Monday, January 5, 2026
Sephiroth from Final Fantasy VII vs. Stephanie Turner (Stephiroth)
Sunday, January 4, 2026
Monday, May 24, 2021
RPG Memoirs: Fiction or Nonfiction?
So…I’m at a little bit of a crossroads here when it comes to my nonfiction. Many months ago, I wrote a memoir about a D&D campaign I did with my brother in 2003 where I was a bounty hunter named Regal (it went about as well as you’d imagine, haha!). Ever since then, I’ve wondered if I should do those kinds of memoirs in the future. A small little voice told me that if I’m going to do them, why not just write them as fictional stories instead of memoirs? There’ll be more opportunities for showing instead of telling and it’ll feel like a real story. But given how some of those role-plays panned out, they wouldn’t make for very good stories on their own. Under a nonfiction microscope, I can analyze what went wrong and why. That’s basically the point of these memoirs: to show how much my storytelling skills and I have changed since those days. They can either be cautionary tales or legitimate master classes. What do you guys think? Are these kinds of stories better served as fiction or nonfiction?
Friday, December 13, 2019
Dirty Laundry
Tuesday, October 15, 2019
Social Justice Warrior
Wednesday, November 1, 2017
Where Is the Edge?
Friday, September 30, 2016
Shield Me
Sunday, September 11, 2016
The Audiomancer
Monday, August 22, 2016
Author Interview: Jesikah Sundin
- What was the inspiration for you wanting to be an author?
- In your opinion, what are the qualities of a likeable book?
- Does music play a role in your creative process?
- What sources of creative fuel do you draw inspiration from?
- How did you break into the writing business?
- Do you prefer paperback or digital books and why?
- In your opinion, how important are libraries to our society?
- What are the qualities of having a sympathetic main character?
- What did you do for a living prior to becoming an author?
- Do you have any words of wisdom for aspiring authors who might be reading this interview?
ISBN-13: 978-0-9913453-7-32014 Chanticleer Book Reviews Great Beginnings Cygnus winner for Sci-Fi/Fantasy
2014 National Indie Excellence Award Finalist for Science Fiction.
2014 Cygnus Award for Sci-Fi / Cyberpunk
2014 Dante Rossetti Award for Sci-Fi / Cyberpunk
2014 Dante Rossetti Grand Prize Award for Young Adult Fiction
"Jesikah Sundin is pioneering a whole new genre: near-future medieval fantasy with a cyberpunk twist..." -- Selah J. Tay-Song, award-winning author of Dreams of QaiMaj series
"...This book was beautifully written. It was detailed, immersive, and had a subtlety that I cannot help but be impressed by." -- Kookie Krysp Reviews

ISBN-13: 978-0-9913453-6-6
ISBN-13: 978-0-9913453-4-2Tuesday, August 11, 2015
Nail Bomb
The only person on that bus who wasn’t bothering anybody and was only minding his own business was the black hoodie-donning Psymon Nordonus. The only movement he made was with his head bobbing back and forth to “Killpop” by Slipknot on his MP3 player. Such aggressive heavy metal was sure to block out the cacophony of weirdoes, all of which were being ignored by the hefty bus driver.
Psymon was barely looking out of the corner of his eye at the large mother and the war veteran arguing with each other. At least one time during that conversation, both parties reminded each other that America was a “free country”. No, Psymon didn’t actually hear that, but he had been around those kinds of people before. Pathetic, he thought to himself.
The verbal spat turned into a shoving match and the baby in the stroller was even more obnoxious to listen to than before. Once the woman was shoved into her seat again, a baldheaded baby doll dropped out of the stroller and started coming to life. The sudden animation put everyone back in their seats as they watched on in terror. This doll was jerking around like it was being electrocuted and then started dancing like a creepy ballerina.
When the little guy in the stroller refused to stop crying, the doll sprayed him with green gas and knocked him into unconsciousness, to which the mother also passed out due to the fright of it all. “Ah, that’s much better!” the baby doll said to itself. The mechanical nightmare started yelling “booga-booga-booga” at everyone and causing them to jump out of their seats. Things really got horrifying when the doll revealed it had a bomb strapped to its back and a dead man switch in his hand.
“Alright, you disgusting cretins, listen up!” screamed the doll. “My name is Baby and I’m here for one reason: to collect all of your wallets and gadgets! You hand them over to me and you can all go home happy! If not, I can let go of this goddamn switch and send a rainstorm of nails flying in every direction! Ooo, the thought of that much blood splattering all over the place gives me the chills! It must be one of those ASMR things!”
The war veteran, whose voice suddenly dropped a few octaves, said, “Listen here, Baby. I don’t keep a wallet on me. I’m just a beggar trying to make enough to get by. It took an entire tin can full of coins just to get on this damn bus.”
Baby’s neon red eyes shot up in mock surprise before the wicked doll pretended to cry like his namesake suggested. He even rolled around on the floor and kicked his legs for added dramatic effect. When the homeless veteran knelt down to see what was up, he was greeted with a metallic head butt to the skull, opening a gash on his forehead and knocking him into a deep slumber.
“You little scumbag!” shouted the doll. “I don’t give two shits if you’re a bum off the streets or a ghetto whore living on welfare! You’re handing your belongings over to me or I’m going to take my thumb off of this goddamn button!”
The bus driver had no idea what to do but to keep driving, as if any release from the acceleration pedal was going to aggravate this terrorist doll some more. He barely had the strength to softly say, “That gentleman needs to see a doctor. He could die.”
“Keep driving, you donut-munching lard-ass! If you even think about going to a hospital or anywhere else where there’re cops waiting, I’m turning this entire bus into a reverse porcupine! Hell, there are already enough pricks on the inside, so I guess it doesn’t matter what I do with the dead man switch!” threatened the evil doll.
One by one, the bus patrons threw their wallets, change, and electronic devices on the floor without further resistance. Baby laughed like a wicked hyena as he went around collecting these items to put in a garbage bag. While he was scooping up his riches, he felt a sudden jolt that bounced his head in all directions and shot out a few sparks. This only lasted seconds and he was back to his old form in no time.
As soon as he recovered from that shock, Baby had eyeballs on the one man he neglected to extort: Psymon Nordonus, who continued to rock out to his heavy metal like it was just another day on the bus.
“Son of a bitch…” said Baby to himself as he walked over to Psymon and kicked him in the ankle to get his attention. The mysterious passenger shook off the slight pain, pulled his hood backwards, and took off his headsets.
“Can I help you with something?”
Baby smiled sarcastically and said, “Yes, I would like something. I want two pieces of chicken, a buttermilk biscuit with extra butter, a large order of French fries, and an extra large Diet Coke to wash all of that down. I can only do so much to watch my weight.” The cuteness was over when Baby screamed, “What do you think I want?! Didn’t you hear a damn thing I said?! Are you crazy?! Have you been listening to that god-awful music this whole time?!”
Psymon said, “Hey, don’t diss Slipknot, okay? They may look like a bunch of serial killers with those masks, but those guys know how to rock. Take a listen and judge for yourself.”
Baby ripped the MP3 player from Psymon’s hands and pressed the volume all the way down so that he didn’t have to listen to the “god-awful” music. “Word of advice, shit head: the next time you try to be a smart-ass to someone with a nail bomb attached to his back could be your last! Seriously, there’s nothing stopping me from letting go of this button right now! I could just lift my thumb and bam, you’re all dead!”
The metal head cleared his throat and said, “Well, that seems to be our situation. I have no idea what being blasted with a nail bomb feels like and I don’t care to find out. But seriously, man, you should try that music sometime. It’ll set your soul on fire, bitch.”
“I’m warning you!” yelled Baby as he raised the MP3 player with his good hand. He was about to lash out at Psymon when he finally saw what was on the device’s screen. Coding. Lots and lots of coding, particularly of the zeros and ones variety. “What the hell? Were you trying to hack into my system? Is that what the jolt was? Oh, that’s it! I’m taking this bus to hell right here and now!”
Before Baby could lift his thumb off of the dead man switch, Psymon made a split second move to hold onto the detonator with one cyber arm and tap the screen on his so-called MP3 player with the other. The last thing Baby saw before dancing and jolting into oblivion was the fact that Psymon Nordonus was a true cyberpunk in every sense of the word. This bus was only supposed to be full of “losers” and “wash-ups” who gave up on their dreams. A vigilante hacker? Not in a thousand years would Baby have anticipated that.
With one square-toed boot, Psymon kicked out the window and threw the thrashing Baby out with his hand on the detonator. When he released it, the storm of sharp metal nails exploded all over the outside of the bus. They dented nearby cars on the highway and cracked a few windows. The drivers were pissed off as evidenced by their obnoxious honking, but otherwise unharmed.
“Driver, get this thing to a hospital. That guy still needs your help,” ordered Psymon, to which the driver complied. Everyone on the bus was in silent shock. The most fearful response in this entire vehicle was traumatic shaking. The real baby started to come around and was crying painfully yet again. The mother? She was snoring the ride away while other people were tending to the unconscious veteran’s wounds.
Going back to his usual introverted self, Psymon didn’t lose himself in an MP3 player this time, but to the computer chip he snagged from Baby’s body before throwing him out of the window. It was marked as property of the DX-Corporation, a fact which made Psymon smile to himself and say, “Oh, the fun I’m going to have with this thing when I get home. You bitches are dead.”
Thursday, January 8, 2015
The Matrix
MOVIE TITLE: The Matrix
DIRECTOR: The Wichowski Siblings
YEAR: 1999
GENRE: Cyberpunk
RATING: R for violence, language, and disturbing moments
GRADE: Pass
Thomas Anderson is an everyday guy who works a nine-to-five job and pays his taxes like a good little worker bee. Neo, on the other hand, knows there’s more out there than what his five senses will tell him. Neo comes into contact with a hacker named Morpheus, who tells him that the world he knows is nothing more than a dreamscape used to disguise the ugly dystopian future that the world really is, where machines control everything and humanity is fighting to survive. Neo wants to be a part of this war against the machines, but has to deal with Agent Smith, a virus in the matrix who wants to keep the sheepish people in their dreamlike states. The sooner Neo becomes accustomed to the matrix being one big lie to the world, the sooner he can achieve the greatness he was destined for.
One of the many interesting things about this movie is that it was published in 1999, when computer hacking and the internet were both in their infancy. For all we know, Neo could have been using America Online this whole time, where all he has to do is point and click. The cell phone he receives to contact Morpheus is a huge dinosaur that looks like a tumor growing out of his ear. Imagine if The Matrix was published in today’s world with Twitter, Face Book, smart phones, tablets, and all that crazy stuff. Hacking would be a lot easier to get away with, that’s for sure. Maybe Neo could be a member of Anonymous, you never know. Maybe he IS a member of Anonymous, which would make Agent Smith quiver in his Gucci shoes. The anachronistic nature of The Matrix back then and today makes for an interesting debate among scholars or those who have just smoked a bowl of marijuana.
Another thing I enjoyed about this movie was the message it sent of questioning everything around you and not seeing the world in black and white. Chances are good that in the real world, we’re not being controlled by gigantic machines and no FBI agents are going to take away our mouths anytime soon. But some would argue that we are living in a dreamlike state 24/7. We live paycheck to paycheck, we do everything we’re told to do, we try our best to live up to everyone else’s standards of what the American Dream should be, and nobody questions it, because questioning it would make you a bad member of a society that thrives on blindness. When you lose the ability to think for yourself, you’ll never break out of the cycle and live up to your potential.
And of course, I’d be remised if I didn’t mention the biggest elephant in the room when it comes to The Matrix: special effects. The freezing of time while circling the camera around, the slow motion dodging, the convincing fight scenes despite the actors having no martial arts training, these are all things you can thank The Matrix for revolutionizing. What I don’t understand is why every comedy movie that was made after 1999 feels the need to parody this style of cinema. Shrek did it during a fight sequence with Princess Fiona, there was a Scary Movie scene where the masked killer bent backwards to dodge a projectile, and I’m pretty sure there’s a WWE videogame somewhere that parodies Trinity’s freeze-frame crane kick. Parodying The Matrix’s special effects is not funny. It’s cliché. Leave the fancy martial arts madness to the directors of this film.
If you take the blue pill, you will go back into your dreamlike state and you’ll never have to deal with dystopia again. If you take the red pill, you’d better fasten your seatbelt, Dorothy, because Kansas is going bye-bye. If you need a more convincing argument to take the red pill, the blue one is in suppository form and is the size of a tennis ball. It’s time to wake up, people, and you can do it by spending a little quality time with The Matrix.
Saturday, September 13, 2014
"Stay Positive" by The Streets
If you’ve been reading this blog for the past few years now, I not only applaud you, but I also want you to notice “The Secret” by Rhonda Byrne is a part of my book collection. It has helped me in so many ways, but if I can be honest for a moment, staying positive is hard work. It may seem like easy pickings thinking positive thoughts all the time, but mental illness and general depression can really put a strain on such things.
For these moments, I have “Stay Positive” by The Streets, a British rap song with an uplifting message, but moody lyrics and background music. Somehow, it’s hard to do what the song’s title says when Mike Skinner is saying things like “You were born alone and believe me, you’ll die alone.” And yet, I need this song for all the times I feel down.
This song was published in 2002, but it would be a year later when my brother James introduced me to The Streets. It was around 2003 and 2004 that I started writing Pumping Filter, a movie script about high school woes and a big middle finger to those who abandoned me during that time. That’s what it was supposed to be. Instead, it was Pulp Fiction on steroids, so much so the script was unreadable.
The ending to this story isn’t any happier. Four high school students meet their fates in the most ugly ways possible. Tommy Dragon falls out of a window, Daniel McBride gets killed by a gangster, Dave Ridley goes to prison after committing murder, and Dexter Lee commits suicide by hanging due to complications from mental illness. Is it any coincidence that “Stay Positive” would have been the end credits theme to this movie if it made it to the big screen? It worked for Kidulthood, why not Pumping Filter?
And then we fast forward to the year 2010, particularly in November when I’m writing a cyberpunk novella called Dark City Tales. As the first word in that title suggests, nothing happy ever goes on in this story. Then again, it’s a cyberpunk world, where corporations own everything, governments are powerless to stop them, everybody has explosive guns, the police are corrupt, and the sky is as gray as static on a TV screen…just like in the real world!
With all of this nasty shit going on in urban America, the apocalypse shouldn’t be too far behind. In Dark City Tales, it wasn’t. Two cyborg mercenaries named AJ Rollins and Andre Devilheart destroyed the entire city just by fighting each other with highly explosive weapons. Even after the city was leveled and AJ and Andre was mangled beyond repair, they still wanted more! Do you think this is a good time for “Stay Positive”? Honey, it’s going to take some serious rainbow and unicorn shit to get this world back in order.
Pumping Filter and Dark City Tales have so much in common. They’re both about dystopian hellholes, they’re extremely violent, and most of all, they were so badly written they had to be scrapped. I consider those two pieces of writing to be just another way of sharpening my literary blade.
I see a lot of that in my past pieces of writing: they’re not future Pulitzer-winners, but they are opportunities to improve my writing. I’d like to think I’ve improved dramatically since 2002, so much so that I wouldn’t mind using some of my old characters again. If you thought the old characters were unhappy with being pummeled before, wait until they get put through the ringer again with new and improved stories. And yes, there will be plenty of opportunities to use “Stay Positive” as background music. Go see your mates. When they don’t look happy, play ‘em this tape.
***SOUND FILE OF THE DAY***
Hello and welcome to the Mental Health Hotline.
If you’re obsessive-compulsive, press 1 repeatedly.
If you’re codependent, ask someone to press 2 for you.
If you have multiple personalities, press 3-4-5-6.
If you’re paranoid, we know what you are and what you want, stay on the line and we’ll trace your call.
If you’re delusional, press 7 and your call will be transferred to the mother ship.
If you’re schizophrenic, listen carefully, a small voice will tell you which number to press.
If you’re depressive, it doesn’t matter which number you press, no one will answer you.
If you’re dyslexic, press 6-9-6-9-6-9-6-9-6-9.
If you have a nervous disorder, fidget with the hash key until the beep. After the beep, please wait for the beep.
If you have short term memory loss, try your call again later.
If you have low self-esteem, hang up, all of our operators are too busy to talk to you.




