Chun Li tapped her white-booted foot repeatedly while crossing her arms, impatience bubbling inside her. She didn’t want to be down in this bunker. She wanted to be out there in the field lightning kicking Bison’s head off. She wanted to hear the sounds of bones crunching against her boots as she performed her Spinning Bird Kick. She wanted to hear Bison scream in agony as her fireball scorched and crisped his skin. Those sounds would have been more heavenly to listen to than a classical Mozart symphony. After all those lonely nights without her now murdered father, Chun Li believed she wasn’t asking too much in return. She just then noticed her jaw was aching from clamping down too hard.
If there was one thing that could distract her from her own impatience and the darkness of the bunker, it was seeing young Cammy White resting peacefully on a soft enough mattress. Waiting for her to wake up and give away Bison’s location would have eaten away at Chun Li since time was a factor. But there was something about Cammy’s beauty that extended beyond the surface level. Anybody could look good in a green legless leotard and black combat boots. Even Chun Li had her own moments with her blue kung fu dress, also legless. But Cammy had an air of mystery about her. She had a softness to her that Chun Li always liked in the company of women.
Crush on her later. You have a job to do once she wakes up, Chun Li thought to herself. And just like that, her sweet smile disappeared and gave way to tight-jawed intensity. She knew it wouldn’t be right to flirt with Cammy anyways. The poor girl had been through a lot, which was why she was taken to this bunker to begin with. And then, her eyes slowly flickered open, adjusting to whatever light was left. Chun Li rushed over and sat on the mattress next to her.
Don’t mess this up. You’ve got one chance to get the most out of her…
Still groggy and dazed, Cammy languidly reached out her hand and cupped it in Chun Li’s, prompting the latter’s face to go slightly pink. Even after lecturing herself about the importance of finding and destroying Bison’s Shadowloo base, Chun Li made no effort to pull her hand away. The touch was too smooth and too warm to just let go so easily. And then it became clear why Cammy was reaching out in the first place. “Bison…is that you?”
“I…no, it isn’t, Cammy.” Chun Li knew her charge was out of it, but was still hit with a pang of disappointment.
Cammy pulled her hand away ever so slowly. “I’m sorry. I…I don’t know what I was…I mean…”
“It’s okay, Cammy. Don’t worry about it. I don’t mind. Are you able to sit up? That might help you reorient yourself.”
She did indeed sit up, but not without slouching her head over like she was about to pass out again. “Where’s Bison?”
“That’s what I was hoping you’d know. You were closer to him than anybody else we’ve rescued so far. Do you remember where his Shadowloo hideout is?”
“I…I can’t remember much…Everything’s a blur…” Failing to compose herself, Cammy slumped over to the side and (unknowingly) rested her head on Chun Li’s shoulder, prompting an even darker shade of pink to scrawl across her face. “Am I doing that again?”
“Cammy, it’s okay. I don’t mind, really. You’ve been through a lot. It’s okay to feel sleepy after all of that. Do…do you seriously not remember where Bison is hiding out?”
“I…I don’t remember much of anything lately…”
Chun Li grabbed Cammy by her shoulders and lifted her into an upright position, steeling herself for the gravity of what she was about to say. Cammy’s head still slouched over, but hopefully Chun Li’s message got through. “Listen to me…this won’t be easy to hear, but…we believe you’ve been brainwashed by Bison into becoming one of his soldiers. The effects are just now wearing off and that’s probably why you don’t remember much about your past.”
“…Who’s we? Who are you, anyways?”
“I’m from Interpol and we’ve been building a case against Bison for years now. He has entire governments in his back pocket and has been using his influence as part of a campaign for world domination. Anybody who stands in his way or even mildly disagrees with him is promptly murdered or incarcerated. To put it in shorter terms, he’s a dictator and he’s getting too powerful for our liking.”
Cammy lifted her head as if to give some kind of hopeful answer. But…”I’m sorry. I don’t remember anything. I want to help you, but I can’t.”
And just like that, the best lead Chun Li had turned out to be a dead end. Lord knew what Bison had done to this poor girl prior to the amnesia. The possible answers, even the darkest kind, swirled in Chun Li’s head and angered her to where she unintentionally squeezed Cammy’s shoulders too hard. After a hiss of pain from her charge, Chun Li apologized and dusted her own kung fu dress off (despite there being no dust).
The two of them just sat there on the mattress together awkwardly staring into space. If Cammy really was as amnesic as she claimed to be, then what else was there to do? The logical answer would be to take her to the Interpol medical wing, but if that was a viable option, they wouldn’t be in this bunker in the first place. They needed to hide out for a while. They needed to strategize. They needed to…spring to life on their feet as soon as a crashing sound erupted at the front entrance.
The steel door came loose after a few hard punches and tumbled down the stairs into the bunker’s common area. Emerging from the chaos was exactly what Chun Li feared this whole time: Shadowloo warriors. The punches obviously came from Balrog, the ultra-muscular boxer with a ripped bare chest and baggy purple shorts. Flanking him was the steel masked Spanish ninja Vega, bearing a claw that could tear off limbs with a single stroke. While Chun Li prepared for battle with her kung fu stance, Cammy looked dumbstruck as her bare legs quivered.
Balrog pointed his boxing glove at Cammy and said, “I believe you have something that belongs to Shadowloo.”
Chun Li’s normally soft voice had extra mustard behind it. “That ‘something’ has a name, you dumb bastard. She’s not an object for Bison to play with. She’s a living, breathing human fucking being!”
Balrog and Vega laughed their heads off. Vega removed his mask and licked his claw in a sensual, creepy way. “She may be a human fucking being…but living and breathing? Ha…that’s debatable!”
“Don’t you lay a finger on her!”
“Or what?” snapped Balrog. Not wasting any more time smack talking, he initiated the battle with a rush punch aimed at Chun Li’s head.
Staying close to Cammy, who was still frozen with amnesic fear, Chun Li dodged and ducked every punch Balrog threw at her. She counted with a sweep kick, but his legs wouldn’t budge. Instead, Balrog grabbed the sweeping bare leg and squeezed it like the pervert he was, toothless grin on his face the whole time. Chun Li threw a Kioken fireball from her laying position and almost singed Balrog’s disgusting face. Once she was free, she nipped up, wanting to go in for the kill with a Spinning Bird Kick.
In doing so, she left Cammy wide open for Vega to swan dive and suplex her into the bed. This distracted Chun Li long enough for Balrog to throw a dashing uppercut, flipping her upside down and dazing her senses. He continued the punishment by picking her up and head butting her repeatedly in the chest. Every time his cannonball noggin struck her sternum, her heart skipped a few beats. She faded in and out of consciousness the whole time, but mustered enough strength to throw another fireball, forcing Balrog to let go.
That fireball proved to be her last hoorah. It bought her enough time and enough conscious energy to see something disgusting unfold before her eyes. Vega had Cammy’s arms pinned to the bed and with his mask off, he began licking his claw like he wanted to butcher her. Chun Li wanted to help. She wanted to stay conscious long enough to Lightning Kick his head off. Her wish was only half granted as the anger burning in her gut kept her awake this whole time. And then…
Just as Vega leaned down to try to give Cammy a kiss, the latter sprang to life like she wasn’t crippled with amnesic fear just a few minutes ago. She punched Vega in the face and split him open. He screamed and held his broken nose, bemoaning the fact that his “handsome” features were ruined by this “bitch”. He swan dived towards her again, but was met with a spiral kick called the Cannon Drill. Off the bed and ready to rock and roll, Cammy hit a thrust kick to Vega’s ball sack and ruined his face even further with a spinning knuckle. She never let up, just kept pounding and pounding him like a fighting machine was awakened inside of her. There may have been hope in finding Bison after all.
This newfound hope gave Chun Li enough energy to pull herself to her feet and dodge another oncoming rush punch from the now recovered Balrog. Awake and alive, she threw multiple Lightning Kicks around Balrog’s sternum, listening to his ribs crackle and pop. He backed off a little bit and spit out some blood, but ultimately shrugged off the pain like it was nothing. Boxers were used to this kind of pain, after all. Then again, so were kung fu masters and British soldiers. Chun Li winked at Cammy, who stood over Vega’s broken body with confidence and anger etched in her battle stance.
Balrog stormed in with another rush punch, but was met with a double team move from Chun Li and Cammy. Cammy went low with her Cannon Drill and Chun Li went high with the move she’d been itching to use on Bison this whole time, the Spinning Bird Kick. Bones crunched, cracked, and shattered underneath the boots of these two badass women. With a distorted face and ribs puncturing his lungs, Balrog dropped to the ground twitching and coughing up blood, which only aggravated his rib injuries even further. Cammy finished him off with a hard stomp to the balls. Balrog’s face contorted even further before he fell backwards and slipped into the dark side.
Bruised, but not broken, Cammy and Chun Li breathed heavily after their hard-earned victory and sat back down on the bed together full of piss and vinegar. If anybody else wanted to come through that doorway, they too would be beaten within an inch of their lives.
After a while of huffing and puffing, Cammy finally spoke in a tone unlike her dazed and confused persona from earlier. “I know where Bison’s hideout is…I know what he did to me…He erased my memories…Made me his slave…I want to kill him…I want to burn him alive….”
“Listen to me, Cammy…I’m glad you remember where Bison’s base is, even if it was triggered under the worst circumstances. But I’m afraid I can’t let you have that kill. Interpol will take care of everything. The important thing is that you cooperate.”
“Oh, I’ll cooperate alright. And to think, Bison thought I was in love with him. Truth is…I don’t even like men.”
Chun Li’s face reddened once again, but for more reasons than being in a brutal fight. “You…you don’t?”
“I’ve always preferred women. I don’t go around advertising my sexuality to people, so I’d appreciate it if you kept quiet too.”
“It’s nothing to be ashamed of, Cammy. Bison may think there’s something wrong with it, but I don’t. In fact…I like women too.” That last sentence was punctuated with a tiny smile.
The two of them looked in each other’s eyes, but ultimately thought nothing of it. Cammy said, “I’m not sure if I can…you know…not right now anyways. I have to wash the stench of Bison off of me before I can do anything serious…”
“I understand, Cammy. Maybe we’ll just have to settle for a nice cup of tea together.”
Cammy’s eyes widened in disbelief. “What?”
“I, uh…sorry, I don’t know where that came from.”
After a while of awkward silence, Cammy’s hand met Chun Li’s. “Sure, I’d love to get tea with you sometime. Maybe when this Shadowloo bullshit is over, though.”
“Of course…once it’s all over…”
“Hey…thank you. Thanks for everything…” Cammy kissed Chun Li’s forehead and made her blush. “Come on, let’s get out of this bunker before anybody else finds us and wants to brawl.”
Chun Li just now remembered that she had a job to do this whole time. It was easy to get lost in Cammy even after all of that. It was easy to feel…lost without her.
Saturday, May 30, 2020
Lost Without You
Labels:
America,
Balrog,
Boxing,
Cammy White,
China,
Chun Li,
Dictator,
England,
Fan Fiction,
Kung Fu,
Lesbians,
Ninja,
Soldier,
Spain,
Super Street Fighter II,
Thailand,
Vega,
Videogame
Hit Piece
VERSE 1
“Everything’s a hit piece, everything’s a shit squeeze”
You can’t take criticism
“Everything is cancer, no one has the answers”
You can’t engage in witticism
“Everything is canceled, everything’s an online battle”
Who’s the real snowflake now?
“Everything is PC, they all want to have it easy”
First amendment keeps you loud
CHORUS 1
Anytime you pay your taxes
You always grind your axes
Anytime two gay guys kiss
It’s the dark ages you miss
Anytime you fire your gun
You take away somebody’s son
It’s not a hit piece if it’s true
I don’t care if it’s red, white, or blue
VERSE 2
“Everyone’s got a cell phone, everyone’s mind is blown”
Pass the torch to the next generation
“Everyone wants free shit, it’s a taxpayer’s pit”
Don’t forget your arthritis medication
“Everyone’s got a trophy, they can show it to their homies”
Okay, Boomer, enough is enough
“Everyone’s too sensitive, they always want sedatives”
I thought you old farts were so tough
CHORUS 2
Anytime black people protest
You clutch your pearls to your chest
Anytime we ask for justice
You gag like you’re disgusted
Anytime you spread Corona
You blame it all on California
It’s not a hit piece, where’s the lie?
Let the man child president cry
BRIDGE
BP gas up your ass
Light the very last match
Keep the bleach within your reach
Listen to the con artists preach
Have some fun with your guns
Shoot the shit out of everyone
It’s not a hit piece, fact check that
The golden goose is getting fat
VERSE 3
“Everywhere’s burning down, not in my hometown”
The signs have never been brighter
“Everywhere’s a sanctuary, turn them all to mortuaries”
My people are both lovers and fighters
CHORUS 3
Anytime we get a little angry
You pretend to be so saintly
It’s not a hit piece if it doesn’t slander
Find another place for your star-spangled banner
It’s not a hit piece if it’s true
This world doesn’t revolve around you
It’s not a hit piece!
It’s not a hit piece!
It’s not a hit piece!
It’s not a hit piece!
“Everything’s a hit piece, everything’s a shit squeeze”
You can’t take criticism
“Everything is cancer, no one has the answers”
You can’t engage in witticism
“Everything is canceled, everything’s an online battle”
Who’s the real snowflake now?
“Everything is PC, they all want to have it easy”
First amendment keeps you loud
CHORUS 1
Anytime you pay your taxes
You always grind your axes
Anytime two gay guys kiss
It’s the dark ages you miss
Anytime you fire your gun
You take away somebody’s son
It’s not a hit piece if it’s true
I don’t care if it’s red, white, or blue
VERSE 2
“Everyone’s got a cell phone, everyone’s mind is blown”
Pass the torch to the next generation
“Everyone wants free shit, it’s a taxpayer’s pit”
Don’t forget your arthritis medication
“Everyone’s got a trophy, they can show it to their homies”
Okay, Boomer, enough is enough
“Everyone’s too sensitive, they always want sedatives”
I thought you old farts were so tough
CHORUS 2
Anytime black people protest
You clutch your pearls to your chest
Anytime we ask for justice
You gag like you’re disgusted
Anytime you spread Corona
You blame it all on California
It’s not a hit piece, where’s the lie?
Let the man child president cry
BRIDGE
BP gas up your ass
Light the very last match
Keep the bleach within your reach
Listen to the con artists preach
Have some fun with your guns
Shoot the shit out of everyone
It’s not a hit piece, fact check that
The golden goose is getting fat
VERSE 3
“Everywhere’s burning down, not in my hometown”
The signs have never been brighter
“Everywhere’s a sanctuary, turn them all to mortuaries”
My people are both lovers and fighters
CHORUS 3
Anytime we get a little angry
You pretend to be so saintly
It’s not a hit piece if it doesn’t slander
Find another place for your star-spangled banner
It’s not a hit piece if it’s true
This world doesn’t revolve around you
It’s not a hit piece!
It’s not a hit piece!
It’s not a hit piece!
It’s not a hit piece!
Labels:
Ageism,
America,
Bigotry,
Black Lives Matter,
Cancer,
Guns,
Hard Rock,
Hatred,
Heavy Metal,
Hit Piece,
LGBT,
Liberalism,
Lyrics,
Music,
Poetry,
Politics,
Protest,
Racism,
Snowflake,
Song
Saturday, May 23, 2020
Zombieland
MOVIE TITLE: Zombieland
DIRECTOR: Ruben Fleischer
YEAR: 2009
GENRE: Zombie Apocalypse Comedy
RATING: R for violence and language
GRADE: Pass
As of the year I’m writing this review, which is 2020, the Corona Virus is sweeping the world and killing everyone it comes in contact with. This disease is bringing out the worst in humanity whether it’s violent rage (a la the Michigan anti-lockdown protestors) or deceptive behavior (a la Kenneth Copeland and Joel Osteen). If this mess keeps up, our world could very well come to an end. Wouldn’t you like a nice fun-filled movie to distract you from it all? That’s where Zombieland comes into play. I don’t want to say this movie was a prophecy back in 2009…but yeah, it was totally a prophecy. Granted, we haven’t gone full-zombie just yet, but the other ramifications have come to fruition thus far. Economic collapse, swindlers, incompetent leadership, and a bunch of cowboys playing with their shotguns. Yep. I’m sure this movie was just a coincidence at the time it was made.
If you think creating believable characters is hard to do within a silly comedy, just take a look at who we’ve got in this particular movie. Columbus wants to find a sense of family whether his biological one still exists or not. Tallahassee wants to munch on Twinkies because he appreciates the little things in life. And he just wants to kill zombies left and right. Cutthroat sisters Wichita and Little Rock want to steal as many resources as they can so that they can party it up at an amusement park in California. What do you notice from all of these character descriptions? They’re motivations. They have something that they’re willing to kill zombies for. Therefore, this is a character-driven zombie story. Didn’t think that was possible, did you? Notice how they’re not scrambling to save the entire world from the zombie apocalypse. They just want to cling onto a sense of normalcy no matter how small or temporary that may be. Isn’t that what we’re doing now with the Corona Virus: looking for something to comfort us? Totally not a prophecy.
I have one tiny little critique for this movie. Why would Columbus continue to trust Wichita and Little Rock after they’ve betrayed him and Tallahassee over and over again? They’re grifters. Deception is all they’re known for. Do they stop grifting by the end of the movie? Who knows? That’s not just me refusing to give spoilers; I actually want to know the answer to that. I guess this could all go back to Columbus wanting a sense of family in his life, so he keeps hoping and praying that the sisters change their ways just for him. Then again, Wichita was a femme fatale and part of that moniker is being seductive, either through attractiveness or just playing mind games. Columbus always wanted to brush a woman’s hair behind her ears. If that’s the case, then this whole movie is just him thinking below his belt. Wichita could burn down an orphanage and Columbus would still want to give her infinite chances. Yes, this is a comedy movie. Yes, Columbus is a dorky college kid. But…come on.
You want clever dialogue from every character involved? You want bloody action and excitement? You want a lesson on how to make believable characters? Ask and you shall receive it all in the form of Zombieland. You’ll get more than a few chuckles here and there. You’ll get a few life lessons that may come in handy as the age of Corona Virus progresses onward. You’ll love Woody Harrelson’s performance as the gun-toting cowboy Tallahassee. You’ll love Jesse Eisenberg’s performance as the spineless dork Columbus. Try not to think too hard about Columbus trusting people a little too easily, especially if they’re overly attractive. This was an enjoyable movie for me and for that reason I’m giving it four out of five stars.
DIRECTOR: Ruben Fleischer
YEAR: 2009
GENRE: Zombie Apocalypse Comedy
RATING: R for violence and language
GRADE: Pass
As of the year I’m writing this review, which is 2020, the Corona Virus is sweeping the world and killing everyone it comes in contact with. This disease is bringing out the worst in humanity whether it’s violent rage (a la the Michigan anti-lockdown protestors) or deceptive behavior (a la Kenneth Copeland and Joel Osteen). If this mess keeps up, our world could very well come to an end. Wouldn’t you like a nice fun-filled movie to distract you from it all? That’s where Zombieland comes into play. I don’t want to say this movie was a prophecy back in 2009…but yeah, it was totally a prophecy. Granted, we haven’t gone full-zombie just yet, but the other ramifications have come to fruition thus far. Economic collapse, swindlers, incompetent leadership, and a bunch of cowboys playing with their shotguns. Yep. I’m sure this movie was just a coincidence at the time it was made.
If you think creating believable characters is hard to do within a silly comedy, just take a look at who we’ve got in this particular movie. Columbus wants to find a sense of family whether his biological one still exists or not. Tallahassee wants to munch on Twinkies because he appreciates the little things in life. And he just wants to kill zombies left and right. Cutthroat sisters Wichita and Little Rock want to steal as many resources as they can so that they can party it up at an amusement park in California. What do you notice from all of these character descriptions? They’re motivations. They have something that they’re willing to kill zombies for. Therefore, this is a character-driven zombie story. Didn’t think that was possible, did you? Notice how they’re not scrambling to save the entire world from the zombie apocalypse. They just want to cling onto a sense of normalcy no matter how small or temporary that may be. Isn’t that what we’re doing now with the Corona Virus: looking for something to comfort us? Totally not a prophecy.
I have one tiny little critique for this movie. Why would Columbus continue to trust Wichita and Little Rock after they’ve betrayed him and Tallahassee over and over again? They’re grifters. Deception is all they’re known for. Do they stop grifting by the end of the movie? Who knows? That’s not just me refusing to give spoilers; I actually want to know the answer to that. I guess this could all go back to Columbus wanting a sense of family in his life, so he keeps hoping and praying that the sisters change their ways just for him. Then again, Wichita was a femme fatale and part of that moniker is being seductive, either through attractiveness or just playing mind games. Columbus always wanted to brush a woman’s hair behind her ears. If that’s the case, then this whole movie is just him thinking below his belt. Wichita could burn down an orphanage and Columbus would still want to give her infinite chances. Yes, this is a comedy movie. Yes, Columbus is a dorky college kid. But…come on.
You want clever dialogue from every character involved? You want bloody action and excitement? You want a lesson on how to make believable characters? Ask and you shall receive it all in the form of Zombieland. You’ll get more than a few chuckles here and there. You’ll get a few life lessons that may come in handy as the age of Corona Virus progresses onward. You’ll love Woody Harrelson’s performance as the gun-toting cowboy Tallahassee. You’ll love Jesse Eisenberg’s performance as the spineless dork Columbus. Try not to think too hard about Columbus trusting people a little too easily, especially if they’re overly attractive. This was an enjoyable movie for me and for that reason I’m giving it four out of five stars.
Labels:
Amusement Park,
Apocalypse,
Blood,
Comedy,
Corona Virus,
Dystopian,
Emma Stone,
Family,
Femme Fatale,
Guns,
Hostess,
Jesse Eisenberg,
Movie,
Review,
Twinkies,
Violence,
Woody Harrelson,
Zombie,
Zombieland
Thursday, May 21, 2020
Scotty's Got a Gun
VERSE 1
All the talent in the world couldn’t save his sorry ass
When his sanity and dreams shattered like church glass
Beautiful colors scattered across the wooden floor
Heart of gold tainted and rotten to its frozen core
All the needles and bottles couldn’t erase his pain
All the nights of incest drove him bat shit insane
Calling it love doesn’t change the simple fact
That Scotty’s revolver is about to click-clack
CHORUS
Scotty’s got a gun! X4
VERSE 2
There’re only two choices for the rapist in his bed
Shoot a bullet in her chest or a bullet in her head
Give her one last chance to confess her mortal sins
But she says a prayer like God will actually let her in
CHORUS
Scotty’s got a gun! X4
VERSE 3
No one ever believed a word of Scotty’s story
Except for the parts that were intentionally gory
Matricide is the buzzword that makes the paper
To give that bold headline some extra spicy flavor
A villain to a world that never gave a goddamn
If it didn’t happen young, it would’ve happened as a man
There’s no such thing as a happily ever after
When the whole universe needs some laughter
EXTENDED CHORUS
Scotty’s got one left in the chamber
Scotty’s got some residual anger
Scotty’s got some scorpion venom
Which one of you fuckers wants to go to heaven?!
Scotty’s got a gun! X4
All the talent in the world couldn’t save his sorry ass
When his sanity and dreams shattered like church glass
Beautiful colors scattered across the wooden floor
Heart of gold tainted and rotten to its frozen core
All the needles and bottles couldn’t erase his pain
All the nights of incest drove him bat shit insane
Calling it love doesn’t change the simple fact
That Scotty’s revolver is about to click-clack
CHORUS
Scotty’s got a gun! X4
VERSE 2
There’re only two choices for the rapist in his bed
Shoot a bullet in her chest or a bullet in her head
Give her one last chance to confess her mortal sins
But she says a prayer like God will actually let her in
CHORUS
Scotty’s got a gun! X4
VERSE 3
No one ever believed a word of Scotty’s story
Except for the parts that were intentionally gory
Matricide is the buzzword that makes the paper
To give that bold headline some extra spicy flavor
A villain to a world that never gave a goddamn
If it didn’t happen young, it would’ve happened as a man
There’s no such thing as a happily ever after
When the whole universe needs some laughter
EXTENDED CHORUS
Scotty’s got one left in the chamber
Scotty’s got some residual anger
Scotty’s got some scorpion venom
Which one of you fuckers wants to go to heaven?!
Scotty’s got a gun! X4
Labels:
Addiction,
Alcohol,
Drugs,
Gun,
Hard Rock,
Heavy Metal,
Heroin,
Incest,
Matricide,
Molestation,
Mother,
Murder,
Music,
Poetry,
Rape,
Scotty,
Son,
Song,
Trauma,
Wasted Potential
Don't Be a People Pleaser
***DON’T BE A PEOPLE PLEASER***
Yesterday evening, I had to republish four of my books to accommodate for the fact that I removed copyrighted lyrics from them. Even little insignificant snippets of lyrics are enough to violate copyright laws and get an author into hot water. I personally think it’s a bit ridiculous for a music corporation to sue an author for millions of dollars over one line of text, but it is what it is and I had to play by the rules. Copyrighted lyrics have now been eradicated from my entire catalogue. But that’s not why we’re gathered here today, my dearly beloveds, no, no, no, no, no. We’re here to talk about what else was in those books that could be potentially damaging, not in a legal way, but in a social way.
My very first collection of poetry, Confessions of a Schizophrenic Savage, has an Eric Clapton parody called “Retarded Tonight”. I wrote it through the perspective of people who see me as a cartoon character and nothing more. And when you’re a cartoon character, everything about you is hammed up to the extreme. While my poem wasn’t meant to be an attack on mentally disabled people, I can understand if people see it that way and get angry afterwards.
In my second book of poetry, Necrograph, there’s a parody song called “Texas”. On the surface it seems like stereotyping and mockery, but I only wanted to call out people who are so far on the fringe that they become parodies of themselves. Not everyone from Texas acts that way. Not everyone from any other geographic location acts that way either. Pantera is from Texas. Nothing More is from Texas. My favorite indie authors, Christina McMullen, K.L. Cottrell, and Markie Madden, are also from Texas. Quite frankly, I could have changed the name to Fringe Toast and it wouldn’t generate as much controversy. But at the same time, I empathize with people who would be upset by this song.
I’m sure there are other examples in my books of stories and poems I should apologize for. That’s what you have to remember as you go through life as an author: if you unintentionally hurt people, apologize profusely and make peace. It’s a classy move that’s good for all parties. But at the same time, you don’t want to change so much of your approach to creativity that you lose your individuality. I considered removing some of my more offensive material from my books, but if I did that, I’d have no books. Art is subjective. One man’s trash is the next man’s treasure. If you please one person, another gets upset. Bottom line: you can be a warmhearted public figure, but you can’t please everyone. If you try, your work will become so bland that the whole world will hate it.
And that’s why we’re gathered here today, my dearly beloveds. It’s a cautionary tale not to be a people pleaser. Yes, the criticism you receive will hurt badly at times, but the love you receive from others is also valid. The negativity bias and low self-esteem is why some authors become people pleasers. Peace is comfortable. Agreeability is also comfortable. But being TOO comfortable in your own bubble doesn’t allow for personal growth or a courageous reputation. Sometimes you have to be just a little bit offensive in order to get noticed. You don’t have to go full Milo Yiannopoulos, and really, you shouldn’t even consider it, but just be controversial enough that you have a message.
Think of all of your favorite musicians, artists, and writers and how they too dared to be offensive in the face of adversity. What if Marilyn Manson was a people pleaser? What if Roger Waters cared too much what his brutal teachers thought of him? What if George Carlin toned himself down and never got in hot water with the FCC? That would make for a pretty bland world, wouldn’t you agree? Everybody would be wearing the same putty-faced masks Roger Waters introduced in the movie Pink Floyd the Wall. Nobody would laugh at George Carlin. Nobody would have the courage to be themselves if Marilyn Manson didn’t have the courage to be himself.
At the same time, you don’t want to be like a pizza cutter: all edge and no point. Roger Waters, George Carlin, and Marilyn Manson at least had a profound message in their performances. If you write a book with nothing but racial slurs and R-word implications throughout, you probably deserve the wrath of the online mob. Have a purpose. Have something to say even if it’s not the most profound message in the galaxy. Yes, you can write strictly for fun, but if you’re being offensive just for the sake of being offensive and you have nothing to back yourself up, then enjoy your one and two-star reviews, my friend.
Going back to my point about how “Texas” was about fringe people, you also don’t want to be on the fringe when it comes to the people-pleasing/edgy-jerkwad spectrum. A nice, healthy middle ground is what you should look for. If you can’t find it or it’s obvious that you’re not trying to look for it, your audience will notice. They noticed it with books like “Trigger Warning” by William Johnstone. They noticed it with that Dr. Pepper 10 commercial where they say, “It’s not for women.” While it is true that art ages poorly sometimes, it shouldn’t take such a short or instantaneous amount of time to do so.
Be yourself no matter what they say. Some people will like it, some people won’t. In the end, it’s up to you which battles are worth fighting and which ones aren’t. Know when to open fire and know when to lay down your arms with your hands in the sky. It takes practice to do this, but with a little wisdom and a little input from those you love, you can do it. I know you can. Let’s be artists together! I’m Garrison Kelly! Until next time, try to enjoy the daylight!
***LOST WITHOUT YOU***
I’ve talked about this story idea on Face Book and a little bit on Twitter, but not everywhere else. Because I’ve fallen in love with the fan fiction genre after writing “A Little Bit Off” and “No Country For Old Farts”, I want to keep the spirit alive with a story called “Lost Without You”. It’s a Super Street Fighter II based fan fiction and it’ll feature a lesbian romance between Chun Li and Cammy. No, it won’t resemble something you’d see on Porn Hub. The romance will be written in a classy way with three-dimensional character work. I may be offensive sometimes, but I’m not THAT offensive, especially when I know the implications of what could go wrong if I whiff this story. Wish me luck!
***BEAUTIFUL MONSTER***
After a month-long vacation from my editing job, I’ve finally tightened the prose for chapters 14 and 15. It was an easy edit, but not all chapters will be like that, so I tread slowly to make sure I don’t overwhelm myself. Next on the chopping block is chapter 16, where Windham rents a hotel room in Morgan Town and eats hallucinogenic leaves, prompting a conversation between himself and his leonine deity Mageta. Windham may be a misguided zealot sometimes, but Mageta will always provide him with good points. I do so love good conversation even if it’s with a hallucination.
***QUOTE OF THE DAY***
“I’m not a prophet. I was off by 490 years.”
-Mike Judge talking about “Idiocracy”-
***POST-SCRIPT***
Mike Judge is definitely not a people pleaser and he carved out a nice, long, healthy career for himself. I don’t agree with every single one of his views, but I agree that Idiocracy was a fucking awesome movie. Funny as hell!
Yesterday evening, I had to republish four of my books to accommodate for the fact that I removed copyrighted lyrics from them. Even little insignificant snippets of lyrics are enough to violate copyright laws and get an author into hot water. I personally think it’s a bit ridiculous for a music corporation to sue an author for millions of dollars over one line of text, but it is what it is and I had to play by the rules. Copyrighted lyrics have now been eradicated from my entire catalogue. But that’s not why we’re gathered here today, my dearly beloveds, no, no, no, no, no. We’re here to talk about what else was in those books that could be potentially damaging, not in a legal way, but in a social way.
My very first collection of poetry, Confessions of a Schizophrenic Savage, has an Eric Clapton parody called “Retarded Tonight”. I wrote it through the perspective of people who see me as a cartoon character and nothing more. And when you’re a cartoon character, everything about you is hammed up to the extreme. While my poem wasn’t meant to be an attack on mentally disabled people, I can understand if people see it that way and get angry afterwards.
In my second book of poetry, Necrograph, there’s a parody song called “Texas”. On the surface it seems like stereotyping and mockery, but I only wanted to call out people who are so far on the fringe that they become parodies of themselves. Not everyone from Texas acts that way. Not everyone from any other geographic location acts that way either. Pantera is from Texas. Nothing More is from Texas. My favorite indie authors, Christina McMullen, K.L. Cottrell, and Markie Madden, are also from Texas. Quite frankly, I could have changed the name to Fringe Toast and it wouldn’t generate as much controversy. But at the same time, I empathize with people who would be upset by this song.
I’m sure there are other examples in my books of stories and poems I should apologize for. That’s what you have to remember as you go through life as an author: if you unintentionally hurt people, apologize profusely and make peace. It’s a classy move that’s good for all parties. But at the same time, you don’t want to change so much of your approach to creativity that you lose your individuality. I considered removing some of my more offensive material from my books, but if I did that, I’d have no books. Art is subjective. One man’s trash is the next man’s treasure. If you please one person, another gets upset. Bottom line: you can be a warmhearted public figure, but you can’t please everyone. If you try, your work will become so bland that the whole world will hate it.
And that’s why we’re gathered here today, my dearly beloveds. It’s a cautionary tale not to be a people pleaser. Yes, the criticism you receive will hurt badly at times, but the love you receive from others is also valid. The negativity bias and low self-esteem is why some authors become people pleasers. Peace is comfortable. Agreeability is also comfortable. But being TOO comfortable in your own bubble doesn’t allow for personal growth or a courageous reputation. Sometimes you have to be just a little bit offensive in order to get noticed. You don’t have to go full Milo Yiannopoulos, and really, you shouldn’t even consider it, but just be controversial enough that you have a message.
Think of all of your favorite musicians, artists, and writers and how they too dared to be offensive in the face of adversity. What if Marilyn Manson was a people pleaser? What if Roger Waters cared too much what his brutal teachers thought of him? What if George Carlin toned himself down and never got in hot water with the FCC? That would make for a pretty bland world, wouldn’t you agree? Everybody would be wearing the same putty-faced masks Roger Waters introduced in the movie Pink Floyd the Wall. Nobody would laugh at George Carlin. Nobody would have the courage to be themselves if Marilyn Manson didn’t have the courage to be himself.
At the same time, you don’t want to be like a pizza cutter: all edge and no point. Roger Waters, George Carlin, and Marilyn Manson at least had a profound message in their performances. If you write a book with nothing but racial slurs and R-word implications throughout, you probably deserve the wrath of the online mob. Have a purpose. Have something to say even if it’s not the most profound message in the galaxy. Yes, you can write strictly for fun, but if you’re being offensive just for the sake of being offensive and you have nothing to back yourself up, then enjoy your one and two-star reviews, my friend.
Going back to my point about how “Texas” was about fringe people, you also don’t want to be on the fringe when it comes to the people-pleasing/edgy-jerkwad spectrum. A nice, healthy middle ground is what you should look for. If you can’t find it or it’s obvious that you’re not trying to look for it, your audience will notice. They noticed it with books like “Trigger Warning” by William Johnstone. They noticed it with that Dr. Pepper 10 commercial where they say, “It’s not for women.” While it is true that art ages poorly sometimes, it shouldn’t take such a short or instantaneous amount of time to do so.
Be yourself no matter what they say. Some people will like it, some people won’t. In the end, it’s up to you which battles are worth fighting and which ones aren’t. Know when to open fire and know when to lay down your arms with your hands in the sky. It takes practice to do this, but with a little wisdom and a little input from those you love, you can do it. I know you can. Let’s be artists together! I’m Garrison Kelly! Until next time, try to enjoy the daylight!
***LOST WITHOUT YOU***
I’ve talked about this story idea on Face Book and a little bit on Twitter, but not everywhere else. Because I’ve fallen in love with the fan fiction genre after writing “A Little Bit Off” and “No Country For Old Farts”, I want to keep the spirit alive with a story called “Lost Without You”. It’s a Super Street Fighter II based fan fiction and it’ll feature a lesbian romance between Chun Li and Cammy. No, it won’t resemble something you’d see on Porn Hub. The romance will be written in a classy way with three-dimensional character work. I may be offensive sometimes, but I’m not THAT offensive, especially when I know the implications of what could go wrong if I whiff this story. Wish me luck!
***BEAUTIFUL MONSTER***
After a month-long vacation from my editing job, I’ve finally tightened the prose for chapters 14 and 15. It was an easy edit, but not all chapters will be like that, so I tread slowly to make sure I don’t overwhelm myself. Next on the chopping block is chapter 16, where Windham rents a hotel room in Morgan Town and eats hallucinogenic leaves, prompting a conversation between himself and his leonine deity Mageta. Windham may be a misguided zealot sometimes, but Mageta will always provide him with good points. I do so love good conversation even if it’s with a hallucination.
***QUOTE OF THE DAY***
“I’m not a prophet. I was off by 490 years.”
-Mike Judge talking about “Idiocracy”-
***POST-SCRIPT***
Mike Judge is definitely not a people pleaser and he carved out a nice, long, healthy career for himself. I don’t agree with every single one of his views, but I agree that Idiocracy was a fucking awesome movie. Funny as hell!
Labels:
Apology,
Art,
Beautiful Monster,
Confessions of a Schizophrenic Savage,
Conformity,
Eric Clapton,
Idiocracy,
Mike Judge,
Necrograph,
Nothing More,
Offensive,
Pantera,
People Pleaser,
Poetry,
Texas
Thursday, May 14, 2020
Zombie Sex
VERSE 1
We need to talk about aliens and lizard men
I don’t even believe nor will I try to pretend
We need to talk about your conspiracy theories
And how you should save them for stories and queries
You can play with my brain like a lump of clay
Just kidding, little lady, there ain’t no fucking way
You believe in the strange, but not a witch’s hex
It was all supposed to lead up to zombie sex
Come here, baby
Zombie sex
VERSE 2
We need to talk about guns and the ammo inside them
And how you wear a big ass trench coat to hide them
Who exactly are you defending your white ass from?
If you need some gas money, I can loan you some
You can spray paint my brains all over the sidewalk
Just kidding, sweetheart, put away the body chalk
You can shoot like a cowboy sheriff named Tex
But I won’t give into your calls for zombie sex
Come here, lovely
Zombie sex
VERSE 3
We need to talk about the k-pop you blast from your speakers
And the trippy techno beats you play for the tweekers
And the hip-hop bass shattering my bedroom windows
If you explode my brain, that would make you a widow
Burn me a copy of what you’ll put on the loop
Just kidding, baby cakes, I like heavy metal groups
You can blow my eardrums on records and tape decks
I won’t change my tastes for a night of zombie sex
Come here, angel
Zombie sex
FINAL VERSE
I march to the beat of my own two bass drums
I won’t conform to you, do you think I’m dumb?
A real lady wouldn’t ask her man to change
Even if it means the love is far out of range
I don’t have the body of an incubus seducer
I just have the mind of a creative producer
When you take that away, what will you take next?
An hour of my time for vanilla zombie sex?
No way, baby
No zombie sex this time
No way, sweetheart
No tradeoff for my mind
Labels:
Aliens,
Brainwashing,
Conformity,
Conspiracy,
Creativity,
Guns,
Heavy Metal,
Hip-Hop,
Individuality,
K-Pop,
Lizard Men,
Love,
Music,
Poetry,
Romance,
Sex,
Song,
Techno,
Witch,
Zombie
Sunday, May 3, 2020
No Country For Old Farts
Dr. Wily finally had Mega Man right where he wanted him. The
mad scientist had to admit his foe had serious mechanical balls for scaling his
skull tower to the tippy-top. All the metal dragons that breathed fire on him.
All the construction helmet gizmos that frustrated the hell out of him with
their cheap tactics.
And yes, all of Dr. Wily’s maverick hunters had another shot
at their blue-suited rival, whether it was Elec Man zapping him into next week,
Bomb Man blasting everything to pieces, or Guts Man throwing hunks of metal at
Mega Man with the ease of snowballs. Even after all of that, Mega Man was
rocking and rolling with his arm cannon charged up and aimed directly at Dr.
Wily’s massive robotic horse.
The mad scientist’s poofy white hair and lab coat blew
backwards in the breeze created by his fired missiles. Mega Man blasted nearly
all of them out of the sky except for one that exploded right up his “iron
diaper wearing ass”. Dr. Wily pulled a few levers and had the horse breathe
more flames onto Mega Man. And then more missiles were fired. And
then electrical bolts shot out of the horse’s eyes.
Mega Man’s wires and pieces were jutting out of his wrecked
body, especially his now crippled legs which wouldn’t take him to safety
anymore. He laid there in a pile of metal and mechanical shit waiting to be
squashed by the robotic horse’s hooves. Dr. Wily’s eyes beamed with deranged
excitement. He smiled the creepiest pedophile smile he could. He rubbed his
hands together as he prepped to deal the final blow to his lifelong rival. And
then…
“Wily…Wily…WILY!”
That final cadence awakened him right as he was ready to
stomp on the last remaining pieces of Mega Man’s battered body. Only he didn’t
achieve victory. The only violent mess he caused was in his bed, puke covering
his moustache, beard, and what passed for clean white sheets in this hellhole
of an elderly prison. Dr. Wily gazed around with puffy red eyes and knew full
well he had woken up into another nightmare. He was no longer the vile, cunning
mad scientist that the world had grown to fear. His robotic warriors had since
been blasted into scrap metal…and he had since been committed to a retirement
home to live out the rest of his miserable existence, complete with a thin body
and a sensitive stomach.
Dr. Wily’s stomach was the only sensitive part about living
in this white-walled shithole. The overweight nurse with a pugnacious mug,
crossed arms, and thinning blond hair could be described with any word but
sensitive. Nurse Cassie North stood over his bed with a disgusted scowl on her
face and fists balled so tightly they could snap anybody’s neck. The broken
down mad scientist could do nothing in her presence but cower under the
puke-laden blankets.
Cassie ripped off the sheets and revealed a trembling eighty
year old in striped red pajamas underneath. She leaned in and growled, “What
did I tell you about making my job harder than it has to be?” No response, just
more shaking from Dr. Wily. She continued, “You think I enjoy cleaning up your
disgusting puke? You think that makes me happy? I could be at home right now
with my kids. I could just leave your ass here to die and feed you nothing at
all. Is that what you want?” Still no response. She grabbed his arm with
skin-purpling tightness and rolled up his sleeve, holding a hypodermic needle
with the other hand.
“No! Leave me alone! You can’t do this to me!” quivered Dr.
Wily as he squirmed in a vain attempt to get away.
“HOLD STILL, GODDAMN IT!” He did. “Your days of being a
terrorist douche bag are over, old man. This ain’t no country for old farts. I
don’t have time for your precious little pipe dreams. You’re not a doctor.
You’re a broken down piece of amphibian shit! Now stay still while I jab this
motherfucker in your arm. Don’t make me force it in you this time.”
Cassie and Dr. Wily had different ideas of what constituted
force. He screamed for a bit once the needle was jabbed in his arm, but then
relaxed in his messy bed drooling and teary-eyed.
“There we go. Nice and comfy. Maybe this time you’ll have
dreams about making my life a little easier here at this dump of a nursing
home. God, I can’t wait to retire. You little piece of shit.” Cassie stomped
out of the room and left Dr. Wily to drain his eyes and saliva glands even
further, numb state and all.
This was how things were going to end for Dr. Wily. He was a
broken shell of his former self. He went from creating the most threatening
robotic warriors the world had ever seen to wallowing in his own biological
sludge. Never again would he have a shot at defeating Mega Man and achieving
world domination. Never again would he be feared as the iron-fisted badass he
once was. If he would have led a clean life free of violence and terror, would
he still end up in this crappy nursing home? Would he still be subjected to the
same white walls, the same boring schedule, the same dementia, and the same
sloppy food that reminded him too much of what he was laying in currently?
A loud bang interrupted his glazed-over thoughts and widened
his droopy eyes. “Could it be?” he asked nobody in particular. “Are they
here?...No…nobody’s coming for me. Why would they? Just kill me already…Just
let me die peacefully…”
“That’s not an option, Master Wily,” said a tough feminine
voice. This voice wasn’t as husky or brutal as Cassie North’s was. It at least
had some tenderness to it. Was it another nasty-tempered nurse? Was it someone
finally coming to put him out of his misery? No. Dr. Wily opened his eyes and
saw the voice came from his own creation, Stardust Woman. There she stood; six
feet of metallic beauty, complete with an arm cannon, star-shaped armor, and
the most lovely red eyes a robot could possibly have.
Standing next to Stardust Woman was another creation of Dr.
Wily: Slaughter Man. Judging from his navy blue Viking armor, massive spiked
hammer, and bulky body, it must have been him who created the loud thrashing
noise. The walls were definitely cracked and shattered enough. Why weren’t the
other patients screaming in horror? Were they so out of it that they couldn’t
feel fear anymore, just like Dr. Wily himself?
Slaughter Man held his hammer high in the air and proudly
declared, “We’re here to break you out of here, Master! We still have a chance
at defeating that squirmy little bastard Mega Man!”
“…I’m sorry…” wheezed Dr. Wily. “I can’t make it anymore. I
don’t want to fight Mega Man again. I’m aching all over. I’m tired as hell. Can
you just do me a favor and smash me over the head with your hammer? I don’t
want to live anymore.”
Stardust Woman scowled at Dr. Wily and folded her arms, just
like Cassie did earlier, but with more concern in her posture and voice. “What
happened to you, Master? This isn’t the Dr. Wily who built us with his own
genius. You’re going to give up just like that? We’re practically gifting you
an exit from this place. You can at least live out the rest of your days in
your laboratory. Anything is better than this dump.”
“…You’re…you’re not even real…neither are you, Slaughter
Man…I’m dreaming again…If Cassie catches me dreaming again…she’ll beat me…”
Slaughter Man pointed his hammer at his broken master and
shouted, “Who gives a shit what that fat whore thinks?! Give me five minutes
alone with her and I’ll smash her body all over the goddamn floor! You’re worth
a hundred of her, Master Wily!”
“…No, I’m not…I’m worthless…I’m going to die anyways…I could
never beat Mega Man before…and I can’t do it now…Please…just leave me here to
die…Don’t drag this out any further than it has to be dragged out…”
As Slaughter Man growled and seethed in the background,
Stardust Woman sauntered over to Dr. Wily and held his frail, bony hand in
hers. Not even that would restart the old man’s heart, but hopefully her words
would. “Let me tell you something about Cassie North and the rest of these sycophantic
nurses and orderlies. They’re tough when it comes to dealing with fragile old
people, but once they come face to face with a couple of your creations, all
the courage is gone. Cassie North will sing a different tune once she sees what
we’ve got for her.”
Just when Dr. Wily formed the tiniest smile, when the
smallest glimmer of hope shined in his damp eyes, a meaty hand grabbed Stardust
Woman by the skull and slammed it against Slaughter Man’s oversized head,
dizzying both robots. Cassie put both of them in headlocks and held them there
while she berated Dr. Wily some more.
“What did I tell you about your silly fantasies, old man?
They don’t mean shit here. Your robots are just glorified tin cans. And you?
You’re mediocre at best and a shit stain at worst. You terrorized the planet
and failed. I’ll be damned if you fuck with my vacation!” She slammed Stardust
Woman and Slaughter Man’s heads together again…and again…and again…each time
drawing scratchy shrieks from their now former master. Once they were dizzy
enough, Cassie heaved Slaughter Man’s hammer like it was nothing and smashed
his heavy chest in with repeated blows. Stardust Woman fired off lasers from
her cannon, but was obviously too disoriented to aim correctly. Cassie jerked
her cannon arm behind her back and fired lasers up her ass, dismantling her
with a war scream.
Dr. Wily cried one more time as he watched the last of his
creations get easily wrecked by an ordinary woman. Maybe there was some truth
in her painful rhetoric. Maybe he was deserving of the insults. Maybe dying was
the only answer after all. Cassie seemed to agree as she breathed heavily and
marched over to the foot of the bed after discarding the robots’ bodies like
the junk they ended up being.
“I am tired of your horseshit, Doctor, and I use that title
loosely. You need to know when to give up. You need to conform just like every
other sad sap in this nursing home. If not, I could just kill you and write you
off as natural causes. I’m sure the head doctor wouldn’t mind, the REAL doctor,
by the way. Face it, Wily: you can’t win. You never could. Your imagination is
shit, just like whatever’s in your pajama pants.”
Dr. Wily gazed his sore eyeballs at the needle in Cassie’s
belt. Surely, that would be enough to put him down and end this madness once
and for all. He had nothing left to lose. His soul was gone. His robots were
trash. His mind was deteriorating with images of Cassie North mocking him with
her angry tone. It was his time to go and let Mega Man escape with yet another
victory.
“If it’s my time to go…and I can’t take my creations with
me…I’ll find something else to take to the grave…” Wily snorted and sniffed.
“And what would that be?”
“…Your dead ass!” Using his last bit of elderly strength,
Dr. Wily pulled the needle from Cassie’s belt and stabbed her in the throat
with it, pressing down on the plunger afterwards. Cassie sang a different tune,
alright. Her eyes bulged with the horror of her own mortality. Her mouth bled
buckets. Her husky grizzly bear voice was nonexistent. Her thick legs could no
longer hold her even thicker body.
Once she dropped to the linoleum ground, Dr. Wily’s mind
went from empty to insane as he looked into her dying eyes. This wasn’t
dementia overriding his “mediocre” creativity. This was a full on stream of
rage. He got out of bed and kneeled beside her, pulling the needle out with
savage force. He stabbed her in the throat again. And in the eyes. And in the
face. He stabbed her over and over again until she was unrecognizable. No
longer was he the silly scientist who always lost. He finally did something
with his life worth commending: ridding the world of someone who was more
villainous than he was.
He kept stabbing and stabbing as other orderlies rushed to
save their fallen friend. They pulled him off of her and he just went limp with
a smile on his face. Slaughter Man and Stardust Woman were never there to begin
with, hence why the white walls were still whole. As Dr. Wily was no doubt
being dragged to his death, it didn’t bother him that his work was incomplete.
There were more orderlies and nurses here that deserved a brutal stabbing. All
Dr. Wily could do was send a message to everybody here: the real villains
weren’t the mad scientists and kooky robots. They were the humans who pretended
to be more than pond scum. Dr. Wily was okay with that.
Labels:
Capcom,
Cassie North,
Dementia,
Dr. Wily,
Elder Abuse,
Fan Fiction,
Mad Scientist,
Mega Man,
Nintendo,
Nurse,
Nursing Home,
Old,
Orderly,
Slaughter Man,
Stabbing,
Stardust Woman,
Videogame,
Vomit
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