Showing posts with label Period. Show all posts
Showing posts with label Period. Show all posts

Saturday, March 8, 2014

Allegra Nation

The depression memoir “Prozac Nation” by Elizabeth Wurtzel was so much of a smash hit that Hollywood made a movie out of it. I suppose that should prompt me to write a memoir called “Risperdal Nation” since I’m legitimately schizophrenic. My life isn’t nearly as interesting as Elizabeth Wurtzel’s, so maybe I’ll have to hold off for a while. You know what else would make a weird memoir? “Allegra Nation”. Ever since having nasal surgery in 2006, I’ve been gagging on my own snot and blowing my nose like an elephant whenever I’m out in public. Allegra seems to be the only over-the-counter medication that works so far. If you managed to get this far in the blog post without falling asleep, kudos to you. The point I’m trying to make is Elizabeth Wurtzel is a one of a kind author with one of a kind skills. To try and duplicate her work would be next to impossible. You can’t just remove the word “Prozac” from the title of your memoir and replace it with another medication. Suppose you have chronic constipation and you tried to write a memoir called “Phillip’s Colon Health Nation”. Would that sell very many copies? “The diarrhea splatter looked like guts after the Vietnam war.” I’m sorry, but there’s simply no way to make diarrhea or constipation interesting. Same thing with “Yaz Nation”. I suppose a memoir about having lots of sex would prove to be spicy and hot, but we don’t need to hear that you constantly used Yaz as a birth control pill, especially now that women are having strokes because of it. Hehe! I said “strokes” in a sentence about sex. You know what else would make a weird memoir? “Pamprin Nation”. There’s simply no way to make periods sound readable. “After I bled all over the floor like a Saw character, I yelled at my boyfriend so loudly that he began bleeding out of his ears.” There’s simply no way a blogger with testicles can make that sound interesting without coming off as a sexist pig. I assure you I’m not a sexist. I’m merely trying to prove a point that if you try to write a memoir based on a random medication, you won’t get the results you want. Elizabeth Wurtzel is a Generation X icon with a lot to say, even after 1994, when Prozac Nation was published. Her memoir is more than just constant complaining about being sad. It’s social commentary. It’s psychology. It’s something you can’t write if you’re constantly ingesting Phillip’s Colon Health pills.

 

***CONCERT QUOTE OF THE DAY***

“Keep your eyeballs wet! The tax collector is coming!”

-Marco Hietala from Nightwish-

Saturday, June 29, 2013

Darkness and Crudeness

There’s a fine line between being dark and being crude. As someone who’s tried to experiment with the dark style all my life, I’ve crossed the blurred line several times in my career. No matter how many times I try to avoid it, somehow I keep crossing that border whenever I’m pumping out first drafts. And then I end up feeling horrible about it since there’s a slim chance I may have unintentionally offended someone. Offending people is good, but not when it’s unintentional. Here’s an example. There’s a short story in Foe vs. Blade called Choice, where an MMA fighter named Rachel Gustafson has an abortion so that she can continue to compete. When she finally has her next fight, her pro-life opponent Violet Smith compares her to Phil Garrido since abortion is allegedly the same as child abuse. Before publishing Foe vs. Blade, I removed that crude and unnecessary comment and replaced it with both fighters instead electing to go back to their corners. The DeviantART and Facebook versions of Choice still have the Phil Garrido remark, but that’s only because nobody pays attention to first drafts anyways. You can apply the darkness-crudeness continuum to your own work as well. For example, let’s say you’re going to make a joke about Cleopatra’s menstrual cycle. A calm and sensible person who still wished to be dark and offensive would phrase the joke like this: “Q: Why did Cleopatra use tampons? A: Because she was on her pyramid.” A crude and tacky person would phrase the seemingly innocent joke like this: “Q: Why did Cleopatra shove tube steaks up her fucking twat? A: Because the bitch was on her pyramid, yo!” The lesson learned here is that swearing is not always a good way to enhance your material. If all you have is swearing and no substance, you’re not going to survive the creative world. That’s why whenever I’m walking the streets of downtown Bremerton and I hear a random guy rapping about a woman “sucking a dick in less than a minute”, I cringe and try to get the hell out of there as quickly as possible. The only purpose swearing and other forms of darkness serve is to make the story realistic. There are people out there who use crude language, but when writing, try to capture it in such a way that it doesn’t completely make your audience’s stomachs turn. A good example of darkness used to perfection would be Tales From the Hood. Yes, the characters love to cuss, but whenever Bulldog yells, “Where’s the shit?!” your stomach is sore not from nausea, but from laughing. Leave the nausea up to Crazy K as he gets spun around several times on a torture table while watching black people getting killed, which is apparently what he’s been doing all of his life according to Dr. Cushing. Peace! I’m out!

 

***COMEDIC QUOTE OF THE DAY***

“One of the side effects for these diet pills is anal seepage. If you take this pill, I don’t care how much weight you’ve lost, you ain’t looking good in them jeans.”

-Jeff Foxworthy-