Showing posts with label Andre the Giant. Show all posts
Showing posts with label Andre the Giant. Show all posts

Saturday, October 3, 2020

Andre the Giant

 MOVIE TITLE: Andre the Giant
PRODUCER: HBO
YEAR: 2018
GENRE: Wrestling Documentary
RATING: TV-14 for violence and language
GRADE: Extra Credit

Seven feet and four inches tall, well over four hundred pounds, undefeated for fifteen years in professional wrestling, first ever WWE Hall of Famer, and above all else, a literal larger than life character. When the name Andre the Giant is mentioned, these are the descriptors that come with it and it was a solidly earned reputation. Wrestling fans wanted to see a godlike attraction, so they dished out large sums of money to see him destroy his opponents like they were nothing. The wrestling business wouldn’t have boomed in popularity if not for Andre’s mystique and extraordinary presence. Watching this HBO documentary on him made me believe in the legend all over again. It made me nostalgic for the “good old days”, at the risk of sounding like an old codger. I gave up watching pro-wrestling in 2018 due to how bad the WWE product had become. Seeing Andre in action being a dominant beast and making fans go absolutely bananas rekindled a tiny spark within me. It made me believe in the “never say never” idiom. Andre died in 1993, but his memory lives forever. This documentary was the perfect way to keep him immortal in the eyes of wrestling fans both old and new. It’s certainly more respectful than a yearly WWE battle royal where the winner achieves minimal success shortly thereafter.

One thing you can’t say about Andre the Giant was that he was a Gary-Stu, or a character so flawless that they become unrelatable. On the contrary, he was incredibly flawed. People think that being a gigantic tough guy is the ultimate ticket to being taken seriously and not being messed with. Fans messed with him a lot. They pointed and laughed at him. They said horrible things about his appearance, like a high school bully would do relentlessly in order to get his target to commit suicide. You would think that macho pro-wrestlers didn’t have sensitive sides, but Andre cried every time he was picked on by snickering fans. On top of all that, being that big comes with physical hardships as well, whether it was his failing organs, crooked spine, bad hips, or arthritic knees. Peers would often joke about Andre’s drinking habits and how he could go through a hundred cans of beer in a single sitting. He drank because he was depressed and couldn’t cope with the physical and emotional toll constant travel took on him. He couldn’t even sit in a normal sized car seat or rest in a normal sized bed. He also couldn’t be there for his daughter Robin when she needed him the most. Seeing this very human side to a deified wrestler reminds us over and over again not to judge a book by its cover and not to wish we could swap lives with other people. Everyone has their own set of hardships and everyone deals with them in their own way. It certainly makes his death that much more difficult to hear about from the perspectives of his colleagues, who also cried, by the way. The gentle giant deserved better than a slow and painful death. It makes me wonder if a Hall of Fame induction and a namesake battle royal are really enough to do him justice.

You know what does do him justice? His main event match at Wrestlemania III against Hulk Hogan for the WWF Championship. This wasn’t just two big guys having a hoss fight. There was a story behind this. This was Andre being taken seriously as a villainous character when he had spent most of his career being a gentle soul. This was Andre posing a credible threat to WWF’s golden goose. This was Andre severing a brotherly bond he had with Hulk Hogan just for a shot at a money-making championship. Hulk Hogan fought through his own tears and gave a resounding “Yes!” in the most emotional delivery possible when the challenge was laid down. The match itself wasn’t a technical masterpiece, but the documentary did a tremendous job in showing the psychology behind it, both backstage and in the ring. Could Hulk Hogan slay the giant and become a megastar that could carry the company through its darkest times? When he finally did with a body slam and leg drop, the audience cheered their heads off. I wanted to cheer my head off too. I wanted to be there in the building to see it happen, but I didn’t live in Detroit at the time. The energy, the emotional investment, the storytelling, they created a perfect storm when Andre’s defeat burst Hulk Hogan into the stratosphere. Again, this was oftentimes a slow and plodding match due to Andre’s mobility issues, but the magic was still there. The magic will always be there thanks to HBO keeping the memory alive.

I don’t give five-star ratings out so lightly, but for this documentary, I’ll gladly fork it over. One way to earn the maximum rating from me is to evoke emotions that I don’t ordinarily feel from movies and TV shows that I just like. HBO’s documentary did just that. It made me fall in love with wrestling again (even if I refuse to watch the current WWE product). It hurt to see Andre in so much agony, be it emotional or physical. It lifted me up whenever his peers would talk about his sense of humor and his kind demeanor outside of the ring. Was he a god on a worldwide level or was he a human being who longed for an normal life from time to time? The correct answer is yes. Rest in peace, Andre the Giant. It’s been many moons since your passing and we still miss you to this day. That’s the mark of a true legend: when you transcend your own death.

Monday, February 11, 2019

"Andre the Giant: Closer to Heaven" by Brandon Easton


BOOK TITLE: Andre the Giant: Closer to Heaven
AUTHOR: Brandon Easton
YEAR: 2015
GENRE: Graphic Novel
SUBGENRE: Wrestling Biography
GRADE: Pass

Andre the Giant’s road to wrestling stardom was one filled with pain, unhappiness, excessive drinking, and tough choices. Starting out as a farm boy in France, he fell in love with professional wrestling in his teen years when he’d see these small shows performed in front of live crowds. Needing an escape from feeling like a freak, he used his massive size to his advantage and started his long hard road to becoming one of the biggest legends in the wrestling industry. He traveled all over the world wrestling matches that stunned spectators until he made it to the multi-billion dollar World Wrestling Federation. His larger-than-life star power would become immortalized with his matches against Hulk Hogan, The Ultimate Warrior, and many other future Hall of Famers. He died in 1993 due to complications with his gigantism, but he will never be forgotten.

Graphic novels and comic books alike get bad reputations for being ordinary picture books for kids (that was a dig at you, Bill Maher). This graphic novel in particular is much more than that. It’s a well-written biography with dialogue and narration any reader can get behind. I especially liked the part where the old lady at the fairgrounds told Andre that he’s “closer to heaven” because God doesn’t have to reach down that far to touch him. That simple act of kindness helped Andre feel like more than just a sideshow freak. He was a human being with real emotions and real struggles, just like any other regardless of size. The dialogue and narration help convey that message perfectly. In other words, he’s a three-dimensional character within the confines of a greater story.

Just like all three-dimensional characters, Andre had flaws underneath all of his stardom. He was so young and egotistical that he thought he was invincible, so he turned to drinking and telling inappropriate jokes to keep up this appearance. Partying was a huge part of the wrestling industry and some people succumb to their vices easier than others. In Andre’s case, his alcoholism led him to complicate his gigantism, where his bones were already aching and he needed so many surgeries that he lost count. Despite his flaws, it’s impossible to hate Andre the Giant as a character. He is, after all, human. He still feels guilty during his times of sin, especially as it relates to his estranged daughter Robin, who penned an emotional letter to him while he was away. This is a reminder that nobody is invincible no matter how big and strong they are. That’s true storytelling at its best.

In addition to his struggles with his physical health, his emotional health took a toll on him as well. Despite being a mega star every country he wrestles in, he couldn’t find his permanent happiness. He took the little things for granted until it was almost too late to appreciate them once again. Being able to catch up with his friends back home in France was a huge emotional boost for him. Forging new friendships with his business manager and his bosses helped keep him in check. Being able to shoot movies and work with friendly actors helped him escape from wrestling when he needed to the most. In the end, being happy is all that matters in this world. If you hate life with a passion, you can’t be like Andre the Giant and be “closer to heaven”. It’s not a religious thing. It’s common sense that we all push aside at some point down the road. The key is to remember who we are and why we do what we do.

As short as this graphic novel is and as easy as it is to poke fun at the wrestling genre (again, I’m looking at you, Bill Maher), Andre the Giant: Closer to Heaven is a brilliantly-written piece of art that should be appreciated by wrestling and non-wrestling fans alike. It’s not just a biography of a pop culture icon. It’s a story. A real, living, breathing, three-dimensional story about a human being overcoming gargantuan obstacles. A passing grade is what this graphic novel deserves.

Wednesday, October 4, 2017

"Wrestlecrap" by RD Reynolds and Randy Baer

BOOK TITLE: Wrestlecrap: the Very Worst of Pro Wrestling
AUTHORS: RD Reynolds and Randy Baer
YEAR: 2003
GENRE: Nonfiction
SUBGENRE: Wrestling Biography
GRADE: Pass

The history of professional wrestling has seen its fair share of colorful characters and soap opera storylines. Wrestlecrap documents the silliest of those gimmicks from the cartoonish WWF days in the 1980’s all the way to 2003 when the book was published. Whether it’s a voodoo priest named Papa Shango who put curses on his opponents, a magician who was one monocle away from looking like Mr. Peanut, or a baseball player named MVP (Most Violent Player) to name just a few, the idea was for various wrestling promoters to throw something out there and to see what stuck. In many cases, they’re simply throwing wrestle-crap.

The first quality I’d like to praise this book for is the historical significance and research that went into writing it. The authors traced the first real gimmick back to the 1950’s, when Gorgeous George, an effeminate and arrogant athlete, would spray his opponents with perfume so that they didn’t stink up the joint. In the 1980’s, Vince McMahon, CEO of WWF, would take this inspiration and create the colorful characters that era was known for, whether it was the muscle-bound superhero Hulk Hogan or the corrupt millionaire Ted DiBiase. The late 90’s saw a period of more realistic shades of gray characters with TV-14 rated bloodbaths and sex angles. But just like the end of this biography says: the less things change, the more they stay the same. New company, same old wrestle-crap. While some gimmicks stood the test of time, most of them were too unbelievable to be taken seriously. Even in the year 2017, nothing has changed.

As long as we’re having a laugh at these bizarre characters (not the wrestlers portraying them, mind you), feel free to enjoy the lighthearted and comedic writing style employed in this book. The style comes off as extremely sarcastic and razor-tongued, but there are also some good zingers in there to leave you chuckling as well. I mentioned the Mr. Peanut analogy in the opening paragraph. There’s also a line about how Mantaur, a guy dressed in a bull suit, looks like his costume was made by a deranged taxidermist at Disney World. My favorite zinger in this whole book would have to be the author’s answer to, “What could be better than [the plot of the Ready to Rumble movie]?” A trip to the dentist. Getting beaten with a lead pipe. A Pauley Shore movie marathon. I got a few chuckles just transcribing those lines. If wrestling gimmicks and storylines are going to be silly, then expect nothing less than a hearty laugh.

While it’s nice to have a few laughs at the expense of the characters, never forget that RD Reynolds and Randy Baer are wrestling fans to the core, which means they know when it’s time to get serious. Remember, they’re poking fun at the characters, not the people playing them. They have all the respect in the world for anybody who dares get in a wrestling ring to ply their craft. It’s a tough job that taxes the human body like nothing else. That’s why when I read about Renegade’s suicide, it legitimately broke my heart. Say what you want about the guy’s wrestling ability, but he didn’t deserve to have a gimmick completely ruin his life and send him spiraling into the path he took. The way that segment was written was done tastefully and respectfully, which is more than anybody could say about the promoters who saddled the wrestlers with these awful gimmicks.


One thing I will criticize the book for is its occasional grammatical errors. I say occasional because they don’t happen often enough for me to downplay the fun I had reading this book. But noticeable they are, such as when there are dashes in between words that are already whole. It’s as if the book formatting placed the hyphenated words at the end of a sentence in the middle of the paragraph. It looks awkward and doesn’t paint a good picture of anybody who takes up writing as a profession. However, I still give this book a passing grade for knowing when to be funny, knowing when to be serious, and caring enough about the sport to delve into its history. Wrestlecrap is nothing to sneeze at (the book, not the actual crap).

Tuesday, June 7, 2016

Dark Fantasy Gimmicks in Wrestling

***DARK FANTASY GIMMICKS IN WRESTLING***

There actually used to be a time in the history of professional wrestling where everybody took it seriously and didn’t question its fictitious nature. When Hulk Hogan body slammed Andre the Giant, it was a proud American moment. When the N.W.O. took over WCW, it felt like being a part of the battlefield. Suspending disbelief was as easy with professional wrestling as it was with movies and television shows. And then the internet boomed with popularity and everyone was finding out wrestling’s dirty little secrets. Chris Jericho says in his first memoir “A Lion’s Tale” that being a wrestling fan in the 1980’s is different from being one in the 2000’s.

Before the internet became as popular as it is now, were dark fantasy gimmicks to blame for the inability to suspend disbelief? Many wrestling insiders thought so. In 1992, a voodoo priest named Papa Shango used to cast spells on his opponents and make them shake and vomit into unconsciousness. Instead of being feared by adults, he was given the following awards from the Wrestling Observer Newsletter that year: Worst Gimmick, Most Embarrassing Wrestler, and Worst Feud of the Year (vs. The Ultimate Warrior).

Then again, the WON is the same publication that gave The Undertaker the Best Gimmick award from the years 1990 to 1994 for being an undead wrestler. We all know zombies don’t exist in the real world (unless they’re extremely tired or high on drugs), but how was The Undertaker more believable and likeable than Papa Shango? This is a guy who made lightning crash all around him, who put his opponents in body bags and caskets, and teleported to the ring at will when the lights went out.

What’s my opinion of occult gimmicks in wrestling? You should all know by now just from reading my stories that I love the dark fantasy genre and therefore have no problem with seeing those kinds of characters in wrestling. Yes, wrestling is supposed to be believable, but that doesn’t mean it always is. If it works in movies like Harry Potter, Lord of the Rings, and the upcoming Warcraft, why can’t it work in WWE? Kayfabe died a long time ago when Scott Hall, Kevin Nash, Triple H, and Shawn Michaels hugged each other in Madison Square Garden back in the 1990’s.

You’re probably going to think I’m crazy for saying this, but I actually enjoyed the Stardust gimmick. He came to the ring with silver paint on his face, a black jumpsuit, and a red cape with spikes for shoulder pads. That’s some serious dark fantasy shit right there! Yet in 2015, the readership of the WON voted Stardust as having the Worst Gimmick of that year. Cody Rhodes got so upset with portraying Stardust that he recently asked for his release from WWE and was granted it along side his wife Eden Stiles. Poor Cody. Poor, poor Cody.

And then you have some more dark fantasy creative fuel with The Wyatt Family, a backwoods cult consisting of 300 lb. giants with scraggly beards and dingy clothes. I guess The Wyatt Family was a little more realistic than other dark fantasy gimmicks, because cults do exist in this world. Maybe that’s why The Wyatt Family won Best Gimmick in 2013. But then why would Bray Wyatt, the leader of the group, get nominated for a Worst Gimmick award in 2014? Wasn’t he doing the same things he was doing a year earlier?

I don’t see why wrestling fans get their knickers in a twist over dark fantasy gimmicks in the WWE or any other organization. It didn’t bother them when they were playing Diablo II on their computers. It didn’t bother them when they were gathering around the table playing D&D and eating Doritos. It won’t bother anybody who eventually goes to see the new Warcraft movie, which I’m dying to see. So why should it be bothersome in WWE? We know it’s fiction, so why not go the full nine?

Combining dark fantasy elements with professional wrestling is basically what I’ve done when I wrote and published “Occupy Wrestling”. Mitch McLeod, a professional wrestler with the body of Mike Haggar and the hair of Goku, kicks the asses of and gets his ass kicked by skeletons, ogres, orcs, demons, devils, and even a group of hooded mask-wearers called The Snakes of Jehovah. I actually had a beta reader named Layla who told me that combining urban fantasy with pro-wrestling was a bad idea. I had two chick lit-reading women give my book a two-star rating. Thank god I have people like Marie Krepps (Babe-a-Licious Mondo), Edward Davies (The Delightful Brit), and Andy Peloquin (The Kick-Ass Canadian) who believe in me and my ideas.

In fact, now that I’m almost finished editing the shit out of Occupy Wrestling with Marie, she’s given me some valuable advice that I’ll definitely take to heart. Once it’s been republished, I should market it to people who are both wrestling and fantasy fans, who will most likely be males ages 20-29. I may have to search far and wide for these people, but they’re worth finding, because they’ll love what I’ve got. Thank you for everything you’ve done for me, Marie. It’s a debt I can never repay in my lifetime.

So what about it, Dave Meltzer (the Editor at Large for the Wrestling Observer Newsletter)? What awards will you give Mitch McLeod? Wrestler of the year? Feud of the year (vs. Keegan Day)? Dare I say, Most Overrated or Worst Gimmick? I sincerely hope the newest version of Occupy Wrestling makes it in the mailboxes of some of these wrestling insiders. They may be harder to get a hold of than the 20 to 29-year-old males, but it would satisfy my curiosity at least. It would be worth it to hear Jim Cornette scream in his Kentucky drawl. Hehe! We’ve got ears, say cheers!


***WEEKLY SHORT STORY CONTESTS AND COMPANY***

The new contest is already here and I’m damn well ready for it. Speaking of dark fantasy, I have yet another short story ready with the suffix “mancer” in the title. The theme this week is “Dark Truth” and my story will be called “The Cryomancer” (a wizard who controls ice). It goes like this:


CHARACTERS:

Julian Kane, Human Screenwriter
Olivia Snow, Elf Cryomancer

PROMPT CONFORMITY: After being exhausted by his relentless work schedule, Julian’s fried brain doesn’t now what the dark truth is anymore.

SYNOPSIS: Julian’s latest movie script features Olivia as a fictional character as she does battle with an army of orcs. In the middle of writing, Olivia starts talking to Julian as if she was a real person. The exhausted screenwriter figures that it’s just his mind playing tricks on him, but when it starts hailing outside and his apartment becomes unexplainably cold, he begins to think that maybe Olivia’s requests for a lighter battle schedule seem reasonable.


***DARK FANTASY WARRIORS***

Continuing with the theme of dark fantasy, my next drawing will be of someone who in no way can cast a decent spell. His weapon of choice is a modified blunderbuss and his diet of choice is meat from the carcasses of the game animals he kills. He is a chubby motherfucker named Joseph Stone and he comes straight from the short story “Unleash the Animal”. Stinger Crushwar may have been the most obnoxious character in that story, but never forget who the real villain is. That’s right, Joseph, I’m looking at you, fat boy!


***LYRICS OF THE DAY***

“All my life they let me know how far I would not go. But inside the beast still grows, waiting, chewing through the ropes. Who are you to change this world? Silly boy! No one needs to hear your words. Let it go. Carnivore! Carnivore! Won’t you come digest me? Take away everything I am. Bring it to an end. Carnivore! Carnivore! Won’t you come and change me? Take away everything I am. Everything I am.”

-Starset singing “Carnivore”-


***POST-SCRIPT***


It’s just a coincidence that the next Dark Fantasy Warrior is a guy who eats too much meat and the lyrics of the day come from a song called “Carnivore”. Then again, I just ate a whole Meat Lover’s Pizza from Pizza Hut earlier today, so maybe it’s not much of a coincidence anymore.

Saturday, October 3, 2015

WWE Live From Madison Square Garden: Brock Lesnar vs. The Big Show

MATCH: Brock Lesnar vs. The Big Show
PROMOTION: World Wrestling Entertainment
EVENT: Live From Madison Square Garden
YEAR: 2015
RATING: TV-PG for violence
GRADE: Pass


On one side of the ring, you have a seven foot tall, 450 lb. giant with multiple championships and an Andre the Giant Memorial Battle Royal trophy on his resume. On the other side of the ring, you have a 6’7”, 285 lb. fighting machine with championships from the NCAA, WWE, and even the UFC to his credit. These two super heavyweights aren’t just big and burly. They’re legitimate athletes. They can steamroll any opponent put in front of them. They can put multiple people in the hospital at once. They’re fighters by nature. And even though they’re both past their primes, they keep getting bigger, stronger, meaner, nastier, and better. Only on the WWE Network will these two weapons of mass destruction be allowed to compete. What better place to hold the deadly fight than at Madison Square Garden, the world’s most famous arena and a staple of New York City?

Believe it or not, these two behemoths have survived each other’s onslaughts before. Their first recorded WWE match was in 2002 at the Survivor Series for Lesnar’s WWE Championship. 2002 was Lesnar’s rookie year and already he was dominating this turnbuckle jungle. He won the King of the Ring Tournament. He defeated The Rock to become the WWE Champion at age 25, the youngest at the time. He held multiple victories over The Undertaker. Nobody could stop this wrecking machine from hell…except for The Big Show, who with a steel chair and a little help from a treacherous Paul Heyman, pinned Brock Lesnar and won the WWE Championship.

As badly as these two men beat each other over that year, it wouldn’t compare to an episode of Smackdown in 2003, when Brock Lesnar once again had to defend his WWE Championship against The Big Show. Ass beatings were definitely in order, but the climax of the match didn’t come until Big Show was on the top rope and Lesnar had the idea of super-plexing this mega giant. Not only did Brock Lesnar have the Greek god-like strength to heave the 500 lb. man up, but when the two superstars crashed to the mat, the entire ring fell to pieces. The match was declared a draw, but that moment remained one of Smackdown’s most memorable.

Fast forward to the year 2014 when both The Big Show and Brock Lesnar had developed as brutally powerful athletes. They would meet again at that year’s Royal Rumble pay-per-view. The even itself was greeted with negativity due to Daniel Bryan’s absence from the actual Royal Rumble match, but if the fans ever needed a reason to cheer up, they got it when Brock Lesnar and Big Show’s match never got started. The reason for that being Lesnar’s vicious steel chair assault to Big Show, leaving bruises, blood, and slashes all over the giant’s body.

And now we fast forward to the year 2015 at WWE’s live event in Madison Square Garden. No more bullshit. No more draws, No more cheap shots. No more betrayal. Just straight up violence and nothing more. Though the match itself was relatively shorter than the rest of the matches on the card, it was no less brutal or deadly. It was a match that started with Lesnar attempting a double-leg takedown on Big Show and getting thrown over the top rope by Show instead.

The first few minutes of the match consisted of Lesnar trying to heave and toss around this 500 lb. warrior to no success whatsoever. Big Show decided to end it early with not one, not two, but three choke slams and a leg-hook pin. Even after falling seven feet three times, Lesnar got his shoulder up at two and the match resumed. Big Show was pissed. He was so pissed that he wanted to end it early again, this time with a knockout punch once Lesnar got to his feet.

Big Show didn’t get a KO victory, no, no, no. He got a one-way all expenses paid trip to Suplex City and Madison Square Garden was the capitol building. Brock Lesnar went behind the massive athlete, wrapped his arms around Big Show’s waist, and gave him not one, not two, not even three, but four German suplexes. Having enough strength to throw a 500 lb. man around like that says something about how much of a slayer Lesnar really is. And then this display of brutal strength was capped off with an F5 from Lesnar to Big Show, followed by a leg-hook pin for a full three count.

You think this is over? Aren’t you forgetting the bonus material? That’s right. Big Show actually got back up to his feet and flipped of his opponent. Granted, this titan was on spaghetti legs and couldn’t clear the cobwebs out of his thick skull, but he was clearly itching for another fight. Lesnar was more than happy to oblige. He got back in the ring and delivered an overhead belly-to-belly suplex to the massive ogre before picking his battered ass back up and giving another F5 for good measure. Needless to say, Brock was fully satisfied and walked away from the arena a happy man.

Big Show, on the other hand, walked to the backstage area holding his ribs and trying to maintain his equilibrium. When ringside announcer Eden Stiles said into her microphone, “Ladies and gentlemen, let’s hear it one more time for The Big Show!”, all the seven-footer heard was a chorus of boos.

Despite the short length of this match, the multiple displays of sheer power by Brock Lesnar were awesome to watch. Having The Big Show do a job for him was the right move by WWE. And not only was it an important victory for Brock, it was a convincing one. Big Show suffered losses over his career to men much smaller than him.

But this match didn’t feel excessively scripted. This match actually felt like two big men trying to outmuscle each other. Lesnar isn’t used to being the underdog in his matches, so him being victorious in definitive fashion is a huge momentum builder for what awaits him next: a Hell in a Cell match with The Undertaker. After tossing around a man twice his size like he was medicine ball, Brock Lesnar doesn’t look like an underdog anymore, especially not against The Undertaker in a match the latter made famous.