Raggyd

***RAGGYD***

What do you get when you combine minimal reading experience, a massive ego, and four fantasy characters who have no earthly business being together? The answer is Raggyd, a medieval fantasy novel idea I had in 2004 when I took a creative writing class at Olympic College. As horrible as it ended up being, it was also the launching pad for my poetry skills. Ergo, if it wasn’t for Raggyd in 2004, I wouldn’t have published Confessions of a Schizophrenic Savage in 2013 nor Necrograph in 2016. I’m halfway through another book of poetry called Prophecy, so that’s in my near future.

With an underdeveloped plot, Raggyd was little more than an excuse to use four characters I really had an affinity for. There was the pit fighting barbarian Graf Lunge, the gothic samurai Eron Putris, the acrobatic thief Baby, and the witch hunter zealot Futez Mysida. Somehow these four characters were going to come together to fight a super powerful enemy named…are you ready for this…Vine Wielders. That’s his name, folks. Vine fucking Wielders. Sounds threatening, doesn’t it?

The first chapter I wrote for Raggyd was an interaction between Baby and Futez. Futez wanted Baby to join his religious organization and Baby declined by making a smart-ass remark about how the only thing Futez plans on stealing is the altar boy’s virginity. Naturally, the witch hunter was less than pleased and sicked an entire squadron of ball and chain-wielding soldiers upon his would-be charge.

As much as the class enjoyed Baby’s dig about fucking altar boys, Raggyd was a critical flop among the students. They had all criticisms for me and no compliments. Other students had compliments for their stories, but I didn’t and that put a huge dent in my massive ego. What really set me off was when a fellow student named Patrick flat out said the story sucked. You know you have a hair trigger temper when the words “it sucked” causes you to blow a major gasket. Of course, I didn’t actually explode in the classroom, but I was boiling over on the inside. I needed some kind of revenge on Patrick in the worst way. Beating the piss out of him would land me in jail, so I needed something a little more…legal.

Around this time in my life, I was watching a lot of WWE (surprise, surprise). Since this was the autumn of 2004, John Cena was still over with the crowd during his white rapper gimmick. I’ll always tell people that hip-hop was the catalyst for my poetry career, but what a lot of people don’t know is that John Cena’s battle raps were the biggest source of inspiration for me. From those TV-14 insults, my revenge poem against Patrick was formulated. I would go on a lengthy diatribe about how I would impregnate Patrick’s mother, sodomize him, and give him up to the orcish horde (because he looked like Frodo Baggins). I would have read this out loud during creative writing class, but Patrick made a face turn and started being nicer to the class, so I pulled back at the last minute.

As far as Raggyd goes, just for the sake of spiting my critics, I wrote a 130-page movie script detailing the exploits of Graf Lunge and Baby. Had I continued this series, there would have been a script dedicated to Eron and Futez and there would have been another one after that dedicated to the final battle with Vine Wielders. For the time being, Graf Lunge’s story was about him getting kidnapped at an early age and forced to train as a pit fighter under drill instructor-style conditions. Baby’s story was about him being sick of his religious upbringing and joining the thieves’ guild, where his training was much nicer by comparison.

Raggyd had a lot of potential to be something big, but I eventually lost interest in continuing it due to the silence of my critics and a growing interest in other movie scripts. That means Graf Lunge, Baby, Futez Mysida, and Eron Putris are all orphaned characters. They’ll be used in other stories, no doubt, but what stories and when? I particularly grew fond of Graf Lunge because of his name (believe it or not) and his barbarian gimmick (naturally). And now that I think about it, Baby and Eron have different incarnations in other published stories. Over a decade later, Baby would become a child’s doll come to life in “Nail Bomb” and Eron would take the role of Floyd the sparring android from “The New Trainer”. Both of those stories will be published in Poison Tongue Tales. That leaves Graf and Futez without a home.

When I look back on the origins of Raggyd and the hurtful environment from which it came, a part of me wishes Olympic College wouldn’t have allowed that format to go on for any creative writing class. Apparently, this is a common occurrence for a lot of schools, not just OC. You read your story or poem out loud to the class and stay silent while the other students judge your piece. The other students can be as harsh or as nasty as they want with no consequence. It’s always been my understanding that school was supposed to be a place where students could grow and mature, not be taken down. But hey, I’ve watched Pink Floyd the Wall millions of times before, so I should have known better.

If I didn’t attend that class, I wouldn’t have written that battle rap about Patrick and therefore, I would have no poetry career. While I admit that my angry poetry got me in trouble more than once, I have no regrets about any of it, because I’d like to think I’ve improved since then. Maybe that’s why “Confessions of a Schizophrenic Savage” holds a four-star rating on Good Reads and Necrograph holds a five-star rating on the same website.

The lesson of this blog entry is to live your life with no regrets, because if you change just one part of your personal history, the rest of your life will be completely different. Without the negative experiences of your past, you wouldn’t appreciate the positive ones you have now. Raggyd will see the light of day again sometime in the near future. When that is, I have no idea. Until then, adios, amigos! Thanks for reading!

***JOKE OF THE DAY***

Q: What do you call someone who masturbates to Maid Marian while watching through her window?

A: Rubbin’ Hood.