Bands With Gimmicks

***BANDS WITH GIMMICKS***

I can’t remember the exact year, but Nickelback frontman Chad Kroeger once gave an interview where he poked fun at Slipknot for relying on their horror mask gimmicks too much. As much as I love listening to Nickelback, I’m going to strongly disagree with Chad on that one. Who said gimmicks have to be a bad thing? Why can’t bands have fun gimmicks AND fun music. Slipknot frontman Corey Taylor rightfully put Chad Kroeger in his place, saying he has a face like a foot among other topnotch insults. You know the meme, “What does Corey Taylor think of this?” Now you know.

But in all seriousness, what’s wrong with having a gimmick? It’s not just limited to bands, either. Pro-wrestlers have gimmicks. MMA fighters have gimmicks. Artists have gimmicks. Basically, if you take any profession and add a character quirk to it, congratulations, you’ve got one fun-loving motherfucker. A corporate suit with a gimmick? Sure, it can happen. Suppose a corporate stooge walks in the office one day wearing a Slipknot mask and blasting “People = Shit” from his smart phone. I’d want to hang out with that guy all day long!

Having a character trait of some kind doesn’t detract from the actual profession. In fact, as a writer, I encourage it in my characters. I want to write about abnormal characters with creepy face paint. I want to write about elven warriors with superhero costumes. I want to write about highway drifters who dress like Prince. If there was ever a time to talk about three-dimensional characters, a fun and goofy gimmick could be one of those many dimensions.

But let’s get back to the topic at hand, which is about musical acts who use gimmicks in their art. Chad Kroeger can be as bland and vanilla as he wants, but gimmicked bands have been around since rock and roll was even a thing. Pink Floyd could be considered a gimmick band, especially with the many trademarks surrounding their act. The putty faced masks, the floating pig, the rainbow prism, the ass judge, basically, anything from The Wall could be considered a part of Pink Floyd’s gimmick. They made an entire movie out of that album, so who says gimmicks don’t mean anything? By the way, that movie is one of my favorites of all time, not just as a musical, but as a full-fledged story about a man going absolutely bat-shit crazy.

You know who else has a gimmick to go along with their music? Ghost. Their lead singer dresses in a Pope outfit and has creepy paint all over his face. His band mates wear black robes and demonic masks. Their presentation has satanic symbols all over the stage, which reflects a lot of their lyrical content. Ghost is a fun band to listen to and see live, which I’m about to figure out for myself this coming September when they come to Seattle. Yeeeeeeee!

Any other bands with gimmicks? Babymetal has an anime gimmick. Starset has a space opera gimmick. Rob Zombie and Marilyn Manson both have horror movie and satanic gimmicks. Not only do these bands look awesome in concert, but they also produce high quality music to boot. So again, what’s wrong with a musician having a character trait? Anybody? Can anyone answer this without sounding more vanilla and ignorant than Chad Kroeger? Maybe Bill Maher would like to weigh in on this topic. Just kidding, we already know he’s a boring person!

So what kind of gimmick would you like to see in your own characters? A skull-decorated necromancer? A heavily-tattooed alien warrior? A fiendish goblin with a fiery dagger? The possibilities are as endless as your own imagination. But not all characters in your stories have to have gimmicks. They don’t have to be elaborate, especially if they’re passive side characters who don’t add a whole lot to the story. That’s okay.

But if your character drives the entire story, he’d better be interesting in some way. He doesn’t have to have pentagrams tattooed all over his pale body, but he does need to capture your reader’s attention and hold onto that motherfucker for the rest of the story. While gimmicks aren’t always necessary, they shouldn’t be shrugged off so easily by the conformists of the world. In fact, I’d dare say we need a…corrosion of conformity! See what I did there?

I know you all are waiting for me to give examples from my own writing of gimmicked characters (you totally aren’t). So here they are. Beautiful Monster’s main villainess is femme fatale with a libertarian business model and a penchant for vanilla ice cream. Beautiful Monster’s main hero is an elven warrior who worships a lion god and lashes the shit out of his opponents with a chain whip. Incelbordination’s main villain is a Matrix parody who complains about not getting laid and exacts vengeance with a machete and brainwashed followers. Incelbordination’s main hero is a dwarf with a boxing background and plenty of angry reasons to use his fists. Need more examples? Here’s one…

From 2016 to 2017, I wrote a first draft novel called Demon Axe, a chosen one narrative about a titular heavy metal band with a dark fantasy gimmick. They wear robes on stage, they wear creepy masks, they drink bubbling potions before they perform, they have satanic symbols everywhere, and the lead singer’s microphone looks like a war hatchet. This story only a shitty first draft and it’ll be a while before I take it to critiqueville, but I’m proud of it all the same. Plus, Demon Axe brings us back to the original topic of this blog entry being about musical acts. Yay!

Got any fascinating gimmicks you want to talk about? I’m all ears! I’m Garrison Kelly! Until next time, try to enjoy the daylight! Hey, there’s another gimmick right there! That sign-off phrase is from a horror anthology called Tales From the Dark Side! Nice!

***MOVIE DIALOGUE OF THE DAY***

WOLVERINE: Aren’t you going to tell me to stay away from your girl?

CYCLOPS: If I had to do that, she wouldn’t be my girl.

WOLVERINE: Well, then I guess you’ve got nothing to worry about…Cyclops.

CYCLOPS: I bet it just burns you up inside that a boy like me had to save you. You’d better be careful. I might not be there next time. Oh, and Logan? Stay away from my girl.

-X-Men-

***POST-SCRIPT***

Yes, Wolverine and Cyclops are both gimmicked characters. They’re not only superheroes, but they’re awesome to watch on screen.

Dark Phoenix

MOVIE TITLE: Dark Phoenix

DIRECTOR: Simon Kinberg

YEAR: 2019

GENRE: Superhero Adventure

RATING: PG-13 for violence and language

GRADE: Pass

While the X-Men are performing a space mission to rescue astronauts from a spinning shuttle, telepath Jean Grey absorbs a fiery supernova into her body and becomes even more powerful than she already is. Before she has the chance to celebrate with her fellow mutants, her powers spin out of control and cost loved ones their lives. With the human world and some of her own X-Men turning against her, Jean struggles to find acceptance despite her godlike and lethal abilities. While she’s figuring herself out, an alien race known as the D’Bari want to harvest her powers so that they can rebuild the world they lost due to the supernova. Not a friend in the world can save her now.

I’ve accepted the fact that I’m part of the minority that actually liked this movie. I know I’m on an island when it comes to Jean Grey’s character development and her extreme case of Impostor Syndrome. People are dying all around her and she (sometimes rightfully) believes it’s her own fault. She wants to do good things in a world that has a fragile relationship with mutants, but she hasn’t mastered her newfound powers yet and she can’t help herself when she gets explosive. Imagine having your own low self-esteem confirmed by pretty much everyone around you and there’s no evidence left to prove yourself wrong. That hurts. It hurts so much that normal people who watch this movie can relate to it (sans murder). Does someone out in the world still love Jean Grey? Does someone out in the world still love us all? I guess we’ll never know until the dead end.

An even more imperfect character is Professor Charles Xavier, owner of the mutant school that houses the X-Men. Comic book fans know him as the super intelligent, ultra wise leader who can solve any problem with his wits. But even he makes the gravest mistakes sometimes and he becomes just as much to blame as Jean Grey. Using the X-Men as a superhero taskforce was his idea to earn goodwill with the human race. Some mutants don’t want their lives risked in such a way and I can’t say I blame them. Yet I continued to feel heartbroken during Charles’s most downtrodden moments. I wanted him to redeem himself and show Jean Grey that someone out there still cares for her. Excellent performance by James McAvoy, the actor who played Charles Xavier.

Jean Grey and Charles Xavier aren’t the only characters in this movie that have valid points. All of the characters do from Beast to Storm to Magneto himself. If I remember correctly, this was one of the director’s goals for the film: everybody is right and a healthy debate among the audience is encouraged. This is the dictionary definition of a 3D character. Not even the villains will admit that they’re wrong. You’ll never see an X-Men character named Captain Evil or Kitten Stomper. You know why? Because just like in real life, we all like to believe that we’re the good guys despite our flaws.

I’m plainly aware of how much hate this film has gotten since its release. It holds a below thirty percent rating on Rotten Tomatoes. It’s even been called the worst movie of the X-Men franchise by many critics. But I don’t have a one-way ticket aboard the hate train. I came into the movie theater wanting to be entertained and that’s exactly what happened. I was so entertained that I considered giving this movie an Extra Credit grade during the ride home. But the reason it earned only a passing grade was because the social impact couldn’t compare to other great superhero movies like Black Panther and Wonder Woman. Otherwise, great job, Marvel!

Monsters

TV SERIES TITLE: Monsters

CREATORS: Richard P. Rubinstein and Mitch Galin

YEARS: 1988-1991

GENRE: Horror Anthology

RATING: TV-14 for violence

GRADE: Fail

In a seemingly ordinary suburban neighborhood, a family of hideous creatures gathers around the TV looking for something to watch. As the cyclops wife says herself, “It’s family hour, there must be something on.” That something turns out to be Monsters, a series of standalone episodes depicting vile creatures taking advantage of foolish humans. For purposes of this review, I will only judge the series based on the first four episodes, because those were the only ones I could get through before tapping out. Those episodes are entitled The Feverman, Holly’s House, New York Honey, and The Vampire Hunter. I’ve seen other episodes of the series in the past, but they share too many negative aspects in common with the first four episodes.

If you’re looking for a series that will scare the holy hell out of you, don’t worry, because your heart rate will remain at a comfortable pace by the time each episode is over. The only thing about the show that scared me the most as a kid was the music during the opening and closing sequences. The organ chord during the commercial break bumper also had a chilling effect on me, so much so that I purposefully put off watching Monsters until I got over that fear. It doesn’t help matters that the deep laughter near the end of the theme song makes me feel as though there’s something behind me, waiting to attack. The music is so creepy that I encourage people to play it on loop whenever trick-or-treaters come to their doors.

Unfortunately, the music is pretty much the only redeeming quality this series has to offer. Mr. Rubinstein and Mr. Galin deserve an A for effort, but once the music is over, things go downhill from there. The acting in these episodes is incredibly cheesy, so much so that it’s hard to sympathize with the characters. There are a few exceptions to this rule, such as David McCallum in The Feverman and Richard Belzer in Werewolf of Hollywood, but those exceptions are few and far between. The dialogue isn’t so bad provided it’s conveyed by someone with more experience. But unfortunately, not even the money lines of the series can make me care about characters who are over-the-top and ludicrous. I’m not sure if I’m supposed to take the characters seriously or not. It’s almost as if the series was cheesy on purpose. If that’s the case, then the creators shot themselves in the foot with a double barrel shotgun.

The other thing that bothered me about this series was how slow the pacing of each episode was. I understand that exposition is essential to any story, but sometimes I think there’s more exposition than actual tension. It takes each episode forever to get to the real action. It takes so long, in fact, that I tune out as soon as the juicy parts come to fruition. Maybe it’s my Millennial blood that makes me impatient. Maybe slow storytelling was more effective in the late 80’s and early 90’s. Maybe so much of this series is outdated aside from the giant cell phones and radios. Either way, the agonizingly slow storytelling doesn’t age well in today’s world. I want action! I want drama! I want tension! And I want it now!

The only reason why I decided to revisit this series was because of nostalgic purposes. I remember being a little kid and being legitimately terrified of the music and the monsters themselves. But I’m not a kid anymore and nostalgia ain’t what it used to be. There are a lot of shows, like Monsters, that were cool to watch when I was little, but not so cool in the present now that I have a better grasp of storytelling and acting elements. A failing grade goes to this series because it’s cheesier than a stuffed crust pizza.