Chris Kael from Five Finger Death Punch: Telling On Himself Since Day One

 

Welcome, Everybody, to Nickelodeon GUTS! And GORE! And VIOLENCE! And BLOOD!

 

You're Too Old to Rule the World

CHORUS

Of course you never wanted to improve society

Never been so stressed that you questioned sobriety

Got sick at others’ happiness, you had to hurl

You’re too old to rule the world!

 

VERSE 1

You shit on my youth, yet every woman is your mother

Kick your kids out the door, yet you want to be smothered

The room in your nursing home is like a prison cell

Because the family you fucked wishes you were in hell

 

CHORUS

Of course you never wanted to improve society

Never been so stressed that you questioned sobriety

Got sick at others’ happiness, you had to hurl

You’re too old to rule the world!

 

VERSE 2

The world is a different place than centuries ago

If you studied history, then you already know

That we can’t go back to the days of torture

The only personality traits were following orders

You yearn for the past, because you would have thrived

In a country where the have-nots could be unalived

For looking at you funny or saying hi to your honey

For even dreaming of the days of disposable money

 

CHORUS

Of course you never wanted to improve society

Never been so stressed that you questioned sobriety

Got sick at others’ happiness, you had to hurl

You’re too old to rule the world!

 

BRIDGE

It was never about gray hair or sagging tits and skin

It was about all the good shit you considered a sin

If someone smiles too much or gets the love bug

You choke the life out of them with a grip so snug

You do it long enough and you become so smug

‘Cause bigotry and rage are more addictive than a drug

Get a little bit of power and you stomp on all the flowers

We’re keeping our bladders full for your final hour

 

OUTRO

You’re too old to rule the world!

Keep your country’s flag all furled!

You’re too old to fuck the young!

That’s why these lyrics must be sung!

Captain Marvel

MOVIE TITLE: Captain Marvel

DIRECTORS: Anna Boden and Ryan Fleck

YEAR: 2019

GENRE: Superhero Science-Fiction

RATING: PG-13 for violence and language

GRADE: Pass

In the year 1995, the technologically superior Kree civilization is in a never-ending war with shape-shifting aliens known as Skrulls. When amnesic warrior Vers and her squadron of Kree soldiers botch a mission to rescue an undercover agent, she finds herself trapped on planet earth with familiar clues to her past. The more she investigates, the more suspicious she becomes of her own Kree brethren. Political conspiracies are unraveled to where Vers doesn’t even know who to trust anymore. Whatever it is she finds, she’ll have to prepare for the fight of her life, part of which includes wrestling with her emotions in the heat of battle.

I must confess, when I saw the first few minutes of this movie, I thought it was going to be another cut-and-paste superhero movie. But the thing with Marvel movies is that they always surprise you just when you think you’re comfortable with the formula. Sure, we get witty banter from the likes of Vers and Shield Agent Nick Fury. We also get the obligatory big fight feel with the future at stake. We also get a well-crafted conspiracy that gains new wrinkles throughout the movie. But what drives all of these fun parts home are characters we can actually care about instead of just being told to cheer because they’re superheroes. I cared about Vers’s lost memories. I cared about her friends. I even cared about the villains because of how cold and callous they were. This is a character-driven story about non-conformity; how can the audience go wrong?

Speaking of characters I care deeply about, how about the precious orange kitty Goose? Who’s a good kitty? Goose is a good kitty! He rubs his head against everyone, he purrs like a lawnmower, he floats through the air in zero gravity conditions, and he even has a little twist in his character near the end. I won’t say what the twist is, but when you get there, not only will it give you a good chuckle, but you’ll want to cheer for Goose even more. I wouldn’t mind having a kitty like him sleep next to me at night, semi-frightening twist aside. I would call him George and love him and pet him and hug him and squeeze him! If an animal can make me quote the Abominable Snowman from Looney Tunes lore, then it must be a special little critter.

And because this movie is set in 1995, there’s always that nostalgia trip down memory lane. Remember when Blockbuster Video was still a thing? How about Street Fighter II arcade cabinets? How about dial-up internet that took forever to load? Even if you’re not old enough to remember those things, you’ll still get a kick out of the 90’s soundtrack the filmmakers put together. “Come As You Are” by Nirvana and “I’m Just a Girl” by No Doubt were well-placed in their respective scenes, which is what all good soundtracks should aspire to be. If nothing else, you’ll get a good chuckle at all of these nostalgic references. They’re funny because Blockbuster doesn’t exist anymore. Laughing is the only thing you can do to keep from sobbing at your lost childhood.

Captain Marvel is certainly an enjoyable movie for more reasons than just the obligatory violence and witty dialogue. If female audience members want a role model to look up to, they’ve got Vers. If conspiracy theorists and mystery buffs want to piece together this puzzle that is the main story, have at it. If you have a prejudice against superhero movies because of how “low-class” they are (I’m looking at you, Bill Maher), then Captain Marvel will prove you wrong. A passing grade is what this movie gets.

I Still Remember

I still remember the games we played

I still remember the price you paid

I still remember the lashings you took

In the name of the so-called good book

I still remember our time as kids

I still remember the good we did

I still remember the world’s response

Our biggest gain was their total loss

I still remember our videogames

I still remember your name

I still remember what we created

How teenaged years left us jaded

I still remember the crazy cartoons

Good guys, bad guys, all were buffoons

I don’t remember where those tapes went

I hope it was money well-spent

Now we are older, time passed us by

High school made us want to die

Though I wasn’t there to see you cry

I could have been if I only tried

Different cities, different stories

Different defeats, different glories

We can never return to those young days

Do you still remember how to play?

Obselidia

MOVIE TITLE: Obselidia
DIRECTOR: Diane Bell
YEAR: 2010
GENRE: Drama
RATING: PG-13 for language
GRADE: Pass

George is a librarian who moonlights as a cataloguist for obsolete and nostalgic items, all of which he hopes to document for a book he’s putting together. He even goes so far as to believe love is obsolete and therefore leads the lonely life of being single. When he meets a beautiful projectionist named Sophie, she tries to get him to come out of his shell as the two of them venture to Death Valley to interview a climate change scientist for George’s book. The ideas of love and the apocalypse collide in a debate about how we should spend our last minutes on earth if they truly are that. Will George live the rest of his life in isolation or will he believe in the power of love humans can give each other? Does he have anything in his heart for Sophie?

The three major themes of this movie (living life to the fullest, romance, and nostalgia) intertwine perfectly with each other as they try to bring George and Sophie together as a romantic couple. With nostalgia, they bond over how the past used to be a happy and simpler time, when technology wasn’t going berserk and people paid attention to each other. With living life to the fullest, they get hard hitting cynicism from the climate change scientist who believes all happy experiences will be erased because of humankind’s sins against the earth. With romance, it’s the classic tale of a socially awkward guy like George shying away from a flirtatious girl like Sophie. With the scientist feeding him all of this negativity, George has to struggle to believe in the power of love when Sophie tries to get in his social bubble.

Near the end of the movie, we ask ourselves if George’s struggle to suppress his inner negativity is worth it. While he does realize how the power of love can make someone happy, he also realizes how it can break his heart. While I won’t give away any spoilers, I will say that Sophie does break George’s heart in the end and he’s sobbing to himself in the comfort of his own home looking at pictures of their vacation together in Death Valley. That is such a powerful image that the audience watching has no choice but to question their own capacity for romantic love. This may not have been the message the movie was trying to send, but to my way of thinking, in this 50-50 bet between happiness and heartache, I was leaning towards heartache. I was so heartbroken and touched by the movie’s end that I spent the rest of the night listening to Seether’s cover of Wham’s “Careless Whisper”.

The best part about this movie is that it encourages the audience to ask questions instead of mindlessly conforming to a singular principal. If the world ends tomorrow, how will we spend our last hours on earth? Is romantic love worth all the struggles or does it lead to easy cynicism? Should we all love each other before it truly is indeed too late? Should we have as many experiences as we can despite the huge risk attached to them? Finding the answers to these questions takes a lot of courage and living with the answers is even scarier than that. Some people become so saddened by the answers that they resort to isolation or even worse, suicide. In the end, positivity will save us. It will get us through the hardships whether they’re in a personal relationship or part of a global crisis. If you’re going to attempt to answer these questions, make sure you do it without regret. Otherwise, temporary heartache will feel like permanent torture.

　

***LYRICS OF THE DAY***

“I love the way that your heart breaks with every injustice and deadly fate.”

-Flyleaf singing “Again”-