Wednesday, January 29, 2020

Evil Shit


VERSE 1
I’ve said some evil shit in my day
Most of it I cannot wash away
Words as weapons, letters as venom
My list of sins appeared to be endless
I’m not an angel nor will I ever be
Neither are you, you sin just like me
Everyone’s got something to hide
But sharing it’s a matter of pride

CHORUS
Evil shit! Evil shit!
Fire to breathe! Poison to spit!
Evil shit! Evil shit!
Pure of heart? You’re full of it!

VERSE 2
I’ve done some evil shit in my time
But if I confessed every single crime
We’d be here forever and a day
Not enough room for us to pray
I’m not a cherub or a honey child
I’m not innocent, tender, or mild
Your list of sins is just like mine
God won’t listen to you whine

CHORUS
Evil shit! Evil shit!
Fire to breathe! Poison to spit!
Evil shit! Evil shit!
Pure of heart? You’re full of it!

BRIDGE
Let’s all go to church together
It won’t make everything better
Nobody would ever die for us
Only in ourselves should we trust

EXTENDED CHORUS
Evil shit! Evil shit!
Fire to breathe! Poison to spit!
Evil shit! Evil shit!
Pure of heart? You’re full of it!
Evil shit! Evil shit!
Bullets to shoot! Axes to grind!
Evil shit! Evil shit!
Never let the blind lead the blind!

Friday, January 24, 2020

Head Over Heels


I can’t ignore you any longer
My attraction to you is stronger
Lord knows I’ve tried to run
Lord knows I was all but done
To say my crush never happened
Doesn’t give me satisfaction
Doesn’t bring me mental peace
Cure my sadness in the least
By being honest with myself
I’m taking control of my health
Isn’t that what love is all about?
Why plant the seeds of doubt?
Because it feels so damn wrong?
It doesn’t make a good song?
People can’t stop laughing?
It’s a sin to just be happy?
I’m sick of lying to myself
Pretending to be someone else
I’m allowed to say, “I love you”
I know these words to be true
Head over heels and unashamed
Nothing can ever be the same
Broken heart can always restart
Even when ripped clean apart
One of these days I’ll say it to you
I’ve got nothing left inside to lose
Yes or no? Please think about it
Even if your answer is to shout it
Only then will I figure it out
Was it right of me to doubt?
Were my feelings valid all along?
Or have I always been so wrong?

The Fanatics


VERSE 1
Science fiction has always been fiction
Brainwashing rhetoric’s part of your diction
Looking like dorks in black slacks and ties
“Boys will be boys, we’re just one of the guys”
Dementia’s done less damage than your ethos
Stripping creativity from ordinary people
A cult of fanatics, that’s all that you are
I’ve heard better speeches from drunks at bars

CHORUS 1
Conga line of doom
Darkness in your room
Poison in your food
You’re the fanatics!
Permanent addicts!

VERSE 2
Leaving your sorry ass like an abusive husband
An army of puppets is what you’ve summoned
There’s nowhere for the escapees to retreat
Dead pets hollowed out and laying at their feet

CHORUS 2
Psychological rot
Void of deep thought
Never ever get caught
You’re the fanatics!
Bringers of madness!

BRIDGE
Just another million dollar check in your account
Your followers grow even bigger in amount
An army of zombies to do whatever you need
A dinner of flesh and bladed mouths to feed

VERSE 3
World domination is what you want the most
Who cares if the innocents end up as ghosts?
Who cares if we have to look over our shoulders?
Who cares if we have no chance of getting older?
Follow our asses all over the fucking planet
Even in outer space you have the advantage
Governments in your pocket, aliens by your side
Nowhere left to run and nowhere left to hide

CHORUS 3
Gossamers in your head
Rape victims in your bed
Your critics end up dead
You’re the fanatics!
Most dangerous faction!
One day you will fall
Hands against the wall
The right to one phone call
You’re the prisoners!
Good riddance, you sinners!

Tuesday, January 21, 2020

Latent Maturity


***LATENT MATURITY***

So…whenever a public figure fucks up beyond belief, it can usually be linked to how old they were at the time it happened. This is especially true when the perpetrator is a teenager and in some cases in their early twenties (not all cases, but some). The younger you are, the more forgivable you are in the eyes of the public. But what about fucking up badly in your later years? Suppose you do something horrible in your late twenties and apologize for it in your thirties or forties? Only then do you not have an easy way out of your predicament.

Whenever a teenager writes horrible fan fiction that accidentally glorifies monstrous behavior, they can be easily forgiven. But if that author was older and allegedly wiser, then the criticisms become harsher. An example of this is Anna Todd, the author of the One Direction romantic fan fiction After. The book got a lot of heat for lionizing abusive relationships, cheating, and overall deplorable behavior. Anna Todd wrote that book’s first draft when she was in her early twenties. Because she should have “known better” at that age, many of the attacks on After were lobbied against her as a person. Is this fair? Does she legitimately not know how the human experience works or is this some part of an evil conspiracy?

As many of you are painfully aware, I have my own experience with writing awful and tone deaf first drafts. Beautiful Monster, anyone? I didn’t figure this out on my own, but the first draft version of Tarja was manipulative as hell and incredibly nosy when it came to being therapeutic to Windham. Yes, you heard that right. Somebody else had to point this out to me. As a bonus to this juicy backstory, I just celebrated my thirty-third birthday when I completed this first draft. As someone with that much life experience, I should have known better than to make Tarja Rikkinen a super-creep. But that’s the thing: I DON’T have a wealth of life experience. I DON’T have a treasure trove of wisdom. In today’s world I’m thirty-four years old and I’m still taking too long to mature.

But when it comes to first drafts, authors should be given as much permission as possible to fuck up badly. First drafts are NEVER perfect when they’re barfed onto the page. Even well-established authors will tell you this. If you see a first draft of a novel and you want to point out mistakes, be forgiving and nonjudgmental. Every author deserves the benefit of the doubt. But the thing with Anna Todd’s book is, from what Book Tubers have said about it, it reads like it never made it past the first draft stage. It has so many typos, so many plot holes, and so many shitty characters. No sane editor would have allowed any of those mistakes to stand. And yet, here we are in 2020 and After not only is a published novel, but a fucking movie. By the way, I’m using the F-bomb as an adjective, but the movie could very well be about the act of fucking.

Here’s my stance on latent maturity. Fucking up badly is not exclusive to any age, whether you’re a teenager, an adult, or shit, let’s extend that to the elder years. My only concern is, did the offender grow as a result of this mistake? Did they change their ways? Did they learn the lessons they were supposed to learn? If the answer to these questions is yes, then that person should be forgiven, provided the crimes committed weren’t overly serious. Donald Trump and Jeffrey Epstein don’t deserve forgiveness. I rest my case.

So if I really do lack the necessary life experience to make rational decisions about my first draft, then why am I a writer? Isn’t wisdom a requirement for being successful in that industry? It is indeed. In fact, I have just enough wisdom to know that I need help crossing the street from time to time. I certainly don’t want to be offensive when I write first drafts, but it does happen and I need people to point this out to me without holding a blade to my throat.

I used to hate criticism so much that I’d reject all of it no matter how reasonable it was. Now that I’ve gained just a little bit of wisdom, I know that criticism is vital to my success as an author. I can’t have a career without it. Does it hurt sometimes? Absolutely. But does the criticism come from a place of love? Hell yeah it does. That’s something we as creative people owe each other: a place of love, forgiveness, and growth. If we’re being judged all the time for our worst mistakes, we’ll never get anything done. That’s not productive in the least.

Beautiful Monster is hardly the most offensive first draft novel I’ve written. In 2018, I wrote two others named Silent Warrior and Incelbordination, both of which are about school life. Because they are first drafts by their very nature and I don’t trust my wisdom one single bit, there are things going on in both of those novels that I don’t know could be offensive as fuck. Is Scott George from Silent Warrior a creep because of who he’s dating? Am I sending the wrong message by having his girlfriend heal him? Did I also create a bratty protagonist that nobody wants to cheer for?

What about Incelbordination? Is Oswald Crow a whiny bitch? Do I overplay the fact that he has dwarfism? Does he have any real dimension to him other than smoking pot, being short, and listening to heavy metal? Is having him pine for romantic love a sexist trope? It’ll be a while before I’m ready to have those two first drafts critiqued. I’ve got my hands full with Beautiful Monster and Emilio & Marigold. And goddamn, do those stories have some SERIOUS fucking problems!

To cap off what is already a very rambling blog entry, I just want to tell each and every one of my dearly beloveds out there to be kind to each other and don’t judge each other too harshly. Does Anna Todd deserve forgiveness? What about E.L. James? Or Stephanie Meyer? Is being naïve really an excuse or is the damage done too overwhelming? These are all reasonable debates that you can have among your friends and audience members. But when you have these debates…please be kind and if necessary, rewind. I’m Garrison Kelly! Until next time, try to enjoy the daylight!


***BEAUTIFUL MONSTER PROGRESS***

I’m certainly taking my sweet time with editing the shit out of my novel. It could be the creative burnout. It could be general tiredness. Or it could be that my slowness has been right all along and that I should take more time to think about how I’m going to fix these longstanding problems. As of this blog entry, I’m getting ready to edit chapter five, where the readers are first introduced to Tarja Rikkinen, the token female mercenary at Shadow Asylum. Or as Commander Rinehart calls her, the “diversity hire”. We know right away that she’s an excellent fighter, but being insanely violent doesn’t necessarily make for a likeable character. She needs something extra. But what will that extra nuance be? Her love for animals? Her penchant for cracking jokes at inappropriate times? Or maybe…Shelly Atwood will invade her thoughts and implore Tarja to…spill her secret! What secret is that? Well, if I told you all, it wouldn’t be a fucking secret! Stay tuned. Or as Lindsey Doe says on You Tube, stay curious!


***QUOTE OF THE DAY***

Love is one of the most intense feelings felt by man; another is hate. Forcing yourself to feel indiscriminate love is very unnatural. If you try to love everyone you only lessen your feelings for those who deserve your love. Repressed hatred can lead to many physical and emotional ailments. By learning to release your hatred towards those who deserve it, you cleanse yourself of these malignant emotions and need not take your pent-up hatred out on your loved ones.”

-Anton LaVey-

Monday, January 20, 2020

Dude Bros


VERSE 1
Dude Bros are pretty, Dude Bros are good
Seems that all they’ve ever wanted was a Monster
Chads are having hot sex, just like they should
Seems that all the Single Pringles need a martyr

CHORUS 1
This is a call to all the pickup tuckers
And cheerleader fuckers
This is a call to all the rap metal bangers
And crystal meth takers

VERSE 2
Kyles are pretty, Kyles are cool
Seems that all they ever wanted was some Death Punch
Karens are like Kyles, but they’re just old school
They say, “Let me speak to your manager” way too much

CHORUS 2
This is a call to all the valor thieves
“Freedom is not free!”
This is a call to all the armchair quarterbacks
“Alternative facts!”

VERSE 3
Kevins are pretty, Kevins are loud
Seems that all they ever wanted was a handgun
Landons are rich kids, Landons are proud
Egos are so big, they think they’ll get a fandom

CHORUS 3
This is a call to all the manly tough guys
Draft dodgers in disguise
This is a call to all the MMA wing nuts
Tapped out to a paper cut
This is a call to all the mansplainers
Whiny complainers
This is a call to all the Dudely Dude Bros
And their bigoted prose

Sunday, January 19, 2020

"The Liberal Redneck Manifesto" by Trae Crowder, Corey Ryan Forrester, and Drew Morgan


BOOK TITLE: The Liberal Redneck Manifesto: Draggin’ Dixie Outta the Dark
AUTHORS: Trae Crowder, Corey Ryan Forrester, and Drew Morgan
YEAR: 2016
GENRE: Nonfiction
SUBGENRE: Political Comedy
GRADE: Extra Credit

To an outsider, the American deep south represents everything wrong with the country today whether it’s bigotry, ignorance, or lewd behavior. After reading this book, you’ll find out firsthand that it’s far from the truth. Even I had negative feelings toward the south once upon a time. And then this book came along and gave me a lifelong education worth more than college tuition that no millennial can afford. The problems in the south are nuanced and complex whether it’s poverty, drug addiction, religious zeal, or anything else that rightwing politicians and pundits have purposefully imposed upon it. Nobody wants the south to be in that much trouble, least of all the citizens themselves. For all the negative things I’ve said about that region, I humbly apologize. That’s what this book means to me and that’s part of the reason why I’m giving it a five star review. I always appreciate having my eyes forced wide open…even if the tough love is tougher than a two dollar steak.

Even though this book is categorized as humor, it does have one chapter that almost brought me to tears: Pillbillies. It describes how Purdue Pharmaceuticals aggressively advertised heroin-like pain pills to the south and now addiction has become a national epidemic. The part where Trae Crowder talks passionately about his mother being a pillhead who ruined the family’s life is what hit me the hardest. She would lie, steal, and end up in prison many times before she got clean and sober and even then she was still on thin ice with her son. I used to know somebody who was addicted to drugs and was probably just as dishonest as Trae’s mother. The two of us haven’t spoken to each other for years and that’s how I’d like for it to be. But then Trae has a moment of warmth where he’s more forgiving of addicts because the circumstances that got them addicted were beyond their control. Will I ever forgive my former friend? Only time will tell, but Trae’s story along with his political analysis gave me lots to think about. I like being able to think critically, in case you couldn’t tell.

For all of the dark stuff the south is unfairly stereotyped for, there are times in this book where it feels like a fun place to live. Partying hard to passionate music, shooting guns (responsibly), and best of all, eating the best-tasting food on the planet. Barbecued ribs, salty steak, sweet potato pie, mmm-mmm-mmm! Of course, eating all of that delicious food uncontrollably will lead to diabetes and other health problems, as Trae Crowder will point out with his own experiences as a fat kid. But that’s the redneck way of life: they don’t do anything halfway. They don’t hold back. They don’t live life at anything other than a hundred percent. I’d be lying if I was saying I wasn’t a little bit envious of all of that fun. But then I remember that the south, much like any other place on earth, has its own set of awful problems and trading one life for another isn’t a healthy approach to personal reflection. I’m fine living vicariously through the three authors. With their sense of humor, who wouldn’t want to?

If you learn nothing else from this book, then at least learn to take care of each other and always be kind. That’s what liberalism is supposed to be about, right? Don’t judge strangers too harshly and don’t blame your problems on the wrong people. Be humble, but not so humble that it completely ruins your emotional wellbeing. Thank you, Trae, Drew, and Corey, for all of the tough love and fun times. Reading this book was a welcome experience and I look forward to many more of them. Fun fact: I gave this book to my mom one year for Mother’s Day and she loved it just as much as I did. Like I said earlier, five out of five stars is what this book will get. Congratulations on knocking it out of the park, guys!

Wednesday, January 15, 2020

Remember


CHORUS 1
Remember that school is not about learning
It’s about how many F’s you’re earning
Remember that college is not about growth
It’s about how much money you’ll owe

VERSE 1
Roger Waters had it right all along
Bricks in the wall written down in a song
Don’t want to grow up to be like my teachers
Especially the ones who could pass for preachers
Raise your hand and ask your stupid question
Everyone’s laughter leaves an acidic essence
The report card reads like a crucifixion
Do you still know that it’s only pulp fiction?

CHORUS 2
Remember that school is not about friendship
It’s about tests and assignments so endless
Remember that college is not about skill
It’s about drowning your sadness in pills

VERSE 2
Nobody thinks to befriend the weird kid
Only the beautiful and clearly fearless
Nobody thinks to break the shyness
Of those who live in shadows and silence

CHORUS 3
Remember that school is not about achievements
It’s about keeping your demons a secret
Remember that college is not about jobs
It’s about telling the bullies to fuck off
Remember that love is truly exclusive
Remember that friendship is elusive
Remember that nothing is meant to last
Except the voices of your broken past

BRIDGE
Wash your clothes and cut your hair
Apply for your job like you actually care
The money and benefits just can’t compare
But you know how this ends and it’s unfair

CHORUS 4
Remember!
Remember!
Remember that your teachers are not your friends
Remember that the students aren’t yours to defend
Remember that the curriculum is useless as fuck
Remember as you hold onto your very last buck
Remember!
Remember!

FINAL LINE
Remember I will always love you…if you give me a chance

Saturday, January 11, 2020

Knives Out


MOVIE TITLE: Knives Out
DIRECTOR: Rian Johnson
YEAR: 2019
GENRE: Murder Mystery
RATING: PG-13 for violence and language
GRADE: Pass

In a family full of rich, spoiled brats who all claim entitlement to Harlan Thromby’s fortune (and are all cut off from his will), who could possibly want him dead the most? Who would want all of that money for themselves so badly that they’re willing to commit revenge murder to get it? Is it book publisher Walt Thromby? Is it social media influencer Joni? Is it alt-right troll boy Jacob? Truth is, everybody in this family is so unlikable that any one of them would make a convincing suspect. Some are more worthy of hate than others and that may lead you, the viewer, to obvious conclusions. You’re tempted by the obvious choice, but know deep down that’s not always the case. This mystery is so nuanced and so complicated that you’ll not only yearn to know who did it, but also how. Any mystery movie that can keep the wheels turning in your mind for as long as possible counts as a great story in my opinion. Knives Out is that great story. That’s what I expected going into the movie theater and that’s what happened.

In a movie genre where lying is paramount, I love the fact that Marta, Harlan’s personal nurse from [insert Latin country here], spills her cookies every time she lies. It could be a clever plot device. It could be a convenient way to keep her honest. Or maybe it’s just a fun little gimmick to make sure the audience knows what side she’s on. Either way, the gimmick doesn’t overstay its welcome and plays an important role in the story so many times that it’s completely necessary. It’s not even a crutch to get out of storytelling plot holes. It’s there because it needs to be. Marta is a kindhearted woman anyways, but even she makes her fair share of enemies in this movie. She’s not a total Mary-Sue in that respect. Plus, she has her own deep dark secret that may or may not influence the detective work going on throughout. The plot will thicken, not unlike the intestinal acid that bursts from Marta’s mouth every time she tells a whopper.

As to be expected with a rogue’s gallery as the main character roster, there will be some bickering among them and there are some genuinely funny moments in their dialogue. The political discussions are incredibly hammy from the basic talking points to the argot used by both the leftwing and rightwing characters. “How’s that SJW degree going, Meg?” says the most obnoxious member of the family Ransom, who’s seen eating a package of cookies at the will reading. Speaking of which, I nearly bust a gut when Walt makes an offhand remark about Harlan leaving Ransom a glass of milk in the will, proceeded by a swear word insult I will not repeat in this review. Even the serious dialogue is entertaining to listen to and at times accidentally comes off as humorous. Bottom line: it’s hard to be bored with a movie like Knives Out whether it’s the dialogue, characters, or overall mystery that you’re intrigued by.

This movie met my expectations the minute I walked through the theater door. No more, no less. I wasn’t expecting to be emotionally tear-jerked by this movie, but then again, Knives Out doesn’t have to do that. It’s just a fun story from beginning to end. It was cleverly crafted, beautifully acted, and not a single detail went to waste. This movie gets four out of five stars a.k.a. the passing grade. Rian Johnson gets a lot of heat for the way he handled his Star Wars movies. I personally don’t have a problem with them, but if Mr. Johnson needed to wash away the muck from his criticism, Knives Out was the movie to do it. Was it considered for an Oscar? I’m not sure, but it should have been.

Friday, January 10, 2020

The Ballad of Sam Corleone


Every other weekend and twice on Sundays
Smashing skulls for a living on Mondays
Looking like bloodshed in khakis and boots
Fuck the spandex trunks, fuck corporate suits
Heavy metal T-shirt around his big old gut
Messy brown hair above a face full of cuts
He stood in the ring crackling his knuckles
Maybe his opponent pussed out and buckled
Then comes R-Truth and the mid-card clowns
Chasing the champ all over the fucking town
All of this comedy for an ugly green strap
Time to put an end to this silly little crap
Grabbing a steel chair from under the ring
Whacking Truth across the back so he could sing
Repeated shots across his nonexistent spine
Crushing ribs into a powder so damn fine
The pin fall was as easy as one, two, three
A new 24/7 Champ on your TV screen
While Truth boy was carried out on a stretcher
The mid-carders ran away forever and ever
New champ took the mike after taking his throne
“My motherfucking name is Sam Corleone
I’ll bring seriousness to this comedy title
Hold onto this strap for a long ass while”
Drake Maverick sneaked up from behind
Threw a chair shot to Sam’s steel spine
The no-sell motel was open for business
Sam turned around to face this idiot
Yanked his ankles, pancaked him on the mat
With one stomp, Drake’s nuts went splat
The poor fucker puked up blood eternally
Carried to the back and to the infirmary
Nobody else dared challenge the king
Even if he was unconscious in the ring
Sam Corleone kept the belt for a year
Instilling in everyone pants-shitting fear
From Strowman to Roman, Dain to Kane
Big Show to Ohno, they all got owned
Then he burned the title in a garbage can
Who’s laughing now? Not a single man
Get used to Sam having main even status
Even if it makes little kids the saddest
“Merry Christmas to all and to all a goodnight!
You’ve got two options: fuck off or fight!”

Monday, January 6, 2020

Tooty-Fruity


VERSE 1
The flowers, the flowers, seductive power
The rose, the rose, the purple prose
The trees, the trees, swinging in the breeze
Tooty-Fruity!

VERSE 2
The sky, the sky, enough to make you cry
The clouds, the clouds, beautiful and proud
The sun, the sun, nature’s cinnamon bun
Tooty-Fruity!

VERSE 3
Roses are red, the classics are dead
Lilacs are white, Pulitzer blight
Violets are blue, elitist culture crew
Tooty-fruity!

BRIDGE
An onion has layers and so does poetry
Peace and quiet is what you’re owing me
I’ll ply my craft in my own fucking way
Heavy metal madness is here to stay

VERSE 4
The love, the love, it’s what you shove
The tears, the tears, the least of my fears
Emotions, emotions, eyes like oceans
Tooty-Fruity!

Friday, January 3, 2020

Higher Ground X System of a Down: Prison Song


***HIGHER GROUND X SYSTEM OF A DOWN: PRISON SONG***

Two years ago, I went down a research rabbit hole and found an episode of Millennium called “A Room with No View”. It was that episode plus an Otherwise song that was the launching point for a novel I’m currently editing called “Beautiful Monster”. Two years later, I went down another research rabbit hole and found a TV show that could very well tell Millennium to hold their beers. Take my hand; we’re going on a journey today!

It all began with a Star Wars meme that I got curious about: Anakin Skywalker saying “I don’t like sand.” He complains about how coarse and rough it is and then tells his wife Padme that unlike sand, she’s smooth and soft. It’s easy to blame Hayden Christiansen for that hokey delivery, but to be fair to him, nobody could make that dialogue sound good. Not Samuel L. Jackson. Not Michael Chiklis. Not Walton Goggins. And sure as shit not Hayden Christiansen.

So one thing led to another and I went to Hayden Christiansen’s Wikipedia page. Sure enough, one of the roles he’s famous for was Scott Barringer in the 2000 teen drama Higher Ground. And in this 2000 teen drama, Scott was a star athlete and one hell of a piano player. And then his parents divorced and his father got remarried to a woman named Elaine, who was closer to Scott’s age. Elaine started sexually abusing Scott to where his trauma could only be numbed with drugs and alcohol. His addictions got so bad that he was sent away to a “therapy school” to deal with his problems, never once addressing the root of it all, Elaine raping him.

Now, I’ve never actually watched a single episode of this show. I wouldn’t know where to start looking for it. But I saw the phrase “therapy school” and wondered just what that entailed. So the rabbit hole continues. Turns out there’s no therapy to be found in these places. Therapy school is just a PC term for “child prison”. Of course, if they started calling themselves child prisons, you know how many parents would fork over their children to them? Lots of them, because Scott’s parents don’t have any fucking principles. If they did, there would be no sexual assault and therefore no TV show.

But what exactly goes on in a “therapy school” a.k.a. “child prison”? Well, the reason why I’m calling it a prison is because therapy schools have a lot in common with establishments that openly admit to being prisons. You can’t leave whenever you’d like, you lose all of your constitutional rights, the overseers beat your ass and scream at you for no reason, and your individuality is long gone, never to be seen again. I’m not sure if this actually goes on in Higher Ground, but from what I’ve researched about therapy schools, it’s probably a safe bet. Oh, and one more thing: therapy schools get richer by keeping kids locked up and abused. They’re for-profit, just like real prisons.

One of the many behavioral modification exercises the therapy schools like to push on their patients, I mean, inmates is…wilderness training. It’s basically survivalism and it doesn’t actually cure bad behavior. You know what the counselors, I mean, prison guards really like about wilderness therapy? No cameras. No witness. Not a goddamn thing for miles. The prison guards already get away with abuse on a regular basis, but out in the wilderness, they’ve got that extra insurance.

You know what else they like to do? Hire “teen escort services”. That already sounds suspicious because the word “escort” is associated with the GFE (Girlfriend Experience). Putting the word “teen” next to it doesn’t sound any better. But that’s not where this story ends. A teen escort service is where a bunch of guys kidnap the child in the middle of the night and forcibly bring him or her to the therapy school. No due process, no right to legal representation, just a traumatic experience that will haunt the kids forever and ever. How the fuck is this legal?!

You’d think with all these ass beatings and traumatizing scream sessions going on, somebody would step in and shut down these child prisons or at least try to sue the shit out of them for millions of dollars. But this is America; capitalism and the almighty dollar come first. Therapy schools, just like for-profit prisons, are a business and business is booming. Besides, with all the money they make, they could very easily win a court case against them with the best lawyers money can buy. If suing prisons was really that easy…well, you get the picture by now.

So…in the same way that Beautiful Monster was a throwback to Millennium, its potential sequel, Prison Song, will be a throwback to Higher Ground. I haven’t figured out the exact circumstances of the therapy schools nor have I outlined the damn story. Shit, I’ve only edited three chapters of Beautiful Monster thus far, so I don’t have a clear picture of what these new changes will do for the sequel. But just like Beautiful Monster, Prison Song will be named after an actual piece of music, that being Prison Song by System of a Down. You want some lyrics? You want some protest music? Here you go:


***LYRICS OF THE DAY***

“They’re trying to build a prison. Following the rights movements, you clamped down with your iron fists. Drugs became conveniently available for all the kids. Well, I buy my crack, I smack my bitch right here in Hollywood. Nearly two million people are incarcerated in the prison system in the US. They’re trying to build a prison for you and me to live in. Another prison system for you and me. Minor drug offenders fill your prisons, you don’t even flinch. All our taxes paying for your wars against the new non-rich. Well, I buy my crack, I smack my bitch right here in Hollywood. The percentage of Americans in the prison system has doubled since 1985. They’re trying to build a prison for you and me to live in. Another prison system for you and me. All research and successful drug policies show that treatment should be increased and law enforcement decreased while abolishing mandatory minimum sentences. Utilizing drugs to pay for secret wars around the world. Drugs are now your global policy, now you police the globe. Well, I buy my crack, I smack my bitch right here in Hollywood. Drug money is used to rig elections and train brutal corporate-sponsored dictators around the world. They’re trying to build a prison for you and me to live in. Another prison system for you and me.”

-System of a Down singing “Prison Song”-

Wednesday, January 1, 2020

Drunk as a Skunk


This would have been a perfect time for Sheriff Walt Magnus to begin again…if it wasn’t for the smell of alcohol radiating off of his body like nuclear energy. The burps exploding from his fanged mouth also included splashes of green spittle, a color that already looked horrifying on his scaly orcish flesh. The crotch of his blue jeans resembled a swimming pool, provided his bits and pieces were swimming in sewage. His red flannel shirt was glazed over with sweat, so much so that he had to air out his leather vest just to beat the desert heat. His snakeskin boots danced around on the sandy ground as he shimmied drunkenly from side to side. No doubt the Silver Star on his cowboy hat looked less and less believable with every near trip.

Passersby gazed upon their once beloved Sheriff with crinkle-faced disgust. Elven traders backed away as quickly as they could, probably hoping Walt’s drunken sweat didn’t get on their produce. Human families shielded their children, covering their ears with every passing burp. Even the shirtless, flabby-bellied, shit-breathed ogres held their nose in disgust as they waddled away from Walt. Despite his mind echoing with drunken harmonies, he could make out the various curses that his citizens said under their breath. Walt’s heart would have sunken if his emotions weren’t already numb. Instead, a vomit spill on the wooden steps of the Red Dragon Saloon would have to suffice. Now the citizens got the hell out of there in a big fucking hurry.

“I got this…I fucking got this shit…I can do this…just one measly arrest is all it takes…eh, who am I kidding?” With nobody around to listen to his monologue, Walt collapsed through the swinging doors of the saloon and face-planted on the floor, almost shattering his wide nose and a few fangs in the process. Almost. Drunken stupor be damned, he could still hear the squeaks of a rag cleaning off glass mugs. “Thank god you’re here, Murphy. You ain’t going to believe this, but…I need another drink…”

Walt grabbed the edge of a nearby piano and yanked himself to his feet, but not without dancing around some more. It suddenly dawned on him why the saloon was so quiet. Human corpses decorated the establishment, some bent over chairs, some sprawled out across the tables and the bar, all of them with blood pouring from their wounds like the tap itself. Walt could also smell elven blood, which was a daisy garden compared to the ogres lying about. Once his vision cleared up, he saw no sign of Murphy the Bartender behind the counter.

The one wiping the glass mugs (and shattering a few of them with her thick fingers) was a rotund anthropomorphic rhino dressed in a green leather apron. She gazed into Walt’s watery eyes and pointed her blood-soaked horn at him. “I ain’t Murphy, asshole. He couldn’t make it to work today. He’s taking a permanent vacation in the bowels of hell with the rest of these fat-shaming losers. It’s like they ain’t never seen a big woman before. Even these god-forsaken ogres couldn’t keep their flabby gums shut.”

“Yeah, I know how that is…” Walt burped before staggering and dragging his feet towards the bar, almost falling off of his stool as he parked his ass down. He could have sworn the deer heads on the wall were glaring judgmentally at him as well. Even the corpses looked like they wanted to drag Walt to hell with them, provided the rhino woman was right about their ultimate fates. “Can I at least have a beer?”

The rhino woman laid her palms across the bar after tossing the glass mug aside. “You sure about that, honey? Do you really need another bottle right now? Shouldn’t you be out cuffing people or some shit?”

Walt dropped his forehead onto the bar. “Yeah, like anyone gives a shit anymore. It’s always do this, do that, all without an ounce of thanks. You have any idea how many punks I’ve put in the pokey?” He lifted his head and tried to use his bladed fingers to count, but immediately lost track and chuckled. “I’m all burned out and nobody gives a rat’s ass. They whine and complain to me all day and now they’re fucking surprised that I’m piss drunk.”

“I certainly hope you’re not trying to pull a fast one on me, Sheriff. I might have to gore your ass too if you pull that negotiator 101 shit right now. Yeah, you’re one ugly motherfucker alright, but you’ve got that little narrow ass that the voters like. Me? I couldn’t sell a glass of water to a guy dying of thirst. They see my big ass and my big nose and automatically want to deduct a hundred IQ points. Ain’t nobody voting for me anytime soon.”

Walt burped again, spilling bile down his already messed up shirt and vest.

“Ain’t nobody voting for you either if you keep that shit up. Seriously, go take a bath or something. There are horse stalls across the street that smell better than you.”

Walt almost leaned back too far for his comfort. “You know what? You’re right. Maybe I don’t need a beer today. But…there’s no way in hell I’m going out there in that heat…not like this. You won’t mind if a sleep here for a few hours, would ya, miss?” He took the rhino’s hand and kissed it in a vain attempt to sweeten the deal.

She smiled. “I don’t see why not. Everyone else around here is taking a nap, I guess you could too. Maybe I’ll play something on the piano, like a lullaby or some shit. Or I could just stick my horn right through your fucking chest, either one would be fine.”

Walt lurched forward and a vial of amber liquid fell out of his sleeve. His eyes widened as his façade was exposed to the now growling rhino. She picked it up and shattered it between her fingers, confirming that it was indeed alcoholic perfume.

The Sheriff chuckled hoarsely. “Dina Octavia Lord…you’ve got this entire town scared shitless of you...Nobody’s got balls big enough to confront your big ass…But I will. Come with me, babe. You’re under arrest for mass murder!”

Dina roared a windstorm in Walt’s face, assaulting his nostrils with bad dentistry and knocking him on his back. “Oh, shit!” he said as he put his blown off hat back on and scrambled to his feet, bolting out of the saloon.

The thunderous sound of massive rhino legs charging behind him caused Walt to hold onto his hat and pick up speed. Everybody else scattered like cockroaches, screaming and crying while their arms flailed in the air. As Dina’s feet clomped and shook the ground, Walt’s heart thudded even louder and his mind cluster-fucked itself worse than if he actually was drunk. The footsteps pounded his eardrums like they were actual percussion instruments. “Just a few more steps…a few more!”

Once he could feel the tip of Dina’s horn piercing his ass crack, Walt dove through one of the horse stalls and covered up in the hay. The wooden walls exploded like dynamite once Dina crashed through them. Walt was certain he was going to be flattened like a pancake and crushed like peanut brittle. But then…horse whines belted through the stables and were accompanied by hooves smashing and kicking out of intense fear. Dina bellowed out of both anger and pain, her face and ribs covered in horseshoe marks, broken bones, and blood.

Walt covered up and cowered some more as the horses stormed out of their stalls, leaving a trail of shit and piss behind them, not to mention Dina’s thick blood. Speaking of Dina, she lied on the ground clutching her broken body and coughing up blood. Her horn even broke off to where it was a jagged mess rather than a clean blade.

Sheriff Magnus slowly stood up and pulled out his six shooter, aiming it at the wounded and battered Dina, who just suffered through a kung fu assault from a house full of frightened horses. “You see that, Miss Lord? That’s what happens when you try to use fear to control your enemies. When the people get scared, they do scary shit. In the case of the horses…well, we knew how that story ended. I know you don’t like being called fat and ugly. To be honest, nobody does. But if the whole town followed your example and went on a mass murdering spree…I might have an actual reason to be drunk as a skunk instead of doing my duty.”

Kneeling down beside Dina, he said, “Now listen, lady: I ain’t got cuffs big enough for them wrists of yours. No, that ain’t a fat joke, that’s god’s honest truth. I guess I’ll just have to hold your ass at gunpoint as I take you to jail.” He stood back up and motioned for her to stand up with his gun barrel.

Spitting out chunky blood and broken teeth, Dina said, “There’s no way in hell I’m going to jail before these jokers and clowns do. I don’t see you arresting the dickheads who signed their own death warrant a long fucking time ago. They didn’t have to kiss my ass. They just had to keep their damn mouths shut. Is it too much to ask? I SAID IS IT TOO MUCH TO FUCKING ASK?!” Despite aggravating her rib injuries, Dina found a way to reach Walt’s ankle. She got what she probably hoped for this whole time: suicide by cop. Walt shot her in the chest multiple times, putting an end to her reign of terror for good.

Despite having an obvious victory under his belt, Walt frowned at his handiwork. His body shook in anger as onlookers clapped for him. He couldn’t help but think there was a little bit of truth to what Dina said during her final moments. Walt spun around and confronted his admirers. “What are you fuckers cheering at?! This is your damn fault!” The clapping died down and faces sagged in somber reflection. “Hell, none of you would give me the time of day when you thought I was drunk. You were ready to vote for the other guy once you had enough of my jolly green ass. Shallow bastards!”

Walt ripped the Silver Star out of his cowboy hat and tossed it aside before marching away, his middle finger waving proudly in the air like a patriotic banner. These people were freaks too, but maybe Dina was a little too freaky even for them. Then again, so was Walt Magnus, which was why he stamped away from these ingrates in the first place.