Showing posts with label KFC. Show all posts
Showing posts with label KFC. Show all posts

Wednesday, February 16, 2022

Jerry Frost Is the Colonel Sanders of Jim Roots

We’ve all had days where we were out of fettle. Getting out of bed couldn’t be harder if you were cuffed to the fucking thing. Even the act of ordering fast food proved more difficult than cooking a three-course meal yourself. The wintry mix of gray diarrhea and depressive smoke bears down upon you whether you have a roof over your head or not. Wouldn’t it be nice to have somebody to talk to during these difficult moments? Someone who won’t judge you (because your brain does that enough already). Someone who won’t make you talk about things you’re not comfortable with. Someone who can put things into perspective in a way you couldn’t see before (probably because your damp eyelids were too heavy to lift). That someone could very well be licensed art therapist Jerry Frost, one of the few RPG characters I managed to get right.


Okay, so he wasn’t 100% perfect, but who would want that anyways since Gary-Stus are about as appealing as a wet paper towel. But while his portrayal of a psychotherapist was dead-on, his background story could have used a hell of a lot more work than I gave it. His childhood would have given Sigmund Freud a massive stroke (the kind in his brain, not the kind in his jockey shorts, you sick fucks). Jerry’s parents were tough on him as they pushed him towards becoming a STEM guy. He could forget his artistic pursuits and just mix chemicals all day long, because that’s what the wallet wanted. But even Jerry knew that wallets were hungry for more than just Big Pharma money or electrical engineering cheddar. Just like with menus at restaurants, there were many avenues for Jerry to choose from. But his strict parents insisted he become a STEM guy, because that was the wallet’s equivalent of an all-you-can-eat Brazilian steakhouse.


Jerry had other plans. Mixing chemicals and fusing wires together sounded about as much fun to him as watching dust accumulate on his bookshelf. Why care so much about the dust when there were perfectly good books there with stories of dragons and elves, kings, queens, and themperors, magical diamonds and fiery swords? He could write his own stories. He could draw his own creatures. He could compose acoustic guitar songs about an elven archer’s final shot into the heart of a cannibalistic ogre. He could do it all! But of course, the message of STEM guys being paid handsomely was beaten into his head so much that he had to come up with a nice compromise so that he didn’t get chucked out of the house before he was ready. Jerry Frost would become an art therapist. He still got to explore his creative avenues, but he could satisfy his STEM obligations since psychology is still a science.


So far, so good. He’s got a background story. He’s got motivations. He’s got a psychological edge to him. Now all he needs is a way to pay for college so that he can get that degree and get out there into the world. And he plans on paying for it by…working extra hours at KFC. Why wouldn’t he want to work at KFC? He looks like Jim Root from Slipknot and Jim Root has that beard and hairstyle combo that almost reminded him of Colonel Sanders. Jerry Frost is the Colonel Sanders of Jim Roots. He made a shit-load of fried chicken and served it to the hungriest bellies, all day, every day, until he earned enough to pay for his tuition. There’s just one problem with all of this: in the real world, working at KFC doesn’t pay for shit. Barely surviving in an apartment that costs an arm, a leg, a brain, and a heart is closer to reality than this dream scenario I concocted. It’s a uniquely millennial and Gen Z experience. That is where Jerry’s back story falls apart.


Another way in which it falls apart is through the act of art therapy itself. I didn’t learn this until after the RPG session, but apparently, having art as your most obsessive hobby is dangerous, because once he lose the will and the energy to do that, you’re left with nothing. Absolutely nothing. I felt personally attacked by this revelation (another uniquely millennial and Gen Z idea). As of today, almost everything I do involves creativity in one form or another: writing, reading, drawing, photography, even watching movies has creative merit (media literacy). And once I’m too tired for creativity, then what? Do I just lay around and wait for the feeling to pass? Yes! Jerry Frost probably should have warned his first patient Christian that this was going to happen, but like the chicken he made, his brain was too fried to comprehend such possibilities.


And thus we segue from the back story to the main role-play. Jerry Frost has his office set up just the way he likes: heavy metal posters nailed to the walls, drawings strewn about on his desk, books on a wooden shelf that told stories of epic fantasy battles and space opera death matches, and of course, a marble skull on his desk. Why a marble skull? Does he really need a reason? Yes, some of these decorations sounded too creepy to be in a psychologist’s office. The In This Moment poster with bloody hands sticking up and the Pink Floyd poster with the screaming face come to mind the most. But Christian didn’t seem to give two fucks about that. He was just sitting there on a puke green couch with his head in his hands and a shit-load of anger boiling inside of him. And so Jerry asked him, “What brings you to my office today?”


Obligation. That’s what brought him there. Christian didn’t see the point in coming, only that he had no other choice. Jerry, being the art therapist that he was, recommended some creative activities as a form of free association, or piecing together someone’s psychological makeup through symbols and phrases in the creations. Jerry even recommended rocking out to Sepultura to getting all of that anger out of his system. And then Christian lost it. “NO! I don’t want to rock out to Sepultura! It’s not going to bring her back!” Jerry knew that he fucked up badly. He pushed buttons that he had no business pushing. Any minute, Christian could have walked out of the room and this would mark Jerry’s first failure as a psychologist. And then he asked…


“What do you mean ‘bring her back’?” And suddenly, Jerry was on the right track once again. Christian opened up about how his lover was murdered by her own family. He wanted to get revenge on them through murder of his own, but if he did, he and Jerry would be doing this session from a prison cell that’s scarier than any heavy metal poster-decorated office. There would be no marble skulls in his cell except for the ones shattered on the floor by a dude named Bubba. So instead of murder, Jerry suggested a creative activity once again, this time as a positive outlet for his pain. Yes, drawing pictures didn’t solve everything, but they were something. And wouldn’t you know it, Christian drew a nice picture of his lover with techniques that even surpassed Jerry’s own abilities. Jerry showered him in compliments and earned his trust, while also keeping his job and his license. But the trust and the humanity was more important than a constantly starving wallet.


In the final moments of the role-play, Christian wanted to take Jerry on a field trip to the cemetery to pay respects to the dead girlfriend. But before that scene could come to fruition, the RPG group went dark for the longest time. It didn’t get deleted. It was just…inactive. A ghost town, of sorts. I didn’t know when they were going to be back. I didn’t know what the future held for Jerry Frost. So I left the group without saying goodbye. Do they still think about me to this day? That’s the hope I have with a character like Jerry Frost. I wanted him to have a positive impact on my fellow role-players.


Come to think of it, that’s what I want for myself going forward: to have a positive influence on the people who read my stuff. For years and years now, I’ve been writing stories purely for shock value. Yes, they had a clear-cut narrative with a beginning, middle, and end, but they also had things like torture, rape, pedophilia, and a whole shit-load of disgusting garbage that would never qualify as positive in this or any other world. Some people don’t mind being disturbed, but if that’s all I have going for my stories, then that’s a good way to drive my audience elsewhere. Everybody has their limits when it comes to raunchy content. We all have things that disgust us beyond belief and none of it makes us “snowflakes”. Okay, maybe the people who are asking schools to remove Maus could be considered snowflakes, but that’s beside the point. At least Art Spiegelman had a message. What do I have? Shock! I’ve got shock!


Jerry Frost is one of the few shining examples I have of a character gone right (KFC and art therapy be damned). He didn’t have to be an edge lord. He didn’t have to be vile. He didn’t even have to be overly flawed. Being a gentle and understanding soul was a requirement for the job he took. If it feels like he’s not flawed enough, that’s why. Yes, he did almost cause Christian to storm out of his office when he pushed the art therapy narrative too hard, but that’s only because he’s still a rookie at his profession. Inexperience is a great flaw for a character to have.


So…will I revive the Jerry Frost character in a future RPG? How about a future story? Or a poem? That all depends on whether or not I need a psychologist in any given work. He has potential to be something greater than a flash in the pan. I might have to tweak his back story a little bit, but there’s still hope for him…somewhere in the world…

Thursday, October 26, 2017

Chicken of the Night

Mikris Nagata crouched in the bushes outside of KFC and peered through the windows with cobra venom in his pupils. His brows furrowed and his muscles tensed with every chicken wing the patrons stuffed in their jowly mouths. Even through double pane glass, he could hear their lips smacking and their tongues clicking off of their palettes. Obese men and women with their costume-dressed children devouring members of Mikris’s own brethren. The sight made the contents of his own stomach swirl around like toilet water. Why subject this massacre to small children? Wouldn’t the pillow cases full of Butterfingers and Reese’s Pieces have been enough? This wasn’t a fast food establishment; it was a graveyard for the overweight.

Every night Mikris hid out in front of this restaurant, waiting for the perfect time to strike. So many people gathered in one place on Halloween night: the opportunity was handled to the chicken samurai on a silver platter. The chairman of the Dread City Rifle and Revolver Club Steve Coleman was there licking the grease off of his sausage fingers while barely fitting into his booth. The manager of this establishment Bill Shane was behind the counter dishing out members of Mikris’s race at a chippy’s price. So much gnashing on dead chickens. So much sadistic enjoyment. So many large bellies. Mikris’s mind raced at a million miles per hour. He had to strike now or this would be another missed opportunity to avenge his people!

The chicken warrior stood up and unsheathed his double katanas, scraping the blades against each other while his beak clamped down in fury. With one shrill war cry squawk, Mirkis bolted towards the restaurant and crashed through the glass wall shoulder first, earning screams from fat little kids and gasps from their monstrous parents. Shards of glass nicked the parents’ skins, but still they stood in front of their little ones as the KFC clientele backed away at the sight of Mirkis swinging his blades and squawking like hell.

“I don’t go to your hospitals and devour your infants,” whispered Mirkis while accusingly pointing his blades at the patrons. “I don’t go to your graveyards and defile your loved ones. I don’t go to your police stations and military compounds and snack on soldiers. Why then would you disgusting people think it’s okay to munch on my species! Why do you think it’s okay to treat them this way in such horrible farming conditions!”

“Don’t listen to him, guys,” dismissed Steve Coleman with a wave of his meaty paw, still holding a drumstick. “It’s just some hippie faggot in a chicken suit. I’ll bet he also dresses in a cow suit before he hits up the Burger King. Or maybe he’ll dress up like a big ol’ potato and harass the guys who make Freedom Fries at McDonald’s!” The patrons chuckled at Steve’s dialogue.

“I assure you, sir, this is not a Halloween costume. And this is not about liberalism or conservatism. It’s about basic human decency. You can’t lock up a serial killer like Jeffrey Dahmer and then eat members of my clan right in front of me at the same time! Next thing you know, you’re going to start using Military Intelligence to find Jumbo Shrimp and eat those too!” belted Mikris.

A shotgun’s pump-handle echoed throughout the restaurant followed by an authoritative Southern voice shouting, “Hold it right there, goddamn it!” It was Bill Shane, nametag, apron, shotgun, and all. With the double barrels pointed squarely at Mikris, Bill said, “If you think you’re going to ruin Halloween night just so you can spread your hippie-dippie BS, you’ve got another thing coming, mister. Now put down them Jap swords and approach the counter with your fluffy feathers of your head!”

Another gun clicked and it belonged to Steve Coleman, the proud owner of a Desert Eagle Magnum big enough to fit in his frying pan-sized hands. “You’d better listen to him, buddy. You’ve caused enough trouble tonight. Don’t make either of us pull the goddamn trigger!”

Mikris chuckled hard enough to shake his waddle back and forth. “You actually think those tinker toys are going to get you guys out of this mess? Give me a fucking break. If you guys had any balls whatsoever, you’d put down the chicken wings and play army boy overseas! Now that I think about it, you’ve got all the oil you’ll ever need in those deep fryers.”

“You want to joke around, motherfucker?” taunted Bill. “That’s right, keep running your mouth. Keep giving me a reason to shoot your ugly-ass head off. If you think what we do to your so-called brethren is bad, I’m willing to bet these fine folks wouldn’t mind dining on your sorry ass right here tonight! Who’s ready for some chicken tonight?!” The patrons cheered their heads off while waving drumsticks in the air like confederate flags.

“Enough!” shouted Mikris as he grabbed a gigantic father of five, held his blades to the guy’s throat, and used him for a human shield. His children screamed and tugged on Mikris’s legs for him to let go, but the chicken warrior wouldn’t listen. “Lay down your arms or he’s a dead son of a bitch! Don’t make me do it! I’ll fucking do it!” Slowly and surely, Bill Shane and Steve Coleman set their firearms down, kicked them over to Mikris when ordered to do so, and held their hands in the air.

Amidst the crying children and confused parents clutching tightly to them, Steve begged, “For God’s sake, can you at least let the rest of these families go? You don’t need to hold them hostage too!”

“You think these little brats are innocent?!” belted Mikris. “These little cannibals are just as disgusting and lazy as the rest of you! They’re going to grow up to be heartless bastards just like their parents, that is if they live past their twenties!” With a crazed look in his eyes, he scoped around the restaurant at all of the crying patrons and said, “You all want me to die too, don’t you? You proved that much when you pointed those guns at me. Well, if you really want to die at KFC…you’re going to have to do it the old fashioned way by eating your ass off!”

One slash was all it took for Mikris to rip his hostage’s shirt off, revealing a set of man tits and a hairy chest and back. “Dear god, that’s some disgusting shit!” the chicken squirmed. “It almost reminds me of what you guys are eating right now! But you know what? It can’t be any worse than those Kit-Kat bars your children have in their pillow cases.” He traced a finger across the man’s shoulder and parted his body hair, much to the wide-eyed horror of everyone around him. “Well, you know how that saying goes: I’m going to open my mouth, close my eyes, and you’re going to give me a big surprise!”

Mikris’s beak was open wide enough for everyone to see his dangling uvula. Drool ran down his mouth and his closed eyes were watering with anticipation. The hostage yelled, “No!” as the chicken warrior leaned his head down to take a nice big chomp out of human flesh. When he clamped down on the meaty treat, it tasted crispy, greasy, and sweet all at the same time. He chewed slowly and savored the flavor while his hostage sobbed like one of his little girls. Such a heavenly treat. Such a symphony of flavors erupting on his chicken tongue. Mikris swallowed his meal and slowly opened his eyes to admire his violent handiwork.

His eyes were bulging out of their sockets when he saw he had instead taken a bite out of a piece of chicken that Steve Coleman held to his mouth. The children pointed and laughed as the avian samurai trembled in horror. He slowly lowered his blades from his hostage’s throat and stumbled backwards with an expression of fright appropriate for Halloween night.

“How does it taste, chicken man?” asked Steve with a wide grin. “You know what you hippie-dippies always say: don’t knock it until you’ve tried it.”

Mikris was going to come back with snappy dialogue, but his beak convulsed so violently that he couldn’t form a sentence. All he could do was cluck nervously while tears poured down his feathered face and children giggled at him with sadistic delight. He could feel his own brethren sloshing around in his gut and making him just as fat and lazy as everyone around him. This was what it meant to dine on his kind. The phrase “you are what you eat” has never before been used in such a cruel way.

Mikris Nagata could feel the murky sewage in his stomach bubbling while his head felt lighter than the feathers on his body. He stumbled around like a drunken zombie struggling for equilibrium. He could feel the boiling sensation in his throat. He couldn’t breathe. His lungs burned like he had swallowed a branding iron. And then, the viscous acid flowed from his beak and drenched Steve Coleman’s MAGA T-shirt and sagging blue jeans.

The children laughed even harder than before, to which Mikris mockingly asked, “You like that?! You fucking like that?! Have some more!” The chicken samurai unleashed a barf storm that covered the entire restaurant and their patrons in sick fluids. A chaotic exodus from KFC saw customers trample over each other, not giving a shit about the small children trick-or-treating that night, just to get the hell away from the foul odor of vomit and shame.

Bill Shane clutched his head in sorrow while his costumers, Steve Coleman included, dashed away from his place of business. There was no way he would pass a health and safety check. His business was sure to get shut down. All he could say to that was, “Why?! I didn’t do anything wrong! All I wanted to do was serve fried chicken!”

Mikris wiped the biological sludge from his eyes and watched Bill pathetically cry over the counter with just a loose grip on the shotgun handle. The chicken warrior weakly waddled over to the manager and yanked the gun out of his hands before pointing it at him with evil intentions. Bill begged, “Please! Don’t shoot me! I’m just a manager! I’ve got a family of my own!”

The chicken warrior locked eyes with the chubby manager and got off on his fear. Mikris pressed the barrel against Bill’s cheek like a hard-on and smiled through the slimy filth on his face. His finger danced across the trigger like a nervous tick. The psychosis in his eyes grew more sadistic and perverse. And then Mirkis broke the shotgun in half across his knee before tossing the weapon to the floor. He placed his wing across the crying Bill’s shoulders and said, “Something tells me your patrons would have thrown up anyways. You’d better get this place cleaned up before the health inspector comes!”

“You’re a hypocrite! You’re a fucking hypocrite!” sobbed Bill with his head in his flabby arms.


“I know I am, Mr. Shane. But I have to admit…it tastes like chicken!”

Thursday, June 1, 2017

Tastes Like Chicken

(As a parody of “Back From the Dead” by Skillet.)

B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Hot and crispy in the deep fryer
‘Cause you all try to wolf me down
A big belly for the hungry buyer
Putting on a hundred more pounds

The extra carbs bulking up your thighs
A diabetes pen just to stay alive
The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Eat the skin, it’s the best part
Take a six or seven hour nap
Unleash the beast, a typhoon fart
Now your bed is full of piss and crap

The extra carbs bulking up your thighs
A diabetes pen just to stay alive
The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

Deep fried, homicide, a beached whale in the tide
Mashed potatoes on the side
Feeling full, feeling wide

The Colonel comes out at night
He’s gonna cook me
He’s gonna eat me
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok
B-B-B-B-B-Bok-Bok-Bok

Light it up, light it up, fry the chicken
Feel the rush, feel the rush of your insulin
Here’s your food, here’s your coke, here’s your fries
‘Cause I’m bok, bok, bok from the dead tonight
To the floor, to the floor, have a heart attack
Flying high is your pulse while you’re on your back
Full of fluff like a bird that ate rice
‘Cause I’m bok, bok, bok from the dead tonight

Dead tonight!
B-B-B-B-B-Bok-Bok-Bok from the dead tonight!
B-B-B-B-B-Bok-Bok-Bok dead tonight!

B-B-B-B-B-Bok-Bok-Bok from the dead tonight!

Friday, May 22, 2015

Lawrence Moody

NAME: Lawrence Moody
AGE: 43
OCCUPATION: Romance Author
CANON: It’s Just a Story


Whenever a celebrity is accused of bigotry, it can be a traumatizing experience for that person, especially if he or she is innocent of those charges. Does anybody remember a former UFC bantamweight fighter named Miguel Torres? He was once fired from the company for tweeting a rape joke.

The backlash against him was brutal and maybe he deserved some of that. But in order to ease himself of the trauma, he donated his time and money to rape shelters in Chicago and took sensitivity classes. He was subsequently rehired by the UFC. Dana White could be quoted as saying, “Everybody fucks up. It’s what you do afterwards that makes you who you are.”

And thus we have a segue into Lawrence Moody, a romance author who gears his books toward piggish male fantasies and responds to his critics not by apologizing or taking sensitivity classes, but by physically assaulting them or arranging to have them beaten by police or security detail. The most disgusting part about this? Most of his critics are women and Lawrence is much bigger than all of them.

It didn’t help matters that Lawrence was dating a Filipino model named Venice Reyes and used her sexy photographs as part of the covers to his novels. If anybody needed to be convinced of Lawrence’s “innocence”, it was Venice. The couple got into many arguments over the subject of sexism, mostly while trying to get away from angry female protesters who threw eggs with stinging impact.

Lawrence could do his damnedest to try and convince Venice that he was just a normal guy and not a bigot, but when she actually read his recent novel, she found out what exactly it was he was promoting: wife swapping. Their final argument ended when Lawrence accidentally shoved Venice down the stairs of their home and crushed her skull. The story concluded with Mr. Moody turning himself in to the police.

The fact that I didn’t get any backlash from writing this 12-page story was a stroke of luck. After all, Lawrence was portrayed as the hero and the feminist protesters and critics were the evil antagonists. Originally, I wrote this story to prove the point that zeal, no matter what form it comes in, is no good for anybody. But instead it read like a chauvinist manifesto that I’m now ashamed of.

While it didn’t happen for this story, I have been accused of bigotry before whether it was against women, children, or just plain guys from the deep south. Suffering that wave of verbal assaults was traumatizing for me. Sometimes I would respond by screaming in my critics’ faces and it would bring about even more backlash than before. When I actually apologized for my actions and told the truth of not being bigoted, things calmed down and were much happier for me.

Over the years, I’ve learned being diplomatic is better than being violent. Hatred breeds more hatred while love breeds more love. During the times I was accused of bigotry, I wasn’t aware that I was being prejudiced in the first place. I actually thought those things were normal. Thanks to a broader worldview and a lot of experience, I know how to cool down the fires I start, intentional or not.

If I ever do use Lawrence Moody again, it won’t be in a heroic fashion. He will be portrayed as an example of what NOT to do if you’re an artist of any kind. He will be aggressive. He will be unsympathetic. He will be everything my audience hates in a villain. When he is conquered by his own boiling cauldron of hot rage, he will deserve every minute of his suffering.

He may take the form of a sexist romance author. He may be a politician. He may even be part of the top one-percent of the top one-percent, in which case, he better be ready for Mr. Robot to serve his ass on a platter. No matter what role he takes, Lawrence Moody will never speak for my misguided past ever again.

 

***CELEBRITY QUOTE OF THE DAY***

“If a man wants you for your breasts, thighs, and legs, send him to KFC. You’re a lady, not a cheap value meal.”

-Nicholas Cage-