Sin City 2: A Dame to Kill For

BOOK TITLE: Sin City 2: A Dame to Kill For

AUTHOR: Frank Miller

YEAR: 1993

GENRE: Graphic Novel

SUBGENRE: Neo-Noir

GRADE: A

 

We’ve seen the femme fatale trope play out across multiple stories, most notably in neo-Noir. When Frank Miller takes hold of the reigns for Sin City 2, it doesn’t feel stale. Ava, the femme fatale in question, comes off like a powerful character who could manipulate her way into any authoritative position. Every man she comes in contact with is wrapped around her finger, not just because of her physical appearance, but also her psychological prowess. Even if you think the femme fatale trope is problematic or overdone, there’s still something to be said for how manipulative humans can be, if not sexually, then in another way that plays into their targets’ sympathies. Femme fatales may be a male gaze character archetype, but narcissists and gaslighters are very real in our world and that’s how Ava comes off in this book. The protagonist of this story, a down-on-his-luck P.I. named Dwight McCarthy, has a history with her and knows her ins and outs. He’s still susceptible to her whims every now and then. That’s what he wrestles with throughout the story and that alone is a struggle worth reading about.

 

If you’re familiar with the gritty underworld of neo-Noir storytelling, then you’ll find everything you’re looking for in this graphic novel. I’ve already mentioned the femme fatale elements, but there’s also smooth-flowing dialogue, morally gray criminals, and fight scenes that raise the stakes through the ceiling. At first, I thought Dwight was just shrugging off his pain after getting beaten so many times in the first half of the story. Even after crashing through a window and falling onto the pavement, he walks away like it’s nothing. He had me for a minute there. But how long could he keep up his macho posturing? How long could he just suck it up and carry on before all this violence nearly does him in? You’ll get your answer in due time after reading enough of this book. I was worried that this was going to be like a WWE storyline where Triple H gets trapped in a car and dropped fifteen feet, only to come out on TV the next night with only “contusions”. Nope! It’s much worse for Dwight. There are a few times where you as a reader will doubt if he’ll be alive by the end of the story. I’m not spoiling a thing for you. If this sounds intriguing, then buy the book and read it yourself.

 

Because this is a graphic novel, all I needed was an hour and twenty minutes to read it from cover to cover. But even with this breakneck speed, it didn’t feel like I was missing out on important details or emotional moments. It was fast, but not excessively fast. It was just right for the kind of story that needed to be told. Dwight tangles with his own emotions and that plays brilliantly into the action sequences that follow his thought processes. When he takes a beating, you feel his beating. When his pain comes from within, you want to sympathize with him even though he has his rotten moments too. I questioned whether I should continue rooting for him after he shoved Ava to the ground during one of their rendezvouses. I urge you to keep reading and not give up on him so easily. With a quick reading speed, you’ll get your answers in the time you want them. Your guilt as a reader can only last so long before you see the truth about Ava.

 

Frank Miller has an edge to him and that shows in pretty much everything he writes. This brand of edginess won’t drive away his audience. In fact, it’ll be a selling point. It’s the neo-Noir grittiness that will keep you coming back for more. It can’t be a hardboiled story without a little edge every now and then. Regardless of how you feel about Frank Miller as a person, there’s no denying that he penned one heck of a story in Sin City 2. Do I want to read the first installment just out of morbid curiosity? Sure, why not? This book gets five stars out of five. No glaring flaws that I can find aside from Dwight refusing to acknowledge his extreme pain.

Juliet Birdwing

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THE BASICS

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Name: Juliet Birdwing

Nicknames: Big Bird, Mother Ruth

Gender: Cisgender Female

Age: 32

Birth Date: 468

Birth Place: Xavier Village

Currently Living In: Atwood Queendom

Species: Elf

Ethnicity / Race: Green Skin

Citizenship: Atwood Queendom and of their territories

Religion / Beliefs: Brainwashed Cultist

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FAMILY

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Father: Unknown

Age: Unknown

Relationship: Absent

Mother: Betsy Birdwing

Age: Unknown

Relationship: Abandonment

Sister: Bijou Birdwing

Age: 27

Relationship: Betrayal

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PHYSICAL FEATURES:

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Height: 5’7”

Weight: 115 lbs.

Frame / Build: Skinny

Hair length: Shoulder Blades

Hair color: Brown

Eye shape: Wide

Eye color: Purple

Complexion: Green

Face size: Heart-Shaped

Voice type: Gentle High Pitch

Foot size: Women’s 9

Tattoo: Heart with sword going through it (forearm)

Scar: Bruises on her knuckles

Other notable accessories: Nose ring

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SOCIO / ECONOMIC / POLITICAL

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Political Affiliation: Conservative

Economic Class: Upper-Middle

Social Class: Green-Collar

Occupation: Soldier

Income: Rich

Residence: Atwood Queendom and all of their territories

Transportation: Horse

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INTERESTS

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Favorite Food(s): Chocolate and funnel cake

Favorite Sport(s): Amateur Wrestling

Favorite Book(s): Romance with toxic characters

Favorite Show(s): TV isn’t a thing yet

Favorite Music: Flute

Favorite Color(s): Purple and Red

Clothing Style / Preferences: Atwood Queendom robe and hood

Hobbies: Gambling, shooting clay pigeons, playing with dolls

Role Model(s): Shelly Atwood and Torger Manson

Likes: Comfort, money, winning fights, lusting after Windham

Dislikes: Her own race, Magetan theology, poor people

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PERSONALITY

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Good Qualities / Trait(s): Good fighter, loyal, persuasive

Vices / Negative Trait(s): Backstabber to elves, reckless with money, blinded by “love”

Habits / Idiosyncrasies / Quirks: Twirling hair and inappropriate touching

Phobia / Fears: Going back to poverty, having to face Llewellyn’s wrath, permanent abandonment

Select one personality type below that best describes your character:

[X] Supporter (ESFJ) – Popular, and most sociable of all the types. Respects authority and values traditions. Has a strong desire to be liked, and therefore tends to want to serve others’ needs, sometimes at the expense of their own.

Define your character’s personality based on the following aspects:

a. Physically: Pleasant to look at (when she’s not wearing her robe)

b. Psychologically: Manipulative and cunning

c. Spiritually: Mocks Magetans whenever she has the chance

d. Emotionally: Goes from sweet to angry in seconds

e. Socially: She’s respected among her peers, feared by ordinary people

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HISTORY

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1. Describe the character’s childhood. She and her sister Bijou were abandoned by their parents and left to raise each other. But when Atwood cultists and Shelly Atwood herself started love-bombing Juliet and brainwashing her, she jumped at the opportunity to abandon Bijou for wealth and power. She’s been living well ever since while Bijou is a psychological wreck.

2. Name the good incidents that have happened in the character’s life. How has this shaped his personality? She and Bijou played with dolls often, which was what made Juliet’s betrayal all the more hurtful.

3. Name bad experiences that have happened in the character’s life. How has this shaped his personality? As I’ve said, Juliet’s parents abandoned her, so she jumped at the chance of being loved again when Shelly offered her a better life.

4. What is the character doing when first introduced? What are her goals at this point? Do these goals change at any point in the story? She’s helping Shelly shave Windham’s chin after he grows some stubble during his imprisonment. Her goal is to live as comfortably as possible while also manipulating Windham. She’s only around for one chapter, so that’s not enough time for her goals to change.

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STORY DEVELOPMENT:

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CHARACTER ARCHETYPE: (Put an X on all applicable boxes)

[X] Antagonist (Opposing View, not necessarily the Evil Bad — see also Villain)

[X] Bully (Coward)

[X] Femme Fatale (Black Widow, Flirt, Siren, Circe, Seductress, Enchantress)

[X] Gambler

[X] Hedonist (Bon Vivant, Chef, Gourmet, Gourmand, Sybarite–see also Mystic)

[X] Trickster (Puck, Provocateur)

[X] Turncoat

[X] Villain / Shadow (Big Bad of the story; see also Antagonist)

[X] Warrior (Soldier, Crime Fighter, Amazon, Mercenary, Soldier of Fortune, Gunslinger, Samurai)

1. What are the motivations for the character’s actions? Abandonment issues and a deep need for family, even if she’s just a useful idiot to them

2. What are the character’s goals / ambition / dreams? To eat as much candy and live as comfortably as she can. To that end, she’s living her dream right now.

3. What external conflicts would you wish for the character to overcome? What are the obstacles in the character’s path that might make this difficult? She wants to hold Windham down and shave him, but after he learns that she’s a Mother Ruth elf, he refuses to cooperate.

4. What inner conflicts would you wish for the character to overcome? What are the obstacles in the character’s path that might make this difficult? Constant need for Shelly and Torger’s affections, which is made difficult by the fact that they’re never satisfied.

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AUTHOR’S NOTES / MISCELLANY

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Character theme song: “Our Love Will Always Remain” by The Aquadolls

Celebrity / IRL lookalike: Daniela Ruah from NCIS: Los Angeles

Simping for a Succubus

VERSE 1

It gets lonely in the middle of nowhere

My future plans include, “I don’t care”

Wouldn’t know where to start looking

For adult fun time that’s worth booking

I have dreams about being taken away

Though I wouldn’t know where to stay

Where, oh, where is the Promised Land?

Succubus lady, take me by the hand

CHORUS

Simping for a succubus

She’s the only one I trust

To be tender, to be sweet

Then discard me on the street

VERSE 2

I know it’s wrong, but what else is there?

It’s Valentine’s Day, love is in the air

Smells a lot like a perfume miasma

To mask the stench of a decaying Santa

Candies and chocolates to make me fat

Fall flat on my face, be a perfect doormat

You can call it depression or desperation

It’s better than a lifetime of masturbation

CHORUS

Simping for a succubus

She’s the only one I trust

To be tender, to be sweet

Then discard me on the street

VERSE 3

Doctor man, what is wrong with me?

Psychoanalyze every little fucking thing

Attachment issues because of autism?

Too much width in my social schism?

Too much trauma? Too much Taco Bell?

You can’t even tell? Got more pills to sell?

Being well-adjusted to a fucked up world

Can’t compare the love of a succubus girl

EXTENDED CHORUS

Simping for a succubus

She’s the only one I trust

To be tender, to be sweet

Then discard me on the street

Simping for a succubus

Though she’ll turn me into dust

Just like ashes, just like cocaine

Up the nose into another’s brain

Help Me, Walter Hollywood

 He lights a cigarette, compromises his health

Fresh lungs don’t matter in this neo-noir hell

Every day someone is murdered and forgotten

Until the corpse makes the streets smell rotten

“Help me, Walter Hollywood,” says the dame

Every transaction starts to all sound the same

An envelope of cash, smoke the last of the ash

Hope to god her lover isn’t thrown out like trash

But before he slings the questions around town

Obligatory sex scene with hushed moaning sounds

Almost makes the lover a complete afterthought

But there are bills to be paid, killers to be caught

Every fedora-wearing wise guy takes a swing

Until Walter’s eyes water, nose bleeds, ears ring

Anymore snooping and he’ll be full of bullets

Take his scalp until he’s only left with a mullet

Walter taps the dame up for a little more money

She laughs like his misery and bruises are funny

Admission of failure is just another part of the job

She winks one more time and turns the doorknob

Another body just washed up on the riverbank

Bricks around his ankles ensured that he sank

His face was so familiar despite the taped mouth

And the two black eyes and his nose cut out

Finding the lover was as easy as reading the paper

Nothing about this mystery made Walter feel safer

The money he was paid made him look like a hit man

Police would arrest him, lock him up with a big man

Capitalism made people do the weirdest things

Wait tables, scrub floors, stand on the streets and sing

Taking unclean money seemed like the way out

Why isn’t the dame’s freedom in any kind of doubt?

It’s a system that abuses everyone who struggles

Locks up the failures with big men who snuggle

Gangsters and politicians sip from a glass of wine

And every femme fatale continues to look so fine

Life After Seduction

VERSE 1

When the only chicks who like you are femme fatales

When she separates you from your family and pals

When she won’t let you speak to any other gals

And then stabs you in the heart until you cry and howl

Just remember that the world doesn’t center on her

And that you did nothing at all to deserve being hurt

It’s toilet time for your expensive wedding ring

“We’re fucking divorced!” is the tune you sing

CHORUS

You can break the pattern, but it’ll only matter

If you cover your ears from the toxic chatter

Life after seduction comes with no instructions

But the light at the end needs no introduction

VERSE 2

You swear to yourself that you’ll never love again

It took so long to get back your family and friends

Single as a Pringle, no need to stay and mingle

Because the only thing that matters is how you feel

She calls you and leaves a thousand voicemails

Begging for forgiveness behind the walls of jail

But you put away your phone and go back to sleep

Because you earned your freedom, it’s yours to keep

CHORUS

You can break the pattern, but it’ll only matter

If you cover your ears from the toxic chatter

Life after seduction comes with no instructions

But the light at the end needs no introduction

VERSE 3

On the therapist’s couch, you’ve got lots to talk about

And then here come the tears and the need to shout

None of your pain will ever leave that cozy room

Don’t hold the detonation switch to your own doom

EXTENDED CHORUS

You can break the pattern, but it’ll only matter

If you cover your ears from the toxic chatter

Life after seduction comes with no instructions

But the light at the end needs no introduction

Life is beautiful and it’s still worth living

As long as you learn the limits of your giving

Takers have no limits to their narcissism

Now you see it all with twenty-twenty vision

Zombieland

MOVIE TITLE: Zombieland
DIRECTOR: Ruben Fleischer
YEAR: 2009
GENRE: Zombie Apocalypse Comedy
RATING: R for violence and language
GRADE: Pass

As of the year I’m writing this review, which is 2020, the Corona Virus is sweeping the world and killing everyone it comes in contact with. This disease is bringing out the worst in humanity whether it’s violent rage (a la the Michigan anti-lockdown protestors) or deceptive behavior (a la Kenneth Copeland and Joel Osteen). If this mess keeps up, our world could very well come to an end. Wouldn’t you like a nice fun-filled movie to distract you from it all? That’s where Zombieland comes into play. I don’t want to say this movie was a prophecy back in 2009…but yeah, it was totally a prophecy. Granted, we haven’t gone full-zombie just yet, but the other ramifications have come to fruition thus far. Economic collapse, swindlers, incompetent leadership, and a bunch of cowboys playing with their shotguns. Yep. I’m sure this movie was just a coincidence at the time it was made.

If you think creating believable characters is hard to do within a silly comedy, just take a look at who we’ve got in this particular movie. Columbus wants to find a sense of family whether his biological one still exists or not. Tallahassee wants to munch on Twinkies because he appreciates the little things in life. And he just wants to kill zombies left and right. Cutthroat sisters Wichita and Little Rock want to steal as many resources as they can so that they can party it up at an amusement park in California. What do you notice from all of these character descriptions? They’re motivations. They have something that they’re willing to kill zombies for. Therefore, this is a character-driven zombie story. Didn’t think that was possible, did you? Notice how they’re not scrambling to save the entire world from the zombie apocalypse. They just want to cling onto a sense of normalcy no matter how small or temporary that may be. Isn’t that what we’re doing now with the Corona Virus: looking for something to comfort us? Totally not a prophecy.

I have one tiny little critique for this movie. Why would Columbus continue to trust Wichita and Little Rock after they’ve betrayed him and Tallahassee over and over again? They’re grifters. Deception is all they’re known for. Do they stop grifting by the end of the movie? Who knows? That’s not just me refusing to give spoilers; I actually want to know the answer to that. I guess this could all go back to Columbus wanting a sense of family in his life, so he keeps hoping and praying that the sisters change their ways just for him. Then again, Wichita was a femme fatale and part of that moniker is being seductive, either through attractiveness or just playing mind games. Columbus always wanted to brush a woman’s hair behind her ears. If that’s the case, then this whole movie is just him thinking below his belt. Wichita could burn down an orphanage and Columbus would still want to give her infinite chances. Yes, this is a comedy movie. Yes, Columbus is a dorky college kid. But…come on.

You want clever dialogue from every character involved? You want bloody action and excitement? You want a lesson on how to make believable characters? Ask and you shall receive it all in the form of Zombieland. You’ll get more than a few chuckles here and there. You’ll get a few life lessons that may come in handy as the age of Corona Virus progresses onward. You’ll love Woody Harrelson’s performance as the gun-toting cowboy Tallahassee. You’ll love Jesse Eisenberg’s performance as the spineless dork Columbus. Try not to think too hard about Columbus trusting people a little too easily, especially if they’re overly attractive. This was an enjoyable movie for me and for that reason I’m giving it four out of five stars.

Come With Me

Grayson Joseph scanned his ticket at the arena entrance and felt everything as soon as he entered. Every drunken laugh. Every aggressive conversation. Every playful shove. While none of these actions were directed towards him, they all rented space in his mind, swirling in his nervous system at a million miles an hour. He tucked his head as he made his way to the general admission pit in a vain effort to make himself invisible. Were these people casting off their stones at him? No matter how many times Grayson told himself otherwise, his mind would feed him more lies and more psychosis.

Once he found his position in the pit, Grayson kept his head tucked and his eyes averted. For all he knew, he could have been the most noticeable person in the crowd. His skinny build, greasy blond hair, oversized Linkin Park T-shirt, and baggy green khakis would have ordinarily helped him blend into the concert environment, but his mind shoveled more self-hatred and lies into his system. Grayson held his stomach and let out a small burp as his knees grew weaker. He wished Halestorm would just get onstage already and close out this social experiment. He sarcastically thanked his mother for the concert tickets in an effort to further kick himself for his “weakness”.

After a while of socially anxious thoughts and tingles, the lights went out in the arena and the audience cheered their heads off. They clapped, chanted, and roared in anticipation of Halestorm taking the stage. Grayson tried to let out a cheer of his own, but all that came out was a small pop in his throat. This social experiment was not working. Although, he cheered up a little when Lzzy Hale and company took center stage. The band greeted their audience with one of their classics, “American Boys”.

The shredding guitars and Lzzy’s raucous voice helped put Grayson at ease. He found himself bouncing his head up and down to the tune. He relaxed some more and bounced around harder. The more he enjoyed himself, the less judgmental he found the eyes of his fellow audience members. He could take on the world. He could take on an army of moshers. The demons of hell could drag him to the underworld and he’d still be having a night of fun.

But that was only because his confidence went largely unchallenged. The intense fright jolted his system once again when a soft, long-nailed hand brushed across his shoulders. Grayson soon found his hands tenderly gripped by those of an attractive female, dressed in her heavy metal best with the black leather skirt, gothic boots, and pink halter top. Her dyed blue hair and cherry-colored lips completed her seductive look. Grayson didn’t know whether to admire this woman’s beauty or be terrified of her, so he silently took both roads.

The temptress danced in Grayson’s arms, twirling around, dipping backwards, swinging to the left, and swinging to the right. He didn’t reciprocate one single dance move, instead opting to freeze in fear despite the woman’s coaxing. She danced with him some more and Grayson had a knot in his intestines the size of a medicine ball. He also had a tingling sensation in his penis and testicles, so he scrunched his legs together to hide a potential involuntary boner.

What started off as an innocent dance turned dirty in a swift minute when the seductress slowly grinded her butt against Grayson’s groin. His vision grew blurry as he detected several smiles and camera phones lighting up around him. He remained frozen with fear. What was he supposed to do? Was he supposed to like the attention? Was he supposed to pull away? Why him? Why not more attractive men?

As the questions pooled in his racing mind, the tingling sensation in his groin reached its fever pitch. Sticky liquids crashed against his pants and oozed down his legs, causing his dance partner to jump backwards and cover her mouth in disbelief. Grayson looked down at his pants in an effort to avoid the judgmental stares, but all he got was another reminder to do his laundry the next day. His pants were soaked in his own sexual fluids. Were the people around him laughing or was that his mind playing tricks on him? Were people recording him on their phones or were they recording Lzzy Hale? Grayson touched his pants and wiped his hands on his Linkin Park shirt. He was that drenched and that embarrassed.

“How could you?” he mouthed to the dumbfounded dance partner before running out of the arena as fast as he could. His legs were weak from the orgasm, yet they took him far out of sight. They created distance between himself and the judgmental eyes and laughing voices. He didn’t notice security personnel asking him if he was okay. His tunnel vision took him out of the arena and down the streets of Paulson City, where the ferry terminal was waiting for him.

Grayson’s lungs burned like acid. His chest and ribcage didn’t expand far enough for his comfort. His eyes grew wetter than his pants. His breath intensified into a whirlwind of exhaustion. Yet he continued to run down the street. Neither the psychotic homeless people nor the laughing street thugs could slow him down. His legs matched the speed of his racing mind. Even with his skinny body, he should have had a heart attack with the pace he was going.

When he made it to the terminal, that’s when the acidic feeling in his torso and the numbness of his mind took over. He doubled over and sucked down enough wind for a marathon sprint. His breaths were raspy and squeaky, which drew the attention of the terminal personnel right away. Did they too have judgmental eyes? Did they see him only for his messy pants and not his messy mind? Grayson took a seat at a nearby bench and huddled over to further catch his breath.

“Sir, are you okay?” said a fellow terminal worker decked out in an orange vest and blue uniform. No response. “Sir?” Grayson lifted his head. “Are you okay?”

With a shaky voice, a pink face, and teary eyes, Grayson lied when he said, “Yeah, I’m fine. I just…Yeah, I’m fine.”

“Are you sure? Do you need a glass of water or anything like that? I can get you one if you want.”

“Nah, that’s okay. I’ll be alright. I swear.”

“Let me know if you need anything, okay?”

“Sure.”

As soon as the worker walked away, Grayson was truly left alone with his paranoid thoughts. The confusion between arousal and terror. The dangerous beauty. The seduction that led him to his downfall, not unlike the sirens he read about in horror and fantasy books. “Why me?” he asked himself. “Why not somebody else.” Grayson wiped away a lonely tear and for the first time noticed how badly his hands and legs were shaking. “I look awful…I am awful…”

These thoughts pounded in his head like Arejay Hale’s drum kit, a sound he couldn’t listen to ever again without being reminded of his molestation. No more Halestorm. No more rock and roll. Worst of all, no more rock concerts. “I should have just stayed home and read more fantasy novels.”

“What was that?” said a nearby worker.

“Nothing.”

Grayson spent so long in the psychotic doldrums that he just then noticed a large crowd of former concertgoers filing into the ferry station. They wore T-shirts of their favorite bands and smiles on their intimidating faces. Did these people record his humiliation and post it online? Did these people want to judge him some more? Did these people find comedy in his pain? He could feel it all as they walked past him. Some looked down at his khakis in disgust, others in pity.

A gentleman in a Metallica T-shirt and short brown hair approached Grayson and the latter could feel his stomach aching and twisting yet again. The man asked, “Do you know that chick?”

“No…I have no idea who she is.” Grayson’s eyes couldn’t even meet this stranger’s face.

“Yeah, I didn’t think so. After you ran out of the building, the security tossed her out on the streets. They weren’t having any of it. Lzzy was pissed too.”

That didn’t bring him any comfort. It just made Grayson tuck his head further into himself. “I’m so fucking embarrassed right now.”

“You’re embarrassed?”

“Yeah…I don’t even want to get on the ferry with these people…I want to go home and get changed, but…”

“Want a glass of water?”

Grayson smiled sadly and joked, “Do you have a cyanide pill I can swallow with it?”

Waving his hand, the stranger said, “Nah, don’t do that shit. It ain’t worth it. Yeah, there were some jackasses laughing, but it ain’t everyone. Come on, the ferry’s going to be here soon.”

The stranger extended his hand and Grayson allowed himself to be pulled to his feet. The latter said, “I didn’t even buy a ticket yet. I should probably do that.”

“Nah, you don’t have to buy squat. It’s Earth Day. Public transportation is free. Did you already forget today was Earth Day?”

“Trust me, I won’t be able to forget today no matter how hard I try.” The two of them boarded the ferry together amongst the crowd of metal-heads. Grayson almost thought of this kind stranger as a shield from the terrifying eyes and lit phone screens around him. “How come you’re not laughing at me right now?”

“Because that shit ain’t funny,” said the stranger. “It wasn’t funny when it happened to Chester Bennington, may he rest in peace, and it wasn’t funny when it happened to you. I see you got the shirt on. Nice! I’m Steve, by the way.”

“Grayson. Nice to meet you.”

The two of them shook hands, though Grayson worried that he got sticky stuff on Steve’s palm. Steve said, “We’re metal heads. We got to look out for each other. We’re one big family.”

“I just hope the guys on Rock Feed and Loudwire’s You Tube videos feel the same way when they see what happened to me.”

“It’s the internet. There’re going to be a few assholes here and there. But you know who’s not going to be ashamed of you? The guys in Halestorm. They don’t think that shit’s funny either.”

“That’s wonderful, but I don’t think I can listen to a Halestorm song again without thinking of…you know…” said Grayson referencing his stained trousers.

“I wouldn’t give up on rock and roll so easily if I were you. It’s brought you peace and comfort this far into your life. It might save your life again. Think about that for a minute.” Steve patted Grayson on the back before heading off to the ferry’s bathroom.

Grayson would take him up on thinking about that. He did so in a faraway corner of the ship where the shadows covered him up from the masses. “What a night,” he said as he sat down huddled over, his mind still racing. How long would it take for his mind to slow down? How many laundry cycles would it take to get the splooge out of his pants and underwear? Would the femme fatale be arrested for her actions or would Grayson become a laughing stock to the police too? The only reason his mind stopped asking so many damn questions was because he fell asleep in his chair. A temporary vacation was just what he needed. He could think about it tomorrow. But tonight, it was all over…at least for now.

Spooky Scary Writing Tag: Beautiful Monster

***SPOOKY SCARY WRITING TAG: BEAUTIFUL MONSTER***

This is a tag stolen from Jenna Moreci, which was in turn stolen from Emma Fink, both of which are author-tubers. Because Halloween is upon us, it’s only right that I answer these questions about Beautiful Monster with creature themes attached to each question. And just for the sake of keeping things updated, I will not be referring to the first draft version of Beautiful Monster that’s already online. To put it as nicely as I possibly can, the first draft of my baby is a drive-by abortion. Windham comes off as a whiny emo teenager, Tarja is manipulative as hell, and the evil characters have no reason for being evil. I have a much better version of Beautiful Monster all planned out and I will be referring to that as well as Savage Beatings, the prequel exclusive to the Still Standing anti-bullying anthology. So…here goes nothing!

1. Ghost: Have you ever originally put a character/scene/theme in the book and then later taken it out?

I’ll eventually have to do that with the mushroom scene in the original. After some deliberation with the lovely Marie Krepps, it turns out people who eat psychedelic mushrooms don’t act anywhere near as crazy as Windham did. To put it as gently as I can, Windham was a fucking fruitcake with the way he flapped his arms, laughed like a maniac, and danced around like a ballerina, all while hallucinating. This time around, he’ll have to resort to medicinal leaves designed to relax his mind. Maybe he’ll have a conversation with Mageta the lion god, but he definitely won’t turn into a basket case.

2. Bat: Most misunderstood character in your WIP?

I’d have to go with Windham Xavier. Even though he was raised in a liberal environment where emotions are openly celebrated, he keeps a lot of his troubles on the inside. He’ll keep even more to himself after he eventually flees from Shelly’s castle. Bringing up torturous memories is a death sentence for anybody with PTSD, especially if that mental condition was caused by being repeatedly raped for a week straight. I’ve even flirted with the idea of giving Windham Stockholm Syndrome once I write out the third draft, but nothing is set in stone yet.

3. Jack-O-Lantern: What’s your most common source of inspiration to write?

For Beautiful Monster specifically, I have three different sources of inspiration. The first is an episode of the 1990’s horror TV show Millennium entitled “A Room with No View”. That episode explores the idea of beautiful women kidnapping men and seducing them into danger. That woman was the demonic shape-shifter Lucy Butler and my character Shelly Atwood is basically a bootleg of her. As for the title of my story, that came from an Otherwise song called “Beautiful Monster”, which talks about being in an abusive relationship and not having the courage to leave. The third source of inspiration came to me during a Pop Evil concert back in February of 2018. Black Map opened for them and during their set, a cute stocky black woman tried dancing with me and I was too nervous to engage her. I eventually walked away from her when she shoved another concertgoer with her elbow. Needless to say, she embarrassed the shit out of me and I was angry about it for the next two days. Three sources of inspiration for one novel. There you have it!

4. Zombie: Preferred form of writerly fuel? Coffee, tea, etc.

Since I can’t have caffeine due to my schizophrenia and coffee tastes like shit, I’m going with Well-Rested Herbal Tea from Trader Joe’s. I like my tea ice cold and unsweetened. Plus, this particular brand of tea is peppermint-flavored. I can’t say I’ve ever fallen asleep because of drinking this tea, but I like it nonetheless. It’s satisfying to drink and it’s good for me.

5. Vampire: Cheesiest trope that made it into your novel?

The romance between Windham and Tarja would qualify, although in the third draft, they’re going to take things slowly. Windham was just raped for a whole week, so romance is not on his list of top priorities. He also doesn’t want to be touched by anybody. This time around, I’m going to have Tarja respect his boundaries instead of being nosy and manipulative. They can bond over other things aside from sexual attraction. They both love animals. They both love art. They’re both politically liberal. They both want to retire from Shadow Asylum someday. And best of all, they both are good enough fighters to have each other’s backs during the worst of times.

6. Spider: What’s a character in your WIP that’s fine from afar, but you would NOT want to interact with if they ever got close?

This one’s a no-brainer: Shelly Atwood. She constantly looks like sex on a stick and that’s part of the reason she’s so successful at luring slaves into captivity. But make no mistake about it: she’s a businesswoman and a politician above all else. She doesn’t love you. She wants to make money off of you and she does that by selling you to horny clients. Sex slavery is her queendom’s national product. Some countries have tourism. Others have crops. She has fuckery.

7. Frankenstein’s Monster: Ever combined two characters into one/split one character into two?

The closest example I can come up with is the mercenary twin brothers Christian and Kody Savage. Aside from their facial tattoos, there’s not a whole lot of distinction between them. They’re both silent. They’re both brutal in combat. They drool and groan like wild animals. Basically, they’re not the kind of people you want to fuck with. In fact, if they do come up to you, run as fast as you fucking can!

8. Skeleton: Best tips for adding in character baggage without info-dumping?

Although I’m not an expert in this particular topic, what I like to do is use flashbacks. The original version of Beautiful Monster utilizes this technique for the first ten chapters as the story bounces between Windham’s captivity and him traveling with Tarja back to Shadow Asylum headquarters. I’m not so sure I can get away with that in the new version of the story, but for what it’s worth, I’d do it if the opportunity presented itself again.

9. Cat: What’s a polarizing writing/bookish opinion that you have?

Head-hopping is perfectly acceptable. I know it’s considered a literary sin, but if movies and TV shows can get away with it, authors should too. I didn’t hear any complaints during that episode of Seinfeld where Elaine and Keith Hernandez were having inner thoughts together after their date. In fact, the two of them kiss and Elaine thinks, “Who does this guy think he is?” and Keith thinks, “I’m Keith Hernandez.” Then again, Seinfeld might not be the best example due to its status as a sitcom. I know Carl Hiaasen head-hops and he’s one of my strongest influences.

10. Demon: Most frequent writing distraction?

Sleepiness brought on by a combination of mental illness, being overweight, and having sleep apnea. When I’m feeling too sleepy, I can’t concentrate and therefore will put out a shitty product. You guys deserve better than a shitty product despite the fact that all first drafts are shitty by their very nature. Imagine if I wrote Beautiful Monster with a constantly tired mind. It would go from being a drive-by abortion to a…uh…what’s worse than a drive-by abortion? Anybody? Help me out here.

That’s all I’ve got for you today. I’m Garrison Kelly! Even when you feel like dying, keep climbing the mountain!

***LYRICS OF THE DAY***

“Something about the way that she makes me hate myself. I could run away, but I don’t want no one else. Something about the way that she tears me up inside. Is it wrong that I love it when I know she’ll bleed me dry? So say what you want. It’s already done. It’s Russian Roulette and love is the gun. You don’t know her, you don’t know her like I do. Looking like an angel so divine, but you can see the devil in those eyes. She’s a monster by my side, baby. She’s taking me six feet down tonight, ‘cause dancing with the devil gets me high. She’s a monster. My beautiful monster. I don’t want to be saved.”

-Otherwise singing “Beautiful Monster”-

Millennium X Otherwise: Beautiful Monster

***MILLENNIUM X OTHERWISE: BEAUTIFUL MONSTER***

Raise your hand if you at least have a surface level understanding of the 1990’s horror TV series Millennium. I didn’t watch it on a regular basis when it was on TV, but there was one episode in particular that disturbed the shit out of me. The title is creepy on its own: “A Room with No View”. Gee, I wonder what kind of room they could be referring to. No windows, no balcony, just walls and darkness. This wouldn’t be the kind of room where kidnapping victims are kept, would it?

After seeing news stories on TV about pedophiles kidnapping children and keeping them in captivity for decades at a time, you’d be right to think that kidnapping is a disgusting topic to approach. If a creepy guy kidnaps an innocent girl, there’d be no debate at all as to how sickening that is. We’d all be clamoring for the creepy guy to be locked up. But in “A Room with No View”, the gender roles are reversed. A drop-dead gorgeous young woman named Lucy Butler kidnaps a high school student named Landon Bryce.

The minute Lucy has Landon under lock and key, she goes right into lovey-dovey mode. She tells him she loves him, she cuddles with him, and “comforts” him after he tries to get away and is recaptured. Attempting to escape the compound and getting caught again is something that happens over and over in this episode. And who’s there to give him love and sugar when he returns? Lucy Butler, of course. Oh, and Landon also is told to believe that he’s mediocre and ordinary. So when the FBI eventually raids the compound and rescues him, not only does he have sexual trauma to deal with, but also self-esteem issues. How nice.

If a story is creepy on its own and that’s the only emotion it dabbles with, then we’ve got an open and shut case no doubt. But then this episode of Millennium fuses the creepy feeling with sexual desires and lovey-dovey romance. That makes the creepy feeling even worse. The more emotions you can mix with creepiness, the more intense said creepiness becomes. Landon Bryce is probably going to be fucked up for the rest of the Millennium canon. Society loves to judge male victims as “pussies” and “fags”, so it’s not like he can get away from that stigma after becoming free from the femme fatale known as Lucy Butler.

When I first saw this episode back in the late 90’s, the timing couldn’t have been worse for me. I was already a middle school kid who was turning down dates with girls left and right because I was in constant fear that they’d screw me over in court. My own father had divorce issues of his own and was paying out the ass for it, so that’s where my irrational fear of romance came from. And now I see this episode of Millennium and think, “Is that what relationships are really all about?!” Obviously, the answer is no. But at the time, it seemed reasonable to me.

I wrote this blog entry for two reasons and not one of them is so that Men’s Rights Activists could rejoice. I have lots of love for feminist culture and know full well that there’s only one Lucy Butler in the world (on top of that, she’s not even real!). Would you like to know what my two reasons really are? One of them is to announce that I’ve come up with a fantasy novel idea based on the motif of women kidnapping men. The other reason is because I’ve found the perfect song to go with this novel (should I decide to write it). It’s called “Beautiful Monster” by Otherwise and it’s my current favorite song from that hard rock band from Vegas. If you read the lyrics to the song, you’ll find out just how much Lucy Butler and the villainess of my own novel idea have in common with Otherwise’s beautiful monster in question.

VERSE 1

Something about the way that she makes me hate myself

I could run away but I don't want no one else

So say what you want, it's already done

It's Russian Roulette and love is the gun

You don't know her, you don't know her like I do

CHORUS

Looking like an angel so divine

You can see the devil in those eyes

She's a monster by my side baby

Taking me six feet down tonight

Cause dancing with the devil gets me high

She's a monster, a beautiful monster

(A beautiful monster)

VERSE 2

Something about the way that she tears me up inside

Is it wrong that I love it when I know she'll bleed me dry

So say what you want, it's already done

It's Russian Roulette and love is the gun

You don't know her, you don't know her like I do

CHORUS

Looking like an angel so divine

You can see the devil in those eyes

She's a monster by my side baby

Taking me six feet down tonight

Cause dancing with the devil gets me high

She's a monster, a beautiful monster

BRIDGE

A beautiful monster

I don't want to be saved

A beautiful monster

I don't want to be saved

A beautiful monster

I don't want to be saved

A beautiful monster

I don't want to be saved

CHORUS

Looking like an angel so divine

You can see the devil in those eyes

She's a monster by my side baby

Taking me six feet down tonight

Cause dancing with the devil gets me high

She's a monster, a beautiful monster

A beautiful monster

Are you scared yet? You should be! I’m Garrison Kelly and I’ll see you next time!

***TELEVISION DIALOGUE OF THE DAY***

LEMONHEAD: We’re all going to crash and burn because of you! Amy’s not even that hot, man!

SHANE VENDRELL: Oh, thanks for the support, asshole!

-The Shield-