Showing posts with label 2007. Show all posts
Showing posts with label 2007. Show all posts

Saturday, April 11, 2026

Movie Review: Redemption (SPOILERS and TW for Child Abuse)

MOVIE TITLE: Redemption

RELEASE DATE: 2007

DIRECTOR: Michael Bryson

GENRE: Short Film (22 minutes)

SUBGENRE: Psychological Drama

RATING: Unrated, but contains emotional and physical child abuse

GRADE: A

 

Because the run time is only 22 minutes, it’s impossible to discuss the plot points without crossing into spoiler territory, so if you don’t want spoilers, leave now and read something else.

 

And because this is a short film made by a low-budget indie company, it really does show when they film within their means. The camera work, the editing, the sound quality, yes, it all screams low-budget indie film. Don’t let that factor into your enjoyment when watching this movie. Enjoyment might not be the right word because of how triggering some of the content is, but if you’ve been spoiled by Hollywood movie effects, it’ll be jarring to see something of this quality. The acting, the storyline, and the psychology behind this film more than make up for it.

 

Every actor who played a part in Redemption did their job and did it convincingly. When the mother beats the little girl after a bedwetting accident, you feel the daughter’s pain through her visceral screams and heart-wrenching cries. You feel it all over again when the mother forces her daughter to go outside in public with a diaper on so that everyone can scrutinize her shame. The daughter’s body language, her pouting, her head tucked in her lap, you know she’s going through abuse even without seeing the violence yourself, though including the violence on screen was necessary to drive the point home. You understand that the mother mourns the death of her husband. She’s lost without him, but instead of being there for her daughter, who also lost a father, the mother beats and humiliates her with forced infantilization. Yes, the daughter accidentally distracted her dad and caused him to crash the car and die, but she was a kid being playful, not malicious. The guilt of causing her father’s death compounded with the vengeful abuse from her mother create a cocktail of trauma for her to grow up with. The traumatic events are different for all of us in this life, but nobody makes it out unscathed. The daughter is relatable on some level. That’s why we don’t shame her when she finds a pistol in her mother’s nightstand drawer and shoots her.

 

I have one nitpick about the plot going forward from this point, but it’s not enough to lower my grade. After shooting her abusive mother, the daughter grows up and gets married without any mention of her serving jail time for what she did. Yes, she was in the right, but this movie was filmed in Texas, so I’m assuming the story takes place there, too. The right-wing Texas government doesn’t give a damn about women and girls and will go to any lengths to subjugate them. If the daughter did serve time in jail, it was awfully short and a surprisingly gentle experience that didn’t make her worse. But at the end of the day, there’s a story to tell and it has nothing to do with the Texas prison system. The movie is called Redemption and by God, that’s what we’re going to get.

 

Another nitpick, but it’s one some other audience members might have: the narrator’s voice. Obviously, the story is narrated by the abused girl who grows up into a psychotically traumatized adult. Her voice is nasally, whiny, and subdued. Some audience members might be put off by her voice, but not me. That’s the voice of someone who’s been forced to endure infantilization against her will. That’s the voice of a child who never had the chance to grow up and experience life. And yes, when you experience a significant amount of childhood trauma, it changes your voice. There’s actual science behind that. I’m glad the director chose to tell the story that way, because it makes perfect sense.

 

And then there’s a nitpick that certain members of the diaper community have voiced on the internet that I can’t take seriously: “Uh, why didn’t she just marry a guy with a diaper fetish?” Because that’s not the point of the story! She’s not wearing diapers as an adult to entice her husband. She’s wearing them because they feel familiar, even if that place of familiarity was dark and terrifying. A familiar trauma will always gain favor over the scariness of the unknown. We like familiarity, because it cuts down on anxiety, ironically enough. You could argue that it’s not a man’s job to fix broken women in the same way that it’s not a woman’s job to fix broken men. But her husband loves her for who she is. He married her for a reason. He didn’t get in the relationship specifically to fix her. But when he sees her wearing a diaper and laying on a bed full of crime scene photos, he doesn’t want to judge or laugh. He wants to heal her. He wants to be supportive and help her move on.

 

The movie ends when he tears up a crime scene photo and embraces her, allowing her to shed tears on his strong shoulders. The fact that she was able to maintain a relationship for as long as she did is nothing short of a miracle. That alone is a strong thing for a traumatized woman to do. Now it’s her turn to be taken care of, by someone who actually loves her and won’t punish her for simple mistakes no matter how deadly they turn out to be. The little girl started off in a happy family, then tragedy struck, then she survived abuse, and now she found love again. It’s a psychologically sound story to tell.

 

I wish that all survivors of abuse find their way back to love, in whatever form that may take. It doesn’t have to be through marriage. It could be platonic love. It could be found family rather than blood family. It could be through taking care of a furry friend like a dog or a cat. We do have to break the cycle eventually, but we don’t have to do it alone nor should we. It takes a village to raise a traumatized child. It takes love in all of its forms to get us back on the right path. The daughter could have continued down a violent path. But she didn’t. She broke the cycle. I love stories about breaking the cycle. They’re relatable, they’re hard-hitting, and they remind us over and over again that we’re not alone in this world. Even if you come from a loving family, you can suffer abuse from other people outside of your home. Your parents are not your only influence in life. Whoever influences you the most, for better or worse, may you one day find your redemption and healing. This movie gets an A grade for the acting and story alone. If you want special effects, go to a WWE show, if you can afford it. You might have to dig into your college trust fund to pay for tickets, or sell one of your kidneys. Redemption, on the other hand, is easy to find online if you look hard enough for it. Am I talking about the movie or actual redemption? Yes, I am.

Monday, December 5, 2016

"The Blade Itself" by Marcus Sakey

BOOK TITLE: The Blade Itself
AUTHOR: Marcus Sakey
YEAR: 2007
GENRE: Fiction
SUBGENRE: Crime Drama
GRADE: Pass

Seven years ago in the darkest parts of Chicago, Irish thugs Danny Carter and Evan McGann attempt to rob a pawn shop only to get caught by the owner. Evan murders the owner in cold blood while Danny runs away from the scene to avoid getting arrested. Evan takes the fall and winds up in a maximum-security jail. Fast forward to the present day and Danny has a new life for himself: a construction job, a beautiful girlfriend, and cozy living arrangements. When Evan gets out of jail for “good behavior”, he begins stalking Danny and muscling him into doing one more job at the threat of killing his loved ones. Danny wants to keep his normal life, but knows that he’s running out of options when it comes to helping Evan get one last score.

In order to get as good as he is at writing crime fiction, Marcus Sakey shadowed police detectives and conducted his research up close. The effort put into such research is evident in “The Blade Itself”. Mr. Sakey knows all of the angles and limitations a criminal or cop has to go through just to get by. He knows when it’s appropriate to do one thing and when it’s best just to hang back. As he states multiple times in the story, this isn’t like a cop drama on TV. There are no easy solutions in the criminal underworld. Danny Carter constantly finds himself getting trapped in his situation with Evan and is desperate to try anything. He can’t go to the cops, he can’t confront Evan himself, and he can’t rely on anyone else to help him. Danny is truly on his own and he’s going to need every bit of street smarts to get himself out of this mess. The sense of impending doom is every bit as realistic as it is genius storytelling.

Let’s talk about Evan McGann for a minute. His characterization as a hardened criminal with bulging muscles, a swift mind, and nasty dialogue is legitimately terrifying to think about. The way he talks about “prison queers” is unsettling, especially considering he breaks into Danny’s apartment uninvited and tells him all about it. Evan truly has all of the cards in this game whether it’s political leverage or physical brutality. That makes him a main villain to be taken seriously. One wrong move around him could mean one more dead body to leave in his wake. He’s not just a big bulky guy with Golden Gloves experience: Evan McGann is a psychopathic monster. He keeps his cool while terrorizing Danny and his loved ones; that makes him even scarier than he needs to be.

Lastly, I’d like to talk about the writing style Marcus Sakey employs. Yes, the story moves at a brisk pace, but he still takes the time to be as descriptive as possible. Every punch to the ribs, every psychological trauma, every sour feeling in Danny’s stomach, the reader feels all of that while getting treated to street smart and vulgar dialogue. There’s even one time in the book where Marcus refers to Evan as “The Architect of Danny’s sorrow.” There’s another time where Mr. Sakey refers to Danny as “The Engineer of his boss’s suffering”. The author doesn’t overdo it with these wonderful descriptions, but it’s just enough to keep the reader imprisoned in this violent and frightening world, much like the way Evan McGann was imprisoned in a maximum-security jail for seven centuries, I mean, seven years.


The Blade Itself is realistic, crafty, violent, and smoothly-paced. There’s not a whole lot more you could ask for in a wonderfully-written book like this. Nothing seems out of place, no stone is left unturned, and no death or assault will be in vain, neither will the tears shed nor the trauma experienced from those violent acts. Danny is an imperfect hero, Evan is a smothering villain, and everybody else’s lives are placed in both of their hands, for better or worse. A passing grade shall go to this awesomely-crafted piece of crime fiction that keeps you guessing what’ll happen and reaching for solutions until the end.

Tuesday, November 6, 2012

"Kick-Ass 1 & 2" by Mark Millar




Have you ever felt like putting on a superhero costume and going around fighting villains in brutal street wars? Buy copies of “Kick-Ass” and “Kick-Ass 2” before you make any sudden decisions. What can you expect from the two-part series? Brutality. Lots and lots of brutality. These kids (Kick-Ass and Hit-Girl) are barely old enough to know how to drive a car and already they’re engaging in hellacious fights with villains who aren’t afraid to die. Broken bones, electrocuted genitals, torn flesh, massive bleeding, gigantic bruises, and a litany of other monstrously violent battle scars cover the bodies of every pubescent superhero who tries to make a name for himself. But it’s all in a day’s work for Kick-Ass and crew. You’d think that he would get used to all of these beatings by now, but as the story progresses from part one to part two, the brutality multiplies to greater volumes. The worst of the beatings happen to people that Kick-Ass and Hit-Girl care about such as parents, friends, love interests, etc. It was almost enough to make them want to quit being superheroes until the villains pushed a little too hard a little too much. With this cluster-fuck of violent behavior going on in these beautifully drawn graphic novels, you’re bound to have some critic out there complaining that they “normalize” all of the adult content that takes place. I remember reading a review that complained about Hit-Girl swearing at such a young age in the Kick-Ass movie. I see these reviews and wonder if these critics even know the difference between fantasy and reality. In the fantasy world, violence, swearing, sex, and drug use are beautiful things. They have to be in order to keep the reader’s attention. In the real world, martial arts violence is brutal and upsetting. This kind of debate was going on with “A Clockwork Orange” and the same arguments could be made in that conversation. Reading comic books like “Kick-Ass” and “Kick-Ass 2” is a form of escapism. We escape from one world of dullness and enter a world of fantasy and wonder. That’s how fiction works. If people tried being superheroes in real life, the pain that Kick-Ass felt after having his balls electrocuted would pail in comparison to what the would-be heroes would feel. In some ways, “Kick-Ass” is a fair representation of what vigilantes can expect if they become too independent of the police and military. It’s an ugly world out there, I agree. But it’s not worth having fried balls over. Leave that to Kick-Ass and his crew of head-stomping superheroes!

 

***JOKE OF THE DAY***

Q: What’s it called when the earth shits itself?
A: Gaia-Ria.