50/50 Booking

***50/50 BOOKING***

When you see the title of this blog entry, you’re probably thinking to yourself, “Man, this guy can’t shut up about wrestling!” What can I say? We all have our obsessions. But it’s true: 50/50 booking is a wrestling buzzword. However, it can apply to any piece of fiction regardless of genre. 50/50 booking is when the hero and the villain have an equal number of victories against each other. In terms of wrestling, it makes the entire roster equal to each other and nobody becomes wildly popular. However, in mainstream fiction, it could mean something entirely different.

Most of the time, we’re resigned to the idea that the hero will win in the end and get his just rewards. So if you’re doing 50/50 booking in your novel, then you’re just telegraphing the hero’s victory. What’s one more victory going to mean? It’s even worse when the hero wins all the time and rarely loses, which is why a lot of readers prefer their heroes to be average joes instead of muscle-bound ass-kickers. How do you relate to someone with a constant string of victories?

To use an example from my own novella Occupy Wrestling, Mitch McLeod could technically be accused of having a Gary-Stu win-loss record. While he wins most of his fights, there are other ways in which he’s losing. His relationship with Debra Winter is falling apart, he can’t trust a neutral referee like Rosie Rogers, his allies are getting mauled left and right, he’s no closer to solving the mystery of where these monsters are coming from, and most importantly, his body is breaking down with every “victory”, if you can call them that. Does winning in one department and losing in several others constitute 50/50 booking? You be the judge. Buy a copy of Occupy Wrestling on Amazon today! Okay, that was pretty shameless, I agree.

But then you have scenarios where the villain racks up most of the victories and makes justice for the hero seem impossible. By doing this, you’re definitely giving your hero an obstacle worthy of conquering. But if the villain wins too often, then nobody’s going to believe it when the hero finally achieves victory. The villain could beat the shit out of the hero for an hour and a half, but are you going to believe it if the hero suddenly wins with a knife to the back?

Truth be told, there is no right or wrong answer to the 50/50 debate when it comes to normal fiction as long as the ultimate decision you make is believable and relatable to your audience. If there is a right or wrong answer, I’d love to hear what it is. Obviously, the answer is going to be different depending on who the hero is. Is the hero an average joe or a beefy warrior? Or maybe he’s somewhere in between those two extremes. Maybe while everyone around him has magical powers, he’s just a barroom brawler who’s only fought a handful of times. I’d love to hear your guys’ philosophies on 50/50 booking and how it relates to your personal stories. We’ve got ears, say cheers!

***POISON TONGUE TALES 2: THE RIGHT TO REMAIN PSYCHOTIC***

I’m only one story away from this collection being complete and ready to critique. After “Street Sleeper”, I’m moving onto another novel called “Puberty X Piracy” (whether or not I post those chapters online is up to the admins and their views on extreme sexual content). Until then, here’s the synopsis for Poison Tongue Tales 2’s final story:

CHARACTERS:

1. Johnny De Morgan, Human Busker
2. Link Rotunda, Orc Warrior
3. Debra Lynch, Elf Rogue

PROMPT CONFORMITY: To be announced.

SYNOPSIS: On a snowy winter evening, homeless street musician Johnny is freezing and exhausted as he tries to play songs for cash on his acoustic guitar. His guitar case is shallow with money and his enthusiasm for music is dwindling fast. Link Rotunda, a prizefighter, has just won a massive amount of money during a championship match, so Johnny desperately tries to cater to him with his music. Link laughs at and bullies Johnny while telling him to “get a real job”, much to the anger of fellow homeless beggar Debra Lynch. Link is much bigger and stronger than both of them, but Debra won’t allow Johnny to be pushed around. Johnny still tries to beg for money seeing as how he feels it’s his only real chance at getting a hot meal and a bed that evening.

FUN FACT: Link Rotunda will be the next Dark Fantasy Warrior that I draw. He used to be a Dungeons & Dragons non-player character, but now he’s a short story character who will bring the PTT2 series home.

***TELEVISION DIALOGUE OF THE DAY***

VIC MACKEY: Ronnie and I are going to have fed badges, you and queen bitch will be serving double life sentences, and I’ll have full custody of Jackson.

SHANE VENDRELL: You leave my family out of this!

VIC MACKEY: I’ll send you a post card from Space Mountain.

-The Shield-