Showing posts with label Civil Rights. Show all posts
Showing posts with label Civil Rights. Show all posts

Monday, April 5, 2021

Nobody Wants to Change

 Every year the pattern was the same: two rival debate clubs went head to head and not a goddamn thing changed afterwards. The clapping from the audience was only out of courtesy, not out of impressiveness for one particular side. Everybody in that crowd had already made up their minds, or whatever was left of them after devouring a nice helping of Tucker Carlson’s show later that evening.


Paulo Bermudez recognized this dull pattern all too well. As he sat there on the side of the stage with his head barely perked up, he could see all the faceless minions nodding in mock approval for whoever was speaking. Even his own debate coach, Mr. Diametes Cosgrove, looked like a mindless bobble-head in the crowd, though his civil rights lawyer credentials made him slightly more believable.


Though Paulo and Mr. Cosgrove had their racial differences, the former being a Mexican teenager and the latter being a black Boomer, their struggles as minorities were real to each other. The harsh treatment by white cops, the gaslighting rhetoric of rich pampered politicians on TV, the general disdain from society, they both knew it all. When Mr. Cosgrove asked Paulo to be the captain of this year’s debate team, it was because he saw something in the young man, though Paulo saw nothing in himself and not much else in his opponents.


While Mr. Cosgrove and everyone else in the audience had their best suits on for this occasion, Paulo’s T-shirt and jeans look showed he knew the outcome of the competition long before it was over. The minute his rival captain Cora Yellowwood took the podium in her posh blue sweater and brown skirt, Paulo’s Nostradomus skills were even more heightened. She went on and on about the basic conservative anti-immigration tropes: they took our jobs, they’re joining MS-13, you can’t care about kids in cages if you’re “pro-abortion”.


Paulo’s blood would ordinarily boil over at this kind of rhetoric. But at this point in the competition and in life in general, he couldn’t bring himself to care anymore, because nobody else did. Once Cora was done with her two minutes of hate speech, the audience applauded like they had been programmed to do all these years. Paulo didn’t even snap out of his apathetic trance long enough to hear his own name called by the moderator. The old man had to say it multiple times in exponentially louder voices before he woke up to the nightmare around him.


“Mr. Bermudez! It’s your turn at the podium. You have two minutes to rebut Miss Yellowwood.”


Paulo dragged his sorry ass to the podium and was greeted with insulting shoulder squeezes and hair fluffing from his opponent. The audience chuckled at the gesture, not realizing nor caring how creepy that was. Once Cora skipped back to her seat on the opposite end of the stage, Paulo stared out into the crowd with a mixture of hatred and aloofness.


He allowed the droning audience to absorb his rage before he finally spoke. “You know what this debate competition sounds like? Team Bermudez vs. Team Yellowwood sounds like a UFC event, which is what I wish it was right now.” The audience chuckled awkwardly while Mr. Cosgrove rolled his eyes.


“Mr. Bermudez, please stay on topic,” the moderator warned.


“Oh, don’t worry, I am on topic.” Paulo sighed heavily and read the room some more, wasting valuable time on his two-minute limit. “Truth is, I could stand up here and tell you all about my struggles as a third-generation Mexican-American. I could entertain you all with a sob story about my grandfather escaping violence. But in the end, none of it will mean a damn thing, because nobody wants to change.”


The audience gasped while Mr. Cosgrove face-palmed.


“Mr. Bermudez…”


“Yes, I know! I’m staying on topic like you said! Just give me a few minutes, okay?!” The room fell deathly silent once again. “I could talk here for a lot longer than two minutes and none of it would make a difference. Nobody wants to change their minds. Nobody wants to listen to me or anybody like me. People don’t get into political arguments because they want to see a new perspective. They do it because they want to win. They do it because they want to quote-unquote own the libs.”


“Mr. Bermudez, that’s enough!”


Paulo ignored the warning against him. “Think about it! When was the last time anybody changed their minds because of something I said? Never! It’s like talking to a brick wall sometimes! Actually, no, that’s not true, because at least the brick wall wouldn’t give me a snarky answer or call me a snowflake every time I had a valid concern! The minute Mr. Cosgrove made me the team captain, I should have quit!”


Cora made a hand-job gesture and earned another round of light laughter from the crowd. Paulo caught her. “I’m sorry, am I boring you? Is there anything I’ve said just now that was a lie? Did you do that little masturbation thing because I’m right about nobody listening to me? Or maybe you did it as free advertising for your Only Fans account!”


“MR. BERMUDEZ!”


“Tell me, Cora, what’s so funny about my struggles?!” As Paulo drilled Cora with more angry rhetoric, Mr. Cosgrove emerged from the crowd and grabbed his arm to pull him offstage. Paulo resisted as he continued shouting down his rival captain. “Of course you can laugh about it, because you’ve never been discriminated against in your life! You’re a rich white bitch who never had a day of hardship! You can just throw money at your problems and they’ll go away like that!” Once Paulo was successfully pulled offstage, Cora gave him a raspberry and laughed.


“Let go of me, Mr. Cosgrove!”


He did, but only once they were far enough backstage that they had the alone time they needed. Mr. Cosgrove angrily whispered, “I didn’t go through all those years of Harvard Law School just so you can go up there and act like a jackass, do you understand me?” Paulo breathed both to soothe his anger and warm up his anxious nerves at being lectured by his debate coach. “I made you the team captain because you have a voice. You have strong opinions that needed to be out there. If I did half of what you did out there just now, I’d have been expelled a long time ago, maybe even thrown in jail at some point. You don’t control the crowd by throwing a baby fit.”


“No! You win the crowd by brainwashing them like the sheep that they are. Cora’s good at that sort of thing.”


“So what if she is? It’s your job as a debater to snap them out of it. You actually have to work for their attention. You can’t just give up because it’s too hard. Imagine how many more black and brown folks would be sitting in prison right now if I had given up on them. If you’re so certain that nobody will listen to you, then you MAKE them listen to you!”


“I can’t! Jesus, will you leave me alone! I can’t save the world by myself! If I could, I would! But I don’t have the time and energy to pull the public’s heads out of their asses! I can’t save the world if the world won’t save itself! If you’re so damn confident in your abilities, why don’t YOU go out there and destroy Cora Yellowwood yourself!”


“Yeah, that’s not going to happen.” That smug voice belonged to Cora herself, who stood at the entrance to the backstage area with a scorecard in her hand and a cutesy-wutesy smile on her face. “I don’t know if you guys are aware of this, but Team Bermudez is so far behind in the score that it wouldn’t have mattered either way. I got the scorecard right here if you don’t believe me.”


She handed it to Paulo and the defeated look on his face grew even more sullen at the news. “We never stood a chance.”


“That’s right,” said Cora with a wink. “I guess you made people see things your way after all: nobody wants to change. Sorry life didn’t work out for you in the end. Maybe you’ll have better luck debating people when you land your first job at McDonald’s. Do you want fries with that? Here’s why you shouldn’t have fries with that.” She laughed at her own joke. “Well…you can always try again next year. Here’s a little something for good luck.” Despite Paulo’s weakest resistance, Cora kissed him on the lips.


“I’m fairly certain that’s sexual harassment,” said Mr. Cosgrove.


“What’s he going to do? Sue me? Like he’s got that kind of money. Or maybe you’ll do his legal work pro-bono…Diametes!”


“That’s Mr. Cosgrove to you, you sanctimonious little bitch.”


“I’ll be sure to let the Principal know you said that. It’d be a nice test of your debating skills, trying to convince him to let you keep your job.” Cora laughed and waved goodbye before skipping back onstage to accept Team Yellowwood’s victory.


Mr. Cosgrove roughly grabbed Paulo’s shoulders and snapped him out of his sexual harassment trauma long enough to add a cherry on the cake. “In case there’s any confusion as to whether or not this school needs you more than you need them, I’m recommending you for a ten-day suspension for that stunt you pulled tonight. Rebut that.”


Paulo shrugged his teacher’s hands off of him. “I’ll send you a postcard from the Bahamas.”


If he couldn’t afford a lawyer to sue Cora, then he couldn’t afford a ten-day vacation overseas. But that didn’t matter, because the little zinger brought a smile to his own face. It was the first time he smiled that whole night. For just a tiny little while, he believed in his own verbal skills. How long would that last? How would he use that momentum? It was hard to answer those questions with the trauma of Cora’s forced kiss swirling in his head.

Tuesday, September 10, 2019

Tales From the Hood 2


MOVIE TITLE: Tales From the Hood 2
DIRECTORS: Rusty Cundieff and Darin Scott
YEAR: 2018
GENRE: Horror Anthology
RATING: R for violence, language, sexual content, and political themes
GRADE: Mixed

Master storyteller Mr. Simms is hired by rightwing prison CEO Dumass Beach to give secondhand experience to a police android named Robo Patriot. These stories are designed to help the robot identify threats to America and deal with them appropriately. Instead of giving Beach his confirmation bias, Simms tells stories about the pain racism and sexual harassment have caused throughout the years. Whether the lead characters in these stories are Tinder rapists, mammie doll collectors, wannabe thugs, or black republican politicians, they all will get what’s coming to them in the end. Beach doesn’t like these premises, but live with them he must.

Compared to the first Tales From the Hood movie, this sequel had more cheese than a stuffed crust Domino’s pizza. Whether you agree with the messages in this movie or not, every storytelling device these directors used was so obvious even to the most tone-deaf viewers. I’ll leave it up to you to figure out what the prison CEO’s name Dumass Beach is supposed to be a play on words of. The poor acting skills of the white characters didn’t make me believe in the stories, especially the mammie doll collector in the first story. The Robo Patriot sounds like it was haphazardly thrown together at the last minute, not an ounce of creativity left. The CGI effects looked faker than a John Cena pro-wrestling punch. I could have eaten Wendy’s Baconator fries and gotten the same amount of cheese, but no, I had to sit through Tales From the Hood 2 because I thought it could measure up to its 1995 predecessor.

I can’t completely dump all over this movie, though. There is a reason it received a mixed grade from me instead of a failing one. The strong themes of racism are what saved it. Floyd, the museum curator in the first story, delivered his dialogue about the history of black culture in a convincing and educational way. Plus, I loved his evil side near the end (even though he was technically the good guy of the story). In the last story, a group of voodoo sacrifices have to convince a black republican to vote with his heart, not with his wallet. And don’t forget the third story about the Tinder rapists, which is a cautionary tale to end the romanticizing of “boys will be boys”.

Beach’s distasteful reactions to these stories should serve as a reminder of how abundant racism and sexism are in today’s culture. It’s a shame these stories had to be poorly acted by the white characters. The black characters did an excellent job, by the way. I’m not trying to be a “reverse racist” when I say that. I’m just calling it like I see it. The black actors most likely experienced overt racism during their lives, so they bring that into their acting gigs and it sounds more authentic. I was disappointed with Zoe’s performance, though. She sounded just as unconvincing as her white friends.

I can understand the hate this movie gets online, but it’s not as bad as I was anticipating it to be. It had its good moments along with its hokey ones. And yes, it didn’t live up to the bar the previous Tales Form the Hood movie set. I get that. Even Mr. Simms’s “Welcome to Hell!” line sounded forced, like the directors were trying to recapture that old glory of Clarence Williams’s version of Simms in the first movie. But like I said before, this movie gets a mixed reception from me, not a negative one. But would I want to watch it again? Maybe if I was a robot during an episode of Mystery Science Theater 3000.

Tuesday, March 6, 2018

Thurgood


PLAY TITLE: Thurgood
PLAYWRIGHT: George Stevens, Jr.
OPENING YEAR: 2006
GENRE: Historical One-Man Show
MATURE CONTENT: Racial Slurs
GRADE: Extra Credit

Thurgood Marshall reflects on his life from impoverished beginnings to becoming a well-known civil rights activist and Supreme Court justice. His budding wisdom was needed more than ever since he grew up during the Jim Crow era, when racism against black Americans came in the form of lynching, segregation, and an instilled feeling of inferiority. Through poignant debating skills, tireless research, and undying commitment to his cause, Thurgood Marshall paved the way for younger generations of black Americans by giving them a sense of pride and urgency. They need it now more than ever in the wake of Trump’s presidency, police brutality, and the rise of the alternative right.

I saw this play on February 25th, 2018 and the actor who played Thurgood was spot-on in his performance that afternoon. He spoke with candid authority, undying passion, and an encyclopedic knowledge of the law. When he said that the law will be his only weapon, you believed him, not just because of beforehand research, but because it felt organic coming out of this actor’s mouth. There were a few times when he stumbled over his words, but he was able to pick himself back up and keep going with his oratory as if nothing slowed him down. Even if you had the attention span of a five year old, you’d still be laser focused on this one-man show.

The actor’s body language was every bit as poignant as his debating skills and speech patterns. He recalled one time when he worked as a waiter in a predominantly white cafĂ©. The way he served his racist customer’s food and danced around all smiles was the perfect mask for hiding his anger on the inside. He knew being constantly called the N-word was wrong, but he put up with it because he was getting twenty dollar tips during a time when he was flat broke. It wasn’t until after being fired by his black boss that he realized there were more important things in this world than money. That’s a lesson we all need to learn if we’re to move forward. If you’re not paying attention to this lesson, you’re already waiting to be screwed.

But even the Murphy’s Law-style life story and emotional acting couldn’t prepare me for the doll comparison angle. When arguing against segregation, Thurgood had two dolls on the bench: a white doll and a black doll. He recalled research where he asked children questions like, “Which doll would you like to play with?”, “Which doll is better looking?” and “Which doll is evil?” The black children answered positively for the white doll and negatively for the black doll. That broke my goddamn heart. Taking self-esteem away from children no matter what color is disgusting as hell. But without this heart-wrenching scene, Thurgood wouldn’t have been able to make a strong case against Plessey vs. Ferguson. It hurts. It hurts badly. But it’s a truth that we all must be exposed to if we are to make progress. This part of the story was executed perfectly.

We need this kind of peak-performance acting in today’s far-right society. We need this kind of inspiration. We need this kind of message. I have no idea when this one-man play will be performed again, but if your city is hosting it, go see it without missing a beat. Even for those who are already on the correct side of history, your eyes will be opened much wider than before. Thurgood Marshall did a lot for this country, but we still have a long way to go until we reach perfect harmony. An extra credit grade will go to this excellently-acted show with an undeniable message.

Friday, September 29, 2017

"Stuck Rubber Baby" by Howard Cruse

BOOK TITLE: Stuck Rubber Baby
AUTHOR: Howard Cruse
YEAR: 1995
GENRE: Graphic Novel
SUBGENRE: LGBT Fiction
GRADE: Extra Credit

Closeted gay man Toland Polk is caught in the crossfire of the civil rights era in America’s bible belt. Minorities are being killed, buildings are being bombed, the police use excessive force, and the politicians are content to just let it all happen. Being himself is something Toland struggles with throughout this graphic novel, considering the violent consequences of his sexual preference. When he starts making friends with the black and gay communities, he eventually has to let his guard down and give into his individuality. That includes trying to have a painless breakup with his folk singer girlfriend Ginger.

What’s important to me about this graphic novel is how much it echoes today’s American society despite this piece of fiction taking place in the 1960’s. Racism and homophobia never went away. In fact, with Donald Trump as president and his bigoted rhetoric emboldening his supporters into doing heinous things to minorities, the hatefulness is alive and well. It always has been. Stuck Rubber Baby is a call for the world to come together and love each other despite the violent opposition. Hate begets more hate, but love conquers everything. It’s the acts of love Toland experiences from the true friends he has that eventually bring him out of the closet.

Another thing the reader will notice is the pacing of this book. Yes, graphic novels and comic books are usually easy to blow through in about five minutes or less, but that’s not the case with Stuck Rubber Baby. In fact, the pacing encourages the reader to slow down and really think about what’s being said. There’s quite a bit of important content to mull over whether it’s the acts of violence against minorities or the love and fellowship between those who need it the most. When someone dies in this book, you have no choice but to give a damn about it.

Speaking of people to give a damn about, this graphic novel is filled to the brim with characters the reader can root for. Of course, Toland Polk is the odds on favorite as we cheer for him to find the love and acceptance he deserves in the midst of all of this destruction. Ginger is a songstress that can bring out the butterflies in everyone’s tummies and the tears in their eyes. Sammy is as wild and free-spirited as they come, which is what makes seeing him angry and depressed a vicarious experience times ten. Harland Pepper is an endless well of wisdom when he encourages his fellow protesters to use peaceful tactics rather than incite more violence. There are plenty more characters that will tear your heartstrings out, even more so when some of them get beaten and murdered. The murders are frequent, but it’s not a case of darkness-induced apathy. Not in the least.


Stuck Rubber Baby is a wakeup call to the whole world when it comes to peace, love, and unity. Without those three things, history will repeat itself over and over again like it normally does. This graphic novel is sure to drag its readers kicking and screaming over to the left wing. If you’re already there, then you have even more power to change the world for the better. An extra credit grade goes to this beautifully written story with more powerful moments than I care to count.