Showing posts with label Genre. Show all posts
Showing posts with label Genre. Show all posts

Thursday, May 30, 2013

Fight Scenes

Seeing as how I’m a fan of action movies and literary thrillers, it’s always been my belief that fight scenes should be just as fast-paced and action-packed as a Jackie Chan or Bruce Lee movie. That’s why WWE is so dazzling to watch, because the fighting is reminiscent of a martial arts movie. UFC matches aren’t always like that and some of them can be pretty boring. Isn’t that right, Clay Guida and Gray Maynard? If all fight scenes should be dazzling, then how would that translate into literature? When reading Kick-Ass and Kick-Ass 2, the fight scenes in those graphic novels were extremely bloody and a lot of bones were snapped in two. That’s one way to make a fight exciting: turning the characters into Gorn Stars Dancing. Another way to make them thrill rides is by having the characters throw a lot of shots at each other and have them dodged or blocked, just like a martial arts movie as I’ve said before. But this is only for fight scenes in books that are billed as action stories. If you take a look at the fight scenes in “For the Win” by Cory Doctorow, you’ll find that they’re extremely short and are ended usually by one or two moves. Not the most exciting way to stage a fight, but it is appropriate for the genre of that book. And quite frankly, that’s alright with me. If I’m reading something from “The Cat Who…” series, it would greatly surprise me if Jim Qwilleran disposed of the prime suspect by throwing ninja stars at him and slashing his throat with a handsaw. By the same token, if a fight in “The Hunger Games” was ended by simply punching someone in the face and knocking them into unconsciousness, it wouldn’t be true to the genre. This isn’t so much a lesson in how to make a fight scene exciting. It’s about staying true to the genre in which you’re working with. I know a lot of authors out there hate being categorized into a particular genre. Some authors prefer their books to be called “dark fantasy” instead of “horror” while others choose “dystopian fiction” instead of “sci-fi”. Well, guess what! If you don’t have a genre that defines your book, chances are your fight scenes are going to be ridiculous as hell and unreadable. Can you imagine Offred from “The Handmaid’s Tale” charging through a crowd of people on a horse while wielding a jousting lance? It wouldn’t make any fucking sense! Need more examples? Yeah, I thought not. Goodbye, pachos and pachas!

 

***MOVIE DIALOGUE OF THE DAY***

ALPHONSE: I want him to beg for mercy.
VICTOR: I don’t think he’s going to beg for mercy.
ALPHONSE: He wouldn’t get it anyways.

-Dead Man Down-

Sunday, May 26, 2013

The Literary Genre

Seeing the movie “Barbara” at the Grand Cinema in Tacoma gave me the inspiration to talk about this next topic: the literary genre. While “Barbara” wasn’t a book, it could just as easily fall under this category. The purpose of the literary genre is to educate before it entertains. It’s the reason why you’ll see books like “The Handmaid’s Tale” and “Green Grass, Running Water” on college campuses rather than things like “Harry Potter” and “The Hunger Games”. Literary genre stories don’t have to be fast-paced, they don’t even have to be fun to read. But then again, people don’t go to college or high school to have fun. They go there to become educated citizens so that they can get a good job and keep it for a long, long time. That’s all well and good, up until the point where the teachers penalize you for writing genre fiction, which isn’t always known for artsy-fartsy bullshit. Encouraging students to write literary novels isn’t anywhere near true to what goes on in the real world. There’s a whole sprawl of authors who became successful doing things like fantasy, sci-fi, transgression, and horror stories. They’re so successful that I don’t even have to name them because you already know who they are. But just for the sake of argument, their names are Suzanne Collins, Stephen King, J.K. Rowling, and as much as I hate to admit it, Stephanie Meyer. You don’t always have to win a Pulitzer Prize in order to be a good author. If at least one person likes your work, congratulations, you’re a good author. If multiple people like your work, you’re popular to those people as well. A Pulitzer Prize isn’t a requirement for being well-fed. So why then would teachers encourage their students to write things worthy of such a feat such as literary fiction and nonfiction? If you’re wondering why I need to ask this question, it’s because I’m still peeved about a C I got in one of my multiple-genre writing classes. It’s amazing how I can remember the worst times of my life, but the best ones are so distant that I might as well have Alzheimer’s. In any event, don’t expect “Red Blood, White Knuckles, Blue Heart” to win any Pulitzer Prizes anytime soon. I choose entertainment over education. If you happen to be educated by the lessons taught in genre fiction, then good for you. If you actually had fun reading it, you have a lot more of my respect. Send your money to the United Necromancer College Fund. Because genres are terrible things to waste.

 

***TELEVISION DIALOGUE OF THE DAY***

DEEKS: Eric, I need you to run a license plate number. S as in Slayer, M as in Metallica, A as in Anthrax, 5-2-3 and P as in…parsnip.

ERIC: Wait a minute, your lettering system is based off of heavy metal bands and all you could give me was a root vegetable?

DEEKS: Sorry, I drew a blank.

ERIC: Pantera! Hello!

DEEKS: Cowboys From Hell. What was I thinking?

-NCIS: Los Angeles-