Sunday, May 30, 2021

Food-Mindedness and Body Horror

In case it wasn’t already abundantly clear from my 300 lb. belly, I’m very food-minded. Almost everything in my life reminds me of food in some way. Hell, the word Life will conjure images of the oat square cereal swirling around in milk. The word swirling will remind me of frosted cinnamon buns, keyword being frosted, as in enough frosting to cover the whole fucking thing. At least those words make a modicum of sense, but then there are names of people that remind me of food for no reason at all. Marcus reminds me of hotdogs and mustard. Brad reminds me of French bread. Rachel reminds me of apple juice. Erick reminds me of birthday cake-flavored milkshakes. How did this happen? Was it the constant advertising? Was there some trick of the brain during childhood I wasn’t aware of?


Already, my relationship with food is off to a rocky start. But then there are the things I find disgusting in life and how they find their way into my food. Not literally, but I imagine that they do and my imagination is powerful enough to make me vomit in some cases. For example, if you’ve ever seen the movie Clerks, the View Askew Productions logo at the beginning will serve as nightmare fuel to haunt you at every stage of life. There’s nothing wrong with men dressing in fishnet pantyhose, high heels, and leather thongs…even if they do have grotesque body hair. But it’s the unwanted sexual attention and creepiness of his flirtation that makes it such a traumatic logo. After seeing that logo for the first time, I kept involuntarily picturing his hairy disgusting body in pieces of my lunch meat. Every time I take a bite of ham or turkey, I imagine I’m taking a bite out of that man’s body. My stomach is aching and my fingers are convulsing just thinking about this.


But that’s just one example. If that was the only one, then I wouldn’t have been inspired to write an entire essay on it. What about the Calcobrena Puppets from Final Fantasy IV? You know, those creepy leotard-wearing dolls with buzzed heads, bloodshot eyes, zombie movements, and murderous intentions. They look like they could be Pee-Wee Herman’s children based on their buzz-cuts alone. Pee-Wee Herman once taught his audience how to make peanut butter and jelly sandwiches on his show. Therefore…all of my peanut butter and jelly sandwiches will taste like the bodies of the Calcobrena Puppets. It’ll be like eating right off of their skulls, head lice, fleas, and maggots be damned. It’ll be like giving French kisses to each and every one of those dolls…while passing pre-chewed sandwiches back and forth! Again, my stomach is boiling and rotting while I’m typing this.


And what about the Simpsons from their Treehouse of Horror Episodes, particularly the ones where they turn into pale zombies. They chew flesh, they lose limbs, they groan like exhausted monsters, and did I mention that they have pale skin? You know what else is pale in color? Pasta covered in white sauce, whether it’s American cheese or Alfredo sauce. Every bite that I took of those macaroni shells made me believe I was eating pieces of the zombie Simpsons. I took a long time to swallow knowing that zombie flesh was going down my throat and was going to poison me to death. The macaroni turned to mush in my mouth, so when I finally swallowed, I gagged and brought up a little bit of bile with it.


If I rattled off every example of food-related body horror, then we’d be here forever and a day. I could talk about the faceless masks from Pink Floyd the Wall reminding me of melted cheese. I could talk about the diarrhea blasts in The Human Centipede reminding me of chocolate ice cream (that one’s too obvious, though). I could talk about dead flies reminding me of Butterfinger ice cream. How did this all happen? Why are these disgusting things finding their way into my every meal? Am I so linked up with food that every trauma will remind me of such? Suppose I was more inclined towards Legos instead of food. If I touched a Lego piece that had three holes in it, would it remind me of the Pink Floyd masks? What if I was geared towards clothing? Would the View Askew drag queen’s body hair remind me of a wool sweater that’s literally hugging my chest?


I can already hear fatphobic assholes using my food horror as motivation for me to lose weight…or is that just my schizophrenic voices? Nah, I’m pretty sure someone has thought of exploiting me at one point or another. To those fat-shamers, I say watch the Human Centipede and eat a bag of shit and then watch Pink Floyd the Wall and eat an entire McDonald’s Double Quarter Pounder with Cheese (there has to be cheese in it, no exceptions). Unlike drugs and alcohol, food is actually necessary to survive. A cheeseburger will carry you over into the next day. A pack of cigarettes will not. A pepperoni pizza will give you the nutrition you need, even if it’s bad. Alcohol will not. If I gave up all of my favorite foods due to the body horror I’ve witnessed over the years, I would die of anorexia. Imagine that: fat-shaming actually hurts people instead of helping them find motivation. It’s almost as if people are only fat-shaming to satisfy their sadistic urges and are just using motivation as a cover-up for their shitty behavior. Bullying never went away; it just adapted to the new world.


I could tell you all that I’ve found the perfect counter for body horror-induced trauma, but I haven’t. Yes, I’m still alive and eating like a pig, but that’s only because the trauma went away on its own. I eat ham sandwiches whenever I damn well please even though the View Askew drag queen lusted on me through the TV screen as a kid. I eat stuffed mushrooms despite the fact that it feels too much like I’m eating Phanto from Mario Brothers 2, the evilly-smiling little bastard. Trauma going away on its own is not a typical outcome for most people, especially if schizophrenia is a factor like it is for me. Sure, you can take away the stimulus and hope for the Law of Diminishing Returns to kick in, but it doesn’t always do that. I have no solutions for your body horror trauma. As a matter of fact, I may have given you some of that as I described examples of how they make their way into my food.


Sometimes I think I’m the only one who experiences things like this until I Google it and find entire communities full of people who share my problems. But that’s assuming I’m not too lazy on any given day to use Google. It’s such an easy thing, yet I find myself too lazy sometimes to type words into a search engine. If you’re out there and you’re as food-minded as me, I’m sorry I can’t provide solutions for you other than the occasional animal picture and some digital hugs. You know who can provide more than that? Your therapist. They can talk you through your trauma. They can encourage you to face your food-themed fears. They can be there for you when you feel like others would laugh at your plight. Yes, therapy can be expensive at times, but it’s worth every penny if it means you’ll be okay in the end. If you’re not okay, it’s not the end. Life is better alive. It’s a dumb thing to say, but the truth won’t wane away. Okay, now I’m just ripping off quotes and lyrics. I should stop doing that before I get sent to prison for copyright infringement and have my vanilla pudding remind me of my cell mate’s semen. Uh-oh! More body horror!

I Hate My Brain

CHORUS 1

I hate my brain, I hate my soul

I gave the ghosts too much control

I hate my heart, I hate my mind

Yet I carry on like everything’s fine


VERSE 1

The skies were blue, now they’re vomit green

The oceans were cool, now they’re boiling me

My pixies and gnomes turned to demon spiders

My love goddess has Bundy’s babe inside her


PRE-CHORUS 1

What happened to me?

Death pornography

Oh no!

The only cinema that I see


CHORUS 2

I hate my soul, I hate my brain

I fall asleep just to numb the pain

I hate my mind, I hate my heart

Too many beats will blow it apart


VERSE 2

My cats were soft, now their fur is barbed wire

My dogs loved life, now they’re graveyard tired

All of my favorite songs sound about the same

All of my heroes wallow in sewage and shame


PRE-CHORUS 2

What happened to me?

Warped psychology

Oh no!

Mourning loss of creativity


CHORUS 3

I hate my shell of my former self

All I love burns in schizophrenic hell

I hate the future, I hate the now

I broke my promise not to bow


BRIDGE

Don’t keep stringing me along

Don’t say nothing’s ever wrong

Don’t keep giving me false hope

Don’t make this torture slow


CHORUS 4

I hate my demons, the shit they say

Telling me to die and just fade away

I hate my monsters, they’re beautiful

Stockholm kisses and fucks are suitable


FINAL LINE

Don’t keep stringing me along

Monday, May 24, 2021

RPG Memoirs: Fiction or Nonfiction?

So…I’m at a little bit of a crossroads here when it comes to my nonfiction. Many months ago, I wrote a memoir about a D&D campaign I did with my brother in 2003 where I was a bounty hunter named Regal (it went about as well as you’d imagine, haha!). Ever since then, I’ve wondered if I should do those kinds of memoirs in the future. A small little voice told me that if I’m going to do them, why not just write them as fictional stories instead of memoirs? There’ll be more opportunities for showing instead of telling and it’ll feel like a real story. But given how some of those role-plays panned out, they wouldn’t make for very good stories on their own. Under a nonfiction microscope, I can analyze what went wrong and why. That’s basically the point of these memoirs: to show how much my storytelling skills and I have changed since those days. They can either be cautionary tales or legitimate master classes. What do you guys think? Are these kinds of stories better served as fiction or nonfiction?

Saturday, May 22, 2021

Easy Kill

 CHORUS

Everyone’s a badass ‘til they’re lying on their backs

Every Chad is beefy ‘til he’s eaten like a snack

Taking you out will hardly require any skill

In the end, you’re nothing but an easy kill


VERSE 1

You got your black belt in Brazilian jujitsu

From a guy who teaches class on French ninjitsu

You’re the master of the art of Mexican kung fu

But when you ask for a medal, they say, “Fuck you!”

The only ring that you’ve ever been inside

Was the one that made your cock stand up with pride

Your chin is made of glass, knocked out on your ass

You’re the same as every slacker in junior high gym class


CHORUS

Everyone’s a badass ‘til they’re lying on their backs

Every Chad is beefy ‘til he’s eaten like a snack

Taking you out will hardly require any skill

In the end, you’re nothing but an easy kill


VERSE 2

You have thousands of confirmed kills in the army

But you had a bazooka, they had rakes for farming

I bet if I melted down your precious combat medals

I couldn’t buy a candy bar or coffee for the kettle

I’d pay for your medicine, but you voted against it

Because you want to be a good Confederate descendant

What’re you going to do when your leg snaps in half

When you run a marathon from your problematic past?


CHORUS

Everyone’s a badass ‘til they’re lying on their backs

Every Chad is beefy ‘til he’s eaten like a snack

Taking you out will hardly require any skill

In the end, you’re nothing but an easy kill


VERSE 3

Your life is like an arcade continuation screen

You’ve got ten seconds to put more coins in the machine

But even with another life, fighting games don’t teach

All the macho manliness that you love to fucking preach


EXTENDED CHORUS

Everyone’s a badass ‘til they’re lying on their backs

Every Chad is beefy ‘til he’s eaten like a snack

Taking you out will hardly require any skill

In the end, you’re nothing but an easy kill

Everyone’s undefeated until they lose clean

From a head kick turned horror movie scene

Everyone’s a champion ‘til the belt is gone

An easy kill like you could never last long

Friday, May 21, 2021

The Fiend

 Consumers of storytelling should never have to compromise when it comes to good character work. Apparently, the readers of the Wrestling Observer Newsletter agree with me given how often they slaughter Bray Wyatt in the yearly awards. No, this isn’t just a minor disagreement. They annihilate him! They murder him! They brutalize him! They do all the things he could never do to his opponents when it counts the most. Oh sure, they’ll give him the Stockholm Syndrome treatment with the Best Gimmick awards in 2013 and 2019. And trust me, there’s a lot to be said about playing a demented cult leader and an indestructible monster on TV. But unfortunately for Mr. Wyatt, that’s where the praise ends and the raging against terrible booking begins.


Most Overrated Wrestler in 2020 (that’s a little harsh, all things considered, but okay). Worst Feud of the Year in 2017 against Randy Orton. Worst Feud of the Year in 2019 against Seth Rollins. Worst Feud of the Year in 2020 against Braun Strowman. Worst Gimmick in 2017 for being the bodily host for the spirit of Sister Abigail. Worst Gimmick in 2020 for doing the same indestructible monster character in 2019, but with more losses and more ridiculousness. Worst Match of the Year in 2014 against John Cena in a Steel Cage match (deep voiced child, anybody?). Worst Match of the Year in 2017 against Randy Orton (the worms…all those fucking worms!). Worst Match of the Year in 2019 against Seth Rollins in a Hell in a Cell match (a.k.a. the match without rules and limitations that ended in a disqualification anyways). Last and surely least, Worst Match of the Year in 2020 against Braun Strowman in a Wyatt Swamp Fight (there was no clear winner in this cheesy horror movie with more plot holes than I can count).


So…how did this happen? How did the WWE fuck up this badly when they had handfuls of gold with Bray Wyatt’s various characters? How do you fuck up a charismatic cult leader who could and would kill you with a screwdriver if he wanted to? How do you fuck up a creepy children’s show host who looks crazy enough to be on the sex offender registry and therefore shouldn’t be around children? How do you fuck up an indestructible monster with a hideous, ugly, nightmarish face that would put Pink Floyd and Slipknot to shame? How do you fuck up a character with so many layers, so much creativity, and so much potential to be a top star for the rest of eternity? I’ve got your answer right here: he loses too much.


Yep, that’s right. He’s a three hundred pound killing machine who can hit like a cannonball and move like a cruiserweight. His dialogue is so cryptic, so seductive, yet so terrifying that it’ll echo in your mind like a schizophrenic voice for days on end. If he tells you he’s going to murder you in a cold blood and leave your corpse for the buzzards to feast on, you don’t question him for a second…until he loses all of his biggest matches. He talks a big game and never backs it up when it matters. The audience is so used to seeing him fail that when he finally does add a championship or two to his resume, nobody cares. All the Hawaiian shirts, bowler hats, demonic masks, and pedophilic tendencies don’t mean shit if no one believes in the villain who embodies those traits.


Even if you don’t watch wrestling and have no idea what the fuck I’m talking about, you as authors should still take Bray Wyatt’s story and career as a cautionary tale when creating your own villains. If you want to create a convincing villain, you can splatter them with all the creative tropes in the world as long as they’re powerful enough to make their eventual defeat believable and meaningful. I’m not saying the villain has to win EVERY time, but his losses should be in small ways that don’t derail whatever momentum he has. 


You think Darth Vader would be an iconic villain from the Star Wars franchise if he kept getting his ass kicked by the rebels? Fuck no, he wouldn’t have! So what does he do to solidify his power? He cuts off Luke Skywalker’s hand, he imprisons Han Solo and hands him over to Boba Fett to be frozen in carbonite, he destroys entire planets with his Death Star battle station, and he murders the fuck out of Obi-Wan Kenobi. If you’re coming for Darth Vader’s head, you’d better paralyze his ass, because he’ll kill you the first chance he gets.


Your main villain doesn’t have to have political power over an entire galaxy. Maybe he can have power over another person. Maybe he can kidnap somebody and bend them to his will through mind-fucking torture and endless agony. Can his captive defeat him over and over again for the story to be believable? Hell no! But can his captive run away for a little while and get recaptured and brutalized over and over again? Sure! Even if the kidnapper gets an infected bite on his arm, that’s still a small enough defeat that he’s not completely gone just yet. Maybe he has no medical supplies for that wound. Maybe over the course of the story, he has to travel a long way to the nearest hospital for care. The longer he travels, the sicker he becomes. Even if he does make it to the hospital, he still risks getting captured himself, but by the police. So many layers to this story, yet the kidnapper in question is still a villain you love to hate and would love to see systematically destroyed.


Now…take those two scenarios I laid out and replace the head villains in charge with “The Fiend” Bray Wyatt. He’s the last motherfucker who deserves to wield a light saber. He shouldn’t be allowed near anybody whom he can easily stuff into his windowless van on its way to a room with no view. Long dreadlocks that look like Cthulu’s tentacles. A face with an enormous grin, rotten teeth, and ripped skin. A lantern with Bray Wyatt’s original head covering the light. Dialogue peppered with death threats and seductive promises of the darkest kind. Immunity to pain that his torture victims could only dream of having during their times of torment. If he’s written like a killer, he will succeed in these roles and become even more iconic than his predecessors. If he’s written like a chump like he’s been for most of his career, Siskel and Ebert will come back from the dead just so they can shit all over whatever story he’s a part of. And then they’ll be put back in their graves by The Fiend’s necromantic powers.


Even the most brain-dead authors understand the idea of the villains having a shit-load of power. Power can come from anywhere, but if a villain has a lot of it, then his defeat will be even more incredible, especially if the hero comes from modest means. But that of course is giving the WWE too much credit. They used to know how to build stars. Hulk Hogan, The Ultimate Warrior, Stone Cold Steve Austin, The Rock, and John Cena are all shining examples of their success in that department. But as Vince McMahon got older and slower, so did his storytelling. 


As the CEO of WWE, Vince gets the final say in whatever creative decisions make it to television. When his brain is rotting that badly and he has that much influence over the shows, people start to notice and people turn off their televisions. I turned off mine in 2018 and haven’t turned it back on for WWE since then. Thanks, guys, for completely murdering my love for pro-wrestling. And an extra special thanks goes to the geniuses who set Bray Wyatt up to fail. He had all the creative potential in the world. He could have been a badass villain everyone can be scared of. But not anymore. That makes me sad. I’m sure it makes him sad as well.


Authors, if you’re going to make your readers sad, do it the old-fashioned way by killing off their favorite characters or at least badly torturing them. Don’t do it by creating awful villains. And don’t do it by creating awful heroes and neutral characters either. If you’re going to create a character cast, do it right! Make them three-dimensional. Make them overflow with personality. Saddle them with crazy gimmicks. But most importantly, make their victories and losses believable, for fuck’s sake! 


(sigh)


…In case it wasn’t abundantly clear already, my heart hurts for Bray Wyatt and all of his incarnations (except for Husky Harris, but he was just learning how to do decent character work at the time, so I shouldn’t be too hard on him). Wrestling fans were angry as hell in 2020 when the Wrestling Observer Newsletter put out their yearly awards and Bray Wyatt was absolutely wrecked. If those same fans still believe in the magic of Bray Wyatt, then they’re certainly welcome to. I’m not going to shit all over their happiness in that regard. So maybe the negative attention has less to do with the wrestler himself and more to do with the way he’s portrayed on TV. Even Dave Meltzer, the head journalist in charge of the WON, called him a genius when it came to his character work. I bet it hurts him and the rest of his voters to do Bray dirty like that. But silencing criticism is the same thing as acknowledging the problem doesn’t exist. WWE fucked up Bray Wyatt like a bunch of idiots and now they’re surprised when he doesn’t connect with everyone who watches him. How sad. How relentlessly sad.

Thursday, May 20, 2021

Help Me, Walter Hollywood

 He lights a cigarette, compromises his health

Fresh lungs don’t matter in this neo-noir hell

Every day someone is murdered and forgotten

Until the corpse makes the streets smell rotten


“Help me, Walter Hollywood,” says the dame

Every transaction starts to all sound the same

An envelope of cash, smoke the last of the ash

Hope to god her lover isn’t thrown out like trash


But before he slings the questions around town

Obligatory sex scene with hushed moaning sounds

Almost makes the lover a complete afterthought

But there are bills to be paid, killers to be caught


Every fedora-wearing wise guy takes a swing

Until Walter’s eyes water, nose bleeds, ears ring

Anymore snooping and he’ll be full of bullets

Take his scalp until he’s only left with a mullet


Walter taps the dame up for a little more money

She laughs like his misery and bruises are funny

Admission of failure is just another part of the job

She winks one more time and turns the doorknob


Another body just washed up on the riverbank

Bricks around his ankles ensured that he sank

His face was so familiar despite the taped mouth

And the two black eyes and his nose cut out


Finding the lover was as easy as reading the paper

Nothing about this mystery made Walter feel safer

The money he was paid made him look like a hit man

Police would arrest him, lock him up with a big man


Capitalism made people do the weirdest things

Wait tables, scrub floors, stand on the streets and sing

Taking unclean money seemed like the way out

Why isn’t the dame’s freedom in any kind of doubt?


It’s a system that abuses everyone who struggles

Locks up the failures with big men who snuggle

Gangsters and politicians sip from a glass of wine

And every femme fatale continues to look so fine

Wednesday, May 12, 2021

"The Ever-Burning Light" by K.L. Cottrell

 BOOK TITLE: The Ever-Burning Light

AUTHOR: K.L. Cottrell

YEAR: 2015

GENRE: Fiction

SUBGENRE: Contemporary Fantasy

GRADE: A


January 11th, 2021. That was the date I officially began reading this novel. Just a few days before that, Trump supporters stormed the US Capitol in an attempt to overthrow the government. With the world turning to dust, I needed all the positivity I could get to override my own depression and anger. And that’s where the magic of K.L. Cottrell’s writing comes into play. Yes, the Light Trilogy has a lot of horrific violence and demonic enemies, but none of that stops the overall presentation of this novel from having a positive aura. The main characters genuinely love each other and there’s not an ounce of toxicity between them. Their Light Force magic depends on them being optimistic in order for it to work. Ridding the world of evil monsters isn’t an easy job by any stretch of the imagination, so why do it alone when you’ve got awesome people to share that experience with?


Speaking of which, guess who gets his own redemption arc? Rafe a.k.a. Marienne’s ultra-jealous ex-boyfriend. I’ve been hard on him in my reviews of the first two books in the Light Trilogy and rightfully so. I kept wondering why he turned out to be Light rather than a Hellion, Crazy, or Tatt. To finally see him turn over a new leaf and become a better human being is refreshing to me. It’s not like he committed genocide in the first two books; he was just an insufferable jerk. He’s perfectly qualified for a redemption arc. In fact, I got a little teary eyed every time I saw him make progress against his own demons. That was different! I like that!


You know who doesn’t get a redemption arc? Leuan Cain, the head villain in charge of it all. He has the ability to seduce ordinary people into believing everything he says. And when he doesn’t get his way, he destroys everything and everyone with dark magic. It’s not just shadows and tricks. It’s suffocation. It’s exhaustion. It’s insanity and horror. It’s guilt and shame built up over all this time of fighting evil. If Donald Trump had dark magic abilities at his disposal, he too could do everything Leuan Cain does in this novel. That’s scary to think about. But if Marienne and Gabe can believe in the power of their own love, they can believe in their ability to murder Cain once and for all.


Everything clicked into place for this novel. The violent and torturous parts of the book hit so hard that even the reader will feel them for days. The loving and emotional parts of the book will bring the reader back to heaven in no time at all. This couldn’t even be considered “toxic positivity” because it feels genuine and heartfelt. That’s because the author believes in everything she’s writing. She believes in love. She believes in friendship. She believes in redemption. Every one of those traits shines through brilliantly in her novel. All in all, this was a lovely way to wrap up a wonderful trilogy. It’s almost as if the readers will walk away from this experience with their own form of optimistic Light magic. This book deserves not only an A+, but it deserves to exceed the 100% barrier.

Sunday, May 9, 2021

Terrible Flaws

 Anytime a book, movie, or TV show receives praise for having “flawed characters”, it makes me wonder what exactly those flaws were. Are all flaws created equal or are some more forgivable than others? Can characters with the least forgivable flaws find redemption by the end of the story or does that come off as forced? Are some character traits considered flaws when they don’t deserve to be? Do villains’ flaws (aside from the obvious) have to be conquered just like the heroes’?


I’m asking all of these questions because I’ve been in this writing game for many years and I still haven’t mastered the art of the flawed character. I’m always afraid of making a character so flawed that they’re no longer likeable in any capacity. Even dumpster fire human beings can be liked by the readers, but how do I achieve this? Well…let’s run these questions through a battery of tests, shall we?


Suppose you have a protagonist (like every story does). He’s got acrobatic fighting skills, he’s got magical powers for days, and he’s perfected the art of the insult. He wears spiked metal armor and carries a sword bigger than his entire body. He’s got long purple hair that has probably been washed with Head & Shoulders more times than he’s been in combat. He’s got striking golden eyes that can weaken the knees of every woman around him. His major flaw? He’s a genocidal lunatic. He doesn’t just go in for the kill. He destroys entire groups of people until they’ve gone virtually extinct. He feels no remorse for his actions and openly mocks any group that he’s wiped off the face of the earth. 


Are you cringing in disgust yet? Why? You like flawed characters! Killing large numbers of people is a HUGE flaw for somebody to have. I certainly hope he can overcome it! Now that I think about it, there is an example of someone like this. His name is Vegeta and he’s from the Dragon Ball franchise. In the beginning of the series, he killed off entire populations from any given planet and sold the planet for a quick buck. Near the end of the series, he’s a loving father and husband, but he’s still salty as fuck. Despite his murderous past, Vegeta is still the most popular character in the series.


Alright, alright, alright, that’s just one example of a successful flawed character, though. Maybe genocide isn’t enough to turn people off (which actually scares me a little bit). Okay, how about this: you’ve got a protagonist (noticing a theme here?). He’s rich beyond his wildest dreams. He’s got more abs than he knows what to do with. His business suits, sports cars, and summer homes all cost him more than the national debt allows. He can sex up any woman from the moment they smell his cologne. 


His major flaw? He’s got a serious case of flatulence that could trigger climate change and successfully take away Greta Thunberg’s future. What? You like flawed characters! His farting gets in the way of his romantic life and political aspirations, so it’s a real flaw! He can easily overcome it by getting a colonoscopy and finding out what the fuck is going on in his ass. But once he finds out what’s actually in there…then the plot thickens quicker than one of his diarrhea dumps. Could you get behind a character like this? Hopefully, not literally since we’ve established that his farts smell like dead skunks and toxic waste.


Okay, maybe bathroom humor isn’t your thing. It certainly isn’t mine. So how about this: you have a protagonist (yet again). He’s a five-star general who commands the respect of everyone he meets, even people outside of his jurisdiction. When he tells you to do pushups, it won’t matter if you just got your COVID vaccine, because you’ll do them anyways. When he tells you to run ten miles without stopping, it won’t matter if you’re bound to a wheelchair, because you’ll find a way. 


His major flaw? His voice is so cartoonishly annoying that subordinates only do what he says so that he’ll shut up and leave them alone. That’s not respect for authority; that’s hatred for irritating people. When the time comes to actually take him seriously, nobody listens to reason, because the general’s voice shatters their eardrums every time. Do you still think all flaws are created equal?


Now I don’t want any of you to think that I’m advocating for Mary-Sues and Gary-Stus. Maybe there was a time in my childhood when beefy barbarians who never lose were appealing to me. Maybe there was a time when undeniably hot chicks won me over just because. But as I got older, the shine wore off in a big fucking hurry. You think Alex De Large from A Clockwork Orange would have become as iconic as he was if he took the role of an axe-wielding ninja-knight who remained undefeated forever? You think Vic Mackey from The Shield would have been convincing as a corrupt LAPD detective if he didn’t occasionally lose from time to time? We don’t want to see our favorites lose, but if they don’t, then the story becomes boring and nobody cares.


But at the same time, we have to come to terms with what flaws we’re willing to forgive and which ones make a character impossible to love. Maybe the flaws we can’t forgive are overcome by the end of the story. Maybe a Klansman who uses the N-word five hundred times in a two-minute conversation can see the light and become so far to the left that he falls off the spectrum completely. Maybe a CEO who makes money off of his impoverished employees can become homeless and experience the plight of his underlings firsthand. So maybe the question isn’t, “Is this flaw bad?” Maybe the question is, “Can this flaw be redeemed?”


By that logic, even Cthulu can be redeemed despite the fact that he’s an intergalactic squid who destroys worlds effortlessly and drives the survivors to infinite madness. Maybe Cthulu has a slight moment of guilt when a feral child tries to reach out to his heart. It’s one thing to drive adults to madness, but feral children never had a chance to even acquire a first language. So Cthulu’s heart is broken beyond repair, but his universe is not, so he creates paradise out of his destruction. Would you still find it in your heart to forgive this flawed character despite what he did to get to this point? Did Hitler need a hug? Does Donald Trump need tender loving care? Does Vladimir Putin need a girlfriend who will cradle his head in her lap and stroke…whatever hair is left on his head?


I guess it all boils down to whether or not you as a reader believe in redemption arcs. I personally can’t get enough of them as long as they’re not rushed and forced. If you don’t want spoilers for A Dog’s Journey, then stop reading and have a nice day. Gloria is a toxic mother who spends her nights partying and drinking rather than taking care of CJ and her dog. So what does Gloria do? She gets sober and reconnects with CJ, giving her letters from her father that later serve as creative fuel for her songs, thus launching a successful music career. That’s one example of a redemption arc I can get behind. Gloria is indeed a flawed character, downright disgusting at times. Neglect and abuse are horrible things to do to a child. And yet, she won me over by the movie’s end. Well done!


Perhaps the lesson I’m trying to teach myself is to not be afraid of the flaws I give my characters. I have enough faith in my writing abilities that the characters can be redeemed by the story’s end. And if I haven’t done that, it’s okay, because that’s why our stories go through multiple drafts worth of edits and rewrites. Unlike a brain surgeon, you don’t have to get it right the first time if you’re writing a story from scratch. Be bold. Be brave. Let your book babies take flight. You can’t cradle them forever and if you do, you’re worse than the mother from Pink Floyd the Wall, a movie with a VERY flawed protagonist, yet one who is easy to root for.

Shitting On Your Grave

 I’m shitting on your grave

Like a fucking racehorse

Destroy your tombstone with

A million G’s of force


I’m pissing on your casket

The one draped with the flag

Open the lid and keep going

Make your gray skin sag


I vomit on your flowers

With my stomach full

Of your children’s flesh

And their rotten souls


I burn your mausoleum

With your family inside

They can put out the flames

With the tears they cried


I crash your funeral

Gun down every griever

Stomp the priest to death

Carve him with a cleaver


I taint your history

Slander in every word

Broadcast on every station

Until it’s all that’s heard


I watch you dance in fire

From the heavens above

To the hells below me

Your screams are what I love


You’re nothing but a footnote

In the world’s epic story

I’m treated like a king

Slaying you brings me glory


Trauma is my weapon

More powerful than a bomb

Reduced the world to ashes

All of my enemies gone


I am the war god

I am your worst nightmare

That is if you wake up

That is if you dare