Thursday, June 11, 2026
Braun Strowman: Stop Being a Prick and Get a Prick in Your Arm
Monday, March 30, 2026
Ryan Long: a "Comedian" Whose Extraordinary Alien Status Is Funnier Than His Standup Material
Monday, June 9, 2025
Fitness Guru
INTRO DIALOGUE
You’re not a fitness guru; you’re a eugenicist!
SATIRE POEM
I make my salary by burning all my calories
Showing off my ribs, telling fatphobic fibs
Juicing up my biceps, overworking triceps
Got some ten-pack abs, not pinch of flab
Why stop there? Let’s erase your autism
And your personality that you got with it
Sell stories about your expendability
Based on corporate greed and your disability
“Don’t even bother with the COVID vaccine”
Said the pin cushion who was a heroin fiend
You believe every word, just look at my face
Innocent like an angel from the “Master Race”
Take my advice, pay no mind to my voice
What disease do I have? It’s Dealer’s Choice
I never smoked a cigarette a day in my life
Still sounds like I wear a Columbian Necktie
I got more wrinkles than crumpled up paper
It started as a baby and I hoped it would taper
Started in the womb, wait, now I remember
I was totally alive then, like Jesus in December
Now I got a job fucking up my last name
Drag it through the mud, make it take a walk of shame
Black sheep doesn’t describe me at all
‘Cause if I lived on a farm, my voters would suck my balls
So next time you see me on the television
Listen loud and clear, ‘cause there is no intermission
No bathroom breaks even though I’m full of shit
Here’s my healthcare plan, it’s a total money pit
Government efficiency is kind of my jam
Effective at what? Making suckers fall for scams?
Fork over your dough as you die really slow
Make the oligarchy richer, fuck the Average Joe!
Tuesday, August 16, 2022
"Super Human" by Michael Carroll
BOOK TITLE: Super Human
AUTHOR: Michael Carroll
YEAR: 2010
GENRE: Fiction
SUBGENRE: Superhero Sci-Fi
GRADE: C
It feels weird reading a book about a worldwide virus in the year 2022. The difference between this book and the real world is that not only are people actually receptive to the idea of vaccines, but there’s a ragtag group of teenaged superheroes (and Lance) who genuinely want to see the world recover from this. But they can’t achieve those goals without dishing out some violence on the bad guys responsible for this sickness. Their enhanced strength, sonic abilities, and telekinesis can only be used as a means to an end rather than be the one-size-fits all solution. That’s a part of superhero fiction not a lot of authors get, but Michael Carroll pulled it off rather effectively. It also helps that Lance (the normie) is a slick thief who can smooth-talk his way out of any situation. Using brains to solve problems will be more relatable to the audience than using superhuman violence.
But unfortunately, we don’t always get the best use of the characters’ brains. Lance does all the intellectual heavy lifting with his gift for gab. The rest of the characters, both good and evil, don’t always make the smartest decisions and I’m surprised it hadn’t come back to bite them in the worst ways. Freeing supervillain prisoners to combat even more powerful supervillains? Dumb. Driving a military jeep like a speed demon and being surprised when it hits one of the allies? Also dumb. Sparing a powerful villain’s life because, “We don’t kill?” Yeah, we’re past the point of being civil now that there’s a deadly virus causing the adults to vomit inside out. The villains are no better when it comes to cartoonishly-stupid decision-making. Resurrecting an ancient king who might kill them off and is not immune to the virus himself? Beyond stupid. Toying with the heroes instead of finishing them off instantly? Reckless. Revealing the entire plan to the heroes and even going so far as to keep records of their allies’ social security numbers and base coordinates? Colossal fail. Am I reading a superhero book or watching a Three Stooges routine?
The writing itself is, ironically, nothing to write home about. The dialogue between the heroes sounds so similar that I couldn’t tell the characters apart without tags. The characters in general are introduced to the audience via telling instead of showing. Some of the dialogue sounds awkward and clumsy, especially when the characters try to make analogies sound cool, though they wouldn’t sound much better as prose, either. The one character in the story who’s immune to such clunky writing? Krodin, the ancient king the villains are trying to resurrect. He comes off like a total stud, whether he’s conquering entire countries by himself, enslaving everyone he meets, or talking down to his enemies like a godlike king should. He could come off like a Gary-Stu villain, but he’s written so convincingly that I don’t mind him being overpowered. The action scenes in general are well-done since they move quickly and hit hard.
But none of the praise I’ve given this book is enough to elevate the grade above a C, or three out of five stars. I was able to finish it. I even enjoyed it in a lot of places. But this book is cheesier than a dairy farm, which is an analogy Michael Carroll can use for free, but it wouldn’t be a good idea since that’s one of the things I criticized this novel for. Everything just felt so…average. Even the superpowers seemed mediocre and hastily thrown together. This wasn’t a good book, it wasn’t a bad book, it was just sort of…there.

