"Super Human" by Michael Carroll

BOOK TITLE: Super Human

AUTHOR: Michael Carroll

YEAR: 2010

GENRE: Fiction

SUBGENRE: Superhero Sci-Fi

GRADE: C

It feels weird reading a book about a worldwide virus in the year 2022. The difference between this book and the real world is that not only are people actually receptive to the idea of vaccines, but there’s a ragtag group of teenaged superheroes (and Lance) who genuinely want to see the world recover from this. But they can’t achieve those goals without dishing out some violence on the bad guys responsible for this sickness. Their enhanced strength, sonic abilities, and telekinesis can only be used as a means to an end rather than be the one-size-fits all solution. That’s a part of superhero fiction not a lot of authors get, but Michael Carroll pulled it off rather effectively. It also helps that Lance (the normie) is a slick thief who can smooth-talk his way out of any situation. Using brains to solve problems will be more relatable to the audience than using superhuman violence.

But unfortunately, we don’t always get the best use of the characters’ brains. Lance does all the intellectual heavy lifting with his gift for gab. The rest of the characters, both good and evil, don’t always make the smartest decisions and I’m surprised it hadn’t come back to bite them in the worst ways. Freeing supervillain prisoners to combat even more powerful supervillains? Dumb. Driving a military jeep like a speed demon and being surprised when it hits one of the allies? Also dumb. Sparing a powerful villain’s life because, “We don’t kill?” Yeah, we’re past the point of being civil now that there’s a deadly virus causing the adults to vomit inside out. The villains are no better when it comes to cartoonishly-stupid decision-making. Resurrecting an ancient king who might kill them off and is not immune to the virus himself? Beyond stupid. Toying with the heroes instead of finishing them off instantly? Reckless. Revealing the entire plan to the heroes and even going so far as to keep records of their allies’ social security numbers and base coordinates? Colossal fail. Am I reading a superhero book or watching a Three Stooges routine?

The writing itself is, ironically, nothing to write home about. The dialogue between the heroes sounds so similar that I couldn’t tell the characters apart without tags. The characters in general are introduced to the audience via telling instead of showing. Some of the dialogue sounds awkward and clumsy, especially when the characters try to make analogies sound cool, though they wouldn’t sound much better as prose, either. The one character in the story who’s immune to such clunky writing? Krodin, the ancient king the villains are trying to resurrect. He comes off like a total stud, whether he’s conquering entire countries by himself, enslaving everyone he meets, or talking down to his enemies like a godlike king should. He could come off like a Gary-Stu villain, but he’s written so convincingly that I don’t mind him being overpowered. The action scenes in general are well-done since they move quickly and hit hard.

But none of the praise I’ve given this book is enough to elevate the grade above a C, or three out of five stars. I was able to finish it. I even enjoyed it in a lot of places. But this book is cheesier than a dairy farm, which is an analogy Michael Carroll can use for free, but it wouldn’t be a good idea since that’s one of the things I criticized this novel for. Everything just felt so…average. Even the superpowers seemed mediocre and hastily thrown together. This wasn’t a good book, it wasn’t a bad book, it was just sort of…there.