The Chehalis Video Store Incident

 A few years ago, I got rid of my VHS copy of Pink Floyd the Wall in a bout of spring cleaning. It’s currently sitting in a thrift shop somewhere waiting to be bought if it hasn’t already been. If you asked me about this back in the mid-90’s, I wouldn’t have thought that the movie would end up being one of my favorites of all time. Never mind the fact that I was a pre-teen in the mid-90’s and The Wall is an R-rated movie (for good reason). Then again, I never cared about age limits and neither did my parents. But this isn’t a story about being too young to watch an R-rated movie, no, no, no. After all, there are certain movies that disturb the shit out of the audience regardless of how old they are, examples of which include The Human Centipede, Hostel, Saw, and of course, Pink Floyd the Wall.

Papier-mâché masks with two holes for the eyes and one hole for the mouth. If you were a character from The Wall and you wore one of these, it meant you lost your individuality and were successfully bent to the will of your corporate masters. It also meant you were going to eventually be ground into hamburger meat so that you’ll look even LESS distinguishable from your conformist peers. The masks alone could make you question your love for cheese. The hamburger scene will make you into a permanent vegetarian. And that’s just one music video! The Union Jack morphing into a bloody cross will make you question what kind of sauce is covering your meatball sub. A crudely-drawn monster morphing into a literal and figurative giant asshole? If that happened in 2020, the toilet paper would be gone long before the pandemic.

But long before the movie even starts, your formerly untainted eyes will feast upon the artwork on the cover: a screaming face with an excessively wide mouth, a bloody chin, a bloody shoulder, hideous dental work, and a blue background that will make you question your need to ever drink water again. I dare you to find this artwork and give it a big old smooch. Go on! I dare you! Chicken! Wait a minute…did I say chicken? Was I being a hypocrite just now? I would have been if it was the mid-90’s. Pink Floyd the Wall and its artwork terrified the shit out of me during that time. My limbs would shake. The color would drain from my face. My blood would go cold at the mere suggestion of watching that movie. One time my leg shook while I was resting my foot on the bed and tying my shoe.

Every time my mom and dad took me and my brother to Sight and Sound Video Store in Chehalis, Washington, there was always the looming threat of somebody wanting to rent Pink Floyd the Wall and subjecting me to the horrors within. But why would I want to admit to being scared of it when Pink Floyd was one of my favorite bands at the time? Sure, I grew up in a progressive family, but that didn’t mean I didn’t feel at least some obligation to hide my fear from those around me. Besides, my family wasn’t the only influence in my life. My classmates at Chehalis Middle School would have caught wind of it if I let the cat out of the bag. My family is progressive, Chehalis is not. Macho conservatism was the norm in this god forsaken town. Any weakness on display was mocked and ridiculed until the end of time, giving way for even more weaknesses to be revealed by proxy.

One day at Sight and Sound, the secret came within razor-thin closeness of being out. It didn’t help matters that on the back wall of the video store, there was a big fucking Pink Floyd the Wall poster with that disgusting, hideous face looking down upon everybody who dared enter the store. I kept my head tucked low and hurried to the kids section where my eyes could be averted. What would I rent that wasn’t the world’s scariest rock opera? The Three Stooges? Donald Duck? Mickey Mouse? Dick Tracy? Before I could make my official decision, my parents come up to me and tell me that Sight and Sound is selling CD’s and T-shirts in the back of the store, which was in direct eye-contact with the vomit-inducing face.

My mother read my emotions like a book despite my best efforts to hide them. The color draining from my face, the sad expression, the dewy eyes, the beating cold sweat, they all prompted my mom to finally ask…“What’s wrong?” This was my opportunity to bear my soul and to “break down the walls” so to speak. This was the friendlier version of Gerald Scarfe’s judge telling me to expose my feelings to the world. But instead, the conversation went like this:

“What’s wrong?”

“Nothing.”

“You look sad.”

“I’m fine.”

“You look like you’re about to cry.”

“I’M FINE!”

The conversation kept going on and on with “I’m fine” and “what’s wrong?” responses until I reluctantly agreed to go with dad to the back of the store to check out their CD’s and T-shirts. I stared that Pink Floyd poster right in the face and was ready to melt into a puddle…until I didn’t. The nasty-looking face no longer had control over me. But why? Why the sudden loss of fear? Was I exposed to it so many times that it became meaningless? Was this truly the Law of Diminishing Returns? Whatever it was, I looked at Pink Floyd CD’s and T-shirts with Dad regardless. Surprise, surprise, my dad wanted a T-shirt with the screaming face on it and it still didn’t melt me like a snowflake. Would I eventually feel this kind of courage towards the putty-faced masks in the actual movie? I wasn’t about to press my luck, so we didn’t rent it.

I thought that would have been the end of that. We’d get our movies, CD’s, and T-shirts and then get the fuck out of there. But then the four of us ate at a Chinese restaurant across the street from Sight and Sound. It’s amazing that I still had an appetite for Chinese food considering everything I just went through. We were sipping on our drinks waiting for the food to arrive when my mom asked…

“What happened to you in the video store?”

“Nothing.”

“Then what’s wrong?”

“I’m fine.”

“You were walking with your head down when we went into the store. Was somebody picking on you?”

“No.”

“Then what’s wrong?”

“NOTHING IS WRONG! I’M FINE!”

She seemed intent on asking me over and over again until I spilled the beans. At this point it wasn’t a mother asking about the welfare of her son. It felt more like an interrogation. We even had the hot lamp above our table to complete the effect. But I kept on denying that anything was wrong until the conversation ran its course. She even shushed me when I got too loud, but I stood my ground. “Nothing is wrong! I’m fine! I’m not sad! Nobody was picking on me!”

In a town full of gun control opponents, I dodged the biggest bullet of them all. But what would have happened if I admitted to being afraid of Pink Floyd the Wall and its movie artwork? Would I have been forbidden from going to see Roger Waters in 2000? Would I have been labeled a wuss by everyone around me? Would the bullying I experienced in my freshman year of high school have been worse than it already was? The latter might have been true since I solved all of my disputes at the time with violence and screaming. Wusses and violence don’t exactly go hand-in-hand, after all.

But an even bigger consequence to admitting my crippling fear was that Pink Floyd the Wall wouldn’t go on to become my favorite movie of all time. I wouldn’t have received that message of protecting my individuality at all costs. I would have blindly believed anybody who told me my creativity was no good. I would have stumbled into mediocrity and not given two shits about it. Think of all the TV shows, movies, and books I would have missed out on if I admitted to being afraid all the time and allowed authority figures and bullies to tell me how to think. I might not even have a writing career if that was the case. I could have received the “be yourself” message from any piece of media, but where else was I going to get it from that had “Another Brick in the Wall, Pt. 2” playing in the background? The music spoke to me and so did the movie.

I’m not saying that everyone should keep their fears a secret all the time. That’s just what I did and I may have done some serious damage to my psyche by doing that. Not admitting fear is the same as not admitting other things in life such as being bullied, being abused, being mentally ill, being in pain, or god knows what else. Silence is your worst enemy in a world where everyone wants to tell you what to believe and how to think. If you don’t think for yourself, there are plenty of Hitlers out there who are willing to tell you what life is all about. If you don’t stand up for what you believe, there are plenty of drunken spouses out there who will beat it into your brain, literally and figuratively. Stand for something…or you’ll fall for anything…right into a sausage grinder!

Dean McLean the Macho Marine

VERSE 1

I call it ethnic cleansing, you call it spring cleaning

Took the word democracy, completely changed its meaning

Then you come back to the world to yell at your wife

And make a living hell out of my own goddamn life

Dropping your pants, showing me your dirty ass

Teabagging on Halo like you’re teaching pimp class

Ding-dong-ditch while you call me your little bitch

But these are just jokes designed to rip the last stitch

CHORUS

Dean McLean the Macho Marine!

The manliest man you’ve ever seen!

Ends justify the meanest of means!

Yell “Hoorah!” like a fighting machine!

Dean McLean the Macho Marine!

VERSE 2

You blame your worst mistakes on PTSD

It’ll take more than that to fool little old me

I set my boundaries and you knock them down

Play the biggest victim in the whole damn town

Everyone around you thanks you for your service

“Freedom isn’t free!”, now where have I heard this?

They’re buzzwords to justify machinegun fire

If only more people would see you as a liar

CHORUS

Dean McLean the Macho Marine!

The manliest man you’ve ever seen!

Ends justify the meanest of means!

Yell “Hoorah!” like a fighting machine!

Dean McLean the Macho Marine!

VERSE 3

I don’t give a damn about your Star Spangled Banner

It doesn’t mean shit when you lack basic manners

I don’t give a damn about your big fucking truck

You can drive it through sewage, get yourself stuck

I don’t give a damn about your precious Purple Heart

You probably dug it out from a box of Pop Tarts

Your insults and pranks were disguised as friendship

“Marine humor” to get you through a war so endless

PRE-CHORUS

The only twenty-one gun salute you’ll get

Is when they aim the rifles right at your head

Sociopathic brains run down the sewer drain

Thank you for your service, you little shit stain!

CHORUS

Dean McLean the Macho Marine!

The manliest man you’ve ever seen!

Ends justify the meanest of means!

Yell “Hoorah!” like a fighting machine!

Dean McLean the Macho Marine!

Characters Without Aspirations

 If somebody is living a “normal” life, it’s seen as a positive. If somebody is living an “average” life, it’s seen indifferently. However…if somebody is living a “mediocre” life, then shame on that person. Normal, average, and mediocre all have the same meaning, yet their connotations are different across each word. Normal and average characters are relatable, but mediocre ones are looked down up with disgust. But when a critic is talking about a mediocre character, they’re not usually talking about the character’s upbringing, education, or work life. Mediocrity often means the character has no ambitions, dreams, or aspirations. Three-dimensional characters are the best kind and a character cannot be three-dimensional without at least one feasible goal or lifelong dream. That’s what we’ve been taught as writers because that’s what makes a story interesting to begin with.

But is that always the case? Do characters HAVE to have big dreams and aspirations? Commonsense would dictate that a character-driven story would mean having the MC pursue an end game. But what if the character had no dreams or aspirations at all? Sounds pretty boring, doesn’t it? Until you dig a little deeper into why that is. Maybe the character is so depressed that he can’t see a future for himself. Maybe he’s older and subscribes to the “don’t follow your passion” rhetoric that conservatives of his generation like to preach. Maybe he’s a younger child who’s been brainwashed by the school system into believing that STEM jobs are the only kind that matter. With the latter case, the brainwashed child in question has a goal, but not the one he originally intended. Does that count? Not if he’s going through the motions.

Mediocrity isn’t fun to read about, but the reasons behind it can be. In fact, the reasons alone could turn an otherwise dull character into someone to root for. Maybe the goal is to break the cycle of mediocrity and become his own person. Maybe the goal is to murder the people responsible for creating his dull situation. Wait a minute. Did that get a little too extreme for you? Is it really reasonable for a mundane character to go around stabbing people to death if they forced him into a life of boredom? Maybe it is. Maybe it isn’t. Either way, you’ve got a compelling story on your hand. 

Conformity through brainwashing or creative suppression can be a powerful thing. That’s why millennials and Gen Z people tend to dislike Mike Rowe, because he’s using his platform to encourage capitalistic conformity. Conforming to society will make you more presentable in the eyes of the CEO’s writing your checks. Okay, Boomer, enough is enough.

While most people do want to break the chains of capitalism and tell Mike Rowe to suck a big fat one, there are legitimate slackers in society. I’m sure you, my lovely audience, have gone to school with a few of these guys. They don’t do homework. They spend their time in class shooting spitballs and fucking around. They mouth off to the teacher when they’re receiving genuine criticism. While these students don’t make up an entire generation nor can they not be saved, they do exist and they can often be interesting characters to read about. 

It’s easy to tell this lackadaisical student to “get a job” and “stop screwing around”. But have you ever been inside the mind of one of these students? Maybe the sour attitude is a cover-up for suppressed trauma. Maybe he doesn’t feel like there’s any hope for him after all. Or maybe he just wants to play videogames and fuck the world. Even the latter of those choices can be made into three-dimensional character work if an author knows what the hell he’s doing.

You’re probably reading all of this and are digging into the recesses of your mind trying to find examples of mediocre characters that are fun to read about. You want to find the difference between being lost in a dream due to aspirations and lost in a dream because he doesn’t want to wake up and face the world. Not a book, per se, but the 1994 comedy Clerks is a good example of this. Dante works at the Quick Stop Convenience Store and has no plans of bettering his life, yet he constantly complains about the situation he’s in. His friend Randal works at RST Video Store and doesn’t mind slacking off every once and a while as long as he gets to anger the customers. 

Two mediocre workers, different clashing mindsets. They have little goals here and there. Dante wants to get back together with his ex-girlfriend Caitlin while still dating a superior woman in Veronica. He wants to play hockey on the rooftop. He wants to go to a funeral to say goodbye to one of his exes. But are any of these goals really going to get him out of his depressive funk? No fucking way. Even if he somehow achieves these goals, he’ll go right back to where he was the next day: tedium and shitty customers. Dante and Randal have painfully ordinary lives, yet Clerks is considered a cult classic and Kevin Smith’s best movie of all time.

But if you’re going to intentionally write a mediocre character and have him lead the charge, his uncaring attitude should mesh well with his environment. If the character is a humanoid dragon barbarian fighting for his life in a dark fantasy kingdom with demons, devils, and zombies chewing on his flesh, that MC cannot afford to be mediocre for even a second. Yes, Gary-Stus exist, but in a fantasy or sci-fi setting, they’re frowned upon. Speculative fiction is known for having colorful worlds where the author’s imagination runs wild. Crystal castles in the sky, fireball magic spells, temptress witches, electromantic dragons, sneaky goblins, they’ve got it all! If a character is mediocre in an above-average setting, then that’s a problem.

But…what if a character is mediocre in a BELOW-average setting? What if the fantasy world has turned to absolute shit and the character gives into his urges to give up all hope? It doesn’t even have to be a nuclear apocalypse, no, no, no. It could be worldwide blight. It could be constant darkness. It could be monsters and zombies overrunning everything. Or it could be an actual world of shit, because there’s nowhere else to go to the bathroom. Losing hope and giving up easily would be perfectly understandable in a below-average hellscape. At that point, the character has two choices: give up entirely and submit to the Lovecraftian negativity, or find smaller goals to achieve if only to make life a little more bearable than it was before.

By choosing the latter of those two scenarios, your characters cease to be mediocre. An example of this is a 2009 movie called Zombieland. As the title would suggest, zombies have taken over the world and are chewing on humans like bubblegum. Fuck hope, because it’ll never come back no matter how many shotgun shells are popped off at these undead cannibals. The world will never return to its normal state. So what do the characters do? They cope. They don’t solve everything. They cope. Woody Harrelson’s character wants to find Twinkies and eat them like he was a zombie himself. The two girls in the zombie-escaping team want to go to a theme park and party it up. The main character? He just wants to see his family again. By having these little goals to keep them company in an otherwise shitty world, a run-of-the-mill comedy has become a three-dimensional story that deserves all the praise it gets.

In case it wasn’t apparent by now, mediocrity itself isn’t good or bad (that’s the very definition of the word). It’s what an author does with it that counts the most. Hell, it can even apply to real life, even in a nonconformist setting. It doesn’t have to be all about brainwashing and Boomerisms. Sometimes those big dreams aren’t what they appear to be when examined further. I had lots of dreams when I was younger, but didn’t realize how damaging those pursuits will be until I grew older. I wanted to be a pro-wrestler, but that would involve exhausting exercise, injuries, tedious travel, and bullying from the higher ups. I wanted to be a heavy metal singer, but that would also involve tedious travel, along with clashing egos, heavy criticism, potential drug and alcohol use, meaningless sex, and yes, sometimes injuries. I wanted to be a screenwriter, but that would involve traveling to Hollywood and potentially being molested by Harvey Weinstein or someone just like him. 

After all of those options, the one I decided was least detrimental to both my mental and physical health was the life of an author. I can still indulge in my creative fantasies. I can still tell Mike Rowe to get fucked. I can still be a productive person. And above all else, no injuries! Have you ever heard about an author who broke his neck while typing a novel? No, and you never will. Maybe mental injuries could be more prevalent with worldwide criticism and general trolling, but that’s not enough to keep me from pursing my dreams of being an author. I live a normal life without submitting to mediocrity. I guess I could be a three-dimensional character in someone’s novel. Or I could just do a complete self-insert, one of the two.

Save the World

 VERSE 1

I talked some shit online about Dumbass Donald

And his favorite butt puppet Moscow McConnell

I got a million replies telling me I should die

Telling me they’ll drink my liberal tears if I cry

I got a head full of demons and nothing accomplished

Couldn’t find anything we could share in common

But at least I performed my own civic duty

Even though my mind is melting into something gooey

CHORUS

Why does everybody expect me to save the world?

By myself! With nobody else!

Why does everybody expect me to have superpowers?

I wasn’t born tough! I’m just a traumatized coward!

VERSE 2

I went to the protest and held up my cardboard sign

Got a face full of mace and now I’m legally blind

Got a beer bottle broken over my pretty little head

If I come for round two, they’ll shoot my ass dead

I got a hospital bill and not a damn thing changed

I’ve got years of therapy, who’s willing to pay?

But at least I can say that I’ve got some big balls

I hope they’ll help against my debt collection calls

CHORUS

Why does everybody expect me to save the world?

By myself! With nobody else!

Why does everybody expect me to have superpowers?

I wasn’t born tough! I’m just a traumatized coward!

BRIDGE

Is it too much to ask that I see some results

To go with my beatings and bigoted insults?

Is it too much to ask for systematic reform

When dystopia has become the new norm?

Is it too much to ask for some compensation

When I’m crucified by the Teabag nation?

Is it too much to ask that my efforts matter

Or should we keep making the fat cats fatter?

VERSE 3

I went to the courthouse and filed a lawsuit

Against everybody who dared to lick boots

Case dragged on for a whole millennium

I couldn’t outspend every single defendant

I did my best and not a fucking thing improved

No tears for me, because nobody was moved

I guess you could tell me, “Welcome to the club”

Before you beat my ass with it, stain it in blood

EXTENDED CHORUS

Why does everybody expect me to save the world?

By myself! With nobody else!

Why does everybody expect me to have superpowers?

I wasn’t born tough! I’m just a traumatized coward!

Why does everybody think I’ve got what it takes

Then brush it all off with the phrase, “That’s the breaks?”

Why can’t I just lay in bed with my pretty kitty?

I’m not Batman and this is not Gotham City!

Hair vs. Hair

 VERSE 1

While you were assed out, lost in a dream

I shaved your head bald like my man Mr. Clean

I’ll keep your locks as a game hunting trophy

For losing to me, it’s the least that you owe me

I could’ve cut out your silver-coated tongue

Could’ve ripped out your tobacco-coated lungs

Could’ve snipped off your two-inch pecker

Kept your sorry ass from being a home-wrecker

CHORUS

It’s hair vs. hair!

Should I use a razor or rip and tear?

It’s hair vs. hair!

Your scalp is so bloody, we call it rare

VERSE 2

No steaming hot towel over your face

No shoulder massage at a gentle pace

No aftershave with the vanilla scent

The beauty salon isn’t where you went

CHORUS

It’s hair vs. hair!

Should I use a razor or rip and tear?

It’s hair vs. hair!

Your scalp is so bloody, we call it rare

VERSE 3

With your chrome dome, you could join the army

Or be under the watch of a perverted carnie

It doesn’t feel good to be the victim, does it?

Then what makes you think I’d ever love it?

You don’t owe me a single dollar or penny

Your clumps of hair will be more than plenty

I’d say we’re even if only for the time being

Look into the mirror and hate what you’re seeing

EXTENDED CHORUS

It’s hair vs. hair!

Should I use a razor or rip and tear?

It’s hair vs. hair!

Your scalp is so bloody, we call it rare

It’s beauty vs. beast!

The roles have been reversed, you see

It’s man vs. monster!

One achieves victory, the other dishonor

It’s hair vs. hair!

A Medal of Freedom can never compare

To the feeling of keeping something of yours

No more lost sleep, in fact, I’ll fucking snore!

Finding Treasure

 Every last page of the treasure map has led you to this. Gold, glorious gold, beautiful gold, showers of gold…wait a minute…Anyways, now that you’ve found these mountains of lovely gold coins underneath the waterfall, you send your pirate crew to haul it onboard your vessel. As you sail away with the precious treasure, you fantasize about what you’ll spend your newfound fortune on. A much-needed vacation? An elaborate mansion? Women? Lots and lots of women? Men? Non-binaries?

Your mind races at a million miles an hour at the possibilities. And then...your train of thought has been derailed when your ship snaps in two like a twig. You and your crew are left floating around the seven seas like turds in a punchbowl. Yes, you’ve got your treasure after all of this hard work…but even your mighty vessel wasn’t strong enough to store it all. You overloaded your fucking ship and sank the damn thing. Way to go, champ! You truly are a million dollar baby and the seven seas have gotten even choppier with the addition of your salty tears.

Everybody wants to find treasure. Everybody wants to live beyond their means. Everybody fantasizes about the high life. But in the midst of their fantasies, they forget the logistics of undertaking such a quest. It’s like the episode of South Park with the underpants gnomes. Phase one, steal underwear. Phase two...Phase three, profit. The gnomes don’t know what phase two is and neither do the pirate captains looking for treasure.

That scenario I painted for you in the above paragraphs was actually the ending scene for Captain William Kidd from the 90’s fighting game World Heroes 2. He got so greedy for his beautiful gold that he took too much of it and it sank his ship. Captain Kidd is a lot of things in that game. He’s a great fighter, no doubt. He’s got friendly dialogue. Now we can add one more quality to his resume: dumbassery. Is that a word? It probably could be if English snobs are willing to let words like “avast, ye matey” float by without examination.

So…when constructing your story about treasure hunting, you first have to ask what it is your sea captain is looking for. It doesn’t always have to be ultra-heavy gold coins. It doesn’t even have to be multiple items. It could be a magical gem. It could be a weapon. It could be a key to the gates of heaven. It could be a book. If you think Potterheads camping outside of Barnes & Noble takes dedication, you’ve never met a sea captain who searches far and wide for a book of secrets beneath the Atlantic Ocean.

Anything can be a valuable treasure if you put enough stock into it. Even another human being can be considered a valuable treasure. Maybe the sea captain is looking for a sexy siren who when discovered will become his wife for all eternity. Sounds great in theory, but it’s not exactly healthy relationship material if one party has too much power over the other.

Okay, so you know what you want your sea captain to look for. How do they get it? Do they have access to a treasure map? If so, how difficult was it to find? Did they have to wrestle it out of the hands of an orcish army? An ogre bruiser? A sneaky goblin? What about the map itself? Is it just one sheet of paper or is it a fucking novel the size of Webster’s Dictionary? Is the map even in plain English or does the captain need a translator to accompany him on his treasure hunt? Does the translator know how to fight or will they be swallowed whole by a bloodthirsty kraken? If you really wanted to be a dick to your main character, you could have the map come in the form of a thick novel with missing pages scattered all over the world, each of them in a different foreign language. How many times can your sea captain’s patience be tested before they say, “Fuck it, I’ll live on the streets?”

As if finding the missing pages to a treasure map wasn’t enough of a pain in the ass, getting from point A to point B is full of obstacles that grind the captain’s patience down to nothing. I’ve already mentioned bloodthirsty krakens who’ll eat entire armies alive with just one bite, but not before they’re wrapped in the pirate ship’s mast and eaten like Hot Pockets. What about other pirates, though? Surely, you’re not so arrogant to believe you’re the only one who wants the treasure, right? That’s why psychology experts warn You Tube consumers not to fall in love with content creators: because there’s an army of watchers who feel the same way and the chances of you being chosen are pretty fucking slim. 

So who are these other pirates going after your forbidden treasure? Skeletons? Orcs? Zombies? Dragon people? Or maybe they’re just ordinary humans. You can breathe a sigh of relief if the latter is the case, right? Not if they’re armed with AK-47’s and all you’ve got is a measly cutlass. I guarantee you Captain William Kidd wouldn’t stand a chance against Somali pirates. He can only throw the Shark Knuckle and Shark Upper so many times before he’s pumped full of lead. Those fighters in World Heroes 2 never really accounted for firearms, did they?

If the other pirates don’t kick the shit out of you, I guarantee that the oceans and general shitty weather will. Have you ridden on a boat with choppy waves before? I have. I was vacationing in Mexico in 2017 and part of my vacation was riding on a banana boat. Because the waves were rough and heavy, I fell off the damn boat and screamed for help until the lifeguards rescued me. The only reason why I didn’t scream earlier was because my head was underwater and bubbles don’t exactly translate well to above-surface lifeguards. 

If you’re sailing the seven seas, chances are good that you’ll be bounced up and down by the rolling waves. Your crew will be jostled around so many times that some of them may even fall off the ship never to be seen again. And that’s just the ocean. What about the rain? And the lightning? Suppose the only translator you have for your overly-complex map gets struck by lightning and dies? Then he gets tossed overboard by the nasty-ass waves? You talk about being lost at sea? Bitch, you’ll be lucky if you’re ever found again. The Coast Guard ain’t going to save your ass, because if they were capable of doing so, they would have found the treasure long before you ever did.

You know those motivational quotes that tell you to take risks without thinking too much about the consequences of failure? They seem inspirational at first, but overall, it’s shitty advice, especially if you’re a sea captain. You have to think about the risk-reward factor all the time. Is it worth the danger of being swallowed whole by the sea? Is it worth being gutted alive by a skeleton crew’s cutlasses? Is it worth the sleepless nights? Is it worth being so tired that you’re constantly on the edge of having a stroke, heart attack, aneurism, or all three at the same time?

What will you do once you’ve found this sacred treasure? Will you save it for a rainy day (one that preferably doesn’t take place during your travels)? Will you spend it all at once on hookers and beer and be right back to where you started in a week’s time? Will you use the mountains of gold coins to pay your bills? Does your landlord or debt collector even accept gold coins as currency? Suppose your landlord says, “Sorry, we don’t accept Canadian money.” Your ass is out on the streets in a big fucking hurry. But at least you found your treasure! Right?

Even if you as an author don’t plan on writing a treasure hunting story of any kind, this can still be a valuable lesson in thinking things through before you rush into a project. If you improvise everything, you’ll have a shitty first draft and a lot of work ahead of you. If you plan everything in advance down to the finest detail, you’ll still have a shitty first draft, but you won’t have nearly as much work to do. I wish I heeded this advice when I started pumping out first drafts left and right. 

One of the biggest criticisms I’ve ever received (aside from having too many saggy jowled dogs and fat male villains) was that I don’t take authority and culture into account when creating my worlds. I’ve often been asked, “Where are the cops?” My logical answer would have been that I want the MC to get the credit for the victory, not the cops. If the cops can solve everything, why have a story at all? Fair point, but the cops and authority figures still matter in every story. Or maybe the country is 100% anarchy and everybody solves their own damn problems. No matter what the case, it’s good to establish these things so that they’re clear to the reader.

But just because a fine eye for detail is required for any writing project, doesn’t mean you have to explain every…little…thing to the reader. There are some obvious parts of your world that you can trust your readers to form pictures of by themselves. Your book shouldn’t be overly long explanations sandwiching the crucial action and drama of your story. That shit just gets boring after a short while. I’ve DNFed books that took too long explaining everything, case in point, the first Game of Thrones book. The author wouldn’t shut his yap about the details of the characters’ clothes and histories, so the action suffered because of it. I would argue that Empress Theresa is the worst offender when it comes to over-explaining things. Then again, Empress Theresa is the worst offender no matter what category you’re talking about.

Finding a nice balance between over-explaining and not thinking at all about the extra details is paramount to a readable book, whether you’re writing about treasure hunting or not. Treasure hunting is just one genre that deserves this middle ground. It could also be true of contemporary dramas where the world-building details are the same as what we experience in real life. So maybe when Captain William Kidd washes up on the shore, he can build another pirate ship and only take half the gold this time around. And then he’d have to find a way to convert that gold into modern day money. If he really was the devious pirate he claimed to be, he could start his own pyramid scheme with that amount of gold. And then when he finally gets taken to court, he can bypass prison altogether and wind up in the safety of a nut house, because no modern day human being talks or dresses the way he does unless it’s Halloween. See? Details matter!