Wednesday, June 14, 2017

"Basket Case" by Carl Hiaasen

BOOK TITLE: Basket Case
AUTHOR: Carl Hiaasen
YEAR: 2002
GENRE: Fiction
SUBGENRE: Mystery
GRADE: Pass

Jack Tagger, Jr. is a middle-aged former elite reporter who has since been demoted to writing micromanaged obituaries after going on a tirade against his newspaper’s corporate masters. Life is slow, miserable, and boring for Mr. Tagger until he’s tasked with writing an obituary for Jimmy Stoma, a rock and roll icon who is believed to have drowned in an unfortunate diving accident. Jack’s investigative instincts cause him to dig deeper into this case in an attempt to uncover a conspiracy involving murder and number one hit songs. Without the support of his supervisors, Jack has to make do with his relatively short leash and his modicum of clues and suspicions. Can he bring closure to the family of his all-time favorite musician or will Mr. Stoma’s case go cold before it even begins?

Colorful, wisecracking characters are to be expected from Carl Hiaasen’s thrillers and Jack Tagger himself is no exception to that rule. It won’t matter whether the subject is sex, rock and roll, journalism, politics, or violence, because Jack, who happens to be the first person narrator, will always get a chuckle out of the reader with his commentary. A sense of humor is probably necessary for his necromantic line of work. Without it, he’d probably go crazy and there would be nobody to give Jimmy Stoma his due sending off. If he wasn’t so dedicated to being a newspaper reporter, he could probably make it as a standup comedian.

But he’s a truth-seeker first and a smart-ass second. He’s dedicated to weeding out the BS of corporate news even if it means getting himself in boiling hot water. His dedication to his art form is second to none, so much so that he would have seen Jimmy Stoma’s case through even after potentially being fired. In today’s era, we need more honest people like him to deliver the world’s news, even if that news tastes bitterer than a dissolved Xanax tablet washed down with horse piss beer. At forty-six years old, he doesn’t have time for corporate shenanigans or dishonest scum bags.

Speaking of not having time, Jack Tagger’s obsession with death is fascinating to read about, especially when he compares his own age to those of dead celebrities he once admired. Writing obituaries for so long makes him wonder when his morbid end will finally come and how it will happen. So many of his favorite public figures have died at forty-six years old and even at slightly older than that. His grim obsession has driven his loved ones away from him despite their pleas for him to just forget it and be happy with what he has.

It’s creepy to think about, but since it’s a Carl Hiaasen novel, it’s almost comical in a way. One of Mr. Hiaasen’s gifts to his profession is his ability to mix seriousness with humor in a subtle way that doesn’t take the reader out of the story. Trust me, there will be plenty of times to get darkly serious, especially when more bodies drop and living people mysteriously vanish. Despite Jack Tagger’s disdain for guns, he just might have to use one in order to see this case through. You can still chuckle at his wisecracks, just stay on the edge of your seat while it’s happening.

Of course, Jack Tagger isn’t the only colorful character you can expect great things from. Jimmy Stoma, even in death, is mentioned as a party animal with a deep soul and undying charisma. Emma Cole, the twenty-something editor at Jack’s paper, is a pain in the butt at first, but turns out to be a charming sweetheart once the reader gets to know her. Janet Thrush, Jimmy Stoma’s sister, has a day job as an internet stripper with a SWAT team gimmick; if that doesn’t pique your interest, I don’t know what will. Juan Rodriguez is a Cuban immigrant who is so good at writing newspaper stories that he might as well be a New York Times bestselling novelist.

And then you have the characters that deserve a stone-handed punch to the face. Cleo Rio, Jimmy Stoma’s widow, comes off as a shallow and spoiled pop princess with no appreciation for what her husband left behind. Jerry, Cleo’s chubby bodyguard, is a little harder to punch in the face due to his fighting abilities, but that doesn’t mean you won’t want to at least give it a try. Loreal is a bogus music producer with about as much credibility as the corporate profiteers running Jack’s newspaper outlet. Speaking of which, Race Maggad III (jokingly called “Master Race” by Jack Tagger) cares more about making money than he does about producing truthful news and his crippling budget cuts make that very clear.


The battlefield is set and the goofy characters are ready to clash with each other over the mystery of Jimmy Stoma’s suspicious death and the fate of realistic journalism. If you want a well-constructed mystery with quotable one-liners and a reliable narrator, grab a copy of “Basket Case” by Carl Hiaasen. To my knowledge, he hasn’t written a bad novel in all of the times I’ve read his work. I don’t think he knows how to!

Friday, June 9, 2017

El Divorcio

VERSE 1
Is this the life you really want?
Is it worth the price of the ring you bought?
Is it worth the senseless fights?
Do you have to do this every night?
Starting arguments for the hell of it
Your rage and tears are irrelevant
Does any part of you want to break up?
Is it time to dry your eyes and wake up?

CHORUS
El divorcio, el divorcio
It’s all over forever and now
El divorcio, el divorcio
There is nothing to smile about
No more holding hands in public
No more kisses that are sudden
No more passionate love making
When your heart is breaking

VERSE 2
Who was right or wrong all along?
Who’s to blame for this sorrowful song?
Lawyers and judges get to decide
Who gets the gold, who gets the hearse ride
The tiring war goes on for months
It soon turns into a bounty hunt
Is this the result you really need?
Surrendering to aggravated greed?

CHORUS
El divorcio, el divorcio
It’s all over forever and now
El divorcio, el divorcio
There is nothing to smile about
No more holding hands in public
No more kisses that are sudden
No more passionate love making
When your heart is breaking

VERSE 3
Is it too late to start over again?
A newfound lover or just a friend?
A shattered dream to mend with gold?
Another soft hand to gently hold?
Is it too late to turn back the clock?
Find a shoulder to cry on and be your rock?
Are you your own hero? Can you save the day?
Or will you forever push the masses away?

BRIDGE
It’s not over until you say it’s over
Don’t be afraid to pull her closer
Don’t be afraid to say you’re sorry

Let’s start again, my precious darling

Xanax and Perrier

VERSE 1
My weirdest dreams are of school it seems
Naked in front of the students and deans
A grown adult fighting it out with teens
Doing crystal math until my eyes bleed
Dreading the day I receive my grades
Failing every class, I cannot be saved
There’s always next year, no question about
It’s hard to speak up when my teeth fall out

CHORUS
Xanax and Perrier to end my day
My oldest kitty is snoozing away
Eight hours until I feel the sun’s rays
Back to the theater, back to the craze

VERSE 2
My wildest dreams are of music and screams
Heavy metal menus in the strangest venues
Pantera tore it up in a grocery store
3DG in a lecture hall, I want more
Rammstein shot flames in a Chinese diner
Roger Waters at the Stonehenge, not bad, old-timer
Brit Floyd in a museum, not an easy feat
It’s hard to sing songs with loosening teeth

CHORUS
Xanax and Perrier to end my day
My oldest kitty is snoozing away
Eight hours until I feel the sun’s rays
Back to the theater, back to the craze

BRIDGE
Sometimes all I want is to go the fuck home
But these dreamy busses are so damn slow
The foot ferries splash as they’re about to crash
The airplanes race into outer fucking space

VERSE 3
My nerdy dreams make me want to cream
Comic book shops on every street block
Libraries with dark fantasy sweetness
My dream theater knows my favorite weakness
Seeing my notebooks being sold on the shelves
Seeing my novels being read by elves
Hearing my poems being read by pixies
My dreams come true whether it’s now or sixty

EXTENDED CHORUS
Xanax and Perrier to end my day
My oldest kitty is snoozing away
Eight hours until I feel the sun’s rays
Back to the theater, back to the craze
Every youngster has the right to dream
Every adult can set them free
Never give up, never let it die

Spread your dragon wings and fly

Thursday, June 8, 2017

The Ballad of Gravedigger Jane

Gravedigger Jane stewed in the middle row next to the aisle of the college auditorium, a place that was nearly packed with hee-hawers and pot smokers. She wished she could have some pot to soothe her boiling anger, but if she tested positive for it, it could mean the end of her college boxing career. Instead she pulled a metal flask out of her hooded vest and took a swig of booze. She shook her head at the hypocrisy of allowing alcohol but banning marijuana. What the fuck was that all about? No matter what her drug of choice was, hopefully it would get her through this god-awful performance.

As Jane relaxed in her seat with her sneakered feet on the empty chair in front of her, the madness was about to begin. Royal trumpets blasted over the sound system and almost gave her a migraine. While holding her ears with her taped hands, she turned around to see why such ludicrous music was playing at an obnoxious volume. There he was in all of his nose-in-the-air arrogance: Chris Duncan riding a horse while wearing a musketeer outfit: a blue tunic with a crucifix on it, black leather pants, knee-high brown boots, and a fedora with a feather in it. His bloated neckless bodyguards were also dressed in musketeer garb.

Chris swung his thin blade and pointed it at Jane before giving her a saucy smile and a wink. Jane responded with a shake of her head and a bruised middle finger, to which Mr. Duncan gave a royal belly laugh. The audience around her didn’t know whether to cheer or boo, so they just sat in wide-eyed silence. Then again, that could have been the pot talking. Jane took another swig of booze as Chris dismounted his horse and slapped it on the ass to send it trotting out of the theater. The speaker took the center of the stage with his bouncers standing at the edge, arms folded and attitudes in check.

The speaker adjusted the mini-microphone on his tunic and said, “Testing, testing, one, two, three.” Sure enough, everybody could hear him loud and clear as evidenced by the mixture of cheers and boos. The initial shock of Chris Duncan coming down in a musketeer outfit war off in a big fucking hurry once they figured out what he really came to talk about. Knowing that time was near, Gravedigger Jane took yet another swig and let out a monstrous burp.

“Ladies and gentlemen,” opened Mr. Duncan. “You’re probably wondering why I’m out here dressed as a musketeer. Two reasons: one, the musketeer has always been a symbol of loyalty to king and country. I’m loyal to my country and I would like to make it great again, if you know what I mean!” The mixed reaction blasted through the arena once again, but Gravedigger Jane sat still and clicked her knuckles.

Pacing around the stage and swinging his saber, Chris said, “The other reason I’m wearing this outfit is because it doesn’t look anywhere near as ridiculous as the dresses men put on to pass as women. You’ve got big ass men with neck beards going down to their knees walking into women’s bathrooms and locker rooms and this university doesn’t do a damn thing about it! It’s time we scrubbed this politically correct filth from college campuses everywhere! Political correctness is a threat to our free speech rights in the same way these so called transgender students are a threat to our purity! And while we’re at it, let’s get rid of the rest of the fag population!”

While the auditorium unleashed a firestorm of half-cheers and half-boos, Gravedigger Jane’s muscles were bulging in red hot anger. Her teeth were clamped tightly enough to make her granite jaw ache. She popped both of her wrists while staring bullets into Chris Duncan. The sick prick pointed his musketeer sword at her and she knew it was time to get her violence on, but not just yet.

“You see that man slash woman over there? Boxing fans might know that person as Gravedigger Jane. But I know him as Kevin Ferguson!” snapped Chris. The combination of hearing her old name along with the catcalling of the crowd caused the blood vessels in Jane’s eyes to pop like hot air balloons.

Chris had only begun his verbal assault. “Thanks to your school’s lenient policy on gay crap, Kevin over here can waltz into a woman’s locker room without so much as a bat of the eye! He can swing his dick around like a baseball bat and let his nuts hang down to his feet in front of all those poor women! Not only that, but he can punch out women legally and split their skulls down the middle! You call this equality?! I call it bullshit! You’re a fucking man, Kevin! You will always be a man!”

The guffaws of laughter, the screaming, the vulgarity of Chris Duncan’s speech, they all led to the tightly-muscled, predatory-faced, and stone-fisted Gravedigger Jane to pop out of her seat and storm down the aisle towards the stage. The fat bouncers formed a blockade between Chris and Jane while the former dropped his saber and backed off, screaming, “Whoa!” multiple times in rapid fire succession. Jane breathed heavily and punched her fists together while the students chanted, “Fight!” repeatedly.

“Easy there, Kimbo Slice!” shouted Chris. “You’re not going to do a damn thing to me! This is America and I’ve got free speech until the day I die! Nobody’s making you be here! Go run off to your safe space, little boy!” To add spice to his already flaming rhetoric, Chris stood on the edge of the stage and pointed his chin out to the crowd. “You want to hit me so badly, go right ahead! I’ll sue the shit out of you and have you blackballed from the sport! Come on, tough nuts! Throw a big one! Knock my ass out!”

“I’d love to knock your ass out, you little turd biscuit!” shouted Gravedigger Jane. Despite the raucous noise of the crowd, she was as audible as every news pundit who liked to turn it up to eleven. She even threw her hood back and revealed her corn-rowed hair and rolled back demonic eyes. Chris’s own eyes were wide with horror as he slowly backed away while Jane gave her oratory.

Jane continued with, “I paid for my tuition by beating people up! I’ll punch you so fucking hard you’ll be shitting teeth for two weeks straight!” Using her taped hand for visual references, she gritted her own teeth and throatily bellowed, “Your nose will be stapled to the back of your head! Your eyes will explode like little hand grenades! Your brain will splatter like a bucket of paint! I’m not even sure you’ll have a fucking head by the time I’m done with you!”

Chris slipped on his ass and convulsed in terror as the students chanted, “Fight!” some more. Gravedigger Jane looked like one of her punches could tear this whole building down. She looked like a simple left jab could turn these bouncers into protoplasmic jelly. She was ready to start swinging and show why she was a multiple time boxing champion.

But then a tear rolled down her cheek and her bear trap jaw trembled and ached with sorrow. Once that one tear rolled down, several more followed. The levies in her eyes broke in the same way her heart did. With a shaky voice, she said, “You’re right about one thing, though: if I punch you or your bouncers out…I could lose my career. I could lose my scholarship. I could lose everything. You’re not worth it. You’re loud and stupid as hell, but you’re not worth it. I…I…um…”

The avalanche of tears interrupted her passionate speech to where all she could do was storm out of the theater with half of the students chanting, “Get a job!” in succession. She slammed the door behind her and plopped backwards against the brick wall. The tears wouldn’t stop coming. They raged on and on while all Gravedigger Jane could do was punch the bricks behind her and scream with no audience…except for the horse.

“What are you looking at? Huh?” asked Jane with trembling lips, the same trembling lips that took yet another swig of booze. And another. And another. The horse gazed at her with innocent puppy dog eyes and Jane said, “Aw, fuck it, you can have some too.” She gently poured some booze into the horse’s mouth and watched it drink the last of the liquid courage. “That’s some strong shit, isn’t it. It’s not doing a damn thing for me right now, but oh well.”

As Jane tucked the flask in her vest, the horse started shaking its head and neighing in a thunderous voice. The transgender boxer watched the erratic behavior turn into violent galloping and said, “What the hell?” More neighing and more galloping ensued before the lightweight drunken horse stormed inside the theater to the sounds of horrified screams.

Jane placed her ear against the door and heard even more heavenly sounds: furniture being destroyed, bones shattering, even Chris Duncan and his bouncers couldn’t help but cry like bitches in pain and terror. She even heard Chris yell, “Why, sweet god, why?!” The next “Why?” he let out was more like a child’s whine and less like a brave and mighty musketeer. This put a smile on Jane’s face as she wiped away the tears.

She was nearly bowled over as students flooded all exists in an attempt to escape the drunken horse’s mad kicking. Soon enough the horse itself chased after a winded bouncer and toppled him before stomping the shit out of the poor bastard. Jane’s smile was even bigger than before and her rainy tears were all but gone.

As soon as the doorway was cleared, she peeked inside and saw broken bodies of students and bouncers lying about in total agony while theater chairs were splintered into nothing. Chris Duncan huddled in the fetal position while holding his groin and coughing up blood. He cried like a baby as he met Jane’s warrior gaze.


“For the record,” Jane shouted. “I didn’t lay a finger on you! Your stupid horse did! I guess the horse won’t have a boxing career after all! Maybe that big ass thing shouldn’t be trotting into women’s locker rooms with his saber sticking out! Adios, amigo!” Gravedigger Jane blew Chris Duncan a kiss before shutting the door behind her and leaving her haters covered in blood and darkness. Freedom of speech wasn’t free. In fact, the price was higher than Chris’s new soprano voice.

Wednesday, June 7, 2017

Talk to the Wind

***TALK TO THE WIND***

I’ve said many times in the past that Martin Kesici (KIZ-uh-chee) is one of the most underrated rock stars in the world today. He’s got charisma, he’s got a voice of gold, and he knows how to get heavy when it counts. But if his Wikipedia stub is anything to go by, he doesn’t get the fame and fortune that he deserves. Yes, I know that any dumb-ass can edit a Wikipedia page and without proper sources those pages are unreliable. There are even rock musicians today that don’t have their own Wikipedia page at all, I get that. But if I say the name Martin Kesici to you, what do you associate that with? Exactly. Try finding him on iTunes, by the way, see how far you’ll go.

I can tell you firsthand that Mr. Kesici deserves more recognition because his 2005 album “So What?” and his “My Heart Beats Pain” EP can tug at the heartstrings while rocking your ass out at the same time. I know I’m beating a dead horse when I talk about my lonely WWU days, but Martin Kesici’s music was one of the things that got me through it all. From the moment I heard his duet with Tarja Turunen called “Leaving You For Me”, I knew I had to have the “So What?” album. On that same album is a song called “Talk to the Wind”, which invokes imagery of heartwarming romantic love. Lord knows I’ve had plenty of crushes in college, so thinking about them with this song playing in my headsets was pure heaven. As long as I had this song, I never had to feel lonely or depressed ever again. Here are the lyrics:


VERSE 1
In a little wooden church with stained glass windows
You came walking down the aisle with your perfect smile
Ever since that precious day, we’ve always been together
And we’ve had our ups and downs, but we’ll always come around

CHORUS
I talk to the wind when there’s nothing left to say
It gets rough sometimes, but I know we’ll be okay
Just a whisper in my ear is enough to bring me back
To when you gave yourself to me in the church by the sea
I talk to the wind

VERSE 2
People say we’ll never last, that it happened way too fast
Yes, we’ve had our share of fights and lonely nights
But I knew it when I saw you, your big brown eyes
That no matter what we go through, we will always get by

CHORUS
I talk to the wind when there’s nothing left to say
It gets rough sometimes, but I know we’ll be okay
Just a whisper in my ear is enough to bring me back
To when you gave yourself to me in the church by the sea
I talk to the wind

BRIDGE
When it feels like the end of our journey
All we need is to keep the wheel turning
No matter what comes our way

CHORUS
I talk to the wind when there’s nothing left to say
It gets rough sometimes, but I know we’ll be okay
Just a whisper in my ear is enough to bring me back
To when you gave yourself to me in the church by the sea
I talk to the wind


***WEEKLY SHORT STORY CONTESTS AND COMPANY***

It’s a brand new week at the WSS and it’s time for a new story, this time with the prompt suggestion of “teeth”. There are lots of things an author or poet can do with teeth, but here’s what I’d like to do. It’s called “The Ballad of Gravedigger Jane” and it goes like this:


CHARACTERS:

  1. Chris Duncan, Political Pundit
  2. Gravedigger Jane, Transgender Boxing Champion

PROMPT CONFORMITY: Gravedigger Jane has loosened her opponents’ teeth many times during her boxing career. The same fate could befall Chris Duncan if he keeps running his mouth.

SYNOPSIS: Chris Duncan is a guest speaker at Beachside University and his topic of choice is running down the LGBT community. He gets an equal amount of cheers and boos from the student audience, but things get heated when he singles out Gravedigger Jane for wanting to use female bathrooms and locker rooms and for fighting other female competitors. Instead of taking another minute of abuse, Jane storms down the aisle in an attempt to beat the holy hell out of Chris. The only things keeping her from doing so are the heavy security detail and potentially being blackballed from college boxing if she goes through with it. The more Chris taunts her, the more punchable his face becomes.

FUN FACTS: This story has two sources of inspiration: the MMA community’s bigoted reaction to Fallon Fox in 2013 and Milo Yiannopoulos’s visit to a college campus where he bullied a transgender student in front of the audience. As you can tell, this story is going to push more buttons than an old school arcade game cabinet.


***MASHUP IDEAS***

In a moment of sheer boredom, I came up with ideas for mashup songs. I have no idea how to make a mashup song, but if one of my readers out there does, here are some suggestions you can try:

  1. Five Finger Death Punch vs. TNA: “Under and Over Feedback”
  2. Limp Bizkit vs. Spice One: “Born 2 Truth”
  3. Linkin Park vs. From Ashes to New: “Breaking In the End”
  4. Linkin Park vs. Street Fighter Alpha 3: “The Faint Road
  5. Seether vs. Martin Kesici and Tarja Turunen: “I’m Fine with Leaving You For Me Again”
  6. Tribe Called Quest vs. Earthbound: “Weird Butter”


***DARK FANTASY WARRIORS***

Ever since I’ve started writing sci-fi and fantasy stories for the WSS once again, I’ve had more ideas for drawings. The latest in this series will be Lux, the control engineer behind Kobra’s illusions in the short story “I Am Death”. She’ll probably look vastly different from how I’ve described her in the canon, but I’ll try my hardest to be at least somewhat faithful to her white dress, black boots, and black mask outfit.


***TELEVISION QUOTE OF THE DAY***

“Who are some of your favorite bands? I like the Various Artists.”


-Adrian Monk-

Thursday, June 1, 2017

I Am Death

Kobra and Lux embraced each other lovingly as they watched the scene unfold from their abandoned building hideout. Black protesters, with rage on their faces and profanity on their cardboard signs, surrounded the courthouse waiting for the perfect moment to unleash their fury. White hooded Klansmen stood on the opposite side with nooses and effigies to show their disgust. In between the two extreme parties were police in riot gear, armed with batons, tear gas grenades, and facial expression fiercer than an entire hunting party of starving wolves.

Lux, dressed beautifully in a fairy-like white dress, black knee high boots, and a glittery mask over her stunning blue eyes, gazed into her lover with and said with the softest voice, “What will happen if this plan doesn’t work?”

Kobra, with a snake’s mask covering his face and black robes with skeletal armor covering his toned body, stroked his girlfriend’s long black hair with soothing comfort and said, “Let me put it this way, my love: we don’t have a choice. Any minute now, the verdict for Keith Turner will be revealed. No matter what it may be, this city will descend into chaos in a heartbeat. I never really did like politics, but I hate senseless violence even more.” He touched a gentle finger underneath Lux’s chin and said, “Everything will be alright. The devices are rigged, everything is in place, and we’ve rehearsed this act until the end of time. They’d be foolish not to be frightened by Death himself.”

“I love you, Kobra.”

“I love you too, Lux.”

The two magicians shared a passionate tongue kiss only to be distracted by the noise going on outside. They peered out their window and saw Keith Turner and his lawyers dancing happily down the courthouse stairs. No shackles. No cuffs. Not a damn sign that he had been found guilty. The long brown-haired defendant even had a sadistic smile on his face. Kobra shuddered to think that was the look he gave the eight-year-old black girl before he murdered her in cold blood. And now the illusionist’s blood came a rolling boil now that this racist son of a bitch would walk free.

Just like Kobra predicted, the scene outside the courthouse descended into madness upon hearing the news that Keith Turner was free. Black protesters shouted and scrambled toward the heavily-guarded murderer while slinging their signs like steel chairs in a wrestling match. The KKK members swarmed the protesters and threw haymakers and shin kicks, not to mention a few choice N-words and other delightful racial slurs. The riot police struggled to maintain order and instead resorted to swinging their batons at anything that moved, be it protester or Klansman. Blood filled the streets of Paulson City and Mr. Turner watched from the stairs above without an ounce of warmth in his heart.

“It’s show time, Lux. Levitate me!” demanded Kobra. The magician had thin wires running through his robes that were undetectable by sunlight, yet powerful enough to hold his 180 lb. frame. Once Lux pounded a few buttons on a nearby control panel, those wires gave the illusion of floatation as Kobra “levitated” out of the window and high above the riot in progress.

Only a few rioters and police officers stopped to watch the floating death angel with wide-eyed awe and wonder. Kobra gained everyone’s full attention when he pulled a tab inside his robes and unleashed a pair of metallic angel wings. He winked at Lux inside the hideout and prompted her to activate the flamethrowers rigged on both sides of the street. This burning gesture was on cue with Kobra raising his arms in the air and extending his fingers like a sorcerer casting spells.

What once was a riot full of angry people and weary cops now turned into a theater with a dumbstruck audience. No more bloodshed, no more racism, just shaky bodies and faces of fear. Kobra loosened a few bladders and bowels once he swung his arms to the side and summoned a hurricane force wind around his body. He threw down his hand and tossed a rigged lightning bolt onto a gimmick fire hydrant, which exploded into a secondary Old Faithful.

One of the cops pulled out a shotgun and tried to squeeze off a few shells in Kobra’s direction. The combination of wind, lightning, and fire blew the ammunition every which way and almost blew out one of the covered-up flamethrowers. Instead of wiping off his sweaty brow in relief, Kobra went right into his distortion box-voiced tirade against the masses.

“Fools! Each and every one of you! You’re nothing but goddamn fools!” shouted the masked illusionist. “You’re gathered here today to spread mayhem and murder, the same mayhem and murder that the idiot in the gray suit was so happy to commit not too long ago!”

Even as Keith Turner stared daggers at him with a brown-toothed smile, Kobra wouldn’t shake and stutter so easily. The magician pointed an elongated, bony finger at the killer and shouted, “If you think you’re going to get away with your sins so easily, you’re sadly mistaken! I am Death himself! I am nightmare fuel! I speak the words of every victim you have claimed! That girl you killed had a name! That name is…”

“Shut up! Shut the fuck up!” Keith interrupted with a booming voice. “Does anybody else here think this Angel of Death garbage is a bunch of bullshit?! Am I the only one who sees this cocksucker for who he is?! You don’t scare me, snake boy! None of y’all niggers scare me either! White power!”

With Mr. Turner performing a Nazi salute, the KKK members did the same before clashing with black protesters and riot police once again. Their nationalist rage transformed back into pants-wetting, voice-stealing fear once Kobra shot a lightning bolt a jimmied mailbox and ignited the flamethrower underneath. “Silence, you fools!” shouted the Angel of Death.

“If you think those streets are bloody now, keep testing my patience!” bellowed Kobra. “I shall turn this city into hell itself! I shall turn this world into a necrocosm! I shall avenge every restless soul…”

“Blah, blah, blah, blah, blah! Yeah, we get it! Armageddon and shit!” yelled Keith with his arms folded and arrogant anger etched on his face. “Tell you what, shit head! Why don’t you float on down here and I’ll rearrange that pretty little snake face of yours! No more magic tricks and hocus pocus bullshit! Just you and me slugging it out, baby!”

Kobra sweated profusely inside his costume trying to think of ways to keep his bluff alive. He had an idea, but it was risky. But with no risks came no rewards. Either this would pay off or it would get him killed. “Tell you what, Mr. Turner,” said Kobra in his usual demonic aura. “Why don’t you come over here instead! You think this is a gimmick?! You think this is a fairytale?! I don’t deal in fairytales, you sodomite! I deal in death! Bring your bastard ass over here and prove to me you’re more than just a coward who targets children!”

Keith took off his suit jacket and angrily threw it to the floor before cracking his knuckles and putting his dukes up. He breathed heavily like a beast ready to jump on its prey. But then he chuckled egotistically and said, “Who am I kidding? I’m a free man. I’ve got nothing to prove to you. You’re the one breaking the law, not me. Hey, officers! Do your job and put this pinheaded asshole on trial! Maybe these jiggaboos out here can get a hashtag going on Twitter that says Snake Lives Matter or some shit.”

“Suck my dick!” shouted a random protester who threw a cardboard sign at Keith. With kicks, punches, elbows, and knees being thrown every which way, the rioting crowd and the armored police were back to square one with the bloody violence.

Kobra had one last trick up his sleeve and he had to make it count. He turned to his lovely partner Lux and gave her thumbs up before dragging that thumb across his throat. She smiled and nodded at him before pulling the biggest lever her control panel had. Slowly but surely, a parked police van on the sidewalk levitated off the ground with the same invisible wires to support it, though nobody could see them.

The fighting ceased once again despite Keith Turner’s constant bellowing that this was just another “hocus pocus stunt”. The higher in the air the van got, the more the crowd parted like the Red Sea. Protesters, cops, and Klansmen alike dispersed from the streets running like Olympic athletes. They left behind a battlefield of blood and bodies. There were even wounded bodies in the streets struggling and crawling to get away.

“This is horseshit! This is absolute horseshit!” Keith complained. He jumped into the nearly empty streets and started kicking the dead bodies of black protesters. “I’m so sick of this crap! Black lives don’t matter, motherfuckers! Your lives don’t mean shit to me! I’m sick of that stupid goddamn hashtag going around the fucking internet! You hear me?! I said do you hear me…”

The wires, being thin enough to evade detection, were bound to snap with that much weight underneath. Kobra knew this part of the illusion was a bad idea and covered his eyes, not wanting to watch his cinematic masterpiece crumble beneath him. But the sound of metal crunching on concrete deafened his ears, he opened his field of vision again to see that the only thing crumbling beneath him were Keith Turner’s bones. He was crushed underneath the wrecked vehicle with just his head poking out and his eyes bulging from his skull.

The poetic justice brought laughter to Kobra’s throat from the depths of his belly. It was an evil laugh that only a sick and sadistic demon could pull off. He even raised his hands to set off more flamethrowers and lightning bolts to keep his gimmick alive in the eyes of those still hanging around (which weren’t many). The howling laughter continued even as Kobra was slowly being pulled inside the hideout by Lux’s controls.

The illusionist stripped off his robes, skeletal suit, and angel wings to reveal a T-shirt and jeans underneath. “How did I do?” asked Kobra with a sexy smile on his face.

Lux wrapped her silky arms around her lover’s neck and said in a seductive voice, “I hope they give out Oscars for performances like that. You were wonderful, my dear. You even had me scared for a minute. Come here, sweetheart.” The magic-wielding couple pulled each other in for an emotional kiss. This illusion was a long shot in the making, but it paid off handsomely. Magic was real whether it was in the bloody streets of Paulson City or in the embrace of two passionate sorcerers.

“I love you, Kobra.”


“I love you too, Lux. Don’t ever forget that.”

Tastes Like Chicken

(As a parody of “Back From the Dead” by Skillet.)

B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Hot and crispy in the deep fryer
‘Cause you all try to wolf me down
A big belly for the hungry buyer
Putting on a hundred more pounds

The extra carbs bulking up your thighs
A diabetes pen just to stay alive
The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Eat the skin, it’s the best part
Take a six or seven hour nap
Unleash the beast, a typhoon fart
Now your bed is full of piss and crap

The extra carbs bulking up your thighs
A diabetes pen just to stay alive
The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

Deep fried, homicide, a beached whale in the tide
Mashed potatoes on the side
Feeling full, feeling wide

The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

Dead tonight!
B-B-B-B-B-Bok-Bok-Bok from the dead tonight!
B-B-B-B-B-Bok-Bok-Bok dead tonight!

B-B-B-B-B-Bok-Bok-Bok from the dead tonight!