Obselidia

MOVIE TITLE: Obselidia
DIRECTOR: Diane Bell
YEAR: 2010
GENRE: Drama
RATING: PG-13 for language
GRADE: Pass

George is a librarian who moonlights as a cataloguist for obsolete and nostalgic items, all of which he hopes to document for a book he’s putting together. He even goes so far as to believe love is obsolete and therefore leads the lonely life of being single. When he meets a beautiful projectionist named Sophie, she tries to get him to come out of his shell as the two of them venture to Death Valley to interview a climate change scientist for George’s book. The ideas of love and the apocalypse collide in a debate about how we should spend our last minutes on earth if they truly are that. Will George live the rest of his life in isolation or will he believe in the power of love humans can give each other? Does he have anything in his heart for Sophie?

The three major themes of this movie (living life to the fullest, romance, and nostalgia) intertwine perfectly with each other as they try to bring George and Sophie together as a romantic couple. With nostalgia, they bond over how the past used to be a happy and simpler time, when technology wasn’t going berserk and people paid attention to each other. With living life to the fullest, they get hard hitting cynicism from the climate change scientist who believes all happy experiences will be erased because of humankind’s sins against the earth. With romance, it’s the classic tale of a socially awkward guy like George shying away from a flirtatious girl like Sophie. With the scientist feeding him all of this negativity, George has to struggle to believe in the power of love when Sophie tries to get in his social bubble.

Near the end of the movie, we ask ourselves if George’s struggle to suppress his inner negativity is worth it. While he does realize how the power of love can make someone happy, he also realizes how it can break his heart. While I won’t give away any spoilers, I will say that Sophie does break George’s heart in the end and he’s sobbing to himself in the comfort of his own home looking at pictures of their vacation together in Death Valley. That is such a powerful image that the audience watching has no choice but to question their own capacity for romantic love. This may not have been the message the movie was trying to send, but to my way of thinking, in this 50-50 bet between happiness and heartache, I was leaning towards heartache. I was so heartbroken and touched by the movie’s end that I spent the rest of the night listening to Seether’s cover of Wham’s “Careless Whisper”.

The best part about this movie is that it encourages the audience to ask questions instead of mindlessly conforming to a singular principal. If the world ends tomorrow, how will we spend our last hours on earth? Is romantic love worth all the struggles or does it lead to easy cynicism? Should we all love each other before it truly is indeed too late? Should we have as many experiences as we can despite the huge risk attached to them? Finding the answers to these questions takes a lot of courage and living with the answers is even scarier than that. Some people become so saddened by the answers that they resort to isolation or even worse, suicide. In the end, positivity will save us. It will get us through the hardships whether they’re in a personal relationship or part of a global crisis. If you’re going to attempt to answer these questions, make sure you do it without regret. Otherwise, temporary heartache will feel like permanent torture.

　

***LYRICS OF THE DAY***

“I love the way that your heart breaks with every injustice and deadly fate.”

-Flyleaf singing “Again”-