Mick Thomson from Slipknot vs. Anti-Prophet

 

The Chehalis Video Store Incident

 A few years ago, I got rid of my VHS copy of Pink Floyd the Wall in a bout of spring cleaning. It’s currently sitting in a thrift shop somewhere waiting to be bought if it hasn’t already been. If you asked me about this back in the mid-90’s, I wouldn’t have thought that the movie would end up being one of my favorites of all time. Never mind the fact that I was a pre-teen in the mid-90’s and The Wall is an R-rated movie (for good reason). Then again, I never cared about age limits and neither did my parents. But this isn’t a story about being too young to watch an R-rated movie, no, no, no. After all, there are certain movies that disturb the shit out of the audience regardless of how old they are, examples of which include The Human Centipede, Hostel, Saw, and of course, Pink Floyd the Wall.

Papier-mâché masks with two holes for the eyes and one hole for the mouth. If you were a character from The Wall and you wore one of these, it meant you lost your individuality and were successfully bent to the will of your corporate masters. It also meant you were going to eventually be ground into hamburger meat so that you’ll look even LESS distinguishable from your conformist peers. The masks alone could make you question your love for cheese. The hamburger scene will make you into a permanent vegetarian. And that’s just one music video! The Union Jack morphing into a bloody cross will make you question what kind of sauce is covering your meatball sub. A crudely-drawn monster morphing into a literal and figurative giant asshole? If that happened in 2020, the toilet paper would be gone long before the pandemic.

But long before the movie even starts, your formerly untainted eyes will feast upon the artwork on the cover: a screaming face with an excessively wide mouth, a bloody chin, a bloody shoulder, hideous dental work, and a blue background that will make you question your need to ever drink water again. I dare you to find this artwork and give it a big old smooch. Go on! I dare you! Chicken! Wait a minute…did I say chicken? Was I being a hypocrite just now? I would have been if it was the mid-90’s. Pink Floyd the Wall and its artwork terrified the shit out of me during that time. My limbs would shake. The color would drain from my face. My blood would go cold at the mere suggestion of watching that movie. One time my leg shook while I was resting my foot on the bed and tying my shoe.

Every time my mom and dad took me and my brother to Sight and Sound Video Store in Chehalis, Washington, there was always the looming threat of somebody wanting to rent Pink Floyd the Wall and subjecting me to the horrors within. But why would I want to admit to being scared of it when Pink Floyd was one of my favorite bands at the time? Sure, I grew up in a progressive family, but that didn’t mean I didn’t feel at least some obligation to hide my fear from those around me. Besides, my family wasn’t the only influence in my life. My classmates at Chehalis Middle School would have caught wind of it if I let the cat out of the bag. My family is progressive, Chehalis is not. Macho conservatism was the norm in this god forsaken town. Any weakness on display was mocked and ridiculed until the end of time, giving way for even more weaknesses to be revealed by proxy.

One day at Sight and Sound, the secret came within razor-thin closeness of being out. It didn’t help matters that on the back wall of the video store, there was a big fucking Pink Floyd the Wall poster with that disgusting, hideous face looking down upon everybody who dared enter the store. I kept my head tucked low and hurried to the kids section where my eyes could be averted. What would I rent that wasn’t the world’s scariest rock opera? The Three Stooges? Donald Duck? Mickey Mouse? Dick Tracy? Before I could make my official decision, my parents come up to me and tell me that Sight and Sound is selling CD’s and T-shirts in the back of the store, which was in direct eye-contact with the vomit-inducing face.

My mother read my emotions like a book despite my best efforts to hide them. The color draining from my face, the sad expression, the dewy eyes, the beating cold sweat, they all prompted my mom to finally ask…“What’s wrong?” This was my opportunity to bear my soul and to “break down the walls” so to speak. This was the friendlier version of Gerald Scarfe’s judge telling me to expose my feelings to the world. But instead, the conversation went like this:

“What’s wrong?”

“Nothing.”

“You look sad.”

“I’m fine.”

“You look like you’re about to cry.”

“I’M FINE!”

The conversation kept going on and on with “I’m fine” and “what’s wrong?” responses until I reluctantly agreed to go with dad to the back of the store to check out their CD’s and T-shirts. I stared that Pink Floyd poster right in the face and was ready to melt into a puddle…until I didn’t. The nasty-looking face no longer had control over me. But why? Why the sudden loss of fear? Was I exposed to it so many times that it became meaningless? Was this truly the Law of Diminishing Returns? Whatever it was, I looked at Pink Floyd CD’s and T-shirts with Dad regardless. Surprise, surprise, my dad wanted a T-shirt with the screaming face on it and it still didn’t melt me like a snowflake. Would I eventually feel this kind of courage towards the putty-faced masks in the actual movie? I wasn’t about to press my luck, so we didn’t rent it.

I thought that would have been the end of that. We’d get our movies, CD’s, and T-shirts and then get the fuck out of there. But then the four of us ate at a Chinese restaurant across the street from Sight and Sound. It’s amazing that I still had an appetite for Chinese food considering everything I just went through. We were sipping on our drinks waiting for the food to arrive when my mom asked…

“What happened to you in the video store?”

“Nothing.”

“Then what’s wrong?”

“I’m fine.”

“You were walking with your head down when we went into the store. Was somebody picking on you?”

“No.”

“Then what’s wrong?”

“NOTHING IS WRONG! I’M FINE!”

She seemed intent on asking me over and over again until I spilled the beans. At this point it wasn’t a mother asking about the welfare of her son. It felt more like an interrogation. We even had the hot lamp above our table to complete the effect. But I kept on denying that anything was wrong until the conversation ran its course. She even shushed me when I got too loud, but I stood my ground. “Nothing is wrong! I’m fine! I’m not sad! Nobody was picking on me!”

In a town full of gun control opponents, I dodged the biggest bullet of them all. But what would have happened if I admitted to being afraid of Pink Floyd the Wall and its movie artwork? Would I have been forbidden from going to see Roger Waters in 2000? Would I have been labeled a wuss by everyone around me? Would the bullying I experienced in my freshman year of high school have been worse than it already was? The latter might have been true since I solved all of my disputes at the time with violence and screaming. Wusses and violence don’t exactly go hand-in-hand, after all.

But an even bigger consequence to admitting my crippling fear was that Pink Floyd the Wall wouldn’t go on to become my favorite movie of all time. I wouldn’t have received that message of protecting my individuality at all costs. I would have blindly believed anybody who told me my creativity was no good. I would have stumbled into mediocrity and not given two shits about it. Think of all the TV shows, movies, and books I would have missed out on if I admitted to being afraid all the time and allowed authority figures and bullies to tell me how to think. I might not even have a writing career if that was the case. I could have received the “be yourself” message from any piece of media, but where else was I going to get it from that had “Another Brick in the Wall, Pt. 2” playing in the background? The music spoke to me and so did the movie.

I’m not saying that everyone should keep their fears a secret all the time. That’s just what I did and I may have done some serious damage to my psyche by doing that. Not admitting fear is the same as not admitting other things in life such as being bullied, being abused, being mentally ill, being in pain, or god knows what else. Silence is your worst enemy in a world where everyone wants to tell you what to believe and how to think. If you don’t think for yourself, there are plenty of Hitlers out there who are willing to tell you what life is all about. If you don’t stand up for what you believe, there are plenty of drunken spouses out there who will beat it into your brain, literally and figuratively. Stand for something…or you’ll fall for anything…right into a sausage grinder!

Dayton Spoke Choir

The ethereal beauty of the choir’s voices haunted Detective Matt McQueen’s mind like a schizophrenic voice. He felt as though he was being lovingly pulled into the center of this heavenly sound, but kept his pistol drawn knowing this was the calm before the storm. He already ventured into the unknown by looking for clues in this dense forest. Every once and a while a spider would land on him and he’d get chills running down his spine before swatting the arachnids away. Those voices. So innocent. So magnificent. They couldn’t have been older than the single digits. What were small children doing all the way out in this secluded nightmare?

Matt took a massive gulp of saliva and wiped the sweat off of his forehead when he found the source of the voices: a broken down church covered in foliage and insects. Another plunge into the unknown. With every one of Detective McQueen’s steps, the choir grew louder and more haunting. His finger tightly wrapped around the trigger, the cop slowly advanced toward the front entrance, which was guarded with little else than a cracked wooden door barely on its hinges. It wasn’t so much the robust structure that kept city folks away; it was the creepiness of it all.

Matt’s eyebrows furrowed and his goateed mouth curled into a dark frown as he kicked down the front door and stormed in on the church screaming, “Freeze! Paulson City Police!” His all-business attitude softened into creeped out jitters when he saw what was inside. He lowered his weapon and asked, “What the fuck?!” He was careful not to drop the pistol, but with his shaky hands, it almost happened.

The children’s choir’s lovely voices were tainted by blue jumpsuits and putty-faced masks with blood dripping down from their mouth and eye holes. Each and every one of them had puppet strings attached to their ankles and wrists, strings that lifted their arms in conformist salute when prompted by their leader.

“Matthew, Matthew, Matthew! It’s so good to see you again. Perhaps you’d like to sing some hymns with us.” Detective McQueen quickly turned around with his pistol aimed at the source of the creepily sensual voice: Reverend Laguna Pearman. No longer was he the trusted member of the Paulson City religious community. No longer was he a donor to the poor and an educator of children. All that remained of Reverend Pearman was a wicked smile and a black choir robe with his fingers tapping together playfully.

“Laguna…I trusted you!” shrieked Matt before bull rushing the preacher and slamming him against the wooden wall. Even with the barrel of Matt’s pistol planted firmly in his jaw line, Laguna’s smile never faded. “I went to your sermons every Sunday. I let my child around you. And this is what you’ve been doing this whole time?! Where’s Caylee?! She better be in here or I’ll blast your fucking head clean off your shoulders!”

“Daddy, no!” shouted a little girl from the choir, who came flying toward her father on puppet strings before clamping around his legs tightly. “Daddy, please don’t kill him! He’s going to take us to heaven to see God! This is our mission!”

“You heard her, Detective. Caylee is much happier here than she was at home. She’s not your child anymore. She belongs to Jesus Christ now,” said Laguna, still not wiping that smug grin off his slender face.

“Shut up, you snaky piece of shit!” yelled Matt before pistol whipping Laguna’s breakable face repeatedly. Caylee begged and pleaded with her father while pounding on his legs with those tiny child hands. The rest of the choir levitated in on their puppet strings to pull Matt off of their “master”. By the time the detective was being held on the ground, Laguna’s visage was covered in blood and bone splinters.

“My face…my beautiful face…how could you do this to me? How could you do this to the face of God?!” sobbed Laguna as he dropped to his knees clutching his shattered mug. While some children held a struggling Matt to the ground, others circled around Laguna and hugged him tightly while crying drops of pink tears.

“Is this what you call leadership?!” bellowed Matt. “This guy’s not your master! He’s not anyone’s master! He’s a false prophet with a child fetish and he needs to be locked up forever!”

“Don’t talk that way about my new daddy!” shouted Caylee with tears running down her masked face.

Matt’s own eyes were sore and swollen from the sorrow of watching his daughter being ripped away from him by this monster. Detective McQueen’s heart felt like it was being put through a juicer. His stomach felt like he’d taken a liver kick from an MMA champion. “Caylee, please don’t say those things,” begged Matt with all of his soul.

“I hate you, Dad! I hate you! I belong to God now!” shrilled Caylee with her fists at her side.

“Oh, Matthew, don’t you ever get sick of questioning things you don’t understand?” asked the bloodied Laguna Pearman rhetorically. “Don’t you ever get sick of taking my name in vain? You should be. It’s a mortal sin after all. And you know how we punish sinners in my church, don’t you?” That last line was punctuated by Laguna gently rubbing his calloused hand across Caylee’s trembling back.

“Don’t touch my daughter!” roared Matt as he struggled even harder to free himself from the choir’s grips.

Laguna spit out some teeth before he reached down for Matt’s gun (which he dropped on the floor earlier) and pointed the weapon at the wiggly detective. “Looks like your beautiful daughter isn’t the only one who belongs to God now. Rest in peace, Detective McQueen!” Matt wiggled his foot free and kicked Laguna in the ankle, causing his gun blast to accidentally strike one of his pupils in the chest. The false prophet along with his choir watched in horror as the child clutched his wound and bled all over the floor, dying a slow and painful death.

“No…no, no, no! Why, God?! Why would you take this innocent child from me?!” shouted Laguna as he dropped to his knees and shook his fists to the sky. “We’ve done so much for you! We’ve done everything we could to make you happy! Why, my lord! Why?!”

The shocked children’s grips were loosened by this sudden turn of events and Matt shoved them off to earn his freedom. He spear tackled Laguna to the ground and wrestled the gun out of the preacher’s hands. Despite the knee-bending pleas from the choir, Matt unloaded all six rounds into Laguna’s already shattered face, spreading his brains and skull all over the wooden church floor. Caylee shouted, “No!” as she watched the preacher’s blood run down a tiny crack in the floor.

What started out as a kidnapping investigation turned into a full-on massacre for Matt McQueen. His hands trembled as he held his now unloaded gun still in Laguna’s splattered face. The cop slowly climbed to his feet and finally holstered his weapon when the realization set in at what he’d done. Still shaky, yet firm to the core, Matt declared, “Alright, kids. It’s time to go home to your parents. This investigation’s over. Enough with the Halloween bullshit. Take your masks off and load up in the van outside.”

With their puppet strings loosened and their heads hung low, the children, Caylee included, removed their putty-faced masks. When they lifted their heads again, Matt’s newfound resolve shattered into trembling fear. Their faces were even bloodier than Laguna’s was. Their frowns were contorted beyond their natural limits. Some of their teeth and eyes were missing. They even had abscesses that peeled off parts of their faces to reveal their teeth.

“Sorry, Daddy. We warned you!” whispered Caylee. The choir formed a circle around the shivering Matt before jumping on him and chewing at his flesh. The detective’s screams were muffled by the blood pouring out of the hole in his throat. His eyeballs squished and squashed inside the maulers of the deformed children. His blood was slobbered up off the ground and his flesh was ripped and shredded. The final munch came when the evilly smiling Caylee devoured her father’s exposed heart like it was a juicy steak. All that remained of the detective were his bones and small pieces of slashed skin.

As the children lapped down the final pools of blood and chewed the last of their meals like animals, one of them asked, “Hey, Caylee! What should we do with Master Pearman’s body?”

The little brat’s grin never washed away from her bloody face when she said, “We’ve already had our supper for the evening….but we haven’t had dessert yet! Come on, everybody! Sing with me!”

As the choir carried the lifeless body of Laguna Pearman away from the church, they sang in their most innocent voices, “I scream, you scream, we all scream for ice cream!”

Lucha Mexico

MOVIE TITLE: Lucha Mexico

DIRECTORS: Alex Hammond and Ian Markiewicz

YEAR: 2016

GENRE: Pro-Wrestling Documentary

RATING: Unrated, though it contains bloody violence and language

GRADE: Pass

Mexico has always been plagued with poverty, crime, and corrupt politics. The one escape from the country’s negative features has always been Lucha Libre, a high-flying, mask-wearing style of professional wrestling. This documentary takes you behind the scenes of Mexican wrestling from the torturous training to the violently entertaining matches to the dire personal lives of the luchadors. Lucha Libre has a rich history and a colorful culture, but it’s also a business that requires a great deal of toughness in order to survive. Some luchadors become popular and draw in a lot of money. Most of them don’t and they suffer in obscurity. The raw honesty of this filmmaking style is one of this movie’s most prominent features.

The audience can easily get a rich education from watching Lucha Mexico. They can learn how a luchador’s mask can protect private lives and give personality and flavor to the wrestlers wearing them. They can learn the huge differences between Mexican wrestling, which is all about the high flying action, and American wrestling, which is monologue-heavy and slower-paced. They can learn about the risks and rewards of embarking on a professional wrestling career whether it’s getting an injury or becoming wildly popular. By the end of this movie, the viewers will gain a great deal of respect and appreciation for what these athletes have to go through on a day to day basis. The movie will create new wrestling fans and it will rekindle the fire within those already converted. It’s not just “man drama” as UFC commentator Joe Rogan once stupidly called it. It’s a passionate form of entertainment.

Speaking of entertainment, if you want to see delicious and action-packed violence, Lucha Mexico is happy to oblige. Sure, the wrestling matches are in short snippets, but there’s just enough content where the audience can enjoy back flips, slams, top rope dives, and most brutal of all, bloodletting. Yes, from time to time, they actually do hardcore style, which if you’re not a wrestling fan means the luchadors are allowed to use weapons and they will make each other bleed nearly to death for the crowd’s entertainment. No matter what kind of match is taking place, you will either wince in pain or you’ll be on the edge of your seat in anticipation for the big finish. That’s what wrestling is all about: creative storytelling and violent choreography. Again, Joe Rogan, it’s not “man drama”, you fool.

As long as I’m dragging Mr. Rogan’s name through the mud, there’s another thing this movie is good for: debating. The kind of debating I’m talking about is between Mexican and American styles of wrestling. Since Mexican wrestling is more action-oriented, you don’t get a lot of the bigoted promos that American wrestling has been known for over the past two decades. Meanwhile, some American wrestling fans would argue that all villain heat is the same and promos build up more tension between the two battling wrestlers. Both sides of the fence have good points to make and I’m not going to list all of them in this review, because I want my readers to make up their own minds. They can do that when they watch Lucha Mexico since they’re not overly preachy or pushy. It’s just raw, honest filmmaking, that’s all.

In this movie there’s something for everybody, which includes complete laymen. Lucha Mexico will either be a rich educational journey, more pride in being a wrestling fan, or both at the same time. Nobody is walking away from this movie unaffected. If you’re still feeling neutral after all is said and done, you probably sleep in an underground coffin at night. Or you’re Joe Rogan, one of the two. Or maybe you’re both, I don’t know. I give this movie a passing grade for giving my inner wrestling geek a reason to do more back flips and cartwheels than the luchadors themselves. Excellent work!