Showing posts with label Slavery. Show all posts
Showing posts with label Slavery. Show all posts

Sunday, January 16, 2022

A Brief History of Honey Valley

“Honey Valley isn’t known for its bee population.”


Throughout the history of the former dwarven lands, that joke had been beaten to death almost as badly as the soldiers who fought over control of said lands. The younger inhabitants see the word honey and instantly think of elven sex slavery, which in a perverse way had become Honey Valley’s national product. But the bloody roots of the dwarven island run much deeper than a shallow night of adult fun time. Conquest is the word of the day, and the many days after that if history seemed intent on repeating itself.


In the early days of its inception, five hundred years ago to be exact, Honey Valley didn’t even have a name. If it did, it wasn’t kept in any public records. It was simply referred to as the home island of the dwarven culture. The dwarves were labeled as savages by anybody with no knowledge of tribal culture. The dwarves made ends meet by farming and hunting for food, not generally bothering anybody. One of their favorite crops to farm was coffee beans, which they would combine with caramel to make the perfect caffeinated drink, enjoyed by mostly chiefs and other warriors higher on the pecking order.


During the course of this farming for coffee, a poisonous plant was accidentally mixed in with the ground beans and the drink was subsequently consumed by one tribal chief in particular. Instead of killing him outright, the poisonous plant turned him into a psychotic monster capable of ravaging large numbers of his own population. His skin turned bright red, his muscles bulged to the size of cannonballs, his fangs and fingernails grew into sword-like weapons, but it was his aggression that became synonymous with his genocidal tendencies.


As the poisoned chief slaughtered his own kind, more dwarves became infected with his brain-altering disease. This went on for several years until the entire dwarven population was cannibalizing each other. When they got too feral for each other, they swam across the sea to the mainland looking for victims to dine on. The dwarves were so powerful that they couldn’t be fought off by ordinary soldiers and civilians; they could only be negotiated with once the poison tapered off.


In exchange for the dwarves not invading their lands, several kingdoms offered to donate prisoners to the island whether they were deserving of a death sentence or not. This arrangement continued for several years until the prison population exceeded the rabid dwarves’ appetites. Among those imprisoned on the island was a green-skinned woman named Ryoka, who is believed to be the first “elf” in the history of the world.


The greenish hue, pointy ears, and funky-colored eyes were believed to be part of a rare auto-immune disease Ryoka had. As a result of her strange appearance, she was bullied by her peers to the point where she couldn’t find work and ultimately lived on the streets. Her official imprisonment came when she appeared to conjure magic and set one of her tormentors on fire. Ryoka went on a killing spree against those who wronged her until she was caught and sent to the dwarven island along with several other dangerous prisoners.


In addition to Ryoka, an elite human warrior known as Thomas Xavier joined the roster that would be known for driving the dwarven population underground, never to be seen again. The kingdoms got greedy with their prison exiles and sent too many fighters over to the island. Now that the humans and Ryoka were the supreme masters of what would later be called Honey Valley, they started forging their own alliances and building their own towns and kingdoms. The northern territory belonged to the Atwood lineage, Atwood being a literal name for living near the forest. The central territory was home to the Shadow Asylum mercenary guild, a longstanding organization headed by the ultra-rich Rinehart family.


Ryoka and Thomas Xavier found their own paradise in the southern portion of the island, a forested area with a lovely beach at the tip. Because of the threat of the infection keeping the northern, central, and southern territories isolated from each other, Ryoka and Thomas had enough alone time together to forge a romantic relationship and begin the Xavier bloodline. Several generations of isolation has led to a growth period of the elven race, to the point where their magic usage was becoming too much of a threat to the northern and middle territories.


The official start of human racism towards elves began when an elven boy accidentally set Morgan Town on fire with too little control over his own magical powers. An overabundance of magical energy swirling around wasn’t uncommon in those days and ultimately the Morgan Town government and Atwood monarchy teamed up together to keep the elves under control. Generations of brainwashing, beatings, and enslavement of elves were done to ensure no more accidents would happen and that magic would be completely erased from the elven culture. The xenophobia was bad enough, but when the disenfranchisement of elves became a business, that would be how the new generation of prisoners would negotiate with the mainland.


The newly minted Honey Valley was now in good standing with the mainland kingdoms with elven slave trade becoming lucrative. Slavery was even used to rebuild Morgan Town and refurnish the northern and middle territories with technology unheard of at the time. As traumatizing as the slave trade was for elves, they would get their well-deserved reprieve from their nightmares in the form of a “lion god” they dubbed Mageta.


To this day, the elves don’t know if Mageta was an actual lion who succumbed to the dwarves’ infection or if it was a powerful elf who wore the skin of a lion. Either way, this lion god would prove instrumental in keeping the elves safe for a long enough time that they could get back on their feet again. By the time Mageta was hunted and killed by slave trading warriors, the elves were powerful enough that they could forge their own empire with the recuperation time they were given.


The elves were so grateful for Mageta’s help that they built an entire religion around him, which is still practiced to this day. Because actual history was lost in the elven/human conflict, most of the mythology surrounding this religion was crafted by creative minds. Storytellers, artists, and poets came together to give the elven race their epic Magetan tale, which is why many elves are regarded as being creative types. But with this creative prowess, there was still a need for the elves to defend themselves against the humans that hated them so much. Many Magetan zealots became soldiers hardened by combat and rigorous training. While elves are seen as being overly sensitive, the trauma they hold deep is just waiting to be unleashed on a xenophobic human waiting to strike.


Just as the southern elves began a quest to find their missing brethren who were lost to the slave exchange, another force emerged in the form of a mobile castle run by the Stonewall Kingdom. The knights were sent to investigate the happenings of Honey Valley, but they were short on manpower due to some of their own soldiers and citizens being caught up in the slave trade despite not being elves. Without the support of their superiors, the Stonewall Kingdom had no choice but to throw money at Shadow Asylum since they had no loyalty to any crown.


The current Queen of the Xavier bloodline, Llewellyn, wants to secure a trade deal with the current Stonewall King, Lars, since his mobile castle brought so much technology with it that the elves could use for farming and rebuilding. While Lars and Llewellyn have the same goal in mind of eliminating the slave trade forever, they are two different rulers with a lack of real communication between them.


And now here we are in the year 500 PM (Post-Mageta). The table is set for all out war among the different kingdoms and territories. The Atwood monarchy seems intent on expanding its power and not giving up any sliver of it to the other territories. Shadow Asylum wants to maximize profit and grow fat together off of their earnings. The Xavier and Stonewall monarchies want to put an end to generations of torment and anguish, which all began with the bullying of a green-skinned woman with pointy ears. Who will survive?


Somewhere beneath the surface are the dwarves who have not been heard from since the takeover of the mainland prisoners. Will they rise again? Will they take back their island and erase the Honey Valley name forever? If the threat is not real, then the paranoia is.

Sunday, December 8, 2019

Old Stories, New Genres


***OLD STORIES, NEW GENRES***

Ever since watching and reviewing Jackie Brown and The Hateful Eight, I made it my mission to do the same thing for all of Quentin Tarantino’s movies. One of those movies I plan on watching happens to be Django Unchained. You’ve already heard the name Quentin Tarantino and are probably expecting some controversy to come with these movies. You wouldn’t be wrong no matter what the movie was, but it’s especially true for Django Unchained. Fellow director Spike Lee vowed not to watch it, because, “Slavery was not a spaghetti western. It was a holocaust.” Nobody in their right mind would ever dispute how horrible black slavery was. But that’s not why we’re gathered here today, my dearly beloveds.

Looking at old stories through the lens of a new genre happens to be what most successful storytellers do for a living. In the case of Django Unchained, Quentin Tarantino did indeed turn slavery into a spaghetti western. Ever since watching The Hateful Eight (which is definitely a western, but I’m not sure if it’s a spaghetti western), I’ve had a weird fascination with the genre. Hell, a few weeks ago, I wrote a southern metal song called Spaghetti Western, which you can check out on all of my social media pages (Blogger, Deviant Art, Face Book, and Good Reads). Cheap plug aside, Quentin Tarantino meant no ill will when he made Django Unchained. He gets a lot of heat for being insensitive, but the movies he directs take place in times and locations where insensitivity was the norm. Even in modern day dramas, he has characters using racial slurs, because it’s realistic of their characters, not because he’s a bigoted jerk.

But Quentin Tarantino movies are just one example of what I’m talking about today. Remember all of the talk about SJW’s “ruining” the Star Wars franchise? Well, I hate to break it to you guys, but Star Wars was always about social justice. It’s literally about rebels fighting against a totalitarian government. There are many instances of that happening all throughout history. Star Wars just happened to look at those moments through a science fiction lens with cool light saber battles and Storm Troopers who can’t shoot straight. It was true for A New Hope (which came out in the late 70’s) and it’s still true today. The message hasn’t changed. The complaints have.

And just to show you guys how serious I am about this brand of creative fuel, if any of you know anything horrible about my past and want to look at those life moments through the lens of a new genre, I’d be thrilled to read what you’ve got. You know something about me being bullied in my freshman year of high school? Let’s turn that shit into an epic fantasy! I wouldn’t mind fighting against orc and ogre bullies with a battleaxe or a claymore. What about the time I first started having schizophrenic symptoms? Let’s turn it into…whatever the hell The Matrix is! Hell, I was probably living in The Matrix the whole time I was hallucinating. What about the time I got suspended from college for writing an angry poem about my geology teacher? Is there any way to turn that into wrestling fiction? A spaghetti western? A space opera? Cyberpunk? Actually, cyberpunk would be closer to the truth since I was dumb enough back then to post my poem on the internet.

I understand that Spike Lee is proud of his heritage as well he should be. He should fight for the greater good. He should be an inspiration to all. But picking fights with Quentin Tarantino when he hasn’t even seen the damn movie? Not cool. That won’t help his image in the slightest. Like I said before, I haven’t watched Django Unchained yet, but I desperately want to as part of my quest to fairly review all of Quentin Tarantino’s movies. The key word in that last sentence was fairly, as in I want to give them a chance before I harshly judge them. Does he constantly lay golden eggs? No. Are there parts of his movies worth criticizing? Absolutely. But I can’t make those criticisms until after I see the movie. Even if I DNF the damn thing somewhere in the middle, that’s better than jumping to conclusions any day of the week.

What about you guys? Are there any old stories you want to see through a new genre? Should the Final Fight franchise be told through prehistoric times? Should the Star Wars franchise be told through medieval fantasy? Me personally, I’ve always wanted to see the Gundam franchise get a medieval fantasy reboot. One of the giant robots could be a paladin. Two of them could be smaller robots piloted by goblin twins. Space travel would still be possible and goddamn, does that open up a whole universe of possibilities with storylines and creative fuel. Yes, this was a real idea I had back in my teens. I never followed through on it, because…reasons? Now that I think about it, I’d still like to try this idea out someday, but I can’t use the word Gundam unless I want the copyright whores to strangle my ass in court. But what about you guys? Got any genre remixes you’d like to see?

I’m Garrison Kelly! Until next time, try to enjoy the daylight! Hey, there’s another idea! I could retell Tales From the Dark Side episodes through a medieval fantasy lens! Maybe for once it wouldn’t be so fucking hokey that way! Woo-hoo! Yeah!


***BEAUTIFUL MONSTER***

So…I haven’t been very faithful with updates from this novella I’m working on, so here goes nothing. I finished the most recent rewrite back in July, but I didn’t pay for Hollow Hills to critique it until early November. I got my critiques back at the beginning of December. Goddamn, do I have a lot of work ahead of me. The world needs to be fleshed out, the battle and sex scenes need to be toned down, and most importantly…the protagonists have to STOP CRYING ALL THE FUCKING TIME! Okay, Marie Krepps didn’t put it in those words. Plus, I’m prone to exaggeration. But the sentiment is the same. I’ve got a lot of work ahead of me before Beautiful Monster is ready for the public. I don’t have a due date for when it’ll be officially published. I thought it would have been this year, but I was too optimistic. And if you think I’ve got a lot to do for Beautiful Monster, just remember…I still have Emilio & Marigold in the chamber!


***LYRICS OF THE DAY***

“Who do you think you are? You’ve now gone much too far. Out of the ashes a clear light will shine. A power like the sun, but the heat is all mine. Blinding to all those too close to the light. I’ll bury your souls in the dark of the night. Underground you’ll make no sound. Got nowhere left to go. Things begin, but then they end. The truth it hurts to know. I watch with wonder as you go under. Words to the unwise. The story’s ending and I’m attending the scene of your demise. I bring the darkness. I am the thunder. I come from Hell and I’ll pull you under. I’ll make you feel the wrath of my ways. I’ll make it real. I’ll be your end of days.”

-Baron Corbin’s WWE Theme Music-


***POST-SCRIPT***

Don’t let the lyrics fool you. I’m still abstaining from watching WWE due to their awful programming and I’m not regretting it. Last week on Friday Night Smackdown, Baron Corbin smothered Roman Reigns in dog food. Get it? Because Roman Reigns calls himself The Big Dog? Woof, woof? Hahahahaha…haha…ha…Fuck this company.

Monday, July 31, 2017

"Monstress, Vol. 1: Awakening" by Marjorie Liu

BOOK TITLE: Monstress, Vol. 1: Awakening
AUTHOR: Marjorie Liu
YEAR: 2016
GENRE: Graphic Novel
SUBGENRE: Dark Fantasy
GRADE: Mixed

In a world consumed by a bigoted war between humans and Arcanics, monsters are treated as second class citizens and are often beaten and enslaved so that witch cults can harvest their powers. Maika Halfwolf is one of those monsters. She gets herself intentionally captured so that she can begin her quest for knowledge as to who her parents are, why she is the way she is, and how she can tame the demon inside of her that devours everything it touches. With a talking cat and a fox girl by her side, she is in constant fear of the demon coming out and killing both of them. And yet, they remain loyal throughout all of the attacks and captures from various witch cults.

If for some reason that opening synopsis sounds a little off, don’t worry, you’re not alone in feeling befuddled. I too was confused by the happenings of this graphic novel. I kept trying to piece together which magician belonged to which alliance. I kept wondering about the terminology. I kept wondering why magicians were attacking members of their own cliques (at least I think they’re part of their own clique, I’m still not sure). For some reason I kept spacing out during the cat lectures in between chapters. The fact that I was able to put together at least SOME of the pieces was nothing short of a miracle. It made me question whether or not I had to read other source material in order to understand this fictional world, but this is the first volume of the Monstress series, so I guess not. Maybe if someone explains it to me in depth, then I can get a better grasp of what’s going on here.

On the bright side, the cats were cuter than a bug’s ear. Yes, they’re intended to be taken seriously by the characters in the story, but that won’t stop me from rubbing their bellies and feeding them Temptations. During one of the cat lectures, there’s a little kitty rolling around on his back playing with a slave collar’s chain. Torturous device aside, that’s still a cute image. I also liked the image of the cat teacher making chocolate-covered mice with the rest of her class. As a lover of animals, it was refreshing to see that these cats weren’t being abused in some way, dark fantasy canon aside. There could have easily been a time where a soldier kicked a cat or flung it against a tree, but that didn’t happen. Thank god good taste prevailed!

Of course, dark fantasy cannot work without delicious violence and this graphic novel has that in spades. Whether it’s Maika’s demon gnawing on living flesh or a cat with two swords slicing and dicing his way to victory, feel free to drink it all in. I especially like the part where Maika slams a prison cell door against a corpulent, torture-loving guard. The guard deserved it almost as much as Captain Byron Hadley from The Shawshank Redemption deserved to be dragged out in cuffs. Maybe those two should get married and go on a honeymoon to Guantanamo Bay. Lots of blood, lots of broken bones, lots of madness, lots of everything! It’s not really fair to call this gornography, whether you’re confused by the storyline or not, but you can get your fill of violence and dirty language easily from a text like this.


If it wasn’t for the muddling storyline and the many pieces that don’t seem to fit, I would have given this graphic novel a passing grade. There have been times I’ve considered doing that anyways because the demonic presence inside Maika Halfwolf reminds me of my own schizophrenia. I love a good story that I can relate to in some way, which sounds like a weird thing to say about a blood-stained dark fantasy book, but that’s the thing about fantasy: it’s just as reflective of our society as modern day drama. But alas, I had an easier time understanding The Matrix than I did this graphic novel. A mixed grade is what Monstress has earned.

Friday, May 19, 2017

I'm Back From NOLA

***I’M BACK FROM NOLA***

If you’ve seen my Face Book posts about this particular vacation, you’ll notice the central themes of exhaustion and crabbiness. Truth is, though, it wouldn’t be right to complain about sleep schedules and lack of private time when many of my readers would kill for a chance to have fun in New Orleans, Louisiana. Why wouldn’t they? The food is next-level delicious, the eye-candy is sweeter than their actual desserts (that’s saying a lot!), and the weirdness of the late-night partying gives the city its individuality. Aren’t vacations supposed to be about having a good time anyways?

The first day of the vacation was Sunday, which means lots of airplane and taxi riding. If you’re traveling to New Orleans, your ass-numbing patience will be rewarded with a delicious dinner of tender and juicy rib-eye steak, soft and salty French fries, and some fried oysters that everybody can share (with good reason). Even before entering the restaurant, if you’re in this scenario, you get to meet a crazy guy who calls his little doggy a “reincarnated angel in animal form”. Come to think of it, if I didn’t know how weird New Orleans can be, I’d swear that guy owns a windowless van. Hehe! Nah, that’s mean. He had a good puppy-duppy, I mean, angel from heaven.

The second day was all about riding a boat through the swamplands and getting to see some awesome creatures in their natural habitat. There were so many gators in that swamp that you’d swear Karen Russell’s novels took place in New Orleans instead of Florida. We also got to see some wild piggies, some of whom were affectionately named Male Chauvinist Pig, Piggy Smalls, and Notorious PIG. Goddamn, that tour guide had a wild sense of humor. He even made a few wisecracks about throwing his guests overboard since they were “live bait”. And when we pulled into the dock, we got to pet small kitties hanging out at the ticket office. There was a tuxedo kitty, a panther-looking kitty, a gray and white beauty, and a shy Siamese sweetie that reminded me of Luna-Tuna. So many animals in one day!

Dia numero tres (forgive me if my Spanish is off) was spent going on a van tour of the city and learning all about the history of this wild and crazy city. Houses were purposefully raised to deal with flooding, some of them high enough to fit an entire level underneath. When Hurricane Katrina did its damage, it wasn’t he levies that broke. It was the rising level of the lake, a lake which feeds off into the Gulf of Mexico. From what I’ve seen, New Orleans still has quite a bit of work to do in recovering from this environmental disaster. Theme parks need to be restored, buildings need to be used, and schools need to be reopened. It can and will be done. If there’s anything you can learn from the people of New Orleans, it’s that they can persevere through anything and keep their smiles alive in the process.

The fourth day was easily the most eye-opening and educational part of the vacation. We visited Whitney Plantation and got to learn about the oppressive lives of black slaves. Our tour guide, Ali, even said that the alternative right racists have nothing on the slave owners back in the 1700’s and 1800’s. Owning slaves wasn’t just about physically beating someone into submission. It was psychological torture as well. The slaves lost their names, their culture, their education, and their family structures thanks to this disgusting business of treating human beings like property. Visit Whitneyplantation.com to see just how fucked up of a past we have. Racism is real, slavery is real, and both still exist in other forms in today’s world.

The fifth and final day was spent wandering around the French Quarter looking for various shops to pay a visit to. My mom got a facial at a beauty shop and the European lady who performed that service told me that I was “cute and handsome” and that she wishes she had a mommy like mine. My face was redder than the Communist Manifesto. I’m just kidding, I don’t write like that. Hehe! Dale visited various candy shops and got his fill of chocolates and pralines. I got a full body reflexology massage that relieved the stresses of travel and lifted a huge weight off of my shoulders. I also went to the toy store and bought a Lego dragon from the Ninjago franchise, so expect Toy Universe photos in the near future.

This is the second time I’ve been to New Orleans, the first being Halloween in 2011, where I walked down Bourbon Street dressed as a druid. If I ever go there again for Halloween, I’m going dressed as Corey Taylor from Slipknot. Even the late-night partying weirdoes of that city would back away in fear, just like they do in Port Orchard. Hehe! All in all, the tiredness and travel was worth it for five days of necromantic culture and educational history. I’m not sure I’d want to do another long-distance vacation again for a while, but hey, that’s what I have concerts for, which are really just one-day vacations. In June, it’s Roger Waters. In July, it’s Brit Floyd. In August, I have separate dates for Green Day, Metallica, and Incubus. And now in October, it’s Linkin Park with Snoop Dogg opening for them.

It’s easy to feel crabby and whiny when you’re tired all the time, but never forget to be grateful for all of your positive experiences. Home is always waiting for you, sleep is not too far behind, and your best memories will last a lifetime. I’m Garrison Kelly and I’ll see you next time!


***WEEKLY SHORT STORY CONTESTS AND COMPANY***

Now that Demon Axe is in the rear view mirror (at least until I recruit Marie-Pie to help me edit it), I’m going back to writing short stories to include in Poison Tongue Tales 2 and American Darkness 2. With the theme this week being “Call of Nature”, my story will be called “The Geomancer” and it goes like this:


CHARACTERS:

  1. Bryan Valencia, Geomancer
  2. Ally Bennett, Hiker

PROMPT CONFORMITY: Geomancy requires the wizard to be in touch with nature. It is, after all, the Greek word for “earth magic”.

SYNOPSIS: Ally is hiking in the mountains when she stumbles upon Bryan casting some sort of spell on the summit. When she asks him about it, he openly admits to wanting to cause a volcanic explosion. He’s a misanthrope who’s fed up with the atrocities humans have committed over the years whether it’s rape, war, genocide, or street violence. One blast from this volcano will be powerful enough to literally set the world on fire. It’s up to Ally to talk him down since she’s the only one who believes in Bryan’s geomantic powers.


***SPEAKING OF POISON TONGUE TALES***

I got feedback from my awesome friend Andy Peloquin regarding this lysergic collection of sci-fi, fantasy, and horror stories. Unfortunately, he couldn’t complete it because it was “too trippy” for his tastes. I don’t feel bad at all about that. In fact, I take it as a compliment that he thought he was on acid during his reading adventure. Hehe! I’m the same guy whose favorite movie of all time is Pink Floyd the Wall despite the creepiness of the schoolchildren’s faceless masks. This is a blog entry about New Orleans, so that only adds to the trippiness of it all. If Andy is reading this, I want to thank him for taking the time to read what he could and that there are no hard feelings, only yuk-yuk chuckles.


***BOOGER THE CLOWN***

During the flight home to Washington state, I jotted down ideas for novels in my Lego journal and came up with…”Booger the Clown”. Before you laugh like a donkey at that title, know that it’s an urban fantasy novel idea that deals with depression. Watch You Burn deals with schizophrenia, Occupy Wrestling deals with hair-trigger tempers, and most recently Demon Axe deals with PTSD. Now it’s time to talk about depression, so without further delay, here’s a beginning and middle synopsis for “Booger the Clown”:


CHARACTERS:

  1. Andrew Gale a.k.a. Booger, Depressed Clown
  2. Stupid Dog, Stray Schipperke
  3. Orc Army
  4. More to be Named

BEGINNING SYNOPSIS: After a tour of duty in the Middle East, gangsta rap-loving ex-marine Andrew Gale comes home with crippling depression and can only find work as a birthday clown named Booger. On his way to a party, his car breaks down and all he wants to do is sit on the side of the road and drink beer while listening to violent music. When an orc approaches him with a blade and an attitude, Booger thinks it’s just a drunken hallucination and encourages the beast to kill him. The orc becomes stunned at Booger’s suicidal behavior and ends up getting his ass kicked himself. After the battle, the clown finds an abandoned schipperke on the side of the road and calls him Stupid Dog due to his finger biting habits when being fed.

MIDDLE SYNOPSIS: Booger reveals that he didn’t join the marines because of personal politics or even the thrill of war. He joined at a lied-about age so that he could one day be physically and mentally strong enough to kick his abusive father’s ass.


***FACE BOOK POST OF THE DAY***


Just once I’d like to buy a birthday cake for someone, put candles in it that look like penises, and tell the birthday boy to, “Blow them out”.

Thursday, January 12, 2017

"Child of the Night Guild" by Andy Peloquin

BOOK TITLE: Child of the Night Guild
AUTHOR: Andy Peloquin
YEAR: 2017
GENRE: Fiction
SUBGENRE: Dystopian Fantasy
GRADE: Pass

When Viola’s father can’t pay off his loan from the Night Guild, he has no choice but to sell her into servitude. Under the tutelage of the insanely cruel Master Velvet, Viola is put through a battery of painful and exhausting tests under the threat of being murdered, starved, and/or tortured for failure. She, along with eleven other child students, are given new names and are told to forget everything about their past, which they do. In this dark fantasy hybrid of Pink Floyd the Wall and Full Metal Jacket, Viola, now named Seven, has only one goal if she wants to see the light of day ever again: survive. There is no turning back for her or anybody else in the Night Guild. They live and die by their abilities to become convincing thieves, an occupation which will repay their families’ debts.

If you’re looking for a tale of darkness and cruelty that rivals any child kidnapping story you hear about in the news, Child of the Night Guild will tear you to shreds. The harsh treatment of Viola/Seven is so consistent and so heartbreaking that you as the reader are convinced that this story will end on a sour note. While I won’t divulge what happens, you can bet your bottom dollar that this would be a scenario no ordinary person would survive. The students of the Night Guild are insulted, humiliated, starved, slashed, and slapped around as a way of stripping them of their individuality (and quite possibly their sanity). You know deep in your heart that there’s no way out, so there really is no praying for the best, because you’ll expect the worst. If you’re a Pink Floyd fan, then you know there’s a meat grinder waiting for these children at the end of the cookie factory maze.

On a somewhat lighter note, every time I read an Andy Peloquin novel, he comes off as an expert on whatever it is his story entails. In this case, the children are training to be cunning thieves, which requires a great deal of dexterity, cleverness, and thousands of hours of practice. When someone balances across a thin beam, pickpockets an unsuspecting sod, or searches for treasure in the most unlikely of places, you are convinced that these methods are the right way to get the job done. That’s not to say that Andy is an expert thief or a violent sociopath, but it tells you a lot about how much research he put into this novel. Everybody loves an intelligently-written novel and this one is no exception. Andy Peloquin is a scholar in every sense of the word.

Another likeable trait about Mr. Peloquin’s novels is his writing style. You’re not just watching a movie unfold before your eyes; you’re feeling every burning pain that Viola goes through. Whether it’s hunger pains, burning muscles, slashed fingers, or the general anxiety of being put through serious torture, it adds to this scenario of there being no way out for these children. These agonizing descriptions slowly transform Viola into Seven and Seven into the shadowy thief known as Ilanna. Any shred of innocence she once had will be lost because of the pain she feels throughout the story. We as readers get to feel everything. If you want to cry or listen to Linkin Park songs afterwards, I won’t blame you one bit.


For all intents and purposes, this should be the perfect novel for anybody who loves a good dystopian nightmare. For me personally, I love darkness, but I feel like this is too much darkness for me to handle. Maybe I’ve gotten soft and sensitive over the years, but when I read this novel, it reminds me too much of the Jaycee Dugard story on the news. She was kidnapped at the age of eleven and was raped and molested repeatedly by her captor until she was rescued at age of twenty-nine. It might seem like I’m comparing apples to oranges, but that’s just what I think of whenever I see so much darkness in one place. Nevertheless, this book receives a passing grade because it’s that damn good.

Tuesday, April 12, 2016

"Cimarronin" by Neal Stephenson

BOOK TITLE: Cimarronin
AUTHOR: Neal Stephenson
YEAR: 2015
GENRE: Graphic Novel
SUBGENRE: Historical Fiction
GRADE: Pass

In seventeenth century Philippines, a disgraced samurai named Kitazume is on the brink of slicing his own stomach open in a hara-kiri ritual. His longtime Spanish priest friend Luis convinces him to stay alive long enough to journey to Mexico with him alongside a Chinese princess named Irgen. The three of them are now embroiled in a plot to prevent Spain and China from obtaining silver and slaves in Mexico knowing how much power it would give the corrupt nations. This struggle for supremacy in the new world will be covered in blood, shattered bones, and battlefields full of dead bodies. Kitazume wouldn’t have it any other way if it means he’ll find redemption for his past sins.

The first thing I enjoyed about this graphic novel was the action-packed violence that carried the story from page to page. The techniques the warriors used were reminiscent of something from a Bruce Lee or Jackie Chan movie. In other words, the attacks were fast-paced and technical as opposed to a wild, drunken brawl. The blood splatters and shattered bones were the end result of this delicious violence; R-rated brutality at its finest. Come to think of it, there’s another movie reference I’d like to make when describing the martial arts violence in this book: Kill Bill. If Quentin Tarantino wrote historical fiction graphic novels, he would have had Cimarronin in mind. Action genre lovers will get a huge kick out of reading this book, no pun intended. After all, it’s only entertaining when it happens to samurais and conquistadors, not the reader.

Speaking of violence, it’s also satisfying to see African ex-slaves get revenge on their Spanish conquerors. The way slavery is depicted in this graphic novel is how it should be depicted in all platforms: brutal and heartbreaking. They were branded with hot irons, dumped in the ocean during transit, and treated like disposable trash by their white masters. The slaves have waited years to strike back against their masters. When the violence finally takes place, a gigantic wave of relief will wash over the reader and payback will taste like sweet strawberries dipped in gooey cream. There actually are instances in history of slaves attacking their masters as a means of escape. Knowing this is one of them (even though it’s fiction) will put a sick smile on the reader’s face.

Enough about the violence; let’s talk about history. This is after all historical fiction. The countries of the new world all have a past that should be acknowledged and atoned for when discussing them in high school history classes. These new world conquests wouldn’t be possible without committing genocide on the indigenous people and rebuilding the infrastructure with kidnapped slaves. Some people such as me have no problem acknowledging how shameful of a history we have. Others seem to be proud of it to the point where even today they deny the existence of racism in the modern era. For those on the latter side of the spectrum, I have one question for you. How do you expect to change the world into a better place when you keep repeating history’s ugliest features? Cimarronin isn’t just an action-packed fun-filled rollercoaster ride. It’s a look into the darkest parts of our past for those who probably need their eyelids braced open like Alex from “A Clockwork Orange”.


Cimarronin is a quick and short read that packs a lot of action, drama, and history into that tiny space. A reader could probably blow through this thing in less than twenty-four hours. Is it over too soon? Maybe. Should there be other add-ons to this book? Absolutely. But for now, enjoy the ride while you can. Rollercoasters don’t last forever, you know. A passing grade goes to this deliciously violent and historically poignant piece of graphic fiction.