiled in a plot to prevent Spain and China from obtaining silver and slaves in Mexico knowing how much power it would give the corrupt nations. This struggle for supremacy in the new world will be covered in blood, shattered bones, and battlefields full of dead bodies. Kitazume wouldn’t have it any other way if it means he’ll find redemption for his past sins.

The first thing I enjoyed about this graphic novel was the action-packed violence that carried the story from page to page. The techniques the warriors used were reminiscent of something from a Bruce Lee or Jackie Chan movie. In other words, the attacks were fast-paced and technical as opposed to a wild, drunken brawl. The blood splatters and shattered bones were the end result of this delicious violence; R-rated brutality at its finest. Come to think of it, there’s another movie reference I’d like to make when describing the martial arts violence in this book: Kill Bill. If Quentin Tarantino wrote historical fiction graphic novels, he would have had Cimarronin in mind. Action genre lovers will get a huge kick out of reading this book, no pun intended. After all, it’s only entertaining when it happens to samurais and conquistadors, not the reader.

Speaking of violence, it’s also satisfying to see African ex-slaves get revenge on their Spanish conquerors. The way slavery is depicted in this graphic novel is how it should be depicted in all platforms: brutal and heartbreaking. They were branded with hot irons, dumped in the ocean during transit, and treated like disposable trash by their white masters. The slaves have waited years to strike back against their masters. When the violence finally takes place, a gigantic wave of relief will wash over the reader and payback will taste like sweet strawberries dipped in gooey cream. There actually are instances in history of slaves attacking their masters as a means of escape. Knowing this is one of them (even though it’s fiction) will put a sick smile on the reader’s face.

Enough about the violence; let’s talk about history. This is after all historical fiction. The countries of the new world all have a past that should be acknowledged and atoned for when discussing them in high school history classes. These new world conquests wouldn’t be possible without committing genocide on the indigenous people and rebuilding the infrastructure with kidnapped slaves. Some people such as me have no problem acknowledging how shameful of a history we have. Others seem to be proud of it to the point where even today they deny the existence of racism in the modern era. For those on the latter side of the spectrum, I have one question for you. How do you expect to change the world into a better place when you keep repeating history’s ugliest features? Cimarronin isn’t just an action-packed fun-filled rollercoaster ride. It’s a look into the darkest parts of our past for those who probably need their eyelids braced open like Alex from “A Clockwork Orange”.


Cimarronin is a quick and short read that packs a lot of action, drama, and history into that tiny space. A reader could probably blow through this thing in less than twenty-four hours. Is it over too soon? Maybe. Should there be other add-ons to this book? Absolutely. But for now, enjoy the ride while you can. Rollercoasters don’t last forever, you know. A passing grade goes to this deliciously violent and historically poignant piece of graphic fiction.

Wednesday, September 2, 2015

WWE NXT Rival: Hideo Itami vs. Tyler Breeze

MATCH: Hideo Itami vs. Tyler Breeze
PROMOTION: WWE NXT
EVENT: Rival
YEAR: 2015
RATING: TV-PG for violence
GRADE: Pass


Hideo Itami signing with WWE was a long time coming. In Japan, Itami, then known as KENTA, was a staple of his home country’s pro-wrestling. The number of championships and awards he won while wrestling in Japan is absolutely ridiculous. The Wrestling Observer Newsletter readership took a huge liking to him since he won Best Wrestling Maneuver in 2006 and 2007 (Go 2 Sleep) and was one half of the Tag Team of the Year in 2003 and 2004. The award-winning move known as the Go 2 Sleep is a fireman’s carry into a knockout knee to the face.

CM Punk used that move to win multiple world championships in the WWE from 2006 to 2014 when he retired from wrestling. Another KENTA move that was used by a WWE superstar was the Busaiku Knee, which is basically a running knee to the opponent’s face (he sure loves kneeing people in the face). Daniel Bryan, who’s been with the WWE since 2010, uses the Busaiku Knee as his finishing move and won many world championships himself with that move. The newly christened Hideo Itami was a godsend to WWE NXT.

One NXT staple who didn’t exactly greet Mr. Itami with a warm welcome was Tyler Breeze. After Hideo Itami had a successful feud with The Ascension (Konnor and Viktor), he and Tyler Breeze were part of a tournament to determine the number one contender for the NXT Championship, which at the time was held by Sami Zayn. Itami and Breeze’s first encounter together was in the quarterfinals of that tournament. Hideo won in convincing fashion, but was defeated in the semifinals by longtime friend Finn Balor (formerly known as Prince Devitt in Japan).

The “Hero of Pain” wasn’t sour at all about losing to Finn Balor. He was sour, however, when Tyler Breeze beat him up in the locker room shortly after conducting an interview with Devin Taylor. Tyler, who had been hanging around in number one contender situations for a long time now, was sickened that an “uggo” like Hideo Itami would keep him from another crack at the NXT Title. And now we’ve got a rivalry that needs to be settled. What better place to settle it than NXT Takeover: Rival?

From the beginning of this match, it was highly apparent that Tyler Breeze and Hideo Itami learned a lot about each other after their first match. They countered pretty much every move they could throw at each other and did so in an intelligent and athletic fashion. Remember, these two wrestlers are known for their speed, agility, and technique. If they’re going to move away from each other’s moves, they’re going to do so like a bolt of lightning. The feeling out process was fast and furious, which is weird for a feeling out process.

And then Tyler Breeze got the idea to target Hideo Itami’s legs. The Japanese superstar was at one time an amateur kick boxer, so when he kicks you, you’re going to feel it until the grave. Hell, it might be an early grave if he kicks you in the right place. Twisting Hideo’s legs in painful submission holds, dropping knees and elbows on them, even the occasional Dragon Screw (which is throwing someone down by their calf muscles) came off as intelligent strategy by Tyler Breeze. There was even one point in the match when Tyler not only slammed Hideo’s knees against the ring post, but also performed a Figure Four Leg Lock on them with the steel ring post as the fulcrum between Hideo’s legs and his groin. Ouch!

But if there’s one thing about Hideo Itami fans of Japanese wrestling know, it’s that no matter how savagely beaten up he is, his opponents will never take away his warrior spirit. If you had to spend years on end training for six hours a day in a wrestling dojo and then having to scrub down the gym, do laundry, and cook meals for the experienced wrestlers, you’d have a hard time giving up your warrior spirit as well (that is, if you don’t quit your first day).

Even with one injured leg after Tyler Breeze’s constant aggression, Hideo Itami still found the resolve to throw disgustingly strong kicks. And when Hideo threw them, Tyler sold them to perfection. “Prince Pretty” flew around the ring and grimaced in severe pain after each strike. Then again, even if you’re a wrestler who no-sells all of your opponents, you pretty much have no choice after taking a kick to the ribs, legs, and head. Even a lower corner drop kick is hard to regain oxygen from. And then we had the exciting finish to this match in the books: Hideo Itami knocking Tyler Breeze loopy with a single leg dropkick appropriately known as the Shotgun Kick. One, two, three, and your winner is Hideo Itami in a match that could be accused of stealing the entire show.

Ever since that historic badass match, Hideo and Tyler continued to feud over the number one contender status of the NXT Championship, which was taken away from Sami Zayn at Takeover: Rival by 300-lb. Canadian juggernaut Kevin Owens. Some matches Tyler Breeze won while others Hideo Itami won. There was supposed to be a triple threat number one contender’s match at NXT Takeover: Unstoppable between Breeze, Itami, and Finn Balor. The match was watered down to a one-on-one battle when Hideo Itami suffered a serious shoulder injury that would keep him out for six to eight months.

If you haven’t learned anything about Hideo Itami from watching Japanese wrestling, then you should have learned something from watching him on NXT programming on the WWE Network. This guy doesn’t quit for anything. You can punch him, kick him, break every bone in his body, but as long as he still has the tiniest puff of breath in his lungs, he’ll never give up. A shoulder injury is just another obstacle for him to conquer, which he’ll no doubt do in convincing fashion. The rise of the Japanese warrior has only begun. Konnor and Viktor of The Ascension were the first to fall. Tyler Breeze was the second. When Hideo Itami returns to action, there will be a third.

Monday, August 24, 2015

Author Interview: Andy Peloquin

Tell the audience a little bit about your background.
I have a curious background, actually. I was born in Japan to French and American parents, and I'm a citizen of Canada. I was raised in Japan, leaving at the age of 14 to live/travel around Mexico. I've spent more time abroad than I have in my own country--making me the epitome of a "third culture kid".

Who are some of your favorite authors? --I'm very partial to fantasy, with my favorite authors being Brandon Sanderson, Joe Abercrombie, and Scott Lynch. That being said, I fell in love with fiction thanks to Arthur Conan Doyle and Edgar Rice Burroughs.

What have you written during your career? --As of this moment, I have written A LOT--very little of it published. I wrote a historical fiction/sci-fi/fantasy/metaphysical novel set in Atlantis (which I'm giving away on my website, in case anyone is interested). And I just published Blade of the Destroyer the first in a new dark fantasy series about a bad-ass fantasy assassin.

How long have you been a writer? Off and on, since the age of 15. I started writing seriously about 5 years ago, but that was mainly non-fiction and marketing stuff. I've only been writing fiction professionally since late 2013.

Where does your creative fuel come from? What a fascinating question! Where does anyone's creative fuel come from? The Ether? Some unnamed muse? I've always envied artists and photographers, people who could make something artistic from nothing. I'm a creative person at heart, so I use words as my "paintbrush" to share a bit of myself with the world.

Are you a plotter (someone who plans ahead) or a pantser (someone who improvises)? A bit of both, actually. I won't start writing a book until I have a rough outline of what the story will be about, but I don't worry too much about the details. They come to me as I write the story, and the plot develops well ahead of my writing. By the time I'm half-way done writing, I'll know how the book ends.

What would you describe as the high point of your career? This! Getting my book picked up by a publisher (J. Ellington Ashton Press) and having this book launch is a huge rush. I'm so excited!

What would you describe as the low point of your career? I've been fairly blessed to date. I've never really had a "low point". There have been a lot of bumps and snags along the way, but I can't say that things have ever really "sucked" in my writing career.

Who do you credit with editing your books into tip-top shape? -- A combination of my beta readers, my own OCD, and the editors at JEA. With all those eyes, the book has come out to be a creation of beauty--one I'm absolutely thrilled with.

Do you design your own book covers or do you have someone else to do that for you? --As I said above, I've always envied artists, mainly because I have ZERO artistic skills. Thankfully, I have a sister who is an amazing artist. She came up with 95% of the design for the book cover, and it's all because of her that it's as awesome as she is.

What advice do you have for young aspiring writers? -- Be ready to work hard! Writing is 20 to 25% "fun", and the rest of it is plain hard work. Between re-drafting, polishing the writing, editing, editing again, doing lots more editing, and marketing, there's a lot less pure "creation" than you might realize. But it's all worth it!

What are some of your pet peeves as an author? --I've come to see proper grammar and punctuation as an absolute MUST. I will drop a book if I find too many mistakes. My eyes just shy away from the words, and I focus on the mistakes rather than the story.

How important are reviews to an author’s career, for better or worse? --I think reviews are quite important. First of all, they hold an author accountable. If you put garbage on the internet, it's good that someone calls you out and tells people the truth about your product. Second, I think that it helps us to find out the areas where we need to improve. A bad review for my first book helped me to make this new book a work of art.

Has anybody created fan art for your books? If so, how does that feel?-- I wish! If anyone is interested in creating fan art, let me know! I want to add sketches of the thirteen gods of Voramis into one of the later books.

Have you met any famous authors in your lifetime? --I did! I stood in line for over an hour at this last San Diego Comic Con to meet Brandon Sanderson. It was the one thing I really wanted from the convention.

How important is privacy to a writer’s career? --You know, I don't know that one. I've never really had a big fan base, so I'm not really sure what it's like to NOT have privacy. Ask me in a few years…

Do you use a penname or is Andy Peloquin your real one? --My real name is "Andrew", but I've been called "Andy" since the day I was born. Being called "Andrew" is still weird, so it made sense to go with the name I prefer.

What role does a penname play for an author? --For some authors, it provides them a way to publish something different. For example, J.K. Rowling published/is publishing a series of books under a pen name, and I think she's doing so to give her books (written by a woman) a chance to succeed in a genre dominated by men.
 
Do you have any final thoughts to give the audience? --Buy my book! No, just kidding. I love to get to know people, so if anyone wants to be my friend, chat, shoot the s**t about writing, or get to know me, add me on any of my social media links! I'm as friendly as my limited free time allows.





 

Tagline/Elevator Pitch:



A faceless, nameless assassin. A forgotten past. The Hunter of Voramis--a killer devoid of morals, or something else altogether? (Blade of the Destroyer--dark fantasy with a look at the underside of human nature)



Book Blurb:


The Last Bucelarii (Book 1): Blade of the Destroyer


The Hunter of Voramis is the perfect assassin: ruthless, unrelenting, immortal. Yet he is haunted by lost memories, bonded to a cursed dagger that feeds him power yet denies him peace of mind. Within him rages an unquenchable need for blood and death.

When he accepts a contract to avenge the stolen innocence of a girl, the Hunter becomes the prey. The death of a seemingly random target sends him hurtling toward destruction, yet could his path also lead to the truth of his buried past?

 

Book Info:



Title: The Last Bucelarii (Book 1): Blade of the Destroyer

Author: Andy Peloquin

Official Launch Date: August 21st, 2015

Publication Date: July 11th, 2015

Paperback Price: $15.99

Digital Price: $3.99

Pages: 298

ISBN: 1515038955

 

Buy Links:



Amazon Kindle: http://www.amazon.com/Blade-Destroyer-Last-Bucelarii-Book-ebook/dp/B012EI9M4A/

Amazon Paperback: http://www.amazon.com/Blade-Destroyer-Last-Bucelarii-Book/dp/1515038955/

Goodreads: https://www.goodreads.com/book/show/25269614-blade-of-the-destroyer

 

Book Launch Event:



https://www.facebook.com/events/1625045874438351/

 

Bio:


Andy Peloquin: Lover of All Things Dark and Mysterious


Andy Peloquin--a third culture kid to the core--has loved to read since before he could remember. Sherlock Holmes, the Phantom of the Opera, and Father Brown are just a few of the books that ensnared his imagination as a child.

When he discovered science fiction and fantasy through the pages of writers like Edgar Rice Burroughs, J.R.R Tolkien, and Orson Scott Card, he was immediately hooked and hasn't looked back since.

Andy's first attempt at writing produced In the Days: A Tale of the Forgotten Continent. He has learned from the mistakes he made and used the experience to produce Blade of the Destroyer, a book of which he is very proud.

Reading—and now writing—is his favorite escape, and it provides him an outlet for his innate creativity. He is an artist; words are his palette.

His website (http://www.andypeloquin.com) is a second home for him, a place where he can post his thoughts and feelings--along with reviews of books he finds laying around the internet.

He can also be found on his social media pages, such as:

Twitter: https://twitter.com/AndyPeloquin

Facebook: https://www.facebook.com/andyqpeloquin

www.linkedin.com/in/andypeloquin/

https://plus.google.com/100885994638914122147/about

https://www.amazon.com/author/andypeloquin

https://www.facebook.com/andrew.peloquin.1


 

10 Things You Need to Know About Me:
Hot wings, ALWAYS!
I never forget a face, but rarely remember a name.
I'm a head taller than the average person (I'm 6' 6")
Marvel > DC
I was born in Japan, and lived there until the age of 14.
Selena Gomez and Five Finger Death Punch are both in my playlist.
Aliens are real, but it's self-centered of us to believe that they would come to visit Earth.
Watching sports: suck. Playing sports: EPIC!
I earned a purple belt in Karate/Hapkido/Taekwondo.
I dislike most Christmas music, aside from Trans-Siberian Orchestra.
 

Reviews:



"Creative, gritty, and beautifully dark...fantasy addicts will love it!" -- Peter Story, author of Things Grak Hates -- http://peterjstory.com/

"The fantasy world has a compelling new antihero…the Hunter will terrify and captivate you." - Eve A Floriste, author of Fresh Cut

"From the first words on the page this fantasy holds the reader spellbound even after the book is finished…his character is very well-defined even if his past is a mystery. Root for an assassin? Oh, yes, one must!" -- Carol Conley, for InDTale Magazine

 

Sunday, November 23, 2014

"Super Mario" by Jeff Ryan



BOOK TITLE: Super Mario: How Nintendo Conquered America

AUTHOR: Jeff Ryan

RELEASE DATE: 2011

GENRE: Nonfiction

SUBGENRE: Videogame Biography

GRADE: Pass

From Nintendo’s early days with the Donkey Kong arcade game to the present day with Super Mario Wii, Jeff Ryan documents the history of the Mario character and how over many decades he became the symbol of excellence for video gaming. This constant promotion of such a simple, let lovable character didn’t come without hardship. Nintendo had to constantly put out games and consoles that rivaled other systems like the Sega Genesis, Sony Play Station, and the Microsoft X-Box to name a few. Sometimes Nintendo won these rivalries, sometimes they were hit hard with a massive loss in revenue. Even today Nintendo struggles to keep Mario relevant in a generation full of new gadgets and principles.

First and foremost, the research Mr. Ryan conducted along with this previous knowledge of videogames shines through for this book. Every detail is so intricate that trusting this book for its word wouldn’t be too far out of bounds. The computer lingo might sound a bit confusing at first, but it’ll all make sense the closer you get to the middle and end of the book. My only question to Mr. Ryan is, how exactly did he find this information out? Did he individually ask the Nintendo execs about everything they know or did he have to surf every crevice of the web? Don’t worry, I’m not calling him out on any flaws; it just piques my curiosity, that’s all.

Many people on Good Reads have criticized Jeff Ryan’s use of pop culture references, particularly as he fused them into the writing style to make it his own. Normally, pop culture references are a no-no in literature due to the reader’s off chances that he might not know what the author is talking about. Jeff Ryan can get away with it, though, because Mario culture is pop culture. The references don’t go too far off from the videogame genre and are actually amusing to listen to from time to time. In short, I believe the energetic writing style is fun to read and would make Mr. Ryan’s job as a writer for the Huffington Post much more believable to a layman.

And now we get to my favorite part of any book I give a passing grade, the pacing. The pacing is somewhat slower than what I usually read, but that doesn’t bother me at all. It only bothered me during the opening chapters when Nintendo was just a generic entertainment company instead of a Mario and Donkey Kong giant. My patience kicked in and the book has been an enjoyable read ever since. This would be the time where I encourage all of my readers to have at least some level of patience when dealing with a new book or a new author. The excitement will happen one way or another. Such is the case with “Super Mario” by Jeff Ryan.

If you’re feeling nostalgic about your videogame-playing past, this book is for you. It’s not only good for getting that warm fuzzy feeling flowing through your bloodstream, but it’s also educational, particularly as it relates to running a business. Running a business of any kind is hard work and in this screwed up economy, most of them either don’t make it or barely make enough to survive by the skin of their teeth. I have a new appreciation for what business owners have to go through on a daily basis. It still doesn’t mean I’m letting them get away with tax cuts for billionaires or exploiting foreign workers. Just throwing that out there.

Monday, October 27, 2014

Godzilla



TITLE: Godzilla (2014 version)

GENRE: Monster Sci-Fi

RATING: PG-13 for language and disaster-style violence

GRADE: Pass

If you hear the name Godzilla, you can expect the movie he’s associated with to be all about mass destruction. He’s a multi-story tall monster with other multi-story tall monsters to contend with. And when they fight, they’ll take the entire world with them if they have to. Entire cities will fall into piles of rubble and their people will either be displaced or brutally murdered by these gigantic warriors. Even America’s military is powerless against these monsters despite having nuclear weapons at their disposal and tanks that would otherwise knock over entire buildings.

This extreme feeling of hopelessness is paramount in creating a disaster movie of any kind. The lower your chances for survival, the more amazing it’s going to be when you finally achieve your goals. We all know most movies will end happily. What we don’t know is how and why. Even with the biggest guns and the most destructive bombs, it’s not enough. So how else can the world combat these multiple giants? Seems impossible, right? It just might be. If you’re made to believe it is, then the movie you’re watching will become much more entertaining.

Aside from the extreme violence and mass destruction, Godzilla has also been praised for having a memorable storyline, particularly as it relates to the Brody family’s strong bond. In the beginning, Dr. Joe Brody is determined to contain the moth-like monster he has imprisoned in a nuclear reactor. He’s so dedicated to his work it interferes with his ability to sleep at night. Fifteen years later, Joe’s son Ford joins the military and has his own battle to fight: civilian life with his wife and child. The love and dedication the Brody family shows for each other is a beautiful thing. Their love is so strong not even monsters as tall as a skyscraper can keep them apart. They will fight for each other to keep from being bubblegum on the bottom of Godzilla’s foot.

The last thing I’m going to touch on deals with the movie’s pace. As with books, I also enjoy a fast pace when it comes to movies and TV shows. Godzilla has a slow pace and it doesn’t bother me one bit. With a rich storyline and brutal destruction rolled into one neat little package, a slow and stalking pace shouldn’t bother the people who watch this movie. You’ll get your chance to be on the edge of your seat. Don’t think of this movie as being slower than a snail crawling through peanut butter. Think of it as slow torture for your mind. Picture your face being scraped across the concrete ground for two-plus hours. The only difference is it won’t hurt your brain; it will hurt your soul. Badly!

I gave this movie a passing grade and you will too. If you’re not like me and you use a letter system, you’ll probably put enough pluses next to that A to make a novel out of your grade. Although, I don’t recommend you actually do that, because then it really WILL be like slow torture (for your brain, not for your soul). Enjoy the show!

Wednesday, August 6, 2014

Isao Qing



Isao Qing is one of the few characters in my arsenal who I consider to be a “double agent”. In other words, I’ve used his name in two different stories for two different characters. He was a ghost ninja villain in Say Goodbye and a former welterweight MMA champion in a Dungeons & Dragons session I did with internet friends. Perhaps these two personalities can do a “fusion-ha!” like they do in Dragon Ball Z. Then again, I haven’t seen very many ghosts in mixed-martial arts. Being undead would give them an unfair edge, despite the fact there’s a UFC fighter who calls himself “The Korean Zombie”. Oh well.

In the modern fantasy movie script Say Goodbye, Isao Qing was a lackey for the main villain of the story, a pig warlock named Zod Ragefist. Zod saw all of his minions as disposable commodities, but Isao Qing in his ghostly ninja glory was far from worthless. When bounty hunters go after his boss in the fetid jungle, Isao visits the home of one of the bounty hunters and holds his wife and autistic kid hostage.

When the bounty hunter calls home to see how things are going, Isao takes a page out of George Carlin’s playbook and says, “Your wife can’t come to the phone right now, she’s seriously injured. She was lighting a fart and her bush caught on fire.” Isao was asking for trouble and praying for victory at the same time, just like the badass he was.

Isao’s presence in the Dungeons & Dragons role-play wasn’t nearly as impressive as when he did Say Goodbye. Yes, he was a former mixed-martial arts welterweight champion, but the only reason he got a shot at the title was because the original champion, a half-orc barbarian named Agrusk, was found dead in his home from videogame addiction.

So Isao is the number one contender for the welterweight title and wins the gold. At the next pay-per-view event, he has to defend it against a humanoid tiger named Bob Rua. Isao is defeated via head kicks in just ten seconds to lose the title. He tried to calm down with a massage afterwards, but he couldn’t relax as he just kept repeating to himself, “Ten seconds…ten seconds…ten seconds…”

Determining which version of Isao Qing I want to reuse isn’t rocket science: I want the badass ghost ninja with the silver tongue and the mystical katana. Unfortunately, I haven’t been using very many ninja characters in my short stories lately. Truth be told, I’m not the greatest at doing internet research since my lack of patience and lack of a filter for the articles I find keep me from accomplishing anything.

I know ninjas are black-clad assassins who are supposed to be quick and sneaky. I also know they’re supposed to be exceptional martial artists. The general idea of what a ninja should be is branded in my brain. The cultural aspects are not. When I make a ninja character, I don’t take into account things like honor and respect, just being a badass killer. If I do use Isao Qing as a ghost ninja, it will be a tough decision to make.

 

***WRESTLING QUOTE OF THE DAY***

“I’m going to leave John Cena in a pile of blood, urine, and vomit.”

-Brock Lesnar-

Tuesday, July 1, 2014

"Robot Boy" by Linkin Park



“You say you’re not going to fight ‘cause no one will fight for you.” This is the opening line to “Robot Boy” and every time I hear it, it stays true. Even though I live a passive life, I’m still an independent author and I still have my own battles to fight. I’m fighting for a steady payday, recognition, immortalization, and most importantly, love and friendship. Even the simplest of these list items seems like an uphill confrontation. Though it seems like I have allies in these struggles, help seems so far away.

Then again, the music of Linkin Park has always documented the band’s uphill struggles. Chester Bennington has his own family trauma to contend with. Mike Shinoda fights for his Japanese culture, especially since his father was interned in 1942. These two lead vocalists speak for everybody when they’re fighting the good fight. Is it any wonder why they have such a strong fan base?

I don’t know exactly which path Linkin Park took in order to become the voice of the voiceless. I don’t want to say they got lucky, because that would be disrespectful of the way they became successful musicians. I too wish to be a voice of the voiceless, but as you can plainly see, I only live vicariously through Chester and Mike. I have some fame, but not enough for people to listen to what I have to say. Self-published e-books and blogs will only go so far. And when the path to success is buried underneath mounds of dirt, it becomes hard to tell where you are.

“Someday the weight of the world will give you the strength to go.” The weight of the world represents the burdens us artists must bear on our path to the top. Constant weightlifting builds muscle. Our worldly burdens will therefore make us stronger for the experience. If nothing else, they give us creative fuel so that our wells don’t run dry too soon.

I hope this song and the story of Linkin Park in general can be creative fuel to my readers as these things have been to me. Despite my passive lifestyle, I can still throw a powerful punch to every demon that opposes me. I may not throw many punches, but one of these days, my one powerful shot will earn me a knockout victory over the forces working against me. Then and only then will I be able to rest peacefully myself. I’m leaving my mark on the world one way or another. Whether it’s in the form of a black eye or a warm hug remains to be seen.

 

***PROVERB OF THE DAY***

“The true definition of insanity is doing the same thing every day and expecting different results.”

-Albert Einstein-