Zombieland

MOVIE TITLE: Zombieland
DIRECTOR: Ruben Fleischer
YEAR: 2009
GENRE: Zombie Apocalypse Comedy
RATING: R for violence and language
GRADE: Pass

As of the year I’m writing this review, which is 2020, the Corona Virus is sweeping the world and killing everyone it comes in contact with. This disease is bringing out the worst in humanity whether it’s violent rage (a la the Michigan anti-lockdown protestors) or deceptive behavior (a la Kenneth Copeland and Joel Osteen). If this mess keeps up, our world could very well come to an end. Wouldn’t you like a nice fun-filled movie to distract you from it all? That’s where Zombieland comes into play. I don’t want to say this movie was a prophecy back in 2009…but yeah, it was totally a prophecy. Granted, we haven’t gone full-zombie just yet, but the other ramifications have come to fruition thus far. Economic collapse, swindlers, incompetent leadership, and a bunch of cowboys playing with their shotguns. Yep. I’m sure this movie was just a coincidence at the time it was made.

If you think creating believable characters is hard to do within a silly comedy, just take a look at who we’ve got in this particular movie. Columbus wants to find a sense of family whether his biological one still exists or not. Tallahassee wants to munch on Twinkies because he appreciates the little things in life. And he just wants to kill zombies left and right. Cutthroat sisters Wichita and Little Rock want to steal as many resources as they can so that they can party it up at an amusement park in California. What do you notice from all of these character descriptions? They’re motivations. They have something that they’re willing to kill zombies for. Therefore, this is a character-driven zombie story. Didn’t think that was possible, did you? Notice how they’re not scrambling to save the entire world from the zombie apocalypse. They just want to cling onto a sense of normalcy no matter how small or temporary that may be. Isn’t that what we’re doing now with the Corona Virus: looking for something to comfort us? Totally not a prophecy.

I have one tiny little critique for this movie. Why would Columbus continue to trust Wichita and Little Rock after they’ve betrayed him and Tallahassee over and over again? They’re grifters. Deception is all they’re known for. Do they stop grifting by the end of the movie? Who knows? That’s not just me refusing to give spoilers; I actually want to know the answer to that. I guess this could all go back to Columbus wanting a sense of family in his life, so he keeps hoping and praying that the sisters change their ways just for him. Then again, Wichita was a femme fatale and part of that moniker is being seductive, either through attractiveness or just playing mind games. Columbus always wanted to brush a woman’s hair behind her ears. If that’s the case, then this whole movie is just him thinking below his belt. Wichita could burn down an orphanage and Columbus would still want to give her infinite chances. Yes, this is a comedy movie. Yes, Columbus is a dorky college kid. But…come on.

You want clever dialogue from every character involved? You want bloody action and excitement? You want a lesson on how to make believable characters? Ask and you shall receive it all in the form of Zombieland. You’ll get more than a few chuckles here and there. You’ll get a few life lessons that may come in handy as the age of Corona Virus progresses onward. You’ll love Woody Harrelson’s performance as the gun-toting cowboy Tallahassee. You’ll love Jesse Eisenberg’s performance as the spineless dork Columbus. Try not to think too hard about Columbus trusting people a little too easily, especially if they’re overly attractive. This was an enjoyable movie for me and for that reason I’m giving it four out of five stars.

Mickey and the Giant

EPISODE TITLE: Mickey and the Giant

SHOW: Disney Cartoons

YEAR: Late 1930’s

GENRE: Children’s Cartoon

RATING: TV-G

GRADE: Pass

An oafish giant terrorizes a nameless kingdom to where a multi-mullion pazooza bounty is placed on his head. Mickey Mouse is oblivious to this news as he’s busy in his tailor’s shop mending clothes. Seven flies swarm in on him and he swats them all before proudly proclaiming to the town, “I killed seven with one blow!” The townsfolk and the king all think he’s talking about giants, so the king appoints Mickey to slay the giant and collect the bounty while also taking the hand of Princess Minnie. There’s just one problem: Mickey is microscopic compared to the giant and all he’s armed with is a pair of tailor’s scissors and a spool of thread.

When I was a tiny kid growing up in Port Townsend, Washington, my parents bought me a VHS tape of three different Mickey Mouse cartoons. Mickey and the Giant happened to be the last one on the cassette. I would watch that tape over and over again like any small child would, but I would never understand the plotline of the cartoon or any of the structural elements of Disney’s storytelling, also like a small child. I have to admit that I was a little disturbed by Mickey sewing the giant’s sleeves together and then yanking on his nose before tying him up and defeating him. As an adult, I can’t understand why that would be disturbing, but as a kid, I didn’t question my irrational emotions. Maybe it was the dramatic, fast-paced music, I don’t know.

Nonetheless, I enjoyed the hell out of that cartoon. I particularly liked the creative ways in which the giant went about his daily routine of eating, smoking, and relaxing. He relaxed by sitting on somebody’s house and crossing his legs. When he was hungry, he ate an entire wheelbarrow full of pumpkins like they were candy pieces. When he got the hiccups from Mickey yanking on his uvula, he drank an entire well full of water. And when the giant wanted a nice smoke to go with his meal, he rolled up a bale of hay like a cigar and lit it up with a kitchen stove from inside the house. Looking back now, the giant didn’t seem like a particularly cruel person. He was just a harmless fool. Unfortunately, he was too big of an inconvenience for the kingdom, so he had to be taken down. And when he was, he snored into a windmill that powered an entire amusement park. More creativity on the part of Disney.

And then there’s the favorite part of any 99-percenter looking for a hero: the underdog defeating the favorite in convincing fashion. It’s a G-rated Disney cartoon, so chances are good that the oafish giant’s opponent won’t be a juggernaut in steel armor who wields a barbed wire lance in one hand and a fiery metal staff in the other. It would be a convincing victory, but it wouldn’t be particularly amazing since that outcome is to be expected from someone of such power. Mickey Mouse is not a powerful character. Compared to the giant, he’s finger food. At any moment, the giant could have crushed him like a bug and that would be the end of it. Mickey wasn’t going down that easily. He used his quick wits and stealthy strategy to overcome a nearly impossible opponent. He hid in the various food, beverage, and tobacco items and when his cover was blown, he used the giant’s own momentum against him. The giant wasn’t too bright, so this ending was believable.

This cartoon was still on You Tube the last time I checked. That’s how I got reacquainted with it in the first place. If you’re a big kid who wants to relive his playful days or you have a child of your own who needs entertainment, I would definitely recommend this cartoon. It’s cute, it’s creative, and it’s fun for the whole family. Enjoy!