Friday, December 27, 2019

Sit With You


Excuse me? Can I sit down with you?
Beginning again is hard for me to do
Making new friends is not my strength
My relationships have the shortest length
One minute we’re talking about nothing
The next we’re distracted by something
A new job, a new house, a new friend
An old foe, an old trauma, and no end
You’re a dinner and movie date away
We want to go, but we can’t even stay
My name is Garrison in case you care
How much of my soul should I bare?
Do my stories bore you? Make you cringe?
Should I move closer to the fringe?
Should I fake charisma I never had?
Is my awkwardness really that bad?
I gave it a shot whether I succeeded or not
Nobody can say I never even fought
On to the next one, whoever that is
Another beautiful soul I learn to miss
Why do I keep doing this to myself?
How much more pain must be felt?
Rejection is a passing thought to you
To me it hurts like a permanent bruise
It’s not your fault and it never was
It’s all on me and enough is enough
Isolation is both a gift and a curse
But at least it can’t get any worse
Loneliness isn’t something to fear
My own demons will always be here

Saturday, December 21, 2019

Disturbing Tropes


***DISTURBING TROPES***

Yes, I know we’re two months removed from Halloween and this particular topic’s expiration date has passed. But then again, I don’t fucking care! I see a lot of Author Tubers counting down lists of their favorite/worst tropes depending on what the genre is. Jenna Moreci did a Worst Family Tropes video and the final item on her list reminds me too much of Jeff Foxworthy’s “You Might Be a Redneck” jokes. And then you have Erin Kinsella being as sweet as can be when listing off her favorite romantic tropes. I don’t have a You Tube channel, but I want to list off tropes of my own, so that’s why we’re gathered here today, my dearly beloveds. Today I’m listing off my top six most disturbing tropes in any genre. If you agree or disagree with anything on this list, I’d love to hear it.


***LOSS OF INDIVIDUALITY***

Our minds are the last safe havens for us as human beings. Without our individuality, we are nothing. In high school, I was very protective of my individuality and I have Pink Floyd the Wall to thank for that. The school kids in that movie lose their individuality and that’s why they all wear creepy putty-faced masks: because they all look and act the same. In this case, the teacher is responsible for their conformity because he’s a bully. He reads Pink’s poetry out loud and humiliates him in front of the classroom. Therefore, every time he writes poetry, he’s going to think of that traumatic moment and not want to do poetry anymore, hence why he wears a putty-faced mask. School is just one place where a child can lose his individuality. It can also happen in church, in cults, and even in their own homes. When you lose the ability to decide for yourself, you give up what makes you special.


***ANIMAL TRANSFORMATION***

When I say animal transformation, I’m not talking about shape shifters who willingly change into other species. I’m talking about when it happens to somebody against their will. When you transform into an animal, you lose all credibility as a human being and your individuality goes up in smoke. We saw this with Disney’s version of Pinocchio when the kids were all transformed into donkeys after partaking in “sinful” behavior. Believe it or not, I can find an even more disturbing version of this trope. In Cowboy Bebop’s fourth episode, Gateway Shuffle, an eco-terrorist group creates a virus that transforms ordinary human beings into primitive monkeys. They decide to use the virus on one of their own, Harrison, after he makes a mistake during an attack. Watching Harrison locked in a small cage and transforming into a monkey was easily the most disturbing moment in Cowboy Bebop. Yes, he’s a bad guy, but even I had to have sympathy for him.


***FALSE IMPRISONMENT***

Prison by itself is a scary place to be. The guards are bullies, the prisoners are bullies, and there’s no reprieve from the constant assaults. The US has the highest prison population of any country, but that’s not what I’m talking about today. What if the imprisonment of another person was because of a civilian and not the police? What if it’s a pedophile holding a child hostage for decades at a time? What if it’s a drug cartel holding someone’s wife hostage in exchange for money or information? What if it’s a deprogrammer holding a non-brainwashed person hostage and forcing him to lose his individuality? Jaycee Dugard’s story of being raped for eighteen years straight by a complete stranger will always disturb me, so much so that I wish there was a hell just so her attacker could burn in it for all eternity.

***SPIDERS, SCORPIONS, AND SNAKES***

The three S’s, ladies and gentlemen. The three motherfucking S’s. They’re tiny, they’re creepy, and they love to bite and sting humans for virtually no reason. One of the three S’s is bad enough on its own. But just imagine the horror of being trapped in a room with hundreds of these disgusting creatures. Crawling on your walls, crawling on your body, eating you alive as you struggle to get them off. It’s the reason why I’ll never watch Something Wicked This Way Comes or Eight Legged Freaks ever again, as they both have spider scenes. What about that Indiana Jones movie where Indy is trapped underground with a bunch of snakes? Fucking forget it, man! Yuck!


***HEAD VOICES***

As a schizophrenic, I have personal experience with this. Disembodied voices telling you negative things? Creepy! Now imagine responding to them out loud in a public place. Not only will the voices grow more aggressive the more you fight them, but those who share the public space with you will either give you funny looks or they’ll back as far away from you as they possibly can. Even with those head voices, you’re the loneliest motherfucker on planet earth. Luckily, I’ve never had to be institutionalized, but if I was, that’d be yet another example of false imprisonment. Mental hospitals are prisons for the psychologically ill. They committed no crimes, yet they can’t leave whenever they want to nor do they get freedom or rights of any kind. That’s a prison in my eyes.


***HEAD SHAVING***

When I say head shaving, I’m not talking about my bimonthly visit to Hair Masters to get a buzz cut. I’m not even talking about cancer patients having their hair fall out after chemotherapy. I’m talking about when head shaving is done to an unwilling person as a way to humiliate and dehumanize them. We saw this in V For Vendetta when Natalie Portman was captured by the totalitarian government and had her head shaved completely bald. We see this in prisons all the time when newbies get their heads shaved for no other reason other than the fact that the guards are assholes. And going back to that theme of loss of individuality, yes, head shaving can be yet another way to make a large group of people look exactly the same. There’s nothing inherently wrong with being bald, but against your will at another person’s hands? Not cool. And definitely creepy as fuck.


***CONCLUSION***

So what about you guys? Do you have any tropes that you find disturbing? Let me know in the comment section. I’m Garrison Kelly! Until next time, try to enjoy the daylight! Hey, there’s another disturbing trope: the theme music from Tales From the Dark Side!


***BEAUTIFUL MONSTER***

Over the past few days, I’ve been working on getting Beautiful Monster in tiptop shape for yet another round of editing. I’ve written a new prologue where Queen Llewellyn Xavier gives a Magetan sermon to her flock and I’ve edited the newly minted chapter one where her brother Windham Xavier has a traumatic episode prior to his stealth mission. Both chapters have something in common: the main protagonists don’t act like overdramatic babies anymore. Crying was such a common thing in my most recent draft, so much so that the characters came off as drama queens rather than people who are actually in pain. That’s something I intend to change as I’m going through these chapters. That way, when Windham finally does cry near the story’s end, it’ll be special and warranted. Wish me luck!


***LYRICS OF THE DAY***

“Before you judge me, take a good hard look at yourself. You don’t know me, but you’re draining me of mental health. A lie based on popular opinion. I want to die, ‘cause I can’t be forgiven. The world is caving in all around me. I see myself as a vulgar monstrosity. My mind collapsed into a technical mess. I can’t deal with the guilt I have to ingest. Locked in a room void of humanity. I’m in a black hole suffering endlessly. Opening my eyes is worse than death. That’s why I keep on holding my breath.”

-Alien Weaponry singing “Holding My Breath”-

Friday, December 20, 2019

How the Grinch Stole Christmas


MOVIE TITLE: How the Grinch Stole Christmas
DIRECTOR: Ron Howard
YEAR: 2000
GENRE: Holiday Fantasy
RATING: PG for comic mischief and bullying
GRADE: Pass

There’s a reason why people who hate Christmas in real life are referred to as Grinches. They’re also called Scrooges and Bah-Humbugs, but being called a Grinch is a special kind of dishonor. Not only do you not want to enjoy the Christmas spirit yourself, but you’ll do anything humanly possible to make it miserable for everybody else, whether it’s playing cruel pranks or stealing presents. That’s the story Dr. Seuss got us all used to. But in this movie, we don’t see evil for the sake of evil. Sure, the Grinch was bullied as a kid and that’s what made him hate Christmas. Adding a traumatic back story doesn’t always equal goodwill, but this time it does. A green hairy monster loved by nobody and shunned by the wicked. If we’ve learned anything from The Joker in 2019, it’s not to mess with the disenfranchised. You will feel for the Grinch. You will cheer for him. And when he causes mayhem, you’ll laugh your head off.

A lot of this sympathy for the Grinch was helped magnificently by Jim Carrey’s performance as the title character. He’s not just an angry green monster. He’s eccentric. He’s comedic. He’s delightfully villainous. Whether it’s something as simple as the way he walks, eats, and dances or his witty dialogue that rolls off the tongue naturally, Jim Carrey has you by the throat the instant you start watching the movie. If Ace Ventura, The Mask, and The Riddler were injected into The Grinch’s rotten, yet damaged soul, that’s how Jim Carrey’s version of this character would be. But he’s not just comic relief. He’s nuanced to the point where everything he says holds water. This movie is often categorized as a drama-comedy and that combination of genres embodies Jim Carrey’s character perfectly. I’m not sure if he won an Oscar for his performance, but it’d be a crime not to give him one. I know, I know, it seems laughable to do so, but is it really?

You know who else had a convincing performance in this movie? Taylor Momsen, who portrayed little Cindy Lou Who, the only character in the Who village with enough commonsense to see Christmas for what it really is: capitalism in disguise. She knows full well that Christmas should prioritize family love and friendship over materialism, which is why she nominates The Grinch to be the Cheer Meister, because if anybody needs love, it’s him. Taylor Momsen portrayed her character as a sweet, bubbly, optimistic child who wouldn’t hurt a fly. That makes her message of family love more believable than the bombastic Mayor’s “buy, buy, buy” rhetoric. Sure, she’s not taken seriously at first because she’s a child and there’s ageism running rampant. But don’t worry, because Taylor Momsen would eventually grow up to become the lead singer of The Pretty Reckless. Not bad for a little one!

Movie reboots get a bad rap for being worse than their source material, but that’s not the case with How the Grinch Stole Christmas. In fact, I’d say it surpasses the original cartoon from the 1960’s. The Grinch has a more colorful personality, Cindy Lou Who is as sweet as a bug’s ear, and everybody else is living in those two lead characters’ world. Step aside, Mayor; you’re the real Grinch around here. A passing grade will go to this holiday classic. Wow. I can’t believe I’m calling a movie made in 2000 a classic. I’m getting old! Then again, if growing old was a bad thing, there’d be no Pretty Reckless and boy, do I need my rock and roll!

Monday, December 16, 2019

What's So Funny?


VERSE 1
You refuse to laugh at female comedians
But you’ll laugh at those who wear above medium
You refuse to laugh at jokes actually funny
But you’ll laugh at those you consider to be ugly
A hairy body or a Buddha belly
A disfigured face or thighs of jelly
You’ve got a shallow point of view and it shows
Your sense of humor sucks, your philosophy blows

CHORUS
What’s so funny? X4

VERSE 2
You laugh when a man gets kicked in the nuts
You laugh even harder at a fat plumber’s butt
Laugh harder than that at the Hashtag Jada Pose
Laugh so fucking hard, milk comes out of your nose
You’ve got the sense of humor of a middle school bully
Yet you smile and laugh like you’re so fucking holy
The whole world thinks you’re a major asshole
So why are you next in line for a seat at the castle?

CHORUS
What’s so funny? X4

VERSE 3
You won’t share a meme unless it has a Nazi symbol
But you’ll gladly pass over Lily Singh and Jimmy Kimmel
You’ll get your comedy from the shittiest places
And then drain the smiles right off your victims’ faces
Nainan eleven, presidential erection
Attention, attention, national dissention
You’re more see through than a wet T-shirt
Your jokes are duds, but the truth will always hurt

CHORUS
What’s so funny? X4

Friday, December 13, 2019

Dirty Laundry


“Good evening, ladies and gentlemen. Welcome to another episode of Beneath the Surface. I am your host, Aaron Moore. Tonight we’ve got a special treat for you. It’s no secret how Dread City’s debt crisis has ravaged our poor and working class population. Many of our citizens are losing their homes, their jobs, and in many cases, their families due to not being able to pay their debts on time. Here to expose the secrets of this little known debt industry is a man who wishes to be known by the pseudonym Heath Riggs. Heath, welcome to the show.”

“Good to be here, Aaron.”

Heath parked his ass at a dimly lit studio table across from his host, while live cameras filmed the interview from every angle behind the shadows. Aaron Moore clearly enjoyed the spotlight as evidenced by the fancy gray suit and tie he wore just for this occasion. Heath Riggs, on the other hand, thrived in anonymity, his black leather jacket, sunglasses, and hood covering everything but his black face driving the point home. While Aaron leaned his body in to ask the tough questions, Heath kicked back with his fingers in a triangle position and his heel across his lap.

“Now Heath, I want to start off by addressing with you the harassing ways in which debts are collected. The late night phone calls, the vulgar speech, the contacting of family, friends, and coworkers. By your own admission, these tactics should be illegal, yet debt collection companies get away with this all the time.”

Heath cleared his throat. “Well, you’re right about the fact that these tactics should be illegal. If they came from anybody other than a collector, the police would be called in a heartbeat. But the funny thing is, the harassment doesn’t actually get us our money faster. Then again, neither does the impending lawsuit and the subsequent garnishing of wages. This isn’t about collecting money we’ll never have. It’s politics. It’s all about weeding out the poor and disenfranchised so that they can’t influence our governmental policies. It’s not a conspiracy. This shit’s as real as it gets.”

Aaron, who was drinking a mug of hot coffee during Heath’s answer, spit out his beverage and choked on whatever was left. After wiping his mouth with his expensive sleeve, he said, “Mr. Riggs, I appreciate your honesty during this interview, but I have to ask you not to swear when giving your answers. We’re on live television in over a million homes. Surely, you understand.”

“Of course I do.” Heath grinned like he was onto something. “Wouldn’t want to offend your audience’s precious Christian ears. Wouldn’t want the children to hear any of this shit. Lord knows they might grow up to become free thinkers. We know that can never happen.”

“I’m warning you, Mr. Riggs….”

Taking his sunglasses off and revealing gray mechanical eyes underneath, Heath said, “Don’t worry, Aaron, I got the message loud and clear. You can’t swear on television, but if you do it behind closed doors with an unwilling secretary, it’s A-okay. I’m not just exposing the debt industries secrets, but yours as well. I agreed to do this interview because I want a clear conscience. Fourteen years of debt collecting began to wear on my soul after a while. I figured, as long as I’m here with an alleged sexual harasser, I might as well go the full nine, you know what I’m saying?”

“Cut the camera feed! Cut it now!” demanded Aaron. Without checking to see if his orders were followed, he leaned in closer to Heath’s face and pointed an accusatory finger at him. “I don’t know what kind of stunt you’re trying to pull, but you have no proof and neither do any of my accusers. Those cases were settled a long time ago. Now do you want to discuss debt collection or do you want to keep toying with me?”

“Why can’t he talk about both? It’s not like you two don’t deserve last words,” said a robotic feminine voice from the shadowy background. While Heath remained calm, cool, and collected, Aaron went bug-eyed and his body trembled at the sight of a cyborg assassin holding two severed heads by the hair like they were cheerleader pompoms. As soon as this mysterious woman stepped into the light, headless bodies all around the studio dropped to the ground and soaked the wooden floors in human blood and cyborg oil. A bald black woman with golden earrings and a green metal suit stared her newest victims down with a mischievous grin.

While Aaron curled up in a ball on the edge of pissing himself, the assassin said, “Don’t worry, honey. None of what you or Heath said made it on the airwaves. I made sure of that. It’s probably just as well. Although, if you want to tell your mindless viewers goodbye for one last time, I suppose I could let you do that.”

“Please…I don’t know who you are, but I’ve got a family I need to get home to. Don’t kill me! Please don’t kill me!” quivered Aaron while Heath smiled and shook his head.

“It’s the same old excuse: think of my family so that I don’t have to when I’m trying to take the secretary to pound town. Don’t worry, Aaron, I’ve got this.” Heath cracked his knuckles before getting out of his chair and strutting towards the assassin, who tossed the cameramen’s heads off to the side like they were easily disposable to begin with.

“What are you so cocky about, Mr. Riggs? You’re not making it out alive any more than Hard-On Henry over here. In fact, you’re the reason I came here today,” said the assassin with a grin.

Heath gazed his assailant up and down and whistled. “That’s some expensive hardware you’ve got there. How much did them arm blades set you back? Hundreds? Thousands of dollars? And that metal body? Shit, man, I don’t know how you pay for all that with just a Street Ronin’s salary. If only there was somebody here who knew how to make debt disappear quicker than those cameramen you laid out. Hmm…” Heath stroked his chin as he mockingly pondered this question.

The assassin flipped one of her arm blades and held it underneath Heath’s chin. He didn’t back down from his confident demeanor, but he was all ears for his would-be killer. “When you’re as good as me, money isn’t that hard to come by. I don’t know what kind of lies you’re telling about my client, but these poor suckers don’t go into debt because of politics. They do it because they could never make it in a capitalist meritocracy. That’s my special way of saying they’re fucking lazy.”

“Sure, whatever you say…Harlock!”

Upon hearing the assassin’s name, Aaron slowly lowered his feet to the bloody floor, obviously not caring that much about his designer shoes. “Wait a minute, you know this woman?”

“Not as well as I’d like to, but when you’ve been on the job as long as I have, you learn something about these poor pathetic motherfuckers. The boss man gives you a name, an address, and how much they owe. The rest of the research is up to you, hence why we often resort to calling friends and family to collect the debt. Harlock here doesn’t care about the circumstances of others, which is ironic considering those cyborg parts didn’t come easy in this so-called meritocracy. Besides, if she was really as hot shit as she thinks she is, she wouldn’t have revealed all this information to me. We’d both be dead as fucking fried chicken right now. But as it is…”

“Shut the hell up!” said Harlock as she drew a tiny droplet of blood from Heath’s cheek. He still didn’t budge, only smiled wider as he cleaned the wound off with his finger and licked it.

“Face it, lady,” said Heath. “You don’t want to admit it, but you can see the irony of a debt-burdened assassin working for a debt collection agency. You’re desperate for cash, so you’ll whore your services to anybody who can make shit go away. But the truth is…paying those suckers off ain’t going to solve everything. You would not believe the tricks they pull out of their asses just to keep you paying up. Ever heard of zombie debt? How about fifty percent interest? How about debtor’s prison? They still have that shit.”

Harlock narrowed her bladed eyebrows and dug the weapon deeper into Heath’s skin. He flinched a little bit, but not enough to give away whatever modicum of fear he might have been burdened with. She leaned in and said, “You know nothing about me and my struggles.”

“Exactly! Debt collectors don’t know shit about you, which is why they keep calling your ass in the first place! You could come crying to them with your whole life story and it wouldn’t be enough. They got no heart. They got no soul. If a big ass mega corporation had a heart and soul, they wouldn’t be in business for very long, would they? Capitalism is a bitch.”

Harlock’s eyes slowly lowered to the soggy floor as if Heath’s words got through to her. He took this small window of opportunity to grab her by the arm and swing her blade into her own stomach. While Aaron was in the background this whole time shivering and weeping, Harlock’s mechanical guts spilled all over the ground as she coughed up oil and blood. Heath yanked the blade upwards and split the rest of her upper body in two, bloodying the floor even more than it already was.

“What the hell did you do that for?! She was cooperating!” Aaron screamed.

“Recognizing how badly you’ve fucked up isn’t a Get Out of Jail Free card. In case you hadn’t noticed what’s been going on here the past few seconds, look on the ground. That bitch is beyond redemption. Speaking of which, let’s get them cameras rolling again…”

“No! No cameras! No! I’m done with this!”

“Oh, we’re just getting started, Aaron. We’ve got a lot to discuss. Debt collection and sexual harassment all in one story, although that piss stain on your pants will be bigger ratings boost than anything we talk about.”

Aaron spread his shaky legs to see that there was indeed urine on his groin. “Goddamn it!”

Heath shushed him. “Ah, ah, ah! No swearing! There’re children watching!”

T.U.R.D.


VERSE 1
Beneath the surface, trans folks are just like you and me
All they want is to be happy, all they want is to be free
They don’t need you to tell them where they can pee
Or comparing their plights to a mental disability
Who cares about the symbols on a disposable pad?
Is that really all it takes to make you fucking mad?
Who cares if they want to participate in sports?
Is that really all it takes for you to shit in your shorts?

CHORUS
Transgender Undermining Rightwing Demagogue
Put that on a T-shirt, put that in your angry blog
Put that on your MAGA hat just below the words
You ain’t no fucking TERF, you’re just a TURD

VERSE 2
Nobody on the right side of this country’s history
Would ever want to put a transsexual through misery
Never mind the fact they get murdered every day
By the same people who like to say, “That’s so gay!”

CHORUS
Transgender Undermining Rightwing Demagogue
Put that on a T-shirt, put that in your angry blog
Put that on your MAGA hat just below the words
You ain’t no fucking TERF, you’re just a TURD

VERSE 3
We’re all human beings who were born equal
None of us are born with the intentions of evil
Somebody teaches you to hate ordinary people
Whether in your own home or under the steeple
I have a kitty daughter, you know what she hates?
Loud noises from fireworks, end of list, checkmate
If a little fuzzy feline is more loving than you
You should reevaluate what’s red, white, and blue

CHORUS
Transgender Undermining Rightwing Demagogue
Put that on a T-shirt, put that in your angry blog
Put that on your MAGA hat just below the words
You ain’t no fucking TERF, you’re just a TURD

Sunday, December 8, 2019

Old Stories, New Genres


***OLD STORIES, NEW GENRES***

Ever since watching and reviewing Jackie Brown and The Hateful Eight, I made it my mission to do the same thing for all of Quentin Tarantino’s movies. One of those movies I plan on watching happens to be Django Unchained. You’ve already heard the name Quentin Tarantino and are probably expecting some controversy to come with these movies. You wouldn’t be wrong no matter what the movie was, but it’s especially true for Django Unchained. Fellow director Spike Lee vowed not to watch it, because, “Slavery was not a spaghetti western. It was a holocaust.” Nobody in their right mind would ever dispute how horrible black slavery was. But that’s not why we’re gathered here today, my dearly beloveds.

Looking at old stories through the lens of a new genre happens to be what most successful storytellers do for a living. In the case of Django Unchained, Quentin Tarantino did indeed turn slavery into a spaghetti western. Ever since watching The Hateful Eight (which is definitely a western, but I’m not sure if it’s a spaghetti western), I’ve had a weird fascination with the genre. Hell, a few weeks ago, I wrote a southern metal song called Spaghetti Western, which you can check out on all of my social media pages (Blogger, Deviant Art, Face Book, and Good Reads). Cheap plug aside, Quentin Tarantino meant no ill will when he made Django Unchained. He gets a lot of heat for being insensitive, but the movies he directs take place in times and locations where insensitivity was the norm. Even in modern day dramas, he has characters using racial slurs, because it’s realistic of their characters, not because he’s a bigoted jerk.

But Quentin Tarantino movies are just one example of what I’m talking about today. Remember all of the talk about SJW’s “ruining” the Star Wars franchise? Well, I hate to break it to you guys, but Star Wars was always about social justice. It’s literally about rebels fighting against a totalitarian government. There are many instances of that happening all throughout history. Star Wars just happened to look at those moments through a science fiction lens with cool light saber battles and Storm Troopers who can’t shoot straight. It was true for A New Hope (which came out in the late 70’s) and it’s still true today. The message hasn’t changed. The complaints have.

And just to show you guys how serious I am about this brand of creative fuel, if any of you know anything horrible about my past and want to look at those life moments through the lens of a new genre, I’d be thrilled to read what you’ve got. You know something about me being bullied in my freshman year of high school? Let’s turn that shit into an epic fantasy! I wouldn’t mind fighting against orc and ogre bullies with a battleaxe or a claymore. What about the time I first started having schizophrenic symptoms? Let’s turn it into…whatever the hell The Matrix is! Hell, I was probably living in The Matrix the whole time I was hallucinating. What about the time I got suspended from college for writing an angry poem about my geology teacher? Is there any way to turn that into wrestling fiction? A spaghetti western? A space opera? Cyberpunk? Actually, cyberpunk would be closer to the truth since I was dumb enough back then to post my poem on the internet.

I understand that Spike Lee is proud of his heritage as well he should be. He should fight for the greater good. He should be an inspiration to all. But picking fights with Quentin Tarantino when he hasn’t even seen the damn movie? Not cool. That won’t help his image in the slightest. Like I said before, I haven’t watched Django Unchained yet, but I desperately want to as part of my quest to fairly review all of Quentin Tarantino’s movies. The key word in that last sentence was fairly, as in I want to give them a chance before I harshly judge them. Does he constantly lay golden eggs? No. Are there parts of his movies worth criticizing? Absolutely. But I can’t make those criticisms until after I see the movie. Even if I DNF the damn thing somewhere in the middle, that’s better than jumping to conclusions any day of the week.

What about you guys? Are there any old stories you want to see through a new genre? Should the Final Fight franchise be told through prehistoric times? Should the Star Wars franchise be told through medieval fantasy? Me personally, I’ve always wanted to see the Gundam franchise get a medieval fantasy reboot. One of the giant robots could be a paladin. Two of them could be smaller robots piloted by goblin twins. Space travel would still be possible and goddamn, does that open up a whole universe of possibilities with storylines and creative fuel. Yes, this was a real idea I had back in my teens. I never followed through on it, because…reasons? Now that I think about it, I’d still like to try this idea out someday, but I can’t use the word Gundam unless I want the copyright whores to strangle my ass in court. But what about you guys? Got any genre remixes you’d like to see?

I’m Garrison Kelly! Until next time, try to enjoy the daylight! Hey, there’s another idea! I could retell Tales From the Dark Side episodes through a medieval fantasy lens! Maybe for once it wouldn’t be so fucking hokey that way! Woo-hoo! Yeah!


***BEAUTIFUL MONSTER***

So…I haven’t been very faithful with updates from this novella I’m working on, so here goes nothing. I finished the most recent rewrite back in July, but I didn’t pay for Hollow Hills to critique it until early November. I got my critiques back at the beginning of December. Goddamn, do I have a lot of work ahead of me. The world needs to be fleshed out, the battle and sex scenes need to be toned down, and most importantly…the protagonists have to STOP CRYING ALL THE FUCKING TIME! Okay, Marie Krepps didn’t put it in those words. Plus, I’m prone to exaggeration. But the sentiment is the same. I’ve got a lot of work ahead of me before Beautiful Monster is ready for the public. I don’t have a due date for when it’ll be officially published. I thought it would have been this year, but I was too optimistic. And if you think I’ve got a lot to do for Beautiful Monster, just remember…I still have Emilio & Marigold in the chamber!


***LYRICS OF THE DAY***

“Who do you think you are? You’ve now gone much too far. Out of the ashes a clear light will shine. A power like the sun, but the heat is all mine. Blinding to all those too close to the light. I’ll bury your souls in the dark of the night. Underground you’ll make no sound. Got nowhere left to go. Things begin, but then they end. The truth it hurts to know. I watch with wonder as you go under. Words to the unwise. The story’s ending and I’m attending the scene of your demise. I bring the darkness. I am the thunder. I come from Hell and I’ll pull you under. I’ll make you feel the wrath of my ways. I’ll make it real. I’ll be your end of days.”

-Baron Corbin’s WWE Theme Music-


***POST-SCRIPT***

Don’t let the lyrics fool you. I’m still abstaining from watching WWE due to their awful programming and I’m not regretting it. Last week on Friday Night Smackdown, Baron Corbin smothered Roman Reigns in dog food. Get it? Because Roman Reigns calls himself The Big Dog? Woof, woof? Hahahahaha…haha…ha…Fuck this company.

Friday, December 6, 2019

"Souls of the Reaper" by Markie Madden


BOOK TITLE: Souls of the Reaper (Undead Unit 2)
AUTHOR: Markie Madden
YEAR: 2015
GENRE: Fiction
SUBGENRE: Paranormal Crime Drama
GRADE: Pass

I can say with utmost certainty that this novel is an improvement from the last. Sure, it still has its fair share of typos such as quotation marks that don’t end, but those are little things that can be easily fixed. Colton’s werewolf anger was perfectly justified this time around. His truck gets egged, his suspects are uncooperative, technology malfunctions from time to time, and doing paperwork is still a pain in the neck. As for the shifter newbie, Kazz, her passion for learning is evident as it should be for all rookies, especially those in law enforcement. Marcell comes off as a sweet and gentle soul as does Niall, which makes sense since they’re both in the business of healing people. Lacey Anderson is a believable main character in her own right. She’s tough on crime, sensitive to the victims of said crimes, and vulnerable during her moments of weakness. Being immortal creatures doesn’t make any of these protagonists Mary-Sues, because they still have to rely on police procedure and their own wits to get the job done. The overall team is effective in their duties and that’s something they had to earn throughout the Undead Unit series so far.

I only have two minor complaints when it comes to this book and this is just nitpicky stuff. I would have liked for Lacey’s adopted dog Morgan to get more page time, especially since it would’ve kept the fighting kennel raid scene from becoming a mere side story. Plus, I enjoy stories of former fighting animals finding love in their forever homes. It warms my heart. The other minor complaint I had was the way the final chapter (not the epilogue) concluded. The criminal reaper who’s been stealing souls to satisfy his lust for power, Su Xiong, was billed as this dangerous warrior who could snap at any minute. While I won’t give away what happens to him as this is a spoiler-free review, it was just a tad underwhelming for a guy who’s supposed to be as dangerous as he is. Granted, the path to this ending was by no means easy or pain-free, but the streak of agony should have continued into the final encounter. But again, these two complaints don’t ruin the entire story for me. I’ll always cherish Markie Madden’s way of bringing her worlds to life.

Think of your favorite TV crime show, whether it’s NCIS, CSI, Law & Order, or The Shield among others, and pair it with supernatural themes such as soul reaping, astral projection, and undead racism. That hodgepodge is what you can expect from Souls of the Reaper. It’s fun, clever, creative, and you’ll love it so much that you’ll want to see it on TNT or CBS one day as a full-time show. Even Syfy would love to get their hands on this story if it meant turning it into a well-crafted TV series. Four out of five stars will go to Markie Madden’s wonderful police procedural. I hope to one day finish the Undead Unit series!