Showing posts with label Victor. Show all posts
Showing posts with label Victor. Show all posts

Saturday, October 26, 2019

Assuming Everyone Is a Villain


***ASSUMING EVERYONE IS A VILLAIN***

My childhood was far from perfect (high school be damned), but one thing I’ll always cherish about my young past is doing Final Fantasy-style role-plays with my California friend Lance. We used Lego mini-figures to act out these scenes because they were just as tiny as the sprites in Final Fantasy IV and VI for the Super Nintendo. We battled indestructible giants together. We blew up entire space fortresses. We had adventures that would solidify and enhance our creativity well into adulthood. Anytime I get the chance to exercise my creativity, I’m one happy motherfucker, which is why I’m writing this blog entry right now.

As fun as those times in my life were, there was always something about our role-plays that confused me just a little bit (no, this isn’t me putting the boots to Lance, so settle down, everyone). More often than not, one of Lance’s heroic characters would attack ordinary strangers because he didn’t know what alignment they were. In other words, he assumed they were evil long before he had the chance to get to know them. Not very heroic behavior, in my opinion. But it is worth examining, because even now as an adult with a Bachelor’s in creative writing with a minor in theater arts, this idea could still hold weight in today’s world.

One way in which prejudging could work for the protagonist is if he’s paranoid. Just because you’re paranoid, doesn’t mean the world isn’t out to get you. That’s how delusional thinking works. I know this because during my earliest bouts of schizophrenia in 2002, I too assumed everyone was a villain, whether they were friends, family, strangers, or natural enemies. I had this delusion that the whole world was conspiring to conform me into someone I’m not. Any small sign of obedience on my part meant that my “conspirators” had a permanent victory. My behavior was erratic and I made a few enemies along the way because of it.

But schizophrenic delusions aren’t the only way in which a paranoid person could assume everyone is a villain. The protagonist could instead have PTSD, where the flight or fight mechanism in the brain is working overtime to make the sufferer hyper-vigilant. PTSD can happen for any stressful reason whether it’s bullying, sexual harassment, rape, war, or whatever. People with extreme cases of PTSD have a hard time letting others into their bubble. Who could blame them? They don’t want to be triggered by someone’s distrustful ways. And when I say triggered, I’m not using the alt-right definition of it where they completely wipe their ass with the word.

Not all paranoid protagonists have to have mental illnesses, though. Sometimes they’re not paranoid, but simply distrustful. They won’t beat the shit out of people with unknown alignments, but they could distance themselves from those strangers. They could be fiercely independent in their work life. They could be a Single Pringle. They could isolate themselves from the world around them, though if they did that, it could lead to depression or other mental illnesses. Distrustful protagonists have been around since forever and with the proliferation of violent literature, why wouldn’t they be? It’s a kill or be killed world out there.

As children, Lance and I had confusing plot holes in our role-plays, I’ll admit. Why would a fifty foot giant need a temple to keep him indestructible? Why would the heroes live in an island cellar with nothing to do but lay in bed? Why would a space fortress need to regenerate itself if it’s already a powerful and elaborate structure? As silly as some of these predicaments were, they did help us develop our storytelling skills to where they are today. Yes, I was confused by the constant attacks on strangers with unknown alignments, but I have a better understanding of it today.

Writers and storytellers have a tendency to look at their past works and cringe in self-judgment. While some of that cringing is justified in our advanced age, some parts of our past are worth analyzing if for no other reason than to exercise our skills. We see our mistakes of the past and we now have a better understanding as to why they’re mistakes. We can’t take everything from our past and transpose it into our adult careers, but without that past, we have no future. Whoever said, “The one thing we learn from history is that we learn nothing from history” was referring strictly to world politics and not creative journeys.

Lance and I lead very separate lives in today’s world. Our belief systems are different. I live in Washington while he lives in California. He’s got his own projects while I’ve got mine. But we still have our creative pasts in common and for that I will forever cherish our friendship no matter how far into the future we are. Thank you, Lance, for helping me become the writer and storyteller I am today. Every artistic journey starts somewhere and it was an honor to start it with you. I’m Garrison Kelly! Until next time, try to enjoy the daylight!


***CURRENT PLANS***

I’ve got a lot going on in my creative schedule, so let me bring you all up to speed. I finally put together the manuscript for Beautiful Monster’s third draft and it’s well on its way to being critiqued by the fine folks at Hollow Hills. All they need from me now is my payment and some time to work on it. As far as short stories go, my next one will be called Butterscotch and it’s yet another tribute to a former animal of mine. Butterscotch was a tiny kitten when he leapt out at me and my brother in the middle of a nighttime walk in 2003. I still miss him to this day, just like all of my former animals. I’m sure you guys have also noticed I’m posting reviews again, my most recent ones being of “In the Presence of Knowing” by Valarie Savage Kinney and the Quentin Tarantino movie “Jackie Brown”. If I can figure out how to fix the fucking TV’s sound quality, my next review will be of another Tarantino classic, “Inglorious Basterds”. If not, I’ll just stick to reading my next book, “Souls of the Reaper” by Markie Madden, which is the second in her Undead Unit series. I don’t have anything else to report, so wish me luck!


***MOVIE DIALOGUE OF THE DAY***

ALPHONSE: If I ever find the person who’s doing this to me, I’m going to make him beg for mercy.

VICTOR: I don’t think he’s going to beg for mercy.

ALPHONSE: He wouldn’t get it anyways.

-Dead Man Down-

Wednesday, October 29, 2014

Dead Man Down



TITLE: Dead Man Down

GENRE: Crime Thriller

RATING: R for violence, language, and bullying scenes

GRADE: Mixed

Victor is a man with anger in his heart and revenge on his mind after his wife and child were murdered by mafia boss Alphonse Hoyt. To satisfy his vindictive needs, Victor infiltrates Mr. Hoyt’s crime syndicate in an attempt to find the right opportunity to kill the brutal boss. While Victor bides his time, he befriends a disfigured, yet beautiful neighbor named Beatrice, who at first wants to date him, but then blackmails him into exacting her revenge against the drunk driver who disfigured her in the first place. The entire movie is a struggle to find the balance between justice and vengeance as well as coldness and love.

The slow, dramatic pace, Victor’s convincing cover, and his relationship with the forlorn Beatrice make this movie a believable crime thriller. Everything was executed correctly from the shootings to the explosions. Plus, they were executed at the right time. The whole film is about a man who bides his time for the right moment to strike. Not only does he strike first, he strikes hard. Victor knows exactly what he’s up against and times his attacks perfectly so Alphonse Hoyt doesn’t suspect a thing.

Having said all of these things, you’re probably wondering why this movie receives a mixed grade rather than a passing one. The crime thriller conformity was perfectly done, but there’s one aspect of the movie that makes me cringe every time I think about it. Beatrice was disfigured in a drunk driving accident and as a result, the neighborhood kids bully her relentlessly. The bullies’ main gimmick is calling her a “monster” every time they see her and build “jokes” off of that. They even went so far as to carve the insult on her apartment door. These kids need to have the shit beaten out of them, but it never happens. They get away with everything they do and are never heard from again. As someone who experienced bullying in high school, this lackadaisical approach is sickening to me.

The other issue I have with this movie is the lack of screen time for Bad News Barrett, a WWE superstar whose role in the movie was so hyped up it’s the only reason I agreed to see it. Anybody who watches wrestling knows how convincing of a villain Mr. Barrett is. He enslaved John Cena, he led a team of rookies into destroying a WWE arena, he insults the crowd on a regular basis, and he just might win the Most Disgusting Promotional Tactic award for 2014 because he insulted a kid from the Make a Wish Foundation. With all of these evil credentials under Bad News Barrett’s belt, why would they make so little use of him? Why even bother calling Dead Man Down a WWE films production? Sounds like false advertising to me.

If you make the decision to watch this movie, do it because you love crime thrillers. If you’re doing it because you want to see revenge against bratty bullies or because you want to see Bad News Barrett kick some ass, you’re going to be sorely disappointed. Despite the flaws this movie has, I can’t really hate it at all. I enjoyed the movie, but not enough to give it a passing grade.